Categories
Books & Novels Children's Books Christmas

SANTA IS COMING TO IDAHO

Written by Steven Smallman and Illustrations by Robert Dunn & Jim Mitchell

SUMMARY:

Published in 2013 by Sourcebooks Jabberwocky, this hardcover book tracks Santa’s calamity-filled journey to Idaho.  Santa Claus and his reindeer are trekking off to Idaho on Christmas Eve only to get lost in a blizzard after crossing the Canadian border.  They further stumble through a minor crash landing.  Santa’s Santa-nav (his version of GPS) is not proving very helpful.  Fortunately, Santa’s unnamed, inexperienced, and youngest reindeer out on his first Christmas Eve run demonstrates a keen sense of intuition.  Ultimately, Santa and his reindeer team must use their ingenuity in delivering toys to everyone all over Idaho.

REVIEW:

At just under thirty pages, it could be construed that Santa’s visit to the Gem State is really just the author name-dropping various Idaho towns and landmarks.  Even if Santa follows a zig-zag path, at least the author keeps his geography correct.  Instead of relying on clichés, Steven Smallman nicely demonstrates Santa’s traditional habits with some sprinklings of well-timed humor.  The author’s text is also well-matched by the magic of Robert Dunn & Jim Mitchell’s affectionate illustrations.  Delightfully, this book is a real gem for children.

BRIAN’S ODD MOON RATING:                                 9 Stars

Categories
Books & Novels Children's Books Christmas

CHARLIE THE RANCH DOG: CHARLIE AND THE CHRISTMAS KITTY

Written by Ree Drummond & Illustrated by Diane deGroat

SUMMARY:

Published by HarperCollins in 2013, this 34-page hardcover storybook is the sequel to author Ree Drummond’s Charlie the Ranch Dog.   It’s Christmas Eve for Charlie the Basset Hound’s family at their snowy ranch home.  Charlie takes an extended snooze, only to wake up and meet the new family member: an orange tabby kitten.  Initially mistaking the kitten for a rabbit, Charlie senses dire reality setting in.  This new kitty is there to stay.  Trying his best to ignore the kitten, the basset hound finally resorts to baying.  Realizing that his efforts are futile, Charlie is thrilled to find that the kitten is a natural masseuse gladly willing to knead his ‘aching’ back.  Yet, one more Christmas surprise awaits Charlie, as a new Basset puppy named Walter arrives wearing a collar with Charlie’s name on the gift tag. 

REVIEW:

Exceptionally well-illustrated by artist Diane deGroat, this formulaic second Charlie book is a sheer delight!  Author Ree “The Pioneer Woman” Drummond’s poignant text is occasionally hilarious depicting Charlie’s bemused canine point-of-view.  For youngsters who adore dogs and basset hound aficionados alike, Charlie and the Christmas Kitty makes a wonderful holiday treat. The book is also an ideal treat for infants and toddlers before bedtime/naps.         

ADDITIONAL CONTENT:

Illustrated with an image of Charlie wearing a Santa hat, there is a single-page recipe for “Charlie’s Favorite Christmas Cookies.”

BRIAN’S ODD MOON RATING:                                9 Stars

Categories
Books & Novels Children's Books

CHARLIE THE RANCH DOG

Written by Ree Drummond & Illustrated by Diane deGroat

SUMMARY:

Published by HarperCollins in 2011, this 40-page hardcover storybook introduces author Ree Drummond’s real-life Charlie the Ranch Dog.   Charlie the Basset Hound narrates the tale, as he and his best friend, Suzie the puppy, romp and play across Mommy’s farm.  Charlie further describes a day-in-his-busy-life as a ranch hand, as he generously delegates some of his duties to the smaller Suzie.  His other morning tasks include sniffing, eating, and napping in the garden.  With the family away in the afternoon, Charlie’s post-nap afternoon heroics include shooing the farm cows out of Mommy’s vegetable garden.  Of course, yet another nap to cap off the day doesn’t hurt, either.    

REVIEW:

Exceptionally well-illustrated by artist Diane deGroat, this initial Charlie book is an absolute delight!  Author Ree “The Pioneer Woman” Drummond’s poignant text offers some low-key hilarity depicting Charlie’s lackadaisical canine point-of-view.  Families with basset hounds will surely relate to Charlie’s easy-going personality.  For early readers who adore dogs and basset hound aficionados alike, Charlie the Ranch Dog is a wonderful addition to any bookshelf. This storybook is also ideal for infants and toddlers for bedtime/naps.        

ADDITIONAL CONTENT:

Illustrated with an image of Charlie eyeing a sample, there is a single-page recipe for “The Pioneer Woman’s (and Charlie’s) Favorite Lasagna.”

BRIAN’S ODD MOON RATING:                           10 Stars

Categories
Books & Novels Children's Books

CHARLIE THE RANCH DOG: CHARLIE GOES TO SCHOOL

Written by Ree Drummond & Illustrated by Diane deGroat

SUMMARY:

Published by HarperCollins in 2013, this 34-page hardcover storybook is the third entry in author Ree Drummond’s Charlie the Ranch Dog series.   It’s back to school at Charlie the Ranch Dog’s country house.  Observing Mama home-schooling the four children, Charlie the Basset Hound volunteers as a teacher’s aide.  As he watches the kids play, he ruefully acknowledges that “exercise is a way of life” for him.  Inspired, Charlie starts his own impromptu ‘school:’ teaching Suzie the puppy her letters; demonstrating math to Kitty Kitty; reviewing history with the ranch’s horses; and tutoring Walter the Basset puppy on “everything!”  Scolding his students to clean up the mess they all made, Charlie decides another nap is seriously in order.  Then again, school can always start over tomorrow.    

REVIEW:

Exceptionally well-illustrated by artist Diane deGroat, this third Charlie book is simply wonderful!  Author Ree “The Pioneer Woman” Drummond’s poignant text is occasionally hilarious depicting Charlie’s canine point-of-view. As story time for infants and toddlers, Charlie Goes to School makes a wonderful literary treat.        

ADDITIONAL CONTENT:

Illustrated with an image of Charlie, there is a single-page recipe for “Charlie’s Favorite Strawberry Oatmeal Bars.”

BRIAN’S ODD MOON RATING:                    10 Stars

Categories
Agatha Christie-Related DVD Movies & Television (Videos) Mystery & Suspense

AND THEN THERE WERE NONE (1945)

SUMMARY:             Running Time: 1 Hr., 37 Min.  (Black & White)

Produced and directed by René Clair, this film was produced/released by 20th Century Fox, but the movie has since lapsed into the public domain. Eight British strangers are piloted by a sandwich-munching boatman across rough coastal waters on a Friday afternoon to remote Indian Island, which is occupied by a sole manor home.  Awaiting them is a dim-witted servant couple: Thomas & Ethel Rogers, who aren’t thrilled managing a weekend house party. 

The guests consist of: curmudgeonly Judge Francis J. Quincannon; sleazy physician Dr. Edward Armstrong; bumbling private detective William H. Blore; suave explorer Phillip Lombard; willowy secretary Vera Claythorne; self-righteous spinster Ms. Emily Brent; elderly General Mandrake; and Prince Nikita Starlov, a boozy, freeloading Russian expatriate.  According to a letter sent to the butler, their unseen hosts, Mr. & Mrs. Owen, evidently won’t arrive until later that evening. 

After dinner, the houseguests are stunned when their mysterious host, U.N. Owen, accuses each of them of a ghastly crime through the use of a gramophone record.  Worse yet, they find themselves effectively marooned on Indian Island.  Three deaths in short order confirms that Owen intends to execute them all, one by one. 

Eerily, this scheme is an allegory of the manor’s “Ten Little Indians” nursery rhyme theme, as it ominously hints at the next victim’s method of death.  Secret alliances are made, but it remains to be seen if anyone will escape Indian Island alive.  

Notes: This film’s content reflects Dame Agatha Christie’s stage play, which she adapted from her own 1939 suspense novel.  Yet, this film changes the names of three characters.  Presumably, the names of the judge and “Anthony Marston” were swapped out for ones befitting the actors.  As for the movie’s “General Mandrake,” in all likelihood, no wanted to confuse the novel’s “General Macarthur” with the real U.S. General.   

REVIEW:

Despite its implausibly light-hearted final twist, And Then There Were None is vintage Hollywood entertainment!  Tinged with delightfully droll gags, it’s a low-key movie relic populated by top-notch character actors, including two Oscar winners and three nominees. 

Barry Fitzgerald headlines this likable cast as the curmudgeonly Judge Quincannon.  Demonstrating the most layers of characterization, Walter Huston is superb depicting his Dr. Armstrong’s descent from a seemingly dignified physician into sleazy self-preservation.  Among the cast’s youthful members, June Duprez’s gracious Vera and Louis Hayward’s dapper Lombard amiably display terrific on-screen chemistry. 

Well-played contributions come from Dame Judith Anderson’s snooty Emily Brent and Roland Young as a perpetually-befuddled Blore.  Most of the others (i.e. Mischa Auer’s oblivious Nikita Starlov; C. Aubrey Smith’s senile General Mandrake; and Richard Haydn’s cartoony Rogers) are caricatures, but their performances fit perfectly with the film’s endearing ambiance.

In a nod to good taste, blood and graphic violence are implied off-screen.  Even some of the novel’s appalling unseen crimes (i.e. Vera Claythorne’s) were clearly altered to appease the era’s film censors.  More so, the guests’ past sins are mostly glossed over, presumably to not hamper the audience’s entertainment.  Even if one takes issue with such a cavalier attitude, this adaptation’s inspired dark comedy wouldn’t be nearly as effective, if they had exactly duplicated the novel’s unlikable characters.  Hence, Christie’s intriguing psychology re: the captives’ deliberate order of execution is ignored. 

If you can accept this black comedy more as a semi-spoof (i.e. occasionally hammy acting; sprinkles of morbid humor; campy suspense music; and even the clichéd eye-darting gag amongst suspects on a dark, stormy night), then you won’t likely be disappointed.  Unlike its mediocre remakes, the breezy And Then There Were None is a cinematic gem worth re-discovery. 

For an ideal double-feature, one might pair it with similarly tongue-in-cheek whodunnits like: Murder By Death; Arsenic & Old Lace; Clue; 1927’s silent The Cat and the Canary; Dark and Stormy Night; and Knives Out.   

BONUS FEATURES:

Some manufacturers offer a bonus black-and-white comedy short or a black-and-white TV episode … or some trivia notes … or cast biographies.  This 2006 VCI Entertainment release adds an obscure Leon Errol black-and-white comedy short entitled “Twin Husbands.”  The VCI version also includes a ‘Narrative for the Blind.’   

QUALITY CONTROL:

Finding a re-mastered version is unlikely (perhaps its Blu-ray release is), so the visual quality varies upon the manufacturer.  Having purchased a shoddy copy elsewhere once before, this reviewer opted replacing it with VCI Entertainment’s DVD release.  VCI’s upgrades meets all reasonable expectations re: visual and sound qualities.  VCI also offers basic control access, making it easy to navigate viewing options (including scene chapters).  If pristine picture and sound quality is a priority, another option is purchasing And Then There Were None in a digital format. 

PACKAGING:

VCI Entertainment solidly protects this DVD with a firm casing.  

BRIAN’S ODD MOON RATING:                           9 Stars

MISCELLANEOUS CAST TRIVIA:

  • Mischa Auer was Oscar-nominated for Best Supporting Actor re: 1936’s “My Man Godfrey,” starring William Powell.
  • Dame Judith Anderson received her Oscar nod as Best Supporting Actress for 1940’s “Rebecca,” directed by Alfred Hitchcock.
  • Barry Fitzgerald is the Oscars’ only acting dual-nominee.  For 1944’s “Going My Way,” he was nominated as both Best Actor and Best Supporting Actor.  Fitzgerald won the latter.  Thereafter, the Academy Awards changed its rules – such double-nominations are now impermissible.   
  • Roland Young earned his Oscar nod for Best Supporting Actor for 1937’s “Topper,” starring Cary Grant.
  • Working with Humphrey Bogart, Walter Huston’s Best Supporting Actor Oscar came for 1948’s “Treasure of the Sierra Madre,” directed by his son, John Huston.
  • The captives consists of nine Britons and one Russian.  Yet, the movie’s sole distinguishable accent is Fitzgerald’s Irish brogue.
  • This international cast features one Canadian (Huston); one South African (Hayward); one Irishman (Fitzgerald); one Russian (Auer); an Australian (Anderson); and five Britons (Duprez; Haydn; Leonard; Young; and Thurston).
Categories
Books & Novels Children's Books DC-Related LEGO Toys & Games

LEGO DC SUPER-HEROES HANDBOOK

Written by Scholastic, Inc.

SUMMARY:

Published in 2013, at 109 pages, after a single-page introduction, this paperback has the following sections (each with a Lego character and/or props).

CHAPTER 1: HEROES

Superman (pages 10-13)

Batman (pages 14-17, featuring 4 different Lego Batman figures)

Robin (pages 18-19)

Wonder Woman (pages 20-21)

Aquaman (pages 22-23)

The Flash (pages 24-25)

Green Lantern (pages 26-27)

Commissioner Gordon (with a likeness to actor Gary Oldman) (pages 28-29)

Lois Lane (with a likeness to actress Amy Adams) (pages 30-31)

Colonel Hardy (pages 32-33)

Guards (pages 34-35)

CHAPTER 2: VILLAINS

Lex Luthor (pages 38-39)

General Zod (pages 40-41)

Faora & Tor-An (pages 42-43)

Joker (pages 44-45)

Harley Quinn (pages 46-47)

Bane (pages 48-49)

Catwoman (pages 50-51)

Two-Face (pages 52-53)

Poison Ivy (pages 54-55)

Riddler (pages 56-57)

Scarecrow (pages 58-59)

Mr. Freeze (pages 60-61)

Penguin (pages 62-63)

Henchmen (pages 64-65)

CHAPTER 3: VEHICLES

Batmobile (pages 68-69)

Batwing (pages 70-71)

Batboat (pages 72-73)

Batcycle (pages 74-75)

Bat jump jet (pages 76-77)

Joker’s helicopter (pages 78-79)

Bane’s drill tank (pages 80-81)

Batman’s tumbler (pages 82-83)

Catwoman’s Cat-cycle (pages 84-85)

Two Face’s Tow truck (pages 86-87)

Arkham Asylum Security Van (pages 88-89)

Lex Luthor’s Power Armor (pages 90-91)

Lex Luthor’s Off-Roader (pages 92-93)

Zod’s Black Zero Drop Ship (pages 94-95)

Zod’s Black Zero Escape Pod (with Lois Lane) (pages 96-97)

CHAPTER 4: LOCATIONS

Gotham City (pages 100-101 – shows Batman, the Batwing, Joker, & the Joker’s Helicopter only.

Metropolis (pages 102-103) – shows Superman & Wonder Woman vs. Lex Luthor in his Power Armor only.

Batcave (pages 104-105) – includes Batman & Robin, with a jailed Poison Ivy.

Funhouse (pages 106-107) – includes Joker, Harley Quinn, & Riddler vs. Batman & Robin.

Arkham Asylum (pages 108-109) includes Batman & Robin, Scarecrow, Harley Quin, Penguin, Joker, Guard, and the Arkham Asylum Security Van.

REVIEW:

Simplistically written for its intended audience, a paragraph-long synopsis per character along with a few quick facts are blasted out in “Biff-Pow-Zap,” star-spangled comic book style.  These ‘facts’ summarize a character’s super-powers, equipment, secret identity, etc.  Some characters, such as the Flash, are even displayed with some added visual effects (i.e. the Flash’s velocity running at super-speed; the Batboat’s fiery jet engines accelerating).  Though it’s impressively designed, this handbook is a glorified toy catalog (minus listing retail prices).  Still, LEGO collectors may find it a nice reference guide.    

BRIAN’S ODD MOON RATING: 5 Stars

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Categories
Books & Novels DC-Related Movies & Television (Books)

SUPERMAN III (1983 Movie Novelization)

Written by William Kotzwinkle (adapting the 1983 film script)

SUMMARY:

Adapting the 1983 Christopher Reeve film, this official 221-page Warner Books novelization features Clark Kent/Superman on a much-needed break from his hectic Metropolis life.  Returning home to Smallville for his fifteen-year high school reunion, Clark reconnects with Lana Lang, as well as meeting her young son, Ricky. Elsewhere, opportunistic tech-geek Gus Gorman is recruited by greedy corporate tycoons, Ross and Vera Webster, to design an ‘Ultimate Computer’ to manipulate the Earth’s weather for illicit purposes.  Utilizing this computer’s awesome capabilities, the Webster siblings and Gus infect Superman with artificial kryptonite.  With a corrupted Man of Steel and a super-computer both wreaking worldwide havoc, it’s time for at least one unlikely hero.       

REVIEW:

The good news is that it’s a faithful adaptation.  Of course, there also lies the bad news, too, as there’s more superficiality at stake than actual Superman.  Most telling, Kotzwinkle’s pessimism upstages the script’s ineptitude at devising campy humor.  By overplaying the cynicism angle, he doesn’t mitigate Superman III’s creative laziness by much.  Also, be advised that scattered profanities are included, so don’t mistake Kotzwinkle’s take on Superman III as a kid-friendly junior novelization.    

With occasional gusto, scenes are duly expanded, and a few superfluous ones (i.e. Lois Lane’s tropical vacation) are briefly mentioned.  Of significance, Kotzwinkle spells out cynical insights that the characters only vaguely convey in the movie.  Depicting a burnt-out Clark’s weariness re: faking constant humility, one gains a relatable sense of the daily toll his super-responsibilities have inflicted.  Bumbling career loser Gus Gorman’s thoughts can be amusing (i.e. his dreaded memories of prison life), but Kotzwinkle’s Gus is a 1970’s sitcom caricature vs. an actual character.  The novel’s credibility further erodes by not explaining how Gus even gained the scientific expertise to design this supposed ‘Ultimate Computer.’  For that matter, Kotzwinkle doesn’t bother disguising that the Websters and blond eye candy Lorelai Ambrosia are mere knock-offs of Lex Luthor’s entourage from the previous Superman films. 

It comes down to whether or not readers will appreciate the author’s acerbic humor. From the Man of Steel’s ungrateful customers to Vera Webster’s toxic breath, Kotzwinkle puts acidic zip into his putdowns of everyday life.  His witty jibes are often spot-on, but it’s still a depressing vibe for any Superman adventure. Suffice to say, Kotzwinkle’s visit to Metropolis is a far cry from the magic of Superman: The Movie

ADDITIONAL CONTENT:

There are eight double-sided pages of black-and-white film stills.   

BRIAN’S ODD MOON RATING:                               5½ Stars

Categories
Comic Books & Graphic Novels History & Biographies (Books) Independent Hardcovers & Trade Paperbacks Independent Publishers (Comic Books & Graphic Novels)

GRAPHIC NOVELS OF WORLD WAR II: THE BATTLE OF MIDAY – THE DESTRUCTION OF THE JAPANESE FLEET (2007 ROSEN Publishing Group, Inc.)

Written by Steve White & Illustrated by Richard Elson

SUMMARY:

Published by the Rosen Publishing Group, Inc. in 2007, this 48-page paperback depicts a visual summary of June 1942’s Battle of Midway.  

Note: The back cover infers that this book is included in a six-pack.  If so, another of its pack’s volumes is The Battle of Iwo Jima: Guerilla Warfare in the Pacific

REVIEW:

Primarily geared towards middle schoolers (since there is a glossary included), it’s an impressive visual aid that doesn’t glorify Midway’s historical significance in a superficial Hollywood-style manner.  Not only is writer Steve White’s relatively simplistic text spot-on, illustrator Richard Elson does high-caliber work recreating the various aircrafts and vessels involved.  In fair warning, White and Elson describe scenes of carnage without being too explicit.  The only point of confusion for readers may be tracking the military lingo, i.e. code-names for types of planes.  Supplementing this excellent history lesson is the text explaining the lead-up and after-effects on both sides.  Overall, this book would likely be a helpful tool for a student’s world history project or book report.    

ADDITIONAL CONTENT:

Its single-page Table of Contents also includes a short summary of the U.S. vs. Japanese wartime activities leading up to the Battle of Midway.  Four of its pivotal commanders: Japan’s Admiral Yamamoto and Vice Admiral Nagumo, U.S. Navy Admiral Nimitz, and U.S. Navy Rear Admiral Fletcher are also quickly profiled.  As preludes, a pair of two-page chapters, “The Feared U.S. Carriers” and “The Japanese Plan of Attack” set up the book’s visual narrative re: opposing strategies.  An additional two-page chapter, “The Road to Ruin,” describes the post-battle consequences for Japan.  A glossary, index, and a page re: further reader recommendations are also included.        

BRIAN’S ODD MOON RATING: 9 Stars

Categories
Comic Books & Graphic Novels History & Biographies (Books) Independent Hardcovers & Trade Paperbacks Independent Publishers (Comic Books & Graphic Novels)

GRAPHIC NOVELS OF WORLD WAR II: THE BATTLE OF IWO JIMA – GUERRILLA WARFARE IN THE PACIFIC (ROSEN Publishing Group, Inc.)

Written by Larry Hama & Illustrated by Anthony Williams

SUMMARY:

Published by the Rosen Publishing Group, Inc. in 2007, this 48-page paperback is a visual summary of February-March 1945’s Battle of Iwo Jima.  Included in the narrative are brief descriptions of a few of the battle’s soldiers, including some of its survivors.  The book further explains the iconic photo that its cover was inspired from.  

Note: The back cover infers that this book is included in a six-pack.  If so, another of its pack’s volumes is The Battle of Midway: The Destruction of the Japanese Fleet

REVIEW:

Primarily geared towards middle schoolers (since there is a glossary included), it’s a gritty visual aid that doesn’t glorify Iwo Jima’s historical significance as propaganda.  Well known for his G.I. Joe work, writer Larry Hama doesn’t flinch describing the thirty-six-day battle.  Though there is some implied gore, illustrator Anthony Williams doesn’t depict blood.  Frankly, his visuals echoing Hama’s text is near-haunting.  Case in point: a little-known battle facet re: a trio of young Japanese botany students trapped on the island is indicative of Iwo Jima’s chilling post-battle mysteries.  For that matter, the post-war fate of U.S. Marine Ira Hayes is another tragedy in itself re: the effects of “survivor guilt.”  Supplementing this history lesson is the text explaining the lead-up and after-effects on both sides.  Overall, this book should make a helpful tool for a student’s world history project or book report.    

ADDITIONAL CONTENT:

Its single-page table of contents also includes a short summary of the U.S. vs. Japanese wartime activities leading up to the Battle of Midway.  Four of its pivotal commanders: U.S. Navy Admiral Spruance, U.S. Marine General Smith, and Japan’s Lt. General Kuribayashi and Lt. Colonel Nishi are quickly profiled.  As preludes, a pair of two-page chapters, “Stopping the Japanese War Machine” and “Tiny Island of Death” set up the book’s visual narrative re: opposing strategies.  An additional two-page chapter, “Countdown to Total Victory,” describes the Japan’s wartime surrender in July 1945.  A glossary, index, and a page re: further reader recommendations are also included.        

BRIAN’S ODD MOON RATING: 9 Stars

Categories
Art & History Books & Novels Comic Books & Graphic Novels DC Comics Marvel Comics

THE SUPERHERO BOOK: The Ultimate Encyclopedia of Comic-Book Heroes and Hollywood Heroes, 2nd Ed.

Written by Gina Misiroglu (editor); Michael Eury; Andy Mangels; Michael A. Martin; Adam McGovern; Frank Plowright; David Roach; & Peter Sanderson

SUMMARY:

Released by Visible Ink Press in 2012, this 263-page paperback offers a wide historical perspective on notable super-hero properties from the comic book industry, as well as Hollywood.  In addition to expected entries on high-profile characters such as Superman, Batman, Spider-Man, Wonder Woman, The Incredibles, Buffy the Vampire Slayer, and Wolverine, the text examines some of Marvel and DC’s lesser-known competitors, as many of them no longer exist.  Twenty letters are represented with a limited number of entries, but  there aren’t any entries for “K,” “O,” “Q,” “U,” “Y,” and “Z.”  Photos of vintage comic book covers and various film stills decorate this easy-to-read resource guide.     

REVIEW:

A super-competent writing squad (identified by their initials per each entry) offers balanced analysis of a variety of characters and their often-convoluted histories.  The concise backstories of other publishers like America’s Best Comics, Image Comics, Charlton Comics, Eclipse Comics, Dark Horse Comics, and even Archie Comics’ forays into super-heroes offer a glimpse into DC and Marvel’s various rivals. 

For instance, who knew that the original Blue Beetle (courtesy of the first of his numerous independent publishers) actually bested Batman by becoming the second super-hero to score his own monthly comic after Superman?  How about Lee Falk’s  Phantom predating Superman as the first costumed hero?  Or that DC’s gas mask-clad Sandman followed Batman as the fourth super-hero with a solo monthly title? Or, in a nod to more likely common knowledge, that the Golden Age Human Torch and the Sub-Mariner were simultaneously Marvel’s first heroes?   

Considering that so many letters are skipped, one might conclude that this kid-friendly and well-decorated guidebook neglects quite a bit.  Closer inspection indicates that the writers take a streamlined approach by referencing topic-related characters (i.e. second-tier members of the Avengers and the Justice League) within entries attributed to a particular super-team or with the publishing company itself.  Still, Marvel’s Hawkeye, Power Man, and Iron Fist receive individual entries – yet, other major industry names (i.e. Firestorm, Zatanna, Harley Quinn, Cyborg, and Witchblade) don’t make this book’s cut.  The book’s front cover hype of being an “ultimate” reference, as a result, isn’t as accurate as one might hope for.       

Beyond omitting an index, the book’s only other flaw is that it is already outdated.  For instance, handy information pertaining to DC’s recent slew of TV programming (i.e. Arrow; The Flash; Supergirl; and Legends of Tomorrow) and Marvel’s more current box office hits (i.e. Spider-Man: Homecoming; Ant-Man; and Doctor Strange) will have to wait for another update.  For what it offers, The Superhero Book is a solidly entertaining read that would make a nifty gem for teenage comic book fans.         

ADDITIONAL FEATURES:

The contributors share a two-page biographical section.  The book’s last page is for photo credits.   

BRIAN’S ODD MOON RATING: 7½ Stars

Note: For an ideal companion piece, there is Ron Goulart’s 2004 full-blown Comic Book Encyclopedia hardcover, which sports 378 pages re: the history of the comic book medium.