Categories
Agatha Christie-Related DVD Movies & Television (Videos) Mystery & Suspense

AND THEN THERE WERE NONE (1945)

SUMMARY:             Running Time: 1 Hr., 37 Min.  (Black & White)

Produced and directed by René Clair, this film was produced/released by 20th Century Fox, but the movie has since lapsed into the public domain. Eight British strangers are piloted by a sandwich-munching boatman across rough coastal waters on a Friday afternoon to remote Indian Island, which is occupied by a sole manor home.  Awaiting them is a dim-witted servant couple: Thomas & Ethel Rogers, who aren’t thrilled managing a weekend house party. 

The guests consist of: curmudgeonly Judge Francis J. Quincannon; sleazy physician Dr. Edward Armstrong; bumbling private detective William H. Blore; suave explorer Phillip Lombard; willowy secretary Vera Claythorne; self-righteous spinster Ms. Emily Brent; elderly General Mandrake; and Prince Nikita Starlov, a boozy, freeloading Russian expatriate.  According to a letter sent to the butler, their unseen hosts, Mr. & Mrs. Owen, evidently won’t arrive until later that evening. 

After dinner, the houseguests are stunned when their mysterious host, U.N. Owen, accuses each of them of a ghastly crime through the use of a gramophone record.  Worse yet, they find themselves effectively marooned on Indian Island.  Three deaths in short order confirms that Owen intends to execute them all, one by one. 

Eerily, this scheme is an allegory of the manor’s “Ten Little Indians” nursery rhyme theme, as it ominously hints at the next victim’s method of death.  Secret alliances are made, but it remains to be seen if anyone will escape Indian Island alive.  

Notes: This film’s content reflects Dame Agatha Christie’s stage play, which she adapted from her own 1939 suspense novel.  Yet, this film changes the names of three characters.  Presumably, the names of the judge and “Anthony Marston” were swapped out for ones befitting the actors.  As for the movie’s “General Mandrake,” in all likelihood, no wanted to confuse the novel’s “General Macarthur” with the real U.S. General.   

REVIEW:

Despite its implausibly light-hearted final twist, And Then There Were None is vintage Hollywood entertainment!  Tinged with delightfully droll gags, it’s a low-key movie relic populated by top-notch character actors, including two Oscar winners and three nominees. 

Barry Fitzgerald headlines this likable cast as the curmudgeonly Judge Quincannon.  Demonstrating the most layers of characterization, Walter Huston is superb depicting his Dr. Armstrong’s descent from a seemingly dignified physician into sleazy self-preservation.  Among the cast’s youthful members, June Duprez’s gracious Vera and Louis Hayward’s dapper Lombard amiably display terrific on-screen chemistry. 

Well-played contributions come from Dame Judith Anderson’s snooty Emily Brent and Roland Young as a perpetually-befuddled Blore.  Most of the others (i.e. Mischa Auer’s oblivious Nikita Starlov; C. Aubrey Smith’s senile General Mandrake; and Richard Haydn’s cartoony Rogers) are caricatures, but their performances fit perfectly with the film’s endearing ambiance.

In a nod to good taste, blood and graphic violence are implied off-screen.  Even some of the novel’s appalling unseen crimes (i.e. Vera Claythorne’s) were clearly altered to appease the era’s film censors.  More so, the guests’ past sins are mostly glossed over, presumably to not hamper the audience’s entertainment.  Even if one takes issue with such a cavalier attitude, this adaptation’s inspired dark comedy wouldn’t be nearly as effective, if they had exactly duplicated the novel’s unlikable characters.  Hence, Christie’s intriguing psychology re: the captives’ deliberate order of execution is ignored. 

If you can accept this black comedy more as a semi-spoof (i.e. occasionally hammy acting; sprinkles of morbid humor; campy suspense music; and even the clichéd eye-darting gag amongst suspects on a dark, stormy night), then you won’t likely be disappointed.  Unlike its mediocre remakes, the breezy And Then There Were None is a cinematic gem worth re-discovery. 

For an ideal double-feature, one might pair it with similarly tongue-in-cheek whodunnits like: Murder By Death; Arsenic & Old Lace; Clue; 1927’s silent The Cat and the Canary; Dark and Stormy Night; and Knives Out.   

BONUS FEATURES:

Some manufacturers offer a bonus black-and-white comedy short or a black-and-white TV episode … or some trivia notes … or cast biographies.  This 2006 VCI Entertainment release adds an obscure Leon Errol black-and-white comedy short entitled “Twin Husbands.”  The VCI version also includes a ‘Narrative for the Blind.’   

QUALITY CONTROL:

Finding a re-mastered version is unlikely (perhaps its Blu-ray release is), so the visual quality varies upon the manufacturer.  Having purchased a shoddy copy elsewhere once before, this reviewer opted replacing it with VCI Entertainment’s DVD release.  VCI’s upgrades meets all reasonable expectations re: visual and sound qualities.  VCI also offers basic control access, making it easy to navigate viewing options (including scene chapters).  If pristine picture and sound quality is a priority, another option is purchasing And Then There Were None in a digital format. 

PACKAGING:

VCI Entertainment solidly protects this DVD with a firm casing.  

BRIAN’S ODD MOON RATING:                           9 Stars

MISCELLANEOUS CAST TRIVIA:

  • Mischa Auer was Oscar-nominated for Best Supporting Actor re: 1936’s “My Man Godfrey,” starring William Powell.
  • Dame Judith Anderson received her Oscar nod as Best Supporting Actress for 1940’s “Rebecca,” directed by Alfred Hitchcock.
  • Barry Fitzgerald is the Oscars’ only acting dual-nominee.  For 1944’s “Going My Way,” he was nominated as both Best Actor and Best Supporting Actor.  Fitzgerald won the latter.  Thereafter, the Academy Awards changed its rules – such double-nominations are now impermissible.   
  • Roland Young earned his Oscar nod for Best Supporting Actor for 1937’s “Topper,” starring Cary Grant.
  • Working with Humphrey Bogart, Walter Huston’s Best Supporting Actor Oscar came for 1948’s “Treasure of the Sierra Madre,” directed by his son, John Huston.
  • The captives consists of nine Britons and one Russian.  Yet, the movie’s sole distinguishable accent is Fitzgerald’s Irish brogue.
  • This international cast features one Canadian (Huston); one South African (Hayward); one Irishman (Fitzgerald); one Russian (Auer); an Australian (Anderson); and five Britons (Duprez; Haydn; Leonard; Young; and Thurston).
Categories
Books & Novels Children's Books DC-Related LEGO Toys & Games

LEGO DC SUPER-HEROES HANDBOOK

Written by Scholastic, Inc.

SUMMARY:

Published in 2013, at 109 pages, after a single-page introduction, this paperback has the following sections (each with a Lego character and/or props).

CHAPTER 1: HEROES

Superman (pages 10-13)

Batman (pages 14-17, featuring 4 different Lego Batman figures)

Robin (pages 18-19)

Wonder Woman (pages 20-21)

Aquaman (pages 22-23)

The Flash (pages 24-25)

Green Lantern (pages 26-27)

Commissioner Gordon (with a likeness to actor Gary Oldman) (pages 28-29)

Lois Lane (with a likeness to actress Amy Adams) (pages 30-31)

Colonel Hardy (pages 32-33)

Guards (pages 34-35)

CHAPTER 2: VILLAINS

Lex Luthor (pages 38-39)

General Zod (pages 40-41)

Faora & Tor-An (pages 42-43)

Joker (pages 44-45)

Harley Quinn (pages 46-47)

Bane (pages 48-49)

Catwoman (pages 50-51)

Two-Face (pages 52-53)

Poison Ivy (pages 54-55)

Riddler (pages 56-57)

Scarecrow (pages 58-59)

Mr. Freeze (pages 60-61)

Penguin (pages 62-63)

Henchmen (pages 64-65)

CHAPTER 3: VEHICLES

Batmobile (pages 68-69)

Batwing (pages 70-71)

Batboat (pages 72-73)

Batcycle (pages 74-75)

Bat jump jet (pages 76-77)

Joker’s helicopter (pages 78-79)

Bane’s drill tank (pages 80-81)

Batman’s tumbler (pages 82-83)

Catwoman’s Cat-cycle (pages 84-85)

Two Face’s Tow truck (pages 86-87)

Arkham Asylum Security Van (pages 88-89)

Lex Luthor’s Power Armor (pages 90-91)

Lex Luthor’s Off-Roader (pages 92-93)

Zod’s Black Zero Drop Ship (pages 94-95)

Zod’s Black Zero Escape Pod (with Lois Lane) (pages 96-97)

CHAPTER 4: LOCATIONS

Gotham City (pages 100-101 – shows Batman, the Batwing, Joker, & the Joker’s Helicopter only.

Metropolis (pages 102-103) – shows Superman & Wonder Woman vs. Lex Luthor in his Power Armor only.

Batcave (pages 104-105) – includes Batman & Robin, with a jailed Poison Ivy.

Funhouse (pages 106-107) – includes Joker, Harley Quinn, & Riddler vs. Batman & Robin.

Arkham Asylum (pages 108-109) includes Batman & Robin, Scarecrow, Harley Quin, Penguin, Joker, Guard, and the Arkham Asylum Security Van.

REVIEW:

Simplistically written for its intended audience, a paragraph-long synopsis per character along with a few quick facts are blasted out in “Biff-Pow-Zap,” star-spangled comic book style.  These ‘facts’ summarize a character’s super-powers, equipment, secret identity, etc.  Some characters, such as the Flash, are even displayed with some added visual effects (i.e. the Flash’s velocity running at super-speed; the Batboat’s fiery jet engines accelerating).  Though it’s impressively designed, this handbook is a glorified toy catalog (minus listing retail prices).  Still, LEGO collectors may find it a nice reference guide.    

BRIAN’S ODD MOON RATING: 5 Stars

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Categories
Books & Novels DC-Related Movies & Television (Books)

SUPERMAN III (1983 Movie Novelization)

Written by William Kotzwinkle (adapting the 1983 film script)

SUMMARY:

Adapting the 1983 Christopher Reeve film, this official 221-page Warner Books novelization features Clark Kent/Superman on a much-needed break from his hectic Metropolis life.  Returning home to Smallville for his fifteen-year high school reunion, Clark reconnects with Lana Lang, as well as meeting her young son, Ricky. Elsewhere, opportunistic tech-geek Gus Gorman is recruited by greedy corporate tycoons, Ross and Vera Webster, to design an ‘Ultimate Computer’ to manipulate the Earth’s weather for illicit purposes.  Utilizing this computer’s awesome capabilities, the Webster siblings and Gus infect Superman with artificial kryptonite.  With a corrupted Man of Steel and a super-computer both wreaking worldwide havoc, it’s time for at least one unlikely hero.       

REVIEW:

The good news is that it’s a faithful adaptation.  Of course, there also lies the bad news, too, as there’s more superficiality at stake than actual Superman.  Most telling, Kotzwinkle’s pessimism upstages the script’s ineptitude at devising campy humor.  By overplaying the cynicism angle, he doesn’t mitigate Superman III’s creative laziness by much.  Also, be advised that scattered profanities are included, so don’t mistake Kotzwinkle’s take on Superman III as a kid-friendly junior novelization.    

With occasional gusto, scenes are duly expanded, and a few superfluous ones (i.e. Lois Lane’s tropical vacation) are briefly mentioned.  Of significance, Kotzwinkle spells out cynical insights that the characters only vaguely convey in the movie.  Depicting a burnt-out Clark’s weariness re: faking constant humility, one gains a relatable sense of the daily toll his super-responsibilities have inflicted.  Bumbling career loser Gus Gorman’s thoughts can be amusing (i.e. his dreaded memories of prison life), but Kotzwinkle’s Gus is a 1970’s sitcom caricature vs. an actual character.  The novel’s credibility further erodes by not explaining how Gus even gained the scientific expertise to design this supposed ‘Ultimate Computer.’  For that matter, Kotzwinkle doesn’t bother disguising that the Websters and blond eye candy Lorelai Ambrosia are mere knock-offs of Lex Luthor’s entourage from the previous Superman films. 

It comes down to whether or not readers will appreciate the author’s acerbic humor. From the Man of Steel’s ungrateful customers to Vera Webster’s toxic breath, Kotzwinkle puts acidic zip into his putdowns of everyday life.  His witty jibes are often spot-on, but it’s still a depressing vibe for any Superman adventure. Suffice to say, Kotzwinkle’s visit to Metropolis is a far cry from the magic of Superman: The Movie

ADDITIONAL CONTENT:

There are eight double-sided pages of black-and-white film stills.   

BRIAN’S ODD MOON RATING:                               5½ Stars

Categories
Comic Books & Graphic Novels History & Biographies (Books) Independent Hardcovers & Trade Paperbacks Independent Publishers (Comic Books & Graphic Novels)

GRAPHIC NOVELS OF WORLD WAR II: THE BATTLE OF MIDAY – THE DESTRUCTION OF THE JAPANESE FLEET (2007 ROSEN Publishing Group, Inc.)

Written by Steve White & Illustrated by Richard Elson

SUMMARY:

Published by the Rosen Publishing Group, Inc. in 2007, this 48-page paperback depicts a visual summary of June 1942’s Battle of Midway.  

Note: The back cover infers that this book is included in a six-pack.  If so, another of its pack’s volumes is The Battle of Iwo Jima: Guerilla Warfare in the Pacific

REVIEW:

Primarily geared towards middle schoolers (since there is a glossary included), it’s an impressive visual aid that doesn’t glorify Midway’s historical significance in a superficial Hollywood-style manner.  Not only is writer Steve White’s relatively simplistic text spot-on, illustrator Richard Elson does high-caliber work recreating the various aircrafts and vessels involved.  In fair warning, White and Elson describe scenes of carnage without being too explicit.  The only point of confusion for readers may be tracking the military lingo, i.e. code-names for types of planes.  Supplementing this excellent history lesson is the text explaining the lead-up and after-effects on both sides.  Overall, this book would likely be a helpful tool for a student’s world history project or book report.    

ADDITIONAL CONTENT:

Its single-page Table of Contents also includes a short summary of the U.S. vs. Japanese wartime activities leading up to the Battle of Midway.  Four of its pivotal commanders: Japan’s Admiral Yamamoto and Vice Admiral Nagumo, U.S. Navy Admiral Nimitz, and U.S. Navy Rear Admiral Fletcher are also quickly profiled.  As preludes, a pair of two-page chapters, “The Feared U.S. Carriers” and “The Japanese Plan of Attack” set up the book’s visual narrative re: opposing strategies.  An additional two-page chapter, “The Road to Ruin,” describes the post-battle consequences for Japan.  A glossary, index, and a page re: further reader recommendations are also included.        

BRIAN’S ODD MOON RATING: 9 Stars

Categories
Comic Books & Graphic Novels History & Biographies (Books) Independent Hardcovers & Trade Paperbacks Independent Publishers (Comic Books & Graphic Novels)

GRAPHIC NOVELS OF WORLD WAR II: THE BATTLE OF IWO JIMA – GUERRILLA WARFARE IN THE PACIFIC (ROSEN Publishing Group, Inc.)

Written by Larry Hama & Illustrated by Anthony Williams

SUMMARY:

Published by the Rosen Publishing Group, Inc. in 2007, this 48-page paperback is a visual summary of February-March 1945’s Battle of Iwo Jima.  Included in the narrative are brief descriptions of a few of the battle’s soldiers, including some of its survivors.  The book further explains the iconic photo that its cover was inspired from.  

Note: The back cover infers that this book is included in a six-pack.  If so, another of its pack’s volumes is The Battle of Midway: The Destruction of the Japanese Fleet

REVIEW:

Primarily geared towards middle schoolers (since there is a glossary included), it’s a gritty visual aid that doesn’t glorify Iwo Jima’s historical significance as propaganda.  Well known for his G.I. Joe work, writer Larry Hama doesn’t flinch describing the thirty-six-day battle.  Though there is some implied gore, illustrator Anthony Williams doesn’t depict blood.  Frankly, his visuals echoing Hama’s text is near-haunting.  Case in point: a little-known battle facet re: a trio of young Japanese botany students trapped on the island is indicative of Iwo Jima’s chilling post-battle mysteries.  For that matter, the post-war fate of U.S. Marine Ira Hayes is another tragedy in itself re: the effects of “survivor guilt.”  Supplementing this history lesson is the text explaining the lead-up and after-effects on both sides.  Overall, this book should make a helpful tool for a student’s world history project or book report.    

ADDITIONAL CONTENT:

Its single-page table of contents also includes a short summary of the U.S. vs. Japanese wartime activities leading up to the Battle of Midway.  Four of its pivotal commanders: U.S. Navy Admiral Spruance, U.S. Marine General Smith, and Japan’s Lt. General Kuribayashi and Lt. Colonel Nishi are quickly profiled.  As preludes, a pair of two-page chapters, “Stopping the Japanese War Machine” and “Tiny Island of Death” set up the book’s visual narrative re: opposing strategies.  An additional two-page chapter, “Countdown to Total Victory,” describes the Japan’s wartime surrender in July 1945.  A glossary, index, and a page re: further reader recommendations are also included.        

BRIAN’S ODD MOON RATING: 9 Stars

Categories
Art & History Books & Novels Comic Books & Graphic Novels DC Comics Marvel Comics

THE SUPERHERO BOOK: The Ultimate Encyclopedia of Comic-Book Heroes and Hollywood Heroes, 2nd Ed.

Written by Gina Misiroglu (editor); Michael Eury; Andy Mangels; Michael A. Martin; Adam McGovern; Frank Plowright; David Roach; & Peter Sanderson

SUMMARY:

Released by Visible Ink Press in 2012, this 263-page paperback offers a wide historical perspective on notable super-hero properties from the comic book industry, as well as Hollywood.  In addition to expected entries on high-profile characters such as Superman, Batman, Spider-Man, Wonder Woman, The Incredibles, Buffy the Vampire Slayer, and Wolverine, the text examines some of Marvel and DC’s lesser-known competitors, as many of them no longer exist.  Twenty letters are represented with a limited number of entries, but  there aren’t any entries for “K,” “O,” “Q,” “U,” “Y,” and “Z.”  Photos of vintage comic book covers and various film stills decorate this easy-to-read resource guide.     

REVIEW:

A super-competent writing squad (identified by their initials per each entry) offers balanced analysis of a variety of characters and their often-convoluted histories.  The concise backstories of other publishers like America’s Best Comics, Image Comics, Charlton Comics, Eclipse Comics, Dark Horse Comics, and even Archie Comics’ forays into super-heroes offer a glimpse into DC and Marvel’s various rivals. 

For instance, who knew that the original Blue Beetle (courtesy of the first of his numerous independent publishers) actually bested Batman by becoming the second super-hero to score his own monthly comic after Superman?  How about Lee Falk’s  Phantom predating Superman as the first costumed hero?  Or that DC’s gas mask-clad Sandman followed Batman as the fourth super-hero with a solo monthly title? Or, in a nod to more likely common knowledge, that the Golden Age Human Torch and the Sub-Mariner were simultaneously Marvel’s first heroes?   

Considering that so many letters are skipped, one might conclude that this kid-friendly and well-decorated guidebook neglects quite a bit.  Closer inspection indicates that the writers take a streamlined approach by referencing topic-related characters (i.e. second-tier members of the Avengers and the Justice League) within entries attributed to a particular super-team or with the publishing company itself.  Still, Marvel’s Hawkeye, Power Man, and Iron Fist receive individual entries – yet, other major industry names (i.e. Firestorm, Zatanna, Harley Quinn, Cyborg, and Witchblade) don’t make this book’s cut.  The book’s front cover hype of being an “ultimate” reference, as a result, isn’t as accurate as one might hope for.       

Beyond omitting an index, the book’s only other flaw is that it is already outdated.  For instance, handy information pertaining to DC’s recent slew of TV programming (i.e. Arrow; The Flash; Supergirl; and Legends of Tomorrow) and Marvel’s more current box office hits (i.e. Spider-Man: Homecoming; Ant-Man; and Doctor Strange) will have to wait for another update.  For what it offers, The Superhero Book is a solidly entertaining read that would make a nifty gem for teenage comic book fans.         

ADDITIONAL FEATURES:

The contributors share a two-page biographical section.  The book’s last page is for photo credits.   

BRIAN’S ODD MOON RATING: 7½ Stars

Note: For an ideal companion piece, there is Ron Goulart’s 2004 full-blown Comic Book Encyclopedia hardcover, which sports 378 pages re: the history of the comic book medium.

Categories
Books & Novels Pro Wrestling (Books) Sports (Books) WWF/WWE (Pro Wrestling)

WWE ULTIMATE SUPERSTAR GUIDE

Written by Steve Pantaleo & Illustrated by Daz Tibbles

SUMMARY:

Published by DK/BradyGAMES and WWE Books in 2015, this 208-page hardcover pairs cartoony color portraits and brief character bios/stats for approximately two hundred male and female pro wrestlers spanning multiple generations.  Each portrait is accompanied by a thumbnail upper-body photo of the actual wrestler.  As applicable, also tagged for each biography are individual honors such as: WWE Intercontinental Champion; WWE World Champion; King of the Ring winner; Money in the Bank winner; Royal Rumble winner; U.S. Heavyweight Champion; Women’s/Divas Champion; (NWA or WCW) World Heavyweight Champion; WWE World Tag Team Champion; and, of course, WWE Hall of Famer. 

REVIEW:

Though somewhat outdated, this fun ‘superstar guide’ embellishes this WWE roster to full-fledged cartoon status, at least judging by the impressive comic book-style portraits.   Some high-profile names (i.e. Owen Hart) aren’t included for various contractual and/or legal reasons.  The larger-than-life, single-page portraits seem reminiscent of the WWE All-Stars arcade-style video game. 

Controversial elements of various storylines are wisely omitted from the biographies, though one unsavory tidbit re: Big Boss Man is inexplicably included as a side note on his page.  Still, this book’s wonky sense of alphabetical order means that most of the wrestlers are alphabetized by their first names and or even by a nickname, such as “Hacksaw” Jim Duggan being oddly listed in the ‘H’s.’  

Meant for avid 10-and-under pro wrestling fans, the WWE Ultimate Superstar Guide is generally well-played.  

ADDITIONAL CONTENT:

There is a two-page introduction that includes an explanation re: the icons designating various individual honors. 

ROSCOE & BRIAN’S ODD MOON RATING: 8 Stars

Categories
Books & Novels History & Biographies (Books) Pro Wrestling (Books) Sports (Books) WWF/WWE (Pro Wrestling)

TRIBUTES II: REMEMBERING MORE OF THE WORLD’S GREATEST WRESTLERS

Written by Dave Meltzer of “The Wrestling Observer Newsletter”  

SUMMARY:

Published by Sports Publishing LLC in 2004, this 239-page hardcover sequel by pro wrestling journalist Dave Meltzer assembles posthumous biographical profiles of fifteen pro wrestling notables.  Of them, Owen Hart and André the Giant, previously appeared in the 2001 predecessor, but Tributes II revises their profiles.  The new profiles consists of: 

  • “Classy” Freddie Blassie; “British Bulldog” Davey Boy Smith; and “Mr. Perfect” Curt Hennig.
  • The Sheik; Stu Hart; Gorilla Monsoon; Johnny Valentine; Road Warrior Hawk; and Wahoo McDaniel.
  • “Mr. Wrestling” Tim Woods; Terry Gordy; Ms. Elizabeth; and Lou Thesz   

Meltzer’s biographies focus on each subject’s pro wrestling career and legacy re: the industry.  Anecdotes and reminiscences from their contemporaries are included.    

REVIEW:

More than an anthology of exploitative obituaries, this stylish sequel’s profiles don’t even include the years of birth and death. In some instances, the subject’s passing isn’t even mentioned. Yet, there are a few curious exceptions.  Case in point: in more depth than before, Meltzer re-examines Owen Hart’s controversial death in 1999.

Then, most of Elizabeth’s chapter describes her tragic demise in 2003 instead of conveying her 1980’s star power as Randy Savage’s glamorous spouse/on-screen manager.  While summarizing her career, Meltzer curiously doesn’t mention how a demure Elizabeth Hulette was well-regarded by her colleagues, though various wrestler memoirs (i.e. Bret Hart, Hulk Hogan) fondly do so.  

Another quirk is that WWE Hall-of-Famer Greg Valentine isn’t mentioned in his own father’s profile.  Instead, his dad’s eleven-page bio ends with a side box describing the senior Valentine’s propensity for disgusting pranks.  Of all places, Greg Valentine is briefly referenced as a co-worker in the bio on “Mr. Wrestling” Tim Woods, as Woods, Johnny Valentine, and Ric Flair were victims of a well-documented mid-1970’s plane crash.  

Still, Meltzer’s trivia bits are fun: i.e. McDaniel was the first-ever Miami Dolphin (and future President George H.W. Bush was his Little League coach); a young Bruno Sammartino once faced Thesz for the NWA World Title; Hennig preferred his WCW ‘West Texas Redneck’ gimmick over his WWE ‘Mr. Perfect’ persona; an elderly Thesz’s industry involvement into the 1990’s; and the list could go on.  Commentaries from Dory Funk Jr. & Terry Funk; “Superstar” Billy Graham; Bobby Heenan; Nick Bockwinkel; Bret Hart & Ross Hart; Bill Watts; and Michael Hayes, among others, prove keenly insightful.  Archival quotes from the subjects themselves (i.e. McDaniel) further bolster this book’s impressive depth.        

Meltzer’s propensity for anecdotes, however, muddles some wandering narratives jumping back and forth across several years.  Hence, a lack of an index is a head-shaking oversight. Suffice to say, the index in Tributes I was helpful. Still, Meltzer doesn’t play favorites, as these biographies are well-balanced and diligently pay respect to each subject’s contributions to pro wrestling.  

ADDITIONAL FEATURES:

Further bolstering this book’s credibility, Bret “Hit Man” Hart provides a thoughtful foreword.  In addition to acknowledgments and his own mini-autobiography, Meltzer delivers a helpful introduction.  Answering shoot-style questions on a DVD, Meltzer elaborates on many topics referenced in Tributes II

BRIAN’S ODD MOON RATING: 8 Stars

Categories
Books & Novels History & Biographies (Books) Pro Wrestling (Books) Sports (Books) WWF/WWE (Pro Wrestling)

TRIBUTES: REMEMBERING SOME OF THE WORLD’S GREATEST WRESTLERS

Written by Dave Meltzer of “The Wrestling Observer Newsletter”  

SUMMARY:

Published by Winding Stair Press in 2001, this 182-page hardcover by pro wrestling journalist Dave Meltzer pens posthumous biographical profiles honoring twenty pro wrestling notables, who passed away during the 1990’s.  Specifically, this volume reflects on:

  • Owen Hart; Brian Pillman; “Ravishing” Rick Rude; André the Giant; and Bruiser Brody.
  • Fritz Von Erich; Kerry Von Erich; Yokozuna; The Junkyard Dog; and Giant Baba.
  • “Nature Boy” Buddy Rogers; “Big” John Studd; Ray Stevens; Louie Spicolli; and Art Barr.
  • “Hot Stuff” Eddie Gilbert; Boris Malenko; Dino Bravo; Jumbo Tsuruta; and Gordon Solie.   

In straight-shooter fashion, Meltzer’s biographies explore each subject’s pro wrestling career, including his legacy re: the industry; and, to varying extents, the circumstances surrounding each death.   

REVIEW:

Mostly overcoming this project’s morbid aura, author Dave Meltzer somberly offers terrific journalism instead of exploiting glorified obituaries.  Within each biography, there is intriguing material re: how its subject has earned his place in pro wrestling’s controversial history.  Further, Meltzer readily acknowledges the dark irony of pro wrestling as a callous industry/fantasy sport that typically prioritizes greed and protecting other self-interests over any hint of compassion.  In some instances, Meltzer discusses (if not directly identifies) personal demons of his subjects, without reducing these matters to tabloid trash.  The author also readily acknowledges how some of them (i.e. Giant Baba, Owen Hart, Gordon Solie) were well-respected by their peers.     

Tributes, however, suffers from sporadic typos and occasional continuity gaffes (i.e. wrong dates; glaring run-on sentences) that hamper Meltzer’s narrative.  As well-researched as this retrospective is, Meltzer’s classy sequel, 2004’s Tributes II (which restructures the profiles of Owen Hart and André the Giant), is a better overall read. 

ADDITIONAL FEATURES:

Meltzer includes a dedication and acknowledgments.  Jeff Marek provides the foreword.  Meltzer’s index proves handy. 

BRIAN’S ODD MOON RATING: 7 Stars

Categories
Books & Novels Pro Wrestling (Books) Sports (Books) WWF/WWE (Pro Wrestling)

THE BUZZ ON PRO WRESTLING

Written by Scott Keith

SUMMARY:

Published by Lebhar-Friedman Books in 2001, this 217-page paperback is meant for casual fans and long-time fanatics alike.  Including a timeline of major events, the history of pro wrestling dating back more than a century is summarized.  Early chapters describe basic moves/holds, promos, ringside weapons of choice, money-making strategies, and industry lingo, as matters of common knowledge.  Biographies discuss these pivotal wrestlers: Hulk Hogan (parts I & II); Roddy Piper; Randy Savage; the British Bulldogs; the Honky Tonk Man; Ted DiBiase; Ric Flair (parts I & II); Lex Luger; and Sting – primarily re: the 1980’s.  

Exploring the mid-nineties, further biographies profile the Ultimate Warrior; Shawn Michaels; Kevin Nash; Scott Hall; Bret Hart; and the Undertaker.  The implosions dooming the AWA, WCCW, and Jim Crockett’s version of the NWA are also explained.  Hints of an error-prone WCW soon following them into oblivion proves accurate foresight.  The last leg covers the notorious ‘Monday Night Wars.’  Sections include biographies re: Eric Bischoff; the New World Order (NWO); The Rock; Triple H; Steve Austin; and Bill Goldberg.  As to its impact on both major wrestling companies, the WWE’s ‘Montreal Screwjob’ of 1997 is also explained.    

REVIEW:

Definitely well-written!  Even if a few scant details are incorrect (i.e. no, Roddy Piper wasn’t really born in Scotland), author Scott Keith’s research and related conjecture is spot-on, or, at a minimum, it’s plausible.  Readers get a pretty good sense of self-involved antics in an industry of professional egomaniacs.  To Keith’s credit, he doesn’t play favorites, as his snarky skepticism rightly jeers wrestling’s dubious 80’s-90’s misfires insulting its fanbase’s intelligence. 

Further, recurring incidents of backstage sabotage by notorious me-first guys like Hogan and Michaels add to the mayhem – it’s akin to discovering an addictively backstabbing soap opera lurking behind the soap opera.  Aside from an unnecessary photo re: Owen Hart’s fatal 1999 accident, this book’s only downside is that the material is outdated.  For wrestling buffs seeking a refreshingly down-to-earth blast from the past, Keith’s Buzz on Professional Wrestling is tough to pin.  More so, this Buzz deserves a chance for re-discovery.      

ADDITIONAL FEATURES:

Beyond a generous assortment of black-and-white photographs, there’s a helpful table of contents and index.  The author also acknowledges Dave Meltzer, Wade Keller, and Michael Samuda as among his sources.  

BRIAN’S ODD MOON RATING: 8 Stars