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Decorations Dolls, Statues, & Busts Rock, R&B, Pop, Soul, & Metal/Symphonic Toys & Games

WHITNEY HOUSTON – HOW WILL I KNOW (FUNKO STATUETTE)

SUMMARY:

Released by Funko POP Icons! in 2022, it’s a vinyl homage to Whitney Houston’s 1985 “How Will I Know” music video.  This Funko POP’s dimensions are: 2.5 X 2.5 X 3.75.  In Funko’s numbering system, this POP Icon is # 70. 

Other Houston Funko POP Icon homage statuettes include: her 1991 Super Bowl National Anthem (# 71), her 1985 debut (# 25), and her 1987 “I Wanna Dance With Somebody (With Somebody Who Loves Me)” music video (# 73).

REVIEW:

As far as mid-80’s pop music nostalgia goes, this Funko POP Icon statuette is a gem.  Immaculately produced, it delivers a welcome treat for Whitney Houston fans.

BONUS FEATURES:

A clear plastic display stand is included.

BRIAN’S ODD MOON RATING:                    10 Stars

Categories
Books & Novels Children's Books Comic Books & Graphic Novels DC Comics DC-Related DC's Hardcovers & Trade Paperbacks

JUSTICE LEAGUE: THE JOKER AND HARLEY QUINN’S JUSTICE LEAGUE JAILHOUSE

Written by Louise Simonson.

Illustrated & Cover Art by Tim Levins.

SUMMARY:

Based off the Justice League Unlimited animated program’s continuity, Stone Arch Brooks released this 88-page paperback in 2018.  It’s among at least eight titles in this series. 

Hired by Lex Luthor, the Joker & Harley Quinn conspire to abduct the Justice League by holding them captive in a secret subterranean cavern below Arkham Asylum.  The big prize is Luthor’s ulterior motive: a defeated Superman at his mercy (or lack thereof).

With the Huntress and Flash as their first prisoners, the villains reveal that the Leaguers have been chained to an elaborate death trap where Gotham would be decimated by a bomb.  One catch is that the heroes’ vast powers have been conveniently neutralized.  The far more diabolical one is that the sole means to prevent detonation is steady (forced) laughter at video replays of the Joker’s favorite ‘greatest hits’ schemes. 

Despite already knowing the identities of their adversaries, the Man of Steel is lured into a kryptonite trap.  It’s up to Wonder Woman, Batman, Cyborg, and John Stewart’s Green Lantern to launch a counter-strike to save their teammates.  To make their strategy work, Wonder Woman risks her life to infiltrate the villainous duo’s lair by posing as their next prisoner. 

The question becomes: will this dangerous gamble save Gotham City and her teammates in time? 

Notes: Neither Hal Jordan’s Green Lantern nor Aquaman appear in this story.  The back cover reiterates the League roster, including its reserves.

REVIEW:

With excellent production values (including an easily readable font), this book doesn’t cheat its young target audience. 

Veteran comics writer Louise Simonson devises a fun little plot that seemingly evens the odds pitting two wacky Bat-villains vs. seven Justice Leaguers.  While ‘screen time’ is generally well-divided, Wonder Woman earns this story’s MVP award as Simonson’s best-written character.  As for the visuals, Tim Levins’ artwork nicely homages the look of Justice League Unlimited.  Suffice to say, this Justice League caper should be a fast read where kids will outgrow it sooner vs. later.   

Still, Justice League: The Joker and Harley Quinn’s Justice League Jailhouse is a welcome find for an elementary school library.      

ADDITIONAL CONTENT:

There is a table of contents.  The League’s ‘roll call’ highlights its primary seven members: Wonder Woman; Batman; Superman; Cyborg; Flash; Hal Jordan’s Green Lantern; and Aquaman.  Another twenty League reserves are also depicted.  The League’s ‘database’ reviews a quick profile on the Joker and Harley Quinn, along with images of another thirty-four Legion of Doom villains.  An ad also identifies the covers for all eight (so far) titles in this series. 

While there is a single-page glossary, it ironically omits the climax’s biggest word: “doppelgänger.”  A few questions and some creative writing prompts are then provided for students.  Paragraph-length bios on Simonson and Levins are on the last page.

BRIAN’S ODD MOON RATING:                      7 Stars

Categories
Books & Novels Children's Books Comic Books & Graphic Novels DC Comics DC-Related DC's Hardcovers & Trade Paperbacks

JUSTICE LEAGUE: GORILLA GRODD AND THE PRIMATE PROTOCOL

Written by Brandon T. Snider.

Illustrated & Cover Art by Tim Levins.

SUMMARY:

Based off the Justice League Unlimited animated program’s continuity, Stone Arch Brooks released this 88-page paperback in 2018.  It’s among at least eight titles in this series. 

With the League already short-handed due to various emergencies, Batman deploys a six-member squad under Wonder Woman & Vixen’s command to Gorilla City.  This contingent consists of John Stewart’s Green Lantern; Hawkman; Green Arrow; & Ronnie Raymond/Professor Martin Stein’s rookie Firestorm.  Their mission is to recapture a fugitive Gorilla Grodd.

A routine skirmish seemingly lands Grodd and his mind-controlling gold helmet in League custody.  Yet, aboard a mid-air League Javelin jet, the conniving Gorilla Grodd’s latest evil scheme is unleashed.  Transforming Firestorm, Green Arrow, Hawkman, and Wonder Woman into his rampaging gorilla minions, Grodd sends them against Vixen & Green Lantern in downtown New York City. 

It’s up to Professor Stein to reach Ronnie’s mind to save their League teammates while there’s still time.  

Notes: While Batman plays a supporting role in this plot, Superman, Cyborg, & Flash make cameo appearances.  Neither Hal Jordan’s Green Lantern nor Aquaman appear in this story.  The back cover reiterates the League roster, including its reserves. There are at least seven other titles in this particular Stone Arch Books series.

REVIEW:

Its production values are remarkably good, including an easily readable font.  Both its comic book-faithful plot (i.e. Hawkman & Green Arrow’s mutual disdain) and appealing visuals ensure a decent diversion for the intended elementary school audience.  As the team’s rookie powerhouse, Firestorm (Ronnie Raymond & Professor Martin Stein) is highlighted in a plot reminiscent of the mid-80’s Super-Friends TV incarnations as The Super Powers Team/Galactic Guardians animated series.

There’s nothing remarkable about the story itself, as kids will likely outgrow it fast.  Still, Justice League: Gorilla Grodd and The Primate Protocol makes a fun library read for ages 8 and up.        

ADDITIONAL CONTENT:

There’s a table of contents.  The League’s ‘roll call’ highlights its primary seven members: Wonder Woman; Batman; Superman; Cyborg; Flash; Hal Jordan’s Green Lantern; and Aquaman.  Another twenty League reserves are also depicted.  The League’s ‘database’ reviews a quick profile on Gorilla Grodd, along with images of another thirty-five Legion of Doom villains. 

An ad identifies the covers for all eight (so far) titles in this series.  Following a single-page glossary, a few questions and some creative writing prompts are provided for students.  Paragraph-length bios on Snider and Levins are saved for last.

BRIAN’S ODD MOON RATING:                 7 Stars

Categories
Digital Movies & TV Movies & Television (Videos) Online Videos TV Episodes & Movies

MURDER CAN HURT YOU! (1980 TV Film)

SUMMARY:          RUNNING TIME: 1 Hour, 33  Min.

From Aaron Spelling’s production company, this obscure TV mystery-comedy premiered on ABC-TV on May 21, 1980.  Roger Duchowny directed the project off veteran TV screenwriter Ron Friedman’s script. 

Mimicking 1976’s big-screen Murder By Death (which parodied Hercule Poirot, Jane Marple, Sam Spade, Charlie Chan, and Nick & Nora Charles), this spoof targets popular 1970’s American TV cops-and-robbers: i.e. Baretta; Columbo and its short-lived spin-off, Mrs. Columbo; Policewoman; McCloud; Starsky & Hutch; Ironside; and Kojak.  Even the signature TV theme songs are briefly imitated introducing these goofy counterparts.   

Outlandishly disposing of one high-profile Los Angeles undercover sleuth, the nefarious ‘Man in White’ has now declared war on L.A.’s various ‘super-cops.’  Assembling to tackle their common enemy, these bumbling police detectives soon realize they are being targeted for humiliating elimination – one by one. 

Ostensibly under Lt. Nojack’s (MacLeod) command, it’s a matter of getting their investigative teamwork together while evading screwball death traps to apprehend this sinister assassin before it’s too late.  The question becomes: who gets whom first?   

To spell out the movie’s tongue-in-cheek vibe, a cartoony band-aid adorns the opening logo. As a figurative last gag, there’s even a swipe at Dragnet actor-producer Jack Webb’s signature ‘Mark VII Limited’ logo.   

The Cast (plus the TV program the character parodies)

The Man in White: Mitchell Kreindel

Officer Pony Lambretta: Tony Danza (Baretta)

Chickie Baby the Parrot (voice only): Mel Blanc (Baretta)

Mrs. Serafina/Seraphina Palumbo: Liz Torres (Columbo/Mrs. Columbo)

Inspector Palumbo: Burt Young (Columbo)

Palumbo’s Bloodhound: Uncredited (Columbo)

Sgt. Salty Sanderson: Connie Stevens (Policewoman)

Sheriff Tim MacSkye: Buck Owens (McCloud)

Det. Studsky: Jamie Farr (Starsky & Hutch)

Det. Len ‘Hatch’ Hatchington: John Byner (Starsky & Hutch)

Chief Ironbottom: Victor Buono  (Ironside)

Parks the Pusher: Jimmie Walker (Ironside)

Lt. Nojack: Gavin MacLeod (Kojak)

Detective Starkos: Marty Allen (Kojak)

Mr. Burnice: Richard Deacon

Raquel the Prostitute: Gunilla Hutton

Marilyn the Prostitute: E. Wetta Little

Sophia the Prostitute: Tessa Richarde

Miss Virgina Trickwood: Roz Kelly

Willie the Wino: Mason Adams

Salty’s Arrested Thug: Michael DeLano

Willie’s Physician: Allen Case

Uniformed Cop: Jack Lindline

Truck Driver: W.T. Zacha

Fitzhugh the Butler: Colin Hamilton

Wealthy Couple: Carle Bensen & Harriet Medin

Candy Store Owner: Iris Adrian

‘Girls:’ Linda Lawrence & Kathy Clarke

Studsky & Hatch’s Hot Tub Dates: Uncredited

‘Stunner:’ Tanya Boyd

Other Prostitutes: Twink Caplan & Muffi Durham

Miss Trickwood’s Additional Prostitutes: Uncredited

Narrator (voice only): Don Adams

Note: Another possible inspiration might be 1977’s ITV comedy, The Strange Case of The End of Civilisation As We Know It.  This British mystery-parody co-stars Fawlty Towers’ John Cleese and Connie Booth.  Primarily spoofing Sherlock Holmes, other famed sleuths ridiculed are: Hercule Poirot; Sam Spade; Samuel McCloud; Lt. Columbo; Hawaii 5-0’s Steve McGarrett; and James Bond. 

REVIEW:

At least it’s one less insult to a viewer’s intelligence that this misguided live-action cartoon doesn’t resort to a TV laugh track.  Still, suffering through such dreck is a stark reminder of how iconic films tend to inspire a glut of TV copycats (especially for that era) – no matter how directly. 

Whether it be Star Wars – Episode IV: A New Hope vs. the original Battlestar Galactica; Smokey and The Bandit vs. The Dukes of Hazzard and B.J. and The Bear; Hooper vs. The Fall Guy; or even Tron vs. Automan, etc., the odds of these TV knock-offs equaling, let alone surpassing their big-screen inspirations were invariably nil. Let be said Murder Can Hurt You! gives even the worst knock-offs a bad name.

Given its ultra-silly premise, eye-rolling slapstick, and moronic puns posing as character names, the blatant rip-off titled Murder Can Hurt You! only bolsters Murder By Death’s stature as a comedy-spoof classic.  Neil Simon’s satiric wit, Robert Moore’s first-rate direction, and the chemistry of a game (mostly all-star) cast make Murder By Death – though it’s somewhat risqué – a gimmicky whodunnit worth multiple viewings.  Aside from the film’s assortment of wacky gags, a second viewing or more is likely necessary just to catch all the clever jibes aimed at detective story clichés.  

Murder Can Hurt You!, by comparison, lazily squanders good TV talent on a witless script and even more idiotic execution (pardon the expression).  Lame caricatures of iconic TV cops, not to mention minimal compatibility in this cast, makes watching Murder Can Hurt You! an unnecessarily grim chore.  What might have sufficed for a few chuckles as a Saturday Night Live or SCTV skit is excessively stretched out to feature-length proportions 

Even Aaron Spelling’s usually reliable production values fall far short, as if the fake backdrop scenery is embarrassed to be associated with such a cheap, made-for-TV fiasco.  Beyond cashing a paycheck, one is hard-pressed to fathom what possible artistic merit this cast imagined the script’s insipid game of misdirection possessed.  For instance, the ‘detective’s decrepit clubhouse’ scenes, or, worse yet, the balloon factory sequence, should have been instantly red-flagged by any competent talent agent. 

Deeming this whodunnit retread as TV’s answer to Murder By Death is far too literal considering Simon’s ingenious concept is swiped down to the last plot twist.  Hence, a concluding message condemning how sexist American television has unfairly neglected female cops and detectives is wasted. 

Speaking of pathetic irony, the less the said the better of Connie Stevens’ over-sexed ‘policewoman,’ not to mention, of the plot’s nonsense parading a bevy of PG-friendly prostitutes.  There’s no point debating this program’s inconsistency supposedly advocating women’s equality while shamelessly degrading them for bottom-of-the-barrel chuckles.    

Murder Can Hurt You!, suffice to say, is far too stupid to qualify for an it’s-so-bad-it’s-funny tag.  It instead merits a dubious spot on a list of the worst-ever TV movie eyesores.       

BRIAN’S ODD MOON RATING:                     1½ Stars

Note: As an early 80’s alternative, there is the Zucker Brothers’ short-lived Police Squad TV series.  It was subsequently rebooted six years after cancellation into 1988’s The Naked Gun: From The Files of Police Squad, plus two subsequent sequels.

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Categories
CD's Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

TWICE UPON A TIME – THE SINGLES (by Siouxsie & The Banshees)

SUMMARY:             RUNNING TIME: 1 Hour, 15 Min.

This second singles compilation was released in late 1992  – by Geffen Records in the U.S. and Polydor Records in the U.K.  Specifically, the playlist consists of tunes the British band chronologically released (or, in one instance, a live version) between 1982 and 1992. 

The eighteen tracks are:  

  1. Fireworks (4:21)
  2. Slowdive (4:18)
  3. Melt! (3:47)
  4. Dear Prudence (3:51) (composers: Paul McCartney & John Lennon)
  5. Swimming Horses (4:04)
  6. Dazzle (5:30)
  7. Overground (3:51)
  8. Cities in Dust (4:07)
  9. Candyman (3:43)
  10. This Wheel’s On Fire (4:03) (composers: Bob Dylan & Rick Danko)
  11. This Passenger (4:09)
  12. Peek-A-Boo (3:10)
  13. The Killing Jar (3:58)
  14. The Last Beat Of My Heart – Live Version from Seattle’s 1991 Lollapalooza (5:26)
  15. Kiss Them For Me (4:29)
  16. Shadowtime  (4:20)
  17. Fear (Of The Unknown) (4:19)
  18. Face to Face (from 1992’s Batman Returns) (4:25).

REVIEW:

The band’s mostly upbeat melodies tend to resemble one another after awhile.  Still,  with a regular influx of upbeat pop, these eighteen moody songs should please alternative/punk rock loyalists and will likely entice a new generation of fans.  Case in point: for Track # 18, Siouxsie Sioux’s lead vocals (no doubt deliberately) eerily resemble actress Michelle Pfeiffer’s voice, as far as conveying her Catwoman’s sultry anthem heard in Batman Returns

Twice Upon A Time – The Singles, suffice to say, delivers welcome background noise.  More so, it’s an intriguing retrospective album meriting re-discovery.        

PACKAGING:

Its standard CD casing includes the tracks, producers, and their release dates listed on the back.  The booklet/insert provides each song’s lyrics, black-and-white miniature photos of the band, writing credits, and copyrights.  

BRIAN’S ODD MOON RATING:                          8 Stars

Categories
Books & Novels General Fiction Romance

THE HAVILAND TOUCH

Written by Kay Hooper

SUMMARY:

As a partial sequel to 1989’s Enemy Mine, Kay Hooper penned this 294-page spin-off in 1991. 

For wealthy British American adventurer and amateur archaeologist Drew Haviland, it’s been several months (most likely, the year before) since the events of Enemy Mine.  In suburban Washington, D.C., a chance encounter with a familiar emerald necklace sets up Haviland for an awkward reunion with its prior owner.  She’s the demure ex-fiancée who had jilted him a decade before.  He hasn’t forgotten Spencer Wyatt, nor has he processed why she left him for another (and clearly lesser) man.   

Now a 28-year-old divorcée, an emotionally exhausted Spencer barely resists off Haviland’s aggressive romantic advances amidst coping with her family’s rapid financial decline.  To comfort her dying and increasingly senile father, Allan, Spencer (his only child) seeks to complete his lifelong obsession: discovering the legendary and priceless Hapsburg Cross in its secluded hiding place somewhere in Western Europe.

Following her father’s extensive notes and journals, Spencer stubbornly intends to go it alone on this dangerous journey.  Given Spencer’s knack for correlating historical knowledge with insights re: human nature, it may prove welcome compensation for an amateur treasure hunter. 

Scoffing at her utterly remote chances, a condescending Haviland soon realizes that he has misjudged the surprisingly resilient Ms. Wyatt.  Growing emotionally attached to Spencer, an overnight burglary convinces Haviland to join her overseas search, whether she likes it or not. 

Likely awaiting them in Austria is Haviland’s ruthless arch-nemesis, Lon Stanton, who won’t hesitate to kill first to claim the Cross.   Even with help from Enemy Mine’s Kane & Tyler Pendleton, not to mention Interpol’s Burke Corbett,  Haviland senses in horror that Stanton’s deadly ace is abducting Spencer. 

Haviland and Spencer gradually accept that their destinies have become intertwined, but will their future together be short-lived?

Notes: The Jove paperback reprint (as seen below) was issued in 2005.  This title is also available digitally and in hardcover.

REVIEW:

The Haviland Touch, in general terms, is a forgettable getaway Kay Hooper concocted early in her literary career.  From the start, Hooper devises an appealing heroine in Spencer Wyatt, though she is far too easily overwhelmed by the macho Haviland’s presence.  Initially depicted as a domineering bully, Hooper’s slick storytelling quickly reshapes Drew Haviland into a suave knight-in-shining armor with a sensitive side. 

It’s easy to visualize a blond Hugh Jackman twenty years ago inhabiting this kind of generic hero.  Opposite him, casting options might include Reese Witherspoon, Eliza Dushku, Jordana Brewster, or Scarlett Johannson, as the petite brunette, Spencer.  Then again, it’s just as plausible imagining Miss Scarlet and The Duke’s Kate Phillips and Stuart Martin pairing up as Spencer & Drew.   

Regardless of any what-if film adaptation, there’s no subtlety delaying how Spencer Wyatt predictably becomes Haviland’s damsel in distress in this present-day fairy tale-meets-Indiana Jones.  Hence, the undemanding Haviland Touch, for the romantic adventure genre, isn’t remotely innovative, as far as playing anywhere outside the numbers.  Hooper, for instance, opts to pitch a few extended (and eye-rolling) sex scenes before briefly deploying her story’s suspenseful twists in its last fifty pages. 

Still, this formulaic tale offers a fast and relatively likable read before one moves on to bigger and better plots.

ADDITIONAL FEATURES:

A brief supplemental note has Hooper acknowledge this storyline (including any Hapsburg Cross) is completely fictional.

BRIAN’S ODD MOON RATING:                   4½ Stars

Categories
Music & Radio Shows Records/LP's Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

PULP FICTION [1994 Movie Soundtrack]

SUMMARY:                  RUNNING TIME: 41:11 Min.

Released by MCA Records in 1994, the film soundtrack includes dialogue clips from the movie between tracks.  With twelve songs, the album’s sixteen tracks are as follows:

SIDE 1:  

  1. Dialogue Clip: “Pumpkin and Honey Bunny” (voice actors: Tim Roth & Amanda Plummer) explicit (2:27)
  2. Misirlou (by Dick Dale & His Del Tones) (1:42)
  3. Dialogue Clip: “Royale With Cheese” (voice actors: John Travolta & Samuel L. Jackson) explicit (3:05)
  4. Let’s Stay Together (by Al Green) (3:15)
  5. Bustin’ Surfboards (by The Tornadoes) – instrumental (with wave sound effects) (2:26)
  6. Lonesome Town (by Ricky Nelson) (2:13)
  7. Son of a Preacher Man (by Dusty Springfield) (2:25)
  8. Dialogue Clip: “Zed’s Dead, Baby” (voice actors: Maria de Medeiros & Bruce Willis) followed by Bullwinkle, Part II (by The Centurions) (2:31).

SIDE 2:

  1. Dialogue Clip: “Jack Rabbit” Slims Twist Contest” (credited voice actor: Jerome Patrick Hoban) followed by You Never Can Tell (by Chuck Berry) (3:12)
  2. Girl, You’ll Be a Woman Soon (by Urge Overkill) (3:09)
  3. If Love is a Red Dress (Hang Me in Rags) (by Maria McKee) (4:55)
  4. Dialogue Clip: “Bring Out The Gimp” (voice actors: Peter Green & Duane Whitaker) followed by Comanche (by The Revels) (2:10)
  5. Flowers on The Hill (by The Statler Brothers) (2:23)
  6. Dialogue Clip: “Personality Goes a Long Way” (voice actors: John Travolta & Samuel L. Jackson) (1:00)
  7. Surf Rider (by The Lively Ones) – instrumental (3:18)
  8. Dialogue Clip: “Ezekiel 25:17” (voice actor: Samuel L. Jackson) (0:51).

Note: This soundtrack is also available in CD and digital formats.  The vinyl edition has evidently been re-released multiple times.

REVIEW:

Enjoying spot-on audio quality, this highlight reel of an album supplies an ideal accompaniment for Pulp Fiction afficionados.  None of the dozen tunes, curiously enough, are must-haves on their own.  Yet, once assembled as a mostly 60’s retro playlist, the tracks become catchy. 

With this album’s groovy tunes flying by fast, the Pulp Fiction soundtrack cuts an entertaining slice of mid-90’s pop nostalgia.     

PACKAGING:

The album’s contents are accurately included on both the back cover and the record itself.  The included sheath keeps the record well-protected.  To MCA Records’ credit, the parental advisory label is easy to spot.

BRIAN’S ODD MOON RATING:                       8 Stars

Categories
Comic Books & Graphic Novels DC Comics DC-Related DC's Hardcovers & Trade Paperbacks

GIRL TAKING OVER: A LOIS LANE STORY (DC Comics)

Written by Sarah Kuhn.

Art by Arielle Jovellanos; Olivia Pecini;  Melanie Ujimori; & Sam Lotfi.

Cover Art by Arielle Jovellanos; Olivia Pecini; & Melanie Ujimori.

SUMMARY:

Released by DC Comics in 2023, this 185-page Young Adult graphic novel re-imagines Lois Lane as an ultra-ambitious 18-year-old first-generation Asian American high school graduate seeking her first big break. 

For the summer prior to pursuing a journalism degree at the University of Metropolis, Lois (or “Lo-chan,” as her doting mother calls her) embraces a promising internship with Cat Grant’s urban website in National City.  If anything, she is at least far away from her quaint and excessively dull hometown of Macville – evidently located somewhere on the West Coast. 

Lois considers this big city gig a precursor to phenomenal career accomplishments awaiting her back East at The Daily Planet someday.  Yet, first she finds out that her mother has secretly arranged for Miki Mahara (Lois’ long-estranged, ex-best friend) as a summer roommate.  Suffice to say, there is instant friction between Lois & Miki’s vibrant yet seemingly dissimilar personalities.

Note: It isn’t clarified if Lois & Miki are in fact cousins, as they evidently share an ‘Uncle Ronnie.’

Lois’ ‘epic’ life plan further unravels the next day as her professional idol, Cat Grant, is summarily dismissed due to corporate chicanery leaving Lois reduced to a coffee gofer.  Later defending an artistic Miki’s principles to avant-garde actor/theater owner Dante Alexander, Lois smells a rat. 

Having confirmed Alexander’s fraudulent scheme, Lois is dismayed that her snide boss, Bradley Beauregard Belmont (aka Triple B), has suppressed her exposé and threatens revoking her internship.  With help from their shared friends, an emboldened Miki convinces Lois to collaborate on an anonymous website, “Novice Nooz!,” geared towards honest journalism for their generation.

Success and potential romances quietly blossom for both Lois and Miki.  Impacting the young journalist’s newfound momentum is a spirit-crushing encounter with a downcast Cat Grant.  Even worse is vengeful repercussions threatened by Belmont and Alexander once they realize how Lois & Miki have blatantly defied them.  With public exposure meant to ruin their promising futures, the two friends must make a pivotal stand, regardless of the consequences.            

Notes: This title is also available digitally.  As a parental advisory, there are sporadic profanities, including one f-word.     

REVIEW:

With unabashed exuberance, writer Sarah Kuhn’s storyline explores a bevy of contemporary themes, including racism, both gender and workplace discrimination, ethical journalism, and youthful yet non-violent rebellion.  More so, Kuhn packages her plot twists to embolden girls with resiliency and a belief that dreams can come true  … even if they necessitate some occasional tweaking/reality checks. 

In that sense, the down-to-earth title character doesn’t really need Lois Lane’s name value for this book’s upbeat content to succeed.  The ‘Lois Lane’ element, however, only further enhances Girl Taking Over’s innate charm by living up to the comic book icon’s reputation. The same applies to this art squad’s colorful visuals, which prove an ideal fit for Kuhn’s effervescent storytelling. 

There is one caveat: Kuhn’s two stock villains are strictly one-dimensional egomaniacs.  It isn’t necessary that either one ‘magically’ reforms by the story’s end (a cookie-cutter cliché that Kuhn doesn’t resort to).  Had either Alexander or Belmont exhibited one unexpected hint of compassion, then Girl Taking Over would be a more complete story where all ethnicities deserve a level playing field.       

Aside from some unnecessary profanities, Girl Taking Over: A Lois Lane Story is a treat to read.  More so, Kuhn and her collaborators supply convincing evidence that terrific Lois Lane stories don’t require a Man of Steel.

ADDITIONAL CONTENT:

Collaborators Kuhn and Jovellanos each have a photo and biography page.  Exploring their re-imagining of Cassandra Cain, there is a thirteen-page preview of Kuhn & artist Nicole Goux’s Shadow of the Batgirl graphic novel. 

BRIAN’S ODD MOON RATING:                     8  Stars

Categories
Digital Movies & TV Movies & Television (Videos) Online Videos Sports (TV & Videos) TV Episodes & Movies TV Series TV Series (Specific Episodes) WWF/WWE (Pro Wrestling)

NWA CLASH OF THE CHAMPIONS IV: SEASON’S BEATINGS (Aired: 12-7-1988)

SUMMARY:       RUNNING TIME: Approx. 1 Hour, 52 Min.

During the 1988 holiday season in the rough-and-tumble NWA (National Wrestling Alliance), it’s not about merely getting lumps of coal in your stocking – it’s just about getting lumps.  From Chattanooga, TN at the UTC (University of Tennessee-Chattanooga) Arena, TBS aired the NWA’s Clash of the Champions IV: Season’s Beatings live on December 7, 1988. 

The event’s ringside commentators are Jim Ross & Bob Caudle.  After each match, Tony Schiavone and his guest, “The Total Package” Lex Luger, also briefly contribute supplemental commentary.  Magnum T.A., meanwhile, conducts some of the interviews.  Teenage actor Jason Hervey (of ABC-TV’s “The Wonder Years”) is present at ringside – he is referenced as the opening match’s ring announcer.  This Clash is a prelude for that’s month’s NWA Pay-Per-View, Starrcade ’88: True Gritt.

Notes: It is repeatedly announced that these matches are alotted a half-hour time limit. With this show, the NWA also experimented with glimpses of an above-the ring camera angle. Let’s just say it doesn’t bolster the show’s viewing quality.

Match 1: “Hot Stuff” Eddie Gilbert & Ron Simmons vs. The Fantastics (Tommy Rogers & Bobby Fulton) – U.S. Tag Team Championship Tournament Final (27:04).  Approaching the time limit, both fan favorite duos contribute an excellent effort.  Gilbert is valiant selling his injured arm during the bout’s latter half.  Suffice to say, whoever chose this tournament final to lead off the show made a smart call.  Rating: 7½ Stars.  

  • Ross interviews NWA World Television Champion Mike Rotunda and Kevin Sullivan.  The ultra-snide villains ridicule Rotunda’s Starrcade ’88 challenger (and their ex-Varsity Club stablemate), Rick Steiner.

Match 2: The Varsity Club’s “Dr. Death” Steve Williams (with Kevin Sullivan) vs. The Italian Stallion (15:17).  Instead of a predictable squash, The Italian Stallion somehow stays competitive against the now-heel Williams.  While the finish is exactly what viewers expect, the bout is watchable TV filler.  Rating: 6 Stars.

  • With Luger looking on, Schiavone interviews Jason Hervey.
  • Magnum T.A. interviews The Junkyard Dog (JYD).  JYD has been recruited as Nikita Koloff’s replacement for a tag match with Ivan Koloff against Paul Jones’ Russian Assassins at Starrcade ’88
  • There’s a second replay of The Road Warriors’ recent bloody attack on Dusty Rhodes from an episode of World Championship Wrestling.  The first replay was included in the pre-title segment.

Note: Nikita Koloff had recently departed the NWA on a personal sabbatical and would not return until early 1991.  

Match 3: Ivan Koloff (with the stipulation of having one arm tied behind his back) vs. Paul Jones (8:21).  Given these players, their bout is as near-unwatchable as it sounds.  It’s no shocker that the masked Russian Assassins and JYD intervene to hype their upcoming tag bout.  Rating 3½ Stars.

  • Ross briefly interviews Sting, who is in at ringside in support of Rhodes (his tag partner at Starrcade ’88).   
  • Per Rhodes’ late arrival (planned or not), Magnum T.A. interviews “The Dog-Faced Gremlin” Rick Steiner, who is in full goofy mode.   

Match 4: “The American Dream” Dusty Rhodes (with Sting) vs. NWA World Tag Team Champion Road Warrior Animal (with Paul Ellering & Road Warrior Hawk (2:54).  With the winner gaining control of the NWA World Six-Man Tag Team Championship, an eye-patched Rhodes seeks vengeance upon his ex-partners: The Road Warriors.  In only a few minutes, it is the show’s most sadistic content and does little to justify its airtime.  Rating: 3 Stars. 

Notes: The NWA subsequently retired its World Six-Man Tag Team Championship in February1989.  This bout (aside from Starrcade ’88) was evidently Rhodes’ last NWA TV match before jumping to the WWF in early 1990.

Match 5: The Midnight Express -“Beautiful” Bobby Eaton & “Sweet” Stan Lane (with Jim Cornette) vs. NWA World Champion “Nature Boy” Ric Flair & NWA U.S. Champion Barry Windham (with J.J. Dillon) (17:41).  While the winners’ chicanery isn’t a surprise, the pre-match hype is justifiable.  Specifically, this bout is tag team dynamite.  With the Express mostly dominating the Two Horsemen, a reeling Flair & Windham play up this scenario for all it’s worth. 

Considering Cornette’s now-popular Express three months before became the sole NWA team to simultaneously hold the U.S. and World Tag Team Championships, their star power now appears equitable to the remaining Horsemen.  Including Cornette and Dillon’s wily contributions, this tag team showdown absolutely merits re-discovery.  Rating: 8½ Stars. 

Note: Having jumped to the WWF, then-NWA World Tag Team Champions Tully Blanchard & Arn Anderson (the other half of The Four Horsemen) dropped the titles to fellow heels The Midnight Express on 9/10/88.  In a bloody rout, Eaton & Lane subsequently lost the championship to the rampaging Road Warriors on 10/29/88.  

  • Schiavone interviews an irate Cornette.
  • Ross & Caudle review some of the Clash’s highlights.
  • Schiavone & Luger review the main event’s finish before closing out the show.  Luger deems himself ready to claim Flair’s NWA World Heavyweight Championship at Starrcade ’88.

REVIEW:

Predictably, the NWA’s video quality isn’t as slickly-produced as the rival WWF, but the overall content is still more than sufficient.  Ross and Caudle are an excellent ringside tandem that easily surpasses Schiavone & Luger’s bland screen time – which is mere filler by comparison. 

With two outstanding bouts book-ending the show, the other three matches are skippable.  That said, the rare Midnight Express vs. Flair & Windham bout is a welcome blast of Late ‘80s NWA nostalgia.  If one should have extra time, the Simmons/Gilbert vs. The Fantastics title bout delivers a minor gem.  Everything else in between often requires a fast-forward button.   

BRIAN’S ODD MOON RATING:                6½ Stars

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NWA WORLD CHAMPION “NATURE BOY” RIC FLAIR VS. “THE MAN WITH THE HANDS OF STONE” RONNIE GARVIN {Steel Cage Match} (NWA World Wide Wrestling: Taped 9-25-1987)

SUMMARY:                 RUNNING TIME: 42:19 Min.

Later airing on NWA World Wide Wrestling, this NWA World Championship steel cage match occurred on September 25, 1987, at Detroit’s Joe Louis Arena.  At the time, “Nature Boy” Ric Flair was feuding with both Ronnie Garvin and his on-screen ‘brother,’ “Gorgeous” Jimmy Gavin (who is Ronnie’s real-life step-son). 

Without his Four Horsemen cronies (including manager J.J. Dillon), Flair is on his own defending his World Heavyweight Title against the so-called “The Man With The Hands of Stone.”  Apart from a classic top rope finish (including a rare high-flying move from Garvin), this slugfest is dominated by Garvin’s pounding ground game.  Flair appears in vintage mid-80’s form, even as he slowly wilts under Garvin’s barrage.  

The post-match reaction includes NWA promoters Jim & David Crockett; Dusty Rhodes; Nikita Koloff; Sting; Barry Windham; Michael “P.S.” Hayes; The Rock ‘N’ Roll Express (Ricky Morton & Robert Gibson); Shane Douglas; and The Lightning Express (Brad Armstrong & Tim Horner).  Approximately five minutes replaying the bout’s climax and finish are included.  As seen on screen, David Crockett provides the solo ringside commentary.

Note: Including commercial breakaways, the match (as shown in progress) is approximately thirty-two minutes.  The subsequent ten minutes is the post-match celebration/recap.

REVIEW:

Keeping in mind that, at the time, Garvin was 42 and Flair himself was 38, their veteran in-ring conditioning is astounding.  Specifically, neither one resorts to rest holds or cheap stalling to catch a breath amidst grueling ‘combat.’  Even more so, Garvin’s gritty, no-nonsense style might seem boring after 10-15 minutes; that is not the case here.  This gutsy display is likely one of the best, if not the best, of Garvin’s career. 

Between a bloodied yet resilient Flair and a relentless Garvin, fans absolutely get their money’s worth.  The shame is that this no-nonsense showdown was soon overshadowed (and basically forgotten) upon the obligatory Starrcade ’87 title rematch (in a cage, of course) … where the predictable happens.  Still, to Flair’s credit, he illuminates Garvin’s star power in this bout’s closing seconds. 

Suffice to say, it’s an immortal coronation of a reliable yet perennial mid-carder finally getting his due. 

BRIAN’S ODD MOON RATING:                       8½ Stars

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