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Books & Novels Collector's Magazines History & Biographies (Books) Westerns

HAUNTED WEST: LEGENDARY TALES FROM THE FRONTIER (2021)

By Centennial Spotlight.  

SUMMARY:

Released by Centennial Media in 2021, this 98-page collectible magazine provides an Old American West history lesson and teases reputed instances of its supernatural legacy.  Though the articles don’t identify their specific authors, the contents consist of the following:

  • Introduction: “Welcome to the Haunted Wild West.”
  • “Going West” sets up a general historical timeline dating back to Lewis & Clark’s 1804 cross-country expedition.
  • Chapter 1: The Good, Bad, & Iconic – profiles on Billy the Kid; Jesse James; Wyatt Earp & “Doc” Holliday; “Wild” Bill Hickok; Butch Cassidy & The Sundance Kid (including a sidebar on Etta Place); “Buffalo” Bill Cody; Annie Oakley; and the Old West’s answer to “America’s Most Wanted.”
  • Chapter 2: Power Struggle – profiles on Sitting Bull & Crazy Horse; General George Armstrong Custer; Kit Carson; Geronimo; Chief Joseph; Nat Love; Sam Houston; and a summary of the era’s grisliest battlefields.
  • Chapter 3: Good Girls Gone Bad – profiles on Belle Starr; Lottie Deno; Cattle Annie & Little Britches; Charley Parkhurst; Pearl Hart & “Baby Doe” Tabor; Laura Bullion & “Stagecoach Mary;” Guilty by Association profiles: Etta Place; Ann Bassett; & Rose Dunn; and then Madams & Prostitutes: Fannie Porter; Dora DuFran; Madame Moustache; & Mollie Johnson.
  • Chapter 4: Frontier Folklore – supernatural tales re: The Oregon Trail; “Big Nose” Kate; Bat Masterson; Thomas “Black Jack” Ketchum; The Colt Curse; La Llorona; Yellow Jacket Mine; Joaquin Murrieta; Silverheels; Sarah Winchester; The Pony Express; The Headless Horseman (Texas); Hotel Congress’ The Lady in Room 242; Restless Burial Grounds; and Servin’ Up Spirits (haunted saloons).
  • Chapter 5: Rough & Tumble Towns – a supernatural overview of haunted Old West towns includes Lay of the Land; Tombstone, Arizona; Deadwood, South Dakota; Dodge City, Kansas; Virginia City, Nevada; Bodie, California; Big Small Towns; and Spookiest Ghost Towns.
  • Chapter 6: How The West Was Fun – this Old West pop culture-fest has Wild West A-Z; Best Westerns (movies); Which Legend Are You? multiple-choice personality quiz; Blasts from the Past (a quick look at Old West theme parks); and Dead Man Talking (famous last words).

Note: One rare image is of Jesse E. James (the outlaw’s son) as a Hollywood actor.  Among his credits are two silent film performances portraying his father.

REVIEW:

Though this collectible is obviously meant for True West magazine buffs, casual readers may at least enjoy perusing it.  A caveat is that pre-teens should be precluded due to the recurring inferences of nasty frontier violence.  The writing itself is predictably superficial  – including occasionally incorrect historical details (i.e. as far as it’s known, Billy the Kid wasn’t shot by Pat Garrett in the back).  More so, the narrative sporadically implies some unsubstantiated legends or rumors as either facts or simply distinct possibilities. 

Case in point: in part due to geographical reality, Wyatt Earp and “Doc” Holliday are not credible suspects in Johnny Ringo’s odd mid-1882 death in the Arizona desert.  Like writers from past generations, “Haunted West” considers it a more entertaining Old West yarn of old school justice speculating that either Earp or Holliday might well have faced Ringo in a dramatic last showdown.  Providing any actual proof of such an occurrence is deemed otherwise irrelevant.        

The same inevitably applies to claims of purported supernatural hauntings and various claims of ghostly encounters.  The reporting is all deliberately kept vague without citing actual corroboration or specific eyewitness accounts.  Still, for entertainment’s sake, this magazine’s overall vibe is easily readable.  Even better is its enhancement via a wide assortment of historical photos and illustrations – mostly in black-and-white and others in vivid color. 

Ultimately, for adult Old West buffs, 2021’s “Haunted West” is worth exploring.  As to its journalistic credibility, that’s solely up to the judgment of individual readers.                

ADDITIONAL FEATURES:

There is a helpful table-of-contents.  The last page provides the photo credits and identifies the magazine’s editorial staff.

BRIAN’S ODD MOON RATING:                  7 Stars

Categories
Agatha Christie-Related Digital Movies & TV Movies & Television (Videos) Online Videos TV Episodes & Movies TV Series TV Series (Specific Episodes)

MATT HOUSTON: WHOSE PARTY IS IT ANYWAY? (Season 1: Episode 14)

SUMMARY:                       RUNNING TIME: 49:11 Min.

First airing on ABC-TV on January 23, 1983, Cliff Bole directed this mid-season episode off Larry Forrester’s script. The TV series’ flashy premise depicts the 30-ish, mustachioed Matt Houston (Horsley) as the son of a wealthy Texas oil tycoon. Loosely supervising his family’s vast business holdings from Los Angeles, the ruggedly suave Houston, otherwise, spends his free time as a freelance private investigator.

In this instance, per an unexpected telegram from his boss, Houston’s chief assistant, Murray (Wyner), has hurriedly prepped a posh cocktail party. The party is to be held at the Houston Building’s L.A. penthouse suite on a Sunday night. 

The esteemed guests consist of a top-caliber electronics genius (Brophy); an Indian Maharaja; a wealthy British aristocratic couple (Rush & Mulhare); and a high-profile actress/racecar driver (Stevens).  They are, of course, all expecting to commence lucrative business with Houston, Inc. Arriving last by helicopter, Houston and his attorney, C.J. (Hensley), are under the impression that Murray has summoned them for evening cocktails with the U.S. Vice President. 

Comparing fake telegrams, Houston, C.J., Murray, and their guests quickly realize that they have been collectively duped.  Worse yet, Houston’s penthouse suite has now been electronically sealed off, with all communications disabled.  Even the helicopter and C.J.’s reliable computer system have been cleverly booby-trapped. 

As their unknown captor taunts them with enigmatic video clues, Houston figures that someone among them must be the culprit.  Evidently targeted for vengeance, one suspect after another meets sudden death.  Given the ongoing hints, Houston must decipher the mystery re: what common denominator from five years ago links them all together.

Note: Late in the story, Houston recalls a past airport read that vaguely resembles Agatha Christie’s suspense novel, And Then There Were None.  Still, a specific plot twist he mentions off-hand – the order of victims among which the culprit pretends to be dead – implies that Houston had merely read somebody else’s copycat version.   

Meanwhile, at his young son’s First Communion party, LAPD Lt. Vince Novelli (Aprea) and Houston’s Texan buddies (Brinegar & Fimple) are increasingly concerned over Houston’s no-show.  Houston thinks a worried Novelli will be his much-needed back-up plan, but it might not work out that way.

Matt Houston: Lee Horsley

C.J. Parsons: Pamela Hensley

Lt. Vince Novelli: John Aprea

Murray Chase: George Wyner (a recurring series guest star before becoming a regular cast member)

Bo: Dennis Fimple

Lamar Pettybone: Paul Brinegar

Mama Rosa Novelli: Penny Santon

Joey Novelli: R.J. Williams

Maureen (Murray’s assistant): Megan Dunphy

Pam (Murray’s assistant): Cis Rundle

Durwin Dunlap: Kevin Brophy

Clover McKenna: Stella Stevens

Lady Celeste Abercrombie: Barbara Rush

(Brigadier) Sir James Malcolm Abercrombie: Knight Rider’s Edward Mulhare

Carl (LAPD officer): Richard Pierson

Maharaja: Uncredited

Brogan: Brett Halsey

Communion party guests: Uncredited

Additional Extras (in video news clips): Uncredited.

Trivia Note: After his Robert Urich-headlining Vega$ TV series was canceled in 1981, producers Aaron Spelling & Pamela Hensley’s husband, E. Duke Vincent, opted to replace Urich’s Dan Tanna a year later with another prime-time private detective: Lee Horsley’s Matt Houston. Just like Vega$, Matt Houston ran three seasons on ABC-TV prior to its own cancellation.

REVIEW:

What had once been legitimate shock value for mystery fans forty years before is crassly reduced by Matt Houston to pure ‘shlock value.’ If one has already surmised that the ridiculous script is a hackneyed (and unacknowledged) rip-off of Agatha Christie’s iconic And Then There Were None, then this episode’s silly plot twists won’t be much of a surprise. Yet, between a young Lee Horsley’s machismo – think early 80’s Tom Selleck, Texas-style (as opposed to acting talent) and a decent ensemble cast, this middling caper isn’t all half-bad.

Its major fault is that the clichéd premise is far too contrived in its execution – pardon the expression.  For instance, even the world’s greatest electronics/munitions expert (in 1983, no less) couldn’t possibly have rigged so many death trap gizmos, video displays, etc. in a mere afternoon undetected, at least, not single-handedly. Furthering such implausibility, one will be annoyed by a recurring electronic sound effect evidently recycled from 60’s-70’s cheapo sci-fi TV – supposedly, it’s the villain’s super-computer preparing for more deadly fun and games. 

Second, aside from astounding luck, two of the script’s ‘homicides’ would be impossible to pull off, in terms of timing and/or accuracy.  The less the said of one expendable character’s miraculous point-blank stabbing by a saber that just been discarded on the floor several feet away moments earlier the better.

A third (it’s cheap plot filler) is a laughably excessive catfight/fistfight between Stella Stevens’ and Barbara Rush’s stunt doubles.  Once finally depicting the actual actresses again, their immaculate hairdos, expensive dresses, and make-up appear barely disheveled.  The list of ridiculous plot holes could go on, but this mystery’s biggest wince belongs to Houston’s ultra-convenient recollection finally recognizing the players’ common link. There’s really no logic to his sudden deduction, given how often the wealthy Houston has claimed he’s baffled by their common enemy’s elusive identity. 

Ultimately, the sole asset of this dubious episode is still worth consideration. In spite of such a cliché-fest posing as a script, some credit goes to an entertaining cast, who even deliver a few comedy relief gags.  Viewers, in that sense, aren’t likely to fall asleep during this cheesy whodunnit. As a matter of practicality, though, the number of times one’s eyes will be rolling ought to provide sufficient exercise.

BRIAN’S ODD MOON RATING:                   3 Stars

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Categories
Books & Novels Humor (Books) Mystery & Suspense

JAINE AUSTEN: THE PMS MURDER

Written by Laura Levine

SUMMARY:

First released in 2006 by Kensington Books, 2007’s 270-page paperback edition presents Laura Levine’s fifth Jaine Austen cozy mystery.  Living carefree outside Hollywood, CA, under-employed freelance writer Jaine Austen has mixed feelings about her best friend Kandi’s impending nuptials. There is celebrating finally lucky-in-love Kandi’s happiness, of course, but the flip side is her pushy fiancé, Steve, … and those eyesore bridesmaids’ dresses in a nauseating shade of baby pink. 

The day hasn’t gone much better between an unsuccessful bathing suit shopping excursion and feuding with her stubborn housecat, Prozac. She can also add another round of fending off unwanted flirting by one of her writing students at a local retirement facility. Not to mention, Jaine’s happily retired parents in Florida are keeping her posted on Dad’s latest misadventure: targeting a new neighbor he suspects is a fugitive serial killer he saw on America’s Most Wanted.

The good news is that Jaine makes a new friend: actress/waitress Pam Kenton.  Invited by Pam to join an informal ladies’ support group, the PMS Club is really a weekly excuse to unwind over homemade guacamole and margaritas.  Mingling with mostly other divorcées, like herself, Jaine lets the good times roll at hostess Rochelle Meyers’ upscale home.

Soon after fellow PMS-er Marybeth stupidly reveals an ongoing extramarital affair with Rochelle’s dentist husband, she expires from a fatal dose of poisoned guacamole.  Suspicious eyes instantly squint towards both Rochelle and her adulterous spouse, but the police deem everyone present a suspect – including Jaine. Being publicly implicated in a homicide case certainly doesn’t bode well, if she intends to land a gig as a high-profile bank’s newsletter editor … let alone any romantic chance with the hunky executive she hopes will be supervising her.

If only to save her own skin, not to mention a well-paying job, it’s up to this amateur sleuth to probe her new acquaintances and all their collective gripes against the victim to help snare a killer.  That is, if this elusive killer doesn’t snare Jaine first.    

Note: Unlike the cover, the interior pages pluralize the title as The PMS Murders

REVIEW:

As far as acerbic snark goes, novelist/TV sitcom screenwriter Laura Levine concocts a LOL cozy whodunnit.  Still, there is one looming issue of preference; it’s the literary equivalent of whether readers prefer light mayo on their sub sandwiches or just smothering the mayo.  Though consistently entertaining, Levine’s cynical humor unmistakably projects the latter. 

Short of a TV laugh track, one will likely wonder if Jaine’s crime-solving is more an excuse for Levine’s wacky chick lit jokes and spoofing of Southern California culture clichés rather than a suspenseful whodunnit.  What compensates for Levine’s bevy of genre caricatures is the insertion of sporadic bits of plausibility at welcome moments, such as a homicide cop’s no-nonsense skepticism of Jayne’s past amateur sleuthing. 

As narrated by its bumbling, down-to-earth protagonist (projecting contemporary shades of Penny Marshall’s Laverne DeFazio), the sitcom spunk of The PMS Murder is mostly a welcome delight. If anything, this comedy-mystery delivers a fun bedtime read. Still, it’s a good bet that even genre fans might deem Levine’s excessive sitcom humor the reason why this novel will simply be one-and-done. The decision really is: aside from the unremarkable plot, will Levine’s jokes still be hilarious reading them a second time or more?

In that sense, finding The PMS Murder either at the library first or perhaps a second-hand bookstore may be the most practical option.

Note: This title is also available in hardcover, audiobook, and digital formats.

ADDITIONAL FEATURES:

Levine provides an acknowledgement and thank-you’s.  A thirteen-page sample previews Jaine Austen’s next caper: Death By Pantyhose.  Now employed as a comedian’s joke writer, Jaine is unwittingly caught up in another homicide investigation.  This time, the victim is her client’s professional rival, who has been fatally strangled with a pair of nylons.

BRIAN’S ODD MOON RATING:                          6½ Stars

Categories
Digital Documentaries Digital Movies & TV History & Biographies (Videos) Movies & Television (Videos) Online Videos Westerns

BUFFALO SOLDIERS: AN AMERICAN LEGACY

SUMMARY:        RUNNING TIME: Approx. 43:11 Min.

In 2012, Rusty Spur Productions produced the documentary, Buffalo Soldiers: An American Legacy.  The project’s director is David Carter, who also briefly appears in a non-speaking cameo as ‘General George Armstrong Custer.’  Its host is Judge Joe Brown (in a reenactment soldier’s costume), with actor Barry Corbin as the off-screen narrator. 

Other appearances include Texas State Senator Royce West, Professor B.W. Aston, curator Henry Crawford from Texas Tech University’s History Museum, and Comanche tribal member James Yellowfish.  The sizable cast includes living historians/reenactors Paul Cook; Horace Williams; Cody Mobley; Early B. Teal; Tad Gose; David Carter; and Rosieleetta Reed presenting commentary.  Portraying Comanche warriors are Kevin Browning; Arthur RedCloud, and Cody Jones.  ‘Sgt. Emanuel Stance’ is portrayed by Anthony Reed while Macie Jepsen briefly voices ‘Libby Custer.’   

Designed as an interactive, all-ages history exhibit, Brown and Corbin co-narrate how the presence of African American U.S. soldiers began during the Civil War.  As stated by the film, in post-war 1866, six new U.S. Army regiments would be established utilizing African-American recruits to help safeguard the Western frontier. 

The moniker of “Buffalo Soldiers” would be subsequently bestowed in honor by their Native American adversaries amidst frontier warfare.  The documentary also highlights select members who made historic contributions as members of the U.S. Army, as well as their final fates.

Note: The program openly notes one married couple’s presumed difference of opinion.  While Libby Custer’s expressed admiration for the bravery and competence of African American soldiers is quoted, it is stated that her husband, General George Armstrong Custer, had earlier declined command of one of the new African American regiments.  His reasoning evidently never became public knowledge. 

Still, it is wryly commented that, given his own ultimate fate with the Seventh Cavalry in 1876, maybe he made the wrong choice.     

REVIEW:

Including extensive use of brief reenactments, not to mention some neat special effects, this articulate and friendly documentary offers sufficient depth for middle school and high school history classes.

BRIAN’S ODD MOON RATING:                         6½ Stars

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Categories
Books & Novels General Fiction History & Biographies (Books) Westerns

GUNMAN’S RHAPSODY

Written by Robert B. Parker

SUMMARY:

Released by G.P. Putnam’s Sons in 2001, this 290-page hardcover is novelist Robert B. Parker’s fictional take on Wyatt Earp and the circumstances relating to the ‘Gunfight at the O.K. Corral.’ 

Specifically, Parker explores Earp’s 1879-1882 stint in Tombstone, Arizona, and his half-century romance with Josephine Marcus.  After staring down notorious Texas hardcase Clay Allison, Dodge City lawman Wyatt Earp’s epiphany has him joining his family’s journey to seek their fortunes in far-off Tombstone.  Coming with him from Kansas is Mattie Blaylock, whom Wyatt deems more as an expendable housemaid rather than his common-law spouse using his surname. 

Soon enchanted by a young actress, Josephine “Josie” Marcus – the fiancée of Tombstone political hustler Johnny Behan, Wyatt (and, by extension, his brothers) encounter the grim local repercussions of pursuing this romance.  Once Wyatt and Josie’s extramarital relationship becomes public knowledge, it appears that, off-screen, a vengeful Sheriff Behan is subtly raising the town’s hot-as-hell temperatures by rallying the local rustlers to his side.  Once push ultimately comes to shoot, the Earp Brothers and John Henry “Doc” Holliday reciprocate with October 1881’s deadly gunfight, in proximity to the O.K. Corral.

After Virgil and Morgan Earp are each targeted for cowardly assassination, the laconic gambler/lawman recruits his own posse to avenge his brother Morgan’s cold-blooded homicide to the very end.  Even Josie, who had once prodded Wyatt into promising that he wouldn’t kill Behan, now urges him to make a definitive, and, if necessary, lethal stand.  With once supposed friends now his sworn enemies, Wyatt Earp relentlessly pursues his personal form of justice.

Note: This title is also available in paperback and digital formats.

REVIEW:

While countless novelists have glamorized or debunked the Wyatt Earp myth, Robert B. Parker imagines Earp’s controversial stint in Tombstone as a deadly love triangle.  Unlike Loren D. Estleman’s gritty sensory overload in 1987’s Bloody Season, Parker spends little time on Tombstone’s rival faction theory: the lawmen/gamblers vs. the local rustlers/frontier mobsters.  Without ever showing Johnny Behan masterminding any criminal schemes from the shadows, Parker’s narrative is built around Wyatt and Behan’s feud over Josephine Marcus.  Everything else essentially becomes collateral damage.   

Short of placing the mythical, long-barreled Buntline Special in Wyatt’s hands, Parker imbues his monosyllabic Earp as an Old West super-vigilante (minus a mask and cape).  Such a clichéd depiction – mirroring both Kevin Costner’s 1994 film and 1993’s Tombstone – is sufficient for Western action fare relying upon minimal character depth and generally superficial adherence to historical reality.  The macho action-romance powering Gunman’s Rhapsody, therefore, is straight from the same genre playbook that Zane Grey, William W. Johnstone, & Louis L’Amour famously utilized. 

Most impressively, Parker conveys perhaps the most plausible explanation (fiction or otherwise) as to Wyatt’s depressing relationship with Mattie Blaylock Earp.  Suffice to say, Wyatt’s cold lack of compassion makes him an unsympathetic husband/protagonist – especially the multiple sex scenes Parker allots to Wyatt & Josie’s developing love story.    

Readers, however, should first be aware of all who’s who, as Parker depicts several subplots (i.e. the pursuit of the Bisbee hold-up thieves) before dropping them, with little or no warning.  Even for those already familiar with peripheral names (i.e. Ben Sippy, Dave Neagle, Billy Claiborne, Louisa Earp, etc.), it may seem odd how some of these historical participants are either briefly mentioned or otherwise ignored.  For instance, Parker oddly omits Billy Claiborne’s cowardly presence at the O.K. Corral.

As to the famous gunfight, Parker spends less than two pages sparsely describing the actual shootout.  Then, the novel’s final third accelerates through Virgil’s crippling injury, Morgan’s homicide, and Wyatt’s final showdowns several months later pitting him vs. “Curly” Bill Brocius and ultimately Johnny Ringo.  Come the end, Parker’s single-page epilogue quickly spells out various historical fates.  Yet, this last page is so lazily added on that it is actually his novel’s worst inclusion.

While Gunman’s Rhapsody concocts an entertaining read, it is by no means a game-changing account fictionalizing Wyatt Earp and his cronies against Tombstone’s conniving forces of evil.  Yet, for those who desiring a spirited successor to Zane Grey & Louis L’Amour, then Parker’s novel hits its target almost dead on.

Note: As a suggestion, playing either the Tombstone or Wyatt Earp film soundtracks in the background adds some worthwhile mood enhancement.

ADDITIONAL FEATURES:

Along with a dedication to his wife, the author quotes Faust’s Marlowe as a prelude to the novel’s interpretation of the controversial Wyatt Earp/Josephine Marcus romance. 

As sporadic interludes, Parker includes ‘news bulletins’ from the year in question to provide some historical context.  It isn’t specified whether Parker is summarizing actual 19th Century newspaper accounts or even possibly that he quoting them verbatim.  

BRIAN’S ODD MOON RATING:                         6 Stars

Categories
Books & Novels Mystery & Suspense

CLAIRE MALLOY: DEADER HOME & GARDENS

Written by Joan Hess

SUMMARY:

Released in 2012 by St. Martin’s Press, the 291-page Deader Home & Gardens presents Joan Hess’ eighteenth entry in her “Claire Malloy” murder-mystery series.  After returning from their Egyptian honeymoon in Mummy Dearest, newlyweds Claire Malloy and Farberville’s Deputy Police Chief, Pete Rosen, are now actively house-hunting.  Per Claire’s first-person perspective, increasingly tight quarters inside their cramped duplex while raising a self-involved teenage daughter, Caron, means finding the home of her dreams far sooner than later. 

Discovering her ideal mini-mansion in secluded Hollow Valley, Claire is perturbed that her realtor, Angela Delmond, inexplicably vanishes during their walkthrough tour.  Mirroring what Angela had said, the home Claire so badly desires isn’t exactly what it seems, given her odd potential neighbors.  In addition to a missing realtor, Claire’s amateur sleuthing determines other ominous incidents are linked to this same home. What’s even more unnerving is its connection to the odd descendants of the neighborhood’s namesake family and their prosperous tree farm.

Several months before, the home’s prior owner, Winston Hollow, had perished in an apparent fishing mishap.  Once contacted by Claire, Winston’s boyfriend and heir, Terry Kennedy, arrives from Key West to discuss the house’s potential sale with her.  Yet, Terry soon becomes another fatality.  Claire suspiciously realizes he probably won’t be the last to fall, either, as someone is willing to kill to preserve family secrets. 

With a horde of conniving Hollow relatives stonewalling her, Claire must ferret a foul scent emanating somewhere in  Hollow Valley’s quaint countryside.  No matter where the sordid truth leads Claire, she reckons there is at least one homicidal maniac waiting for her.

Note: This title is also available in paperback and digital formats.

REVIEW:

For Joan Hess fans, this routine “Claire Malloy” whodunnit isn’t likely to disappoint anyone.  Unlike Claire’s ultra-clichéd Southern in-laws depicted in Death by the Light of the Moon, Hess wisely grounds the Hollow clan’s shades of zaniness to a slightly more grounded ‘it-only-happens-in-fiction’ level.  Bolstered by the protagonist’s down-to-earth spunk and congenial humor, Deader Homes & Gardens makes for a delightfully satisfying read. 

Though it isn’t a must-have, Claire Malloy’s latest caper makes a fine cozy mystery option at the library.     

ADDITIONAL FEATURES:

The author dedicates Deader Home & Gardens to her young grandchildren.

BRIAN’S ODD MOON RATING:                       6 Stars

Categories
Books & Novels Mystery & Suspense

EMMA DJAN INVESTIGATION # 3: LAST SEEN IN LAPAZ

Written by Kwei Quartey

SUMMARY:

In 2023, Soho Press, Inc. released the third Emma Djan mystery: the 342-page Last Seen in Lapaz.  Working full-time at Sowah Private Investigators Agency in Ghana, twenty-something Emma Djan is presently navigating perceived strife between her boyfriend, Courage (a police SWAT team member), and her visiting/semi-meddling mother.  Emma is also embracing some adult growth, as far as resisting how religion and her mother dictate choices in her personal life. 

At the behest of her boss, Emma and colleague Jojo are assigned to search for a missing college student, who is the daughter of his influential old friend from Nigeria.  Initially, it is unknown if 18-year-old Ngozi Ojukwu willingly participated in her disappearance from the Ojukwu family home.  Through Courage’s tip, Emma finds out that Ngozi’s sleazy boyfriend, Femi, has been found brutally murdered at a local high-end brothel dubbed ‘The White House.’

Co-mingling their investigations, Emma and the police’s Detective Inspector Boateng team up to probe potential suspects.  With Femi’s cell phone missing, it likely contains crucial evidence as to Ngozi’s fate.  Before Emma goes undercover into a Ghanaian sex trafficking ring, flashbacks reveal how pivotal players (including Femi, Ngozi, and others) ultimately converged in this murder-mystery. 

Desperately saving one witness from a sexual predator, Emma finds that this repellant case involves international human trafficking extending from Africa to Europe. As revealed in flashbacks, the ruse pertains to a ‘travel agency’ offering migrants safe transportation and supposed freedom in starting new lives far away from African poverty.   

Trying to save Ngozi and, by extension, resolve Femi’s chilling homicide becomes Emma’s dual focus.  Conflicting shades of gray emerge amongst Femi’s inner circle, as the case’s true monsters begin revealing themselves. 

REVIEW:

Kwei Quarety’s Last Seen in Lapaz is a bleak literary paradox: a very likable protagonist treads into Africa’s ugly subculture of prostitution and human trafficking to save two innocent lives.  As Quartey’s note acknowledges, the plot’s degradation of human beings makes some sequences sickening. 

The author, at least, keeps most of the grisliest violence ‘off-screen,’ so to speak.  Wincing at the nasty aftermath he depicts, however, becomes a given.  To his credit, Quartey isn’t exploiting icky subject matter; rather, he is drawing his audience to its harsh realities via Emma’s storyline. 

As for Quartey’s cast, they present an intriguing pendulum.  On one side is a personable Emma Djan and her trustworthy allies.  Her family and friends, hence, are all very conventional for the detective genre, with only Emma’s personality being explored among them. 

Yet, the other side consisting of roguish ex-convict Femi, Ngozi, and a horde of illicit associates is loaded with depth.  Primarily through flashbacks, readers will witness how seemingly innocent pawns corrupted by greed, power, and lust may invariably become vipers double-crossing one another with a vengeance. 

With few exceptions, Last Seen at Lapaz’s villains convey realistic personality flaws vs. serving as genre caricatures.  Quartey’s impressive writing talent is apparent when Femi’s sordid employers finally express compassion, let alone a shocked conscience.  It makes their horrified reaction in a late scene seem plausible.  The same applies to the self-involved Femi and how his complicated personality infects others, like Ngozi.  More so, flashbacks depict Femi as caring and seemingly benevolent while his flashy present-day incarnation is shallow and often despicable towards others. 

Along with the protagonist’s appeal, the other best asset of Last Seen at Lapaz are richly-constructed guest characters supplying the plot’s mystery, along with some unpredictable twists.  Though not as slickly-produced as Veronica Mars, this novel should make one want to read more of Emma Djan’s casework – preferably in a less repulsive whodunnit. 

ADDITIONAL FEATURES:

Quartey provides the following (in chronological order):

  1. A map displaying West African migratory routes into Europe through Niger and Libya;
  2. His author’s note readily warns readers that scenes in this fictional story are bleak.  Quartey states that sequences are based on accounts from West African migrants and sex workers in Nigeria, Niger, and Ghana.
  3. The cast of characters alphabetized by first name;
  4. A glossary for translating Ghanaian terminology/slang used by the characters;
  5. A second glossary for Nigerian Pidgin (slang) terminology; and
  6. The book concludes with the author’s acknowledgements and gratitude.

BRIAN’S ODD MOON RATING:              7½ Stars

Categories
Digital Movies & TV International/Foreign-Language Films Movies & Television (Videos) Mystery & Suspense Online Videos Sherlock Holmes-Related

THE PRIVATE LIFE OF SHERLOCK HOLMES

SUMMARY:                RUNNING TIME: 2 Hrs., 5 Min.

Released in 1970, through United Artists (later MGM), director/producer Billy Wilder, with collaborator I.A.L. Diamond, also co-wrote the period mystery, The Private Life of Sherlock Holmes

In the present-day, two London bank employees fulfill the late Dr. John H. Watson’s written instructions retrieving a locked strongbox from its vault fifty years after his death.  Amongst his treasured mementos examined are several props relevant to the film’s storyline, along with Watson’s handwritten account of a case he has long suppressed.  That is where the flashback begins.

Shifting to April 1887, Sherlock Holmes and Dr. Watson return home to 221B Baker Street after resolving a homicide in Yorkshire. Quickly bored, a restless Holmes begrudgingly agree to accompany Watson to a ballet performance of Swan Lake.  Invited backstage, Holmes is propositioned by a Russian ballerina’s handler to become an illustrious sperm donor. Much to Watson’s shock and horror, Holmes tactfully concocts a phony excuse declining the proposed trade for an exquisite Stradivarius violin. 

Barely escaping a watery grave, an amnesiac Belgian wife, Gabrielle Valladon, is subsequently brought to their notice.  Her enigmatic plight compels Holmes and Watson to search for her missing husband.  Despite Mycroft Holmes’ insistence that his brother drop the matter, Sherlock’s determined curiosity fatefully leads him, along with Watson and effervescent Gabrielle, to Inverness, Scotland. 

As the case approaches its potentially heartbreaking end, romance, shadowy espionage, and even the Loch Ness Monster await the legendary British sleuth. 

Sherlock Holmes: Robert Stephens

Dr. John H. Watson/Narrator: Colin Blakely

Gabrielle Valladon / Ilse von Hoffmanstal: Geneviève Page

Mycroft Holmes: Christopher Lee

Mrs. Hudson: Irene Handl

Rogozhin: Clive Revill

Madame Petrova: Tamara Toumanova

Woman in Wheelchair: Catherine Lacey

Scottish Gravedigger: Stanley Holloway

Scottish Guide: James Copeland

Queen Victoria: Mollie Maureen

Von Tirpitz: Peter Madden

Cabbie: Michael Balfour

First Carter: John Garrie

Second Carter: Godfrey James

Hotel Manager: Robert Cawdron

Baggage Handler: Alex McCrindle

Scientists: John Scott Martin & Martin Carroll

Monk: Paul Hansard

Other Monks: Uncredited

Other Scientists: Uncredited

Other Gravediggers: Uncredited

Submersible Crew: Uncredited

20th Century Bank Employees: Uncredited

Emille Valladon: Uncredited

Additional Spies: Uncredited

Notes: The theatrical release is severely truncated from Wilder’s far more episodic, 200-minute initial cut.  Among the deleted segments left incomplete, and in some instances, completely lost, are: a present-day prologue, with Colin Blakely playing Watson’s descendant; the Yorkshire case (which is instead mentioned); the entire “Curious Case of the Upside Down Room,” where a bizarre homicide involves furniture literally up on the ceiling; the entire “Adventure of the Dumbfounded Detective,” which is a flashback spelling out Holmes’ sexuality (or perhaps lack thereof); a comedic cruise ship interlude entitled “The Dreadful Business of the Naked Honeymooners;” and two alternate epilogues – one of which references Jack the Ripper.  Predictably, the studio insisted upon a streamlined running time to maximize movie screenings per day. 

In 2016, the 30-foot Loch Ness Monster model lost underwater nearly a half-century before during on-location filming was finally located.  

REVIEW:

Utilizing Panavision cinematography, Billy Wilder devises a gorgeous-looking Sherlock Holmes adventure that echoes the Hollywood epics of the 1930’s through the early 1960’s.  More so, this production’s sets were evidently built either to or even beyond actual scale – think of it as the set designer fabricating an entire house when only a room would have been sufficient. 

Such elaboration also meant necessary decorations and props being more extensive than most other period films.  Taking closer looks at the construction overkill for 221B Baker Street and Mycroft’s swanky Diogenes Club will bear this observation out.  Between these enormous sets and authentic location shooting in Scotland, Wilder consequently produced the most expansive Sherlock Holmes project up to that time.

As much as Wilder’s 200-minute version would be fascinating viewing (in practicality, a TV mini-series would have made more sense), his two-hour incarnation doesn’t overstay its welcome.  Wilder’s storyline briskly blends mystery, light-hearted suspense, semi-risqué humor, historical spy games, the Loch Ness Monster, and timeless poignancy into a cinematic adult cocktail.  The best asset of which fulfilling Wilder’s vivid aspirations can be found in his casting.    

Despite the impossible task of surpassing Basil Rathbone and Nigel Bruce, the chemistry emanating between Robert Stephens and Colin Blakely is highly underrated – that is, given a century of competition from other productions.  Stephens (primarily a stage performer) is an inspired choice for a semi-effeminate Holmes.  Even more impressive is a hilarious Blakely (especially at the ballet) making a convincing case that he is the next-best blustery Watson after Nigel Bruce. 

Completing this trio is a wonderful contribution from French actress Geneviève Page, who projects a surprisingly complex successor to Irene Adler.  Adding welcome support are Irene Handl as the long-suffering ‘Mrs. Hudson,’ and Clive Revill’s amusing rendition of the ballerina’s handler, ‘Rogozhin.’ 

Yet, hiding in plain sight amongst a roster of non-descript British character actors is a near-unrecognizable Christopher Lee.  Unmistakably, he is spot-on in a pivotal turn as the condescending ‘Mycroft Holmes.’  Given he himself has portrayed Holmes multiple times, Lee lends further credibility to Wilder’s unique depiction of Conan Doyle’s mythology. 

‘Originality’ is perhaps the operative description of Wilder’s take on Sherlock Holmes.  Rejecting Hollywood’s decades of either loosely adapting Conan Doyle’s stories with mixed results or blandly conjuring up new Holmes escapades, Wilder strives for a classy middle ground celebrating fiction’s greatest detective.  Admirably, such creative effort is worth it as far as faithfully presenting Conan Doyle’s ensemble within a fresh big-screen mystery worthy of vintage Hollywood. 

The Private Life of Sherlock Holmes, in that sense, is not meant as either gothic mystery or a period spoof of Conan Doyle.  Ultimately, Private Life is a Sherlock Holmes caper that even non-fans can appreciate as first-class entertainment.

BRIAN’S ODD MOON RATING:                        8½ Stars

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Categories
Animals & Nature Books & Novels General Non-Fiction Reference & Science

CATS IN THEIR GARDENS

Written by Page Dickey

SUMMARY:

The New York publishing firm of Stewart, Tabori, & Chang released this 96-page hardcover in 2002.  The author herself is a gardening design writer for magazines, such as House Beautiful, Victoria, and House & Garden

First revealing imagery from her own backyard, writer/photographer and gardening enthusiast Page Dickey introduces two of her ‘assistants,’ tuxedo cat Felix and Cleo the calico.  Dickey subsequently explores other private home gardens, with their resident felines appearing as models.  The book’s U.S. locales consist of New York, Massachusetts, California, Vermont, Connecticut, along with an overseas trek to the English countryside. 

There are also photographic interludes depicting supplemental montages of cats enjoying their gardens, among them are extra glimpses of Felix and Cleo.  

REVIEW:

Given the book’s apt title, it is a welcome love letter from the author to cats and their pet humans sharing a passion for gardens. Page Dickey’s descriptive text nicely mirrors her photography, in terms of style and elegance.  While one might have preferred a more impressive page count, Dickey ensures that readers will get their money’s worth. 

For fans of the subject, Cats in Their Gardens is an ideal addition to the bookshelf or coffee table.     

ADDITIONAL FEATURES:

The author includes a table of contents followed by her introduction.

BRIAN’S ODD MOON RATING:                      9 Stars

Categories
Books & Novels Children's Books DC Comics DC-Related

DC COMICS BACKSTORIES: BATMAN – GOTHAM CITY’S GUARDIAN

Written by Matthew K. Manning & Illustrated by Steven Gordon

SUMMARY:

Released in 2016 through Scholastic, Inc., this 128-page DC Comics Backstories paperback explores the New 52’s Batman.  After a short foreword from the Dark Knight himself, a cast of characters section introduces of Batman’s inner circle and his most well-known villains.  Starting with Bruce Wayne’s tragic childhood, Batman’s origin is revealed, along with details of his weaponry/vehicles/Batcave. 

Subsequent chapters discuss his current rosters of villains and notable Bat-allies (including Batgirl and multiple Robins), and the New 52’s Justice League. Also included in black-and-white are original artwork, sketches, and assorted vehicle blueprints.

Note: The New 52’s Wonder Woman has her own DC Comics Backstories book.

REVIEW:

Well-written for his target audience, writer Matthew K. Manning’s text delivers everything necessary for a good read.  Specifically, by avoiding detailed storylines and omitting grisly details, Manning still provides an accurate overview of Gotham’s Dark Knight and his supporting cast.  While Steve Gordon’s sketch-like illustrations may vary (i.e. one portrait of the Joker is superb while a Two-Face pose is amateurish by comparison), the above-average visuals are frankly a bonus for Manning’s terrific narrative. 

For the elementary school (and early middle school) crowd, DC Comics Backstories – Batman: Gotham City’s Guardian should delight young Bat-fans.  

ADDITIONAL FEATURES:

The four-page “Fast Facts” adds supplemental trivia to Batman’s chronology.  A glossary and a single-page appendix then conclude the book.   

BRIAN’S ODD MOON RATING:                 7½ Stars