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SHERLOCK HOLMES: A STUDY IN SCARLET (1933 Film)

SUMMARY:               RUNNING TIME: 1 Hr., 12 Min.

Released in 1933, this black-and-white Sherlock Holmes murder-mystery lifts its title from Sir Arthur Conan Doyle’s 1887 original Holmes novel.  Hence, the plot is officially credited as being only “suggested” by Doyle’s work, but the story is otherwise an original creation.  Directed by Edwin L. Marin, this film was made in California as a KBS Production.

Set in the present-day, a corpse is discovered aboard a train at London’s Victoria Station.  Yet, this supposed suicide victim is the only latest homicide befalling an enigmatic clique linked to China known as ‘The Scarlet Ring.’  With another victim’s daughter, young Eileen Forrester (Clyde), reluctantly joining the ‘Ring,’ she finds that her father’s attorney, Thaddeus Merrydew (Dinehart), is its unscrupulous and ever-evasive mastermind. 

Sensing that a crime cartel’s members are being systematically eliminated, Sherlock Holmes (Owen) pursues leads pertaining to Merrydew’s other suspicious clients.  Among them is the sultry and recently widowed Mrs. Pyke (Wong).  Each of the Ring’s dead pawns is revealed to possess a written note ominously reciting a familiar nursery rhyme counting down ten doomed ‘children.’ 

Pursuing a shadowy serial killer, Holmes knows an innocent woman’s life is at stake, as is a sizable inheritance.  It’s up to Holmes and Scotland Yard’s Inspector Lestrade (Dinehart) to thwart a murderous conspiracy banking on greed. 

Sherlock Holmes: Reginald Owen

Dr. John H. Watson: Warburton Gamble

Thaddeus Merrydew: Allan Dinehart (aka Alan Dinehart)

Mrs. Pyke: Anna May Wong

Eileen Forrester: June Clyde

John Stanford: John Warburton

Inspector Lestrade (misspelled as ‘Lastrade’): Allan Mowbray

Jobez Wilson: J.M. Kerrigan

Mrs. Hudson: Tempe Pigott

Will Swallow: Billy Bevan

Mrs. Murphy: Doris Lloyd

Daffy Dolly: Leila Bennett

Dearing: Halliwell Hobbs

Capt. Pyke: Wyndham Standing

Ah Yet: Tetsu Komai

Merrydew’s Butler: Olaf Hytten

Thompson: Hobart Cavanaugh

Baker: Cecil Reynolds

James Murphy: Uncredited

Train Housekeeper # 1: Uncredited

Train Housekeeper # 2: Uncredited

Partridge (Train Steward): Uncredited

Rumfeld (Train Maintenance Worker): Uncredited

Lestrade’s Plainclothes Cops: Uncredited

Notes: Owen is among the few actors to have portrayed both Holmes and Dr. Watson on film.  Hobbs and Mowbray (though separately) later appeared in the Sherlock Holmes film series co-starring Basil Rathbone & Nigel Bruce.  Late in this film is an extraordinary gaffe: a newspaper advertisement’s close-up depicts Holmes’ address as “221A Baker Street” rather than Doyle’s “221b Baker Street.”  An actor subsequently verbalizes the same mistake in dialogue.

REVIEW:

One should first keep in mind the film’s historical relevancy among Hollywood’s earliest (and best-known) surviving adaptations of Sherlock Holmes, no matter how faithful it isn’t to Conan Doyle.  Interestingly, this film’s smoke-and-mirrors twists predate the film adaptation of Agatha Christie’s And Then There Were None and Basil Rathbone’s Sherlock Holmes: The House of Fear by twelve years. 

Perhaps less surprising is that both these 1945 films easily surpass Reginald Owen’s Sherlock Holmes whodunnit.  Despite its neat premise (one that Owen himself wrote the dialogue), the script’s execution is exceedingly bland.  Trying to instead visualize Rathbone’s Holmes and Nigel Bruce’s Watson might help somewhat relieve the tedium.

It is also ironic how Anna May Wong’s intriguing femme fatale in limited screen time is far more watchable than observing Owen and Warburton Gamble tread their ultra-wooden paces as Holmes & Watson.

1933’s A Study in Scarlet, if anything, is worthwhile just to see a Golden Age star like Wong on screen.  Getting a decent resolution to this storyline’s mystery is something of a bonus, too.  Otherwise, The House of Fear and the original And Then There Were None are recommended as more satisfying viewing options.

BRIAN’S ODD MOON RATING:                     4 Stars

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Categories
Animals & Nature Books & Novels Humor (Books) Sports (Books)

A FINE AND PLEASANT MISERY

Written by Patrick F. McManus. Cover Illustration by Bob Jones.

SUMMARY:

Released by Owl Books (an imprint of Holt, Rinehart & Winston) in 1981, this 209-page paperback is a reprint of the publisher’s original 1978 hardcover edition.  Taken from Field & Stream Magazine, the gamut of these Patrick “Pat” McManus” short stories first appeared from 1968 through 1978. 

Bouncing back and forth between his post-World War II youth growing up in Northern Idaho and his present-day experiences, McManus shares his Pacific Northwest anecdotes about:

  • Camping, fishing, and hunting, now and way back then;
  • Proper methods for panicking in the great outdoors;
  • How to get yourself lost on a hunting trip with your buddies;
  • His less-than-prototypical family dog, Stranger, growing up; 
  • Dubious life lessons taken from his crochety pre-teen mentor and local mountain man, Rancid Crabtree;
  • A wild rafting trip with his old crony, Retch;
  • His youthful ‘Big Safari’ capers (aka camping overnight in the backyard), and later his teenage ‘Big Trip,’ where a week’s cross-country hiking trip with a friend becomes a full-blown survival course; 
  • Ever in search of cheap and practical camping gear, the ‘treasures’ McManus finds at his local army surplus store;
  • A makeshift bicycle (“death on two wheels”) from the author’s childhood;
  • Taking one’s family to explore a national park;
  • Perpetually feuding with cows for his favorite fishing hole;
  • and several other related tales.  

McManus views outdoor misadventure as not only a hobby, but as a lifelong passion – no matter how much reality gets in the way.

REVIEW:

For outdoor die-hards and fans of TV parodies like The Red Green Show, the guy humor McManus exudes is timeless.  The kicker is this book’s surprising appeal to non-outdoor enthusiasts.  Given some patience, skeptics will likely find themselves chuckling as McManus repetitively treads topics like youthful fantasies gone awry, repercussions of childhood poverty, ornery relatives and neighbors, wacky friends, or the local scam artist posing as a reputable retail businessman.  Embellishments are a given, but McManus knows exactly how to land an anecdote’s punchline.

If anything, this collection of McManus musings offers some welcome fresh air for anyone justifiably exasperated with the tech-savvy 21st Century.  This kid-friendly title may also be an ideal alternative for today’s generation to tune out television and the internet long enough to give his book a fair chance.  Getting back to some hilarious aspects of down-to-earth nature makes A Fine and Pleasant Misery well worth discovery, if not re-discovery.  

Note: No matter his emphasis on the supposed glories (let alone the necessities) of fishing and hunting, McManus doesn’t depict grisly details. On second thought … one tale does mention his wife’s horror upon unexpectedly finding one of his ‘catches’ stuffed in his hunting jacket. 

ADDITIONAL FEATURES:

McManus briefly offers his acknowledgements.  Jack Samson, then-Editor of Field & Stream, presents a six-page introduction offering insight re: why this assortment of McManus stories was compiled as a book.

BRIAN’S ODD MOON RATING:           7½ Stars

Categories
Books & Novels Children's Books DC-Related

BATMAN: SUPER-VILLAINS STRIKE (A CHOOSE-YOUR-FATE ADVENTURE BOOK)

Written by Michael Teitelbaum. Cover Art by Ron Zalme.

SUMMARY:

In 2012, DC Comics and Tom Doherty Associates, LLC (through its Starscape imprint) released this 144-page Bat-caper for elementary school students.  With black-and-white illustrations echoing the fourth season of Batman: The Animated Series, Gotham City’s Dark Knight takes on a solo mission pursuing four escaped villains from Arkham Asylum: Catwoman, Mr. Freeze, Poison Ivy, and the Riddler. 

Aside from deducing the shadowy mastermind behind this jailbreak, Batman may find himself outnumbered by his elusive foes.  Helped by solving enigmatic puzzles, readers make the risky decisions as to what Batman should do next.  With one ideal ending in sight, readers must tread cautiously to avoid leading the Dark Knight to failure, if not imminent doom.   

REVIEW:

Author Michael Teitelbaum devises a fun storyline where young readers can fairly navigate the plot twists.  Unlike most other titles in the choose-your-own-story genre, only a single path leads to victory.  More specifically, the option of at least partial success (i.e., capturing one villain) isn’t available.  Teitelbaum, in that sense, applies plausible realism to Batman’s mortality, so some younger readers might become frustrated thinking victory ought to be easier.  Still, this storyline’s simplistic entertainment value holds up relatively well.

Batman: Super-Villains Strike isn’t a remarkable find, but its target audience won’t likely be disappointed.    

ADDITIONAL FEATURES:

The first page is an introduction for readers new to the choose-your-own-adventure concept.  Included throughout the story are a series of word searches, word scrambles, mazes, and hidden/coded messages.  At the back of the book is the answer key, which includes an exact reading path to nab all four Bat-villains.    

BRIAN’S ODD MOON RATING:                    5½ Stars

Categories
Books & Novels Mystery & Suspense Sherlock Holmes-Related

THE DAUGHTER OF SHERLOCK HOLMES (BOOK # 1)

Written by Leonard Goldberg

SUMMARY:

Minotaur Books released this 305-page paperback in 2017.  Set in early spring of 1914, Dr.  John H. Watson, Jr. (both a medical school assistant professor and an expert pathologist) acknowledges that, with Sherlock Holmes’ passing, he now resides with his widowed father at 221b Baker Street. 

Pressed into service by a grieving sister, a revitalized Dr. Watson, Sr. and his son probe whether or not the aristocratic Charles Harrelston rashly committed suicide by plunging out a third-story window … or was he actually thrown from the roof to his death?  Their primary eyewitnesses are young widow (and ex-nurse), Joanna Blalock, and her precocious son, Johnnie.

Recruiting Joanna’s cooperation as a third sleuth, Watson, Sr. confides in his son the incredible secret of their new ally’s incredible deductive powers.  With the help of a second-generation Inspector Lestrade and a hound worthy of the name, ‘Toby’ the trio finds that Harrelston’s ill-fated gambling party with Dr. Christopher Moran is the first ugly tragedy befalling a quartet of old war buddies. 

Despite unraveling multiple homicides, a courageous Joanna must take the ultimate risk in order to snare a vindictive serial killer.  

Notes: This title is also available digitally. 

REVIEW:

Leonard Goldberg’s slick legacy template for Sherlock Holmes enthusiasts is not as intriguing as it might have been. 

For instance, this novel is not some revisionist caper about Moriarty’s love child with Irene Adler posing as Holmes’ long-lost daughter, ingeniously humiliating the Watsons, and then leaving the bewildered father-son duo to rot in prison. As different as that wicked comedy scenario might sound, Goldberg devises a far more conventional, pre-wartime sequel imagining a world after Holmes’ passing. Still, for as much potential The Daughter of Sherlock Holmes conveys, Joanna Blalock’s first murder-mystery case errs in four significant ways. 

First, as a formulaic whodunnit, Goldberg’s storyline treads closer to Columbo than to Conan Doyle.  By revealing the culprit’s identity from practically the get-go, Joanna’s deductions of how each murder is committed then leaves readers with essentially a ‘why-dunnit,’ with too few surprises.  With Sherlock Holmes’ heir and the Watsons too quickly deducing their quarry and a presumed motive, Goldberg has them repetitively deem their accumulated evidence as insufficient for prosecution. 

Yet, why shouldn’t Scotland Yard’s best forensic experts concur with their expert deductive assessments?  From the way Goldberg presents their medical analysis, even semi-competent law enforcement officials wouldn’t blow off such circumstantial evidence as pure conjecture. By playing off familiar genre clichés, Goldberg insists on stringing his audience along as to what ‘red-handed’ proof will inevitably snare the all-too-obvious culprit.  Many mystery fans won’t mind such a ride, but that leads to the novel’s second major flaw. 

Goldberg repeatedly pushes visual autopsy sequences that are unnecessarily too technically-detailed and, even worse, provoke disgusting imagery to readers.  Rather dubiously, Goldberg can invoke squeamishness without a corpse necessitating a scalpel for any internal dissection.  One wonders if, as a real-life physician, Goldberg is flaunting his medical knowledge through the detective trio as a means of padding his page count. 

Goldberg’s unimaginative storyline also suffers from pushing far too many second-generation clones (i.e., Watson, Jr; Mrs. Hudson; Lestrade; Moran; Toby Two, etc.) of Conan Doyle’s cast.  The author’s writing style is strong enough that such blatant name dropping should not be necessary.  Though these legacy characters better fit Goldberg’s sequel titles, their introductions all crammed within The Daughter of Sherlock Holmes come off as an eye-rolling gimmick for glorified fan fiction. Instead, Goldberg would have been better off phasing in his next generation throughout the series as welcome surprises.

Lastly, the murky continuity Goldberg deploys in setting up this batch of namesake heirs makes little sense, especially if his Holmes is already dead, as of 1914.  For instance, the introduction states Holmes died in 1914 – the same year as Joanna’s introduction.  Yet, this book (not to mention, future books) subsequently reference Holmes as being ‘long dead,’ as if several years have lapsed rather than mere months.  Another element to remember is that Holmes’ romantic liaison with Joanna’s mother would have occurred nearly forty years before.  Yet, Goldberg’s likable ‘Joanna’ appears to be, at most, in her early thirties.     

The Daughter of Sherlock Holmes, accordingly, should be treated as more of a reference guide for the ongoing series.  Subsequent espionage-flavored mysteries, such as A Study in Treason and The Disappearance of Alistair Ainsworth, supply more satisfying reads exploring Joanna Blalock’s destiny as her father’s sleuthing successor.

ADDITIONAL FEATURES:

Goldberg’s ‘Watson, Jr.’ supplies both an introduction and his closing notes.  It is conveyed that, like his father before him, Watson, Jr. now chronicles Joanna’s ongoing adventures. Simultaneously, this epilogue could be deemed as a satisfying end to Goldberg’s premise, had he opted not to produce further books.

BRIAN’S ODD MOON RATING:                   5½ Stars

Categories
Books & Novels General Fiction Mystery & Suspense Romance Westerns

SUNDANCE

Written by David Fuller

SUMMARY:

The historical novel, Sundance, was released by Riverhead Books as a 338-page hardcover in 2014.  In the late spring of 1913, Harry Alonzo Longbaugh (the Sundance Kid, now in his mid-forties) is quietly released from a Wyoming state penitentiary after a twelve-year prison sentence he willingly chose to endure. 

Without his familiar moustache and hiding behind a flimsy alias, Longbaugh has staved off most curiosity seekers while intensely defending his wife’s honor, as necessary. All that has kept him sane surviving prison and perpetual loneliness are his wife’s letters, despite his continued pleas for her to explore a new life without him. At Longbaugh’s behest, she has left the West for a fresh start in New York City.

During his incarceration, the world learned of his violent demise with best friend Robert Leroy Parker (aka Butch Cassidy) in a Bolivian shootout.  Long out of touch with modern society, Longbaugh wisely opts to let the world believe this falsehood.  All he wants to do now is find his beloved wife: Etta Place, whom he has not heard from in two years.

Forced to kill an ex-sheriff’s vengeful son, Longbaugh finds himself on the run again – from both the law and ghosts from his past.  Dodging a posse’s efforts, Longbaugh is told by his estranged sister-in-law that answers most likely await him in New York City.  Moving East, the former outlaw finds how New York embodies modern life in a rapidly-changing 20th Century.  Inevitably, he is now an often-bewildered relic struggling to catch up. 

Clues to Etta’s socially progressive activities bring an ever-savvy Longbaugh into conflict with the New York mob and others associated with his elusive wife.  Worse yet, the Kid’s old nemesis, manhunter Charlie Siringo, is doggedly pursuing his world-weary quarry from the remnants of the Western frontier to the shadowy back alleys of New York.  All Longbaugh wants is Etta back, but his obsession may cost him everything.      

Notes: This title is also available in digital, audiobook, and paperback formats. The cover incorporates an image of Etta Place from her only verified photo – a studio portrait with her fugitive husband taken in New York City, circa 1901. As a matter of trivia, novelist/screenwriter William Goldman (who wrote “Butch Cassidy and the Sundance Kid”) once used ‘Harry Longbaugh’ as a pen name.

REVIEW:

Including his own take on the ‘Butch & Sundance’ Bolivian mystery, author David Fuller’s poignant what-if isn’t merely a Western gone East.  For historical fiction enthusiasts, the ambitious Sundance succeeds as both a romantic mystery and an action-thriller.  Readers must sit tight to learn Etta’s enigmatic fate, but the anticipation proves worth it.  Still, Longbaugh’s unrelenting personal quest is counter-balanced by sequences depicting bleak and occasionally violent realism. 

Though some events are totally fictitious and others historically-tinged, such scenes creeping upon readers are well-played, no matter how dark their outcome.  Case in point: the haunting impact upon Longbaugh’s mind imagining the horrific 1911 Triangle Shirtwaist Factory fire where Etta may have been best spells out his humanity. 

Despite retaining his fearsome fast-draw, Longbaugh’s conscience is similarly felt when he fails to discourage an inept ‘Butch & Sundance’ impersonator duo early on.  Such detail reveals a mostly reformed rogue witnessing the ugly fallout of his legend now romanticized in dime novels.  One can appreciate Longbaugh’s maturity recognizing why he does not just as easily resume his old crime spree.

Further, Fuller capably devises a revisionist Western where redemption is far harder earned than escaping with the loot from any brazen train heist.  Transplanting an aging Sundance Kid (and, by extension, Etta Place) as anachronisms into a complex, pre-World War I metropolis of skyscrapers, motorcars, subways, and turbulent social reforms is a challenge that Fuller impressively lives up to.  

Both poignantly written and faithfully researched, Fuller’s Sundance makes it almost easy to visualize Robert Redford reprising perhaps his most iconic role.  For instance, a catch-me-if-you-can rooftop exchange between Longbaugh (with a gleam in his eye) and the cool-tempered Siringo is one of several scenes worthy of Redford’s cinematic persona.

Though plot contrivances are a given, Fuller takes some excessive gambles that diminish his novel’s momentum.  One is an ultra-convenient reunion that ridiculously comes out of nowhere – twice! Though the first sequence’s banter is wonderfully written, Fuller overplays his storytelling hand, as far as pushing what-if romanticism.  He really should have left the tantalizing fate of Sundance’s favorite buddy solely to the audience’s imagination.

Note: Curiously, one thing that Fuller does not divulge is any post-prison re-assessments his enlightened ‘Longbaugh ‘ has made of his ruthless ex-Wild Bunch cronies, like Harvey “Kid Curry” Logan.  

Far more critical to the climax is a wartime sub-plot that links too many of that era’s historical events.  Unfortunately, Fuller’s war profiteering angle again appears taken from the ‘this only happens in fiction’ playbook.  While neither of these plot angles are a dealbreaker, they are other reasons this reviewer’s rating is not even higher.      

Ultimately, Sundance delivers high-caliber fiction entertainingly rooted in familiar American history.  Clearly, unlike the incorrigible desperado the real Harry Alonzo Longabaugh was, his fictional counterpart risks a far greater endgame.  Regardless whether one is an Old West buff or not, Sundance concocts a satisfying and surprisingly powerful read.    

ADDITIONAL FEATURES:

The author briefly notes the real Sundance Kid’s historical fate, even though his Bolivian grave still has not been located.  Fuller’s acknowledgements section confirms he has slightly altered the spelling of Longabaugh to make ‘Harry Longbaugh’ more his own creation.     

BRIAN’S ODD MOON RATING:               8½ Stars

Categories
Books & Novels Mystery & Suspense Sherlock Holmes-Related

A DAUGHTER OF SHERLOCK HOLMES # 3: THE DISAPPEARANCE OF ALISTAIR AINSWORTH

Written by Leonard Goldberg

SUMMARY:

In 2019, Minotaur Books released this 306-page title in hardcover.  Set in November 1915, a dark and stormy London night finds distraught physician Dr. Alexander Verner arriving at 221b Baker Street to consult his friend, Dr. John H. Watson, Sr., his same-namedson, and Watson, Sr.’s famous daughter-in-law, private detective Joanna Blalock. 

Note: Courtesy of Watson Jr.’s published accounts of his wife’s acclaimed sleuthing, it has become public knowledge that Joanna is the daughter of the late Sherlock Holmes.  Joanna now gladly announces herself as such.  Outside the Watson family, presumably, it is not divulged that her biological mother is the late Irene Adler.   

Verner describes how, earlier that night, he was suspiciously tricked into treating a seemingly mute patient beset by abdominal pain and then ominously warned to say nothing of the incident.  Joanna’s advice to Verner about a means of protecting himself from the wrath of suspected German agents soon tragically goes awry.

With the British war effort at stake, it is up to the Watson clan to now rescue a captive British cryptographer and avenge the cold-blooded homicide of their family friend.  Among their trusted allies are British Secret Intelligence’s Lt. Dunn; the second-generation Inspector Lestrade of Scotland Yard;  the canine Toby Two; and Joanna’s young son and prodigy: Johnnie Blalock – the late Sherlock Holmes’ lookalike grandson. 

Their formidable opposition is a cell of ruthless German spies, who will not hesitate to kill any impediment to their scheme. Joanna and the Watsons sense that British coding specialist Alistair Ainsworth’s abduction by the enemy is likely an inside job.  Yet, even if they decipher the shadowy culprit’s identity, can they still rescue a tortured Ainsworth in time?

Note: This title is available in multiple formats, including paperback, digital, and audiobook.

REVIEW:

Despite its built-in contrivances (i.e. the duplication between father-and-son Watsons, plus Johnnie Blalock as the Sherlock-in-training and other eye-rolling second-generation duplicates of Conan Doyle’s original cast) and an assortment of genre plot clichés, this third historical mystery is still well-played.  Author Leonard Goldberg’s deft touch ensures Joanna Blalock’s deductive reasoning makes good sense throughout this espionage whodunnit. 

For fans of the two prior books, they will not likely be disappointed probing The Disappearance of Alistair Ainsworth.      

ADDITIONAL FEATURES:

None.

BRIAN’S ODD MOON RATING:                            7 Stars

Categories
Books & Novels Mystery & Suspense Sherlock Holmes-Related

A DAUGHTER OF SHERLOCK HOLMES # 2: A STUDY IN TREASON

By Leonard Goldberg

SUMMARY:

In 2018, Minotaur Books released this 306-page title in hardcover.  Set in Late Spring 1914, several months have lapsed since The Daughter of Sherlock Holmes occurred.  Now residing together at 221b Baker Street are a semi-retired Dr. John Watson, Sr. (recuperating from a stroke), with his newlywed namesake son and daughter-in-law, Joanna Blalock – the child of Sherlock Holmes and Irene Adler.  Joanna’s young son, Johnnie, attends school at Eton.

Note: Courtesy of Watson, Jr.’s published accounts of his wife’s acclaimed sleuthing, it is public knowledge that Joanna is the daughter of the late Sherlock Holmes.  Joanna now gladly acknowledges herself as such.  Outside the Watson family, it is presumably not divulged that her biological mother is the late Irene Adler.  

At the behest of Sir Harold Whitlock, the First Sea Lord of Her Majesty’s Navy, Joanna and the Watsons join the search for an evidently stolen document known as ‘The French Treaty.’  Specifically, it reveals a top-secret strategy detailing England and France’s naval operations to effectively halt German advantages at sea, should World War I commence. 

Aiding the trio are the second-generation Inspector Lestrade of Scotland Yard and their British Secret Intelligence liaison, Lt. Dunn.  The enigma initially is: how was the document pilfered from a locked study at Lord Halifax’s highly-secure country estate?

Yet, recovering the international treaty and identifying an elusive and possibly murderous culprit may now prove impossible.  As narrated by her husband, only the heir of the legendary Sherlock Holmes might still have a clue.

Note: This title is available in multiple formats, including paperback, digital, and audiobook.

REVIEW:

Reminiscent of Agatha Christie’s The Incredible Theft (a Hercule Poirot short story) this historical espionage caper is a treat to read.  With its necessary contrivances (i.e. two Watsons, a second-generation Lestrade, etc.) now built in, author Leonard Goldberg’s storytelling exudes a smoother flow than the original book.  More so, for a whodunnit, Goldberg makes Joanna Blalock a likable and intriguing protagonist, with Watson, Sr. as her best supporting player.

A Study in Treason inevitably relies on some convenient genre plot devices.  Still, along with the third novel: The Disappearance of Alistair Ainsworth, it makes for an ideal diversion in front of the fireplace on a long winter’s night. 

ADDITIONAL FEATURES:

Goldberg’s note explains how the Daughter of Sherlock Holmes series is a prequel to his present-day mystery thrillers depicting Joanna’s namesake granddaughter (a Los Angeles forensic pathologist).  Goldberg’s ‘Dr. Watson, Jr.’ briefly introduces A Study in Treason.   

BRIAN’S ODD MOON RATING:                         7 Stars

Categories
Blu-Ray DC-Related Movies Movies & Television (Videos) Sherlock Holmes-Related

BATMAN: GOTHAM BY GASLIGHT

SUMMARY:                    RUNNING TIME: 1 Hr., 18 Min.

This 2018 DC animated film loosely adapts 1989’s Batman: Gotham By Gaslight graphic novel – DC Comics’ first Elseworlds project.  Days before hosting the World’s Fair, a Victorian-era Gotham City is besieged after nightfall by a knife-wielding serial killer targeting the city’s perceived prostitutes.  Simultaneously, the vigilante Batman is now protecting Gotham’s most defenseless from street crime. 

Facing off against one another, the Dark Knight and the Ripper find that stage entertainer Selina Kyle has her own hellbent score to settle with the elusive killer.  Worse yet, this fearsome adversary can successfully fend them both off in 2-on-1 combat. Other wildcards in play are Police Commissioner James Gordon, Police Chief Harvey Bullock, and District Attorney Harvey Dent in their efforts to thwart the grisly murders.    

Personal tragedy strikes Gotham’s greatest philanthropist, Bruce Wayne, who finds himself framed for the Ripper’s murders, including a beloved friend.  Mere hours before the World’s Fair’s opening, Batman races the clock to reach down his foe before the Ripper strikes the one closest to Bruce Wayne’s heart.    

Note: Unlike the graphic novel, Batman’s tragic origin dating back to childhood is neither depicted nor re-imagined.  The film only briefly alludes to why Bruce Wayne began his familiar obsession declaring war on street crime.  

Principal Voice Cast:

Bruce Wayne/Batman: Bruce Greenwood

Selina Kyle: Jennifer Carpenter

Alfred Pennyworth: Anthony Head

District Attorney Harvey Dent: Yuri Lowenthal

Commissioner James Gordon: Scott Patterson

Sister Leslie Tompkins, Jason Todd, & Selina Kyle’s Singing Voice: Grey Griffin

Timmy Drake & Marlene Mahoney: Tara Strong

Dickie Grayson: Lincoln Milcher

Hugo Strange: William Salyers

Barbara Eileen-Gordon & Pamela “Poison Ivy” Isley: Kari Wuhrer

Police Chief Harvey Bullock & Big Dill Dust: John DiMaggio

Mayor Tolliver: Bob Joles

Note: Though the entire set of bonus features may not be included, this R-rated title is also available digitally and on DVD.

REVIEW:

Enhanced by impressive production values, this grisly animated adaptation surpasses its source material.  Instead of transplanting Jack the Ripper from London as a ‘sequel’ to the killer’s historical notoriety, this version devises its own shadowy ‘Ripper’ to face Gotham’s rookie Dark Knight.  Cleverly, the film adheres far closer to familiar Bat-mythology, including the presence of Selina Kyle, Poison Ivy, Hugo Strange, a trio of young Robins, and even a name drop of ‘Cyrus Gold’ (a reference to DC’s Solomon  Grundy).  Hence, this adaptation benefits from a welcome unpredictability in its plot twists.

Two caveats, however, should be considered.  One: the film’s R-rating allows the Ripper’s bloody predatorial stalking of women to be visualized in multiple brutal deaths; the same applies to brief nudity and profanities.  Two: deviating from Brian Augustyn’s graphic novel, the culprit’s identity has been changed, presumably for shock value purposes.  The gamble mostly works, but it’s justifiable that Bat-fans may be unhappy at the desecration of an iconic character.

Ultimately, Batman: Gotham By Gaslight scores on all creative counts: spot-on voice casting (especially Bruce Greenwood & Jennifer Carpenter), high-caliber animation, and a haunting musical score.  Despite a disturbing violence quotient, the animated Gotham By Gaslight fulfills its creative potential.          

BONUS FEATURES:

Language options and subtitles consist of: English, Dutch, French, Portuguese, Spanish-Castellano, and Spanish-Latino.  Optional audio commentary with executive producer Bruce Timm, screenwriter Jim Krieg, and director/producer Sam Lieu is available. 

Aside from the trailer for the animated Batman vs. Two-Face (Adam West’s final Batman project), sneak peeks are included for upcoming DC animated films: Justice League Dark, Batman: Bad Blood, and Suicide Squad: Hell to Pay.  There is also a featurette entitled “Caped Fear: The First Elseworld.” 

The two bonus cartoons are: 1. Batman – The Brave and the Bold’s “Trials of the Demon!,” which includes appearances from Sherlock Holmes & Dr. John Watson; Jay Garrick’s Flash; Scream Queen (a purplish re-working of Silver Banshee); the Scarecrow; Jason Blood/The Demon; and the Gentleman Ghost; and 2. Batman: The Animated Series’ “Showdown,” which co-stars Ra’s al Ghul in Jonah Hex’s animated debut. 

Re: “The Trials of the Demon!” (6 Stars), it is a fun supernatural caper where the Gentleman Ghost proves a most formidable Bat-foe.  Still, this episode’s most glaring weakness is Holmes’ ludicrous instant ‘deductions’ confirming Batman’s intents and origin – no matter Holmes’ legendary observational talents, he is not that good. 

As for the flashback-driven “Showdown” (8 Stars), pitting an adaptation of Jonah Hex vs. Ra’s al Ghul is an inspired Western action-adventure.  This episode’s final plot twist is exceptionally well-played.        

PACKAGING:

Possessing a standard casing, this Blu-Ray’s contents are accurately advertised.    

BRIAN’S ODD MOON RATING:                       8 Stars

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AGATHA CHRISTIE’S LITTLE MURDERS: THE KNIFE IN THE NECK {aka LORD EDGWARE DIES} (Season 1: Episode 11)

SUMMARY:                RUNNING TIME: 1 Hour, 35 Min.

The French translation of the series title is les petis meurtres d’Agatha Christie. First airing in France on September 14, 2012, this episode loosely adapts Agatha Christie’s 1933 Hercule Poirot novel, Lord Edgware Dies. The version is entitled “Le Couteau sur la Nuque” (aka “The Knife in the Neck”).  Produced by Escazal Films, Renaud Bertrand directed this installment.

Set in 1930’s Northern France (in proximity to Lille), a lovestruck female fan expecting a clandestine meeting with acting heartthrob Julien Sobel (Alluguette) is brutally murdered.  Her severed foot is subsequently mailed to Police Superintendent Larosière (Duléry) to chillingly taunt him. 

After locating and identifying the victim’s corpse, the police descend upon a troubled stage production of Don Juan featuring Sobel.  Primarily, the play’s two major stars are long-estranged spouses – one is aging bombshell Sarah Morlant that Larosière admires and the other is a wretched alcoholic far past his vaunted prime. 

Expecting to promptly re-marry a wealthy French count, the self-involved Morlant (Detmers), is shocked that her decrepit husband (Winling) is then bloodily murdered.  Worse yet, Morlant finds herself identified as the prime suspect despite a high society alibi supported by at least a dozen witnesses.  Making seemingly little progress sleuthing multiple murders, Larosière, due to his long-standing familiarity with the play, reluctantly consents to fill in as the title character at the next performance. 

Meanwhile, the Superintendent’s runaway teenage daughter, Juliette (Isaaz), seeks to finally spend time with her workaholic father.  Initially helpful the case, Juliette’s whirlwind romance with Sobel makes her the serial killer’s next target following another backstage homicide.  With his daughter’s life at stake, Larosière and his faithful subordinate, Inspector Lampion, must now thwart one, if not two, ruthless killers stalking the theater.     

The episode’s language is French with easy-to-follow English subtitles.   

Superintendent Jean Larosière: Antoine Duléry

Inspector Émile Lampion: Marius Colucci

Ménard: Serge Dubois

Dr. Verdure: Olivier Carré

Juliette Larosière: Alice Isaaz

Sarah Morlant: Maruschka Detmers

Raoul Cochin: Guillaume Briat

Julien Sobel: Julien Alluguette

Lurie Fremont: Vinciane Millereau

Pierre Fougères: Jean-Marie Winling

Antoine Marin: Frédéric Longbois

Lilas: Flora Thomas

Comte (Count) de Tercoignes: Hervé Hague

Madame de Rémincourt: Barbara Monin

Lisa Debauche: Coline Marescaux

Charlotte: Victoria Quesnel

Other Cast Members: Thomas Debaene & Adrien Calandre

Play’s Production Staff: Uncredited

Theater Attendees: Uncredited

Note: The American title for Christie’s novel is Thirteen at Dinner.

REVIEW:

Given it is the last episode with the original cast, this incarnation of “Lord Edgware Dies,” unfortunately, is a mixed bag.  By shifting Christie’s storyline entirely into the theatrical world, the good news is that some plot elements now make better sense (i.e., co-mingling the personal and professional frictions between Sarah Morlant and her estranged husband). 

As for the script’s originality, the premise of befuddled father Larosière contending with a rebellious teen daughter while indulging a fantasy of playing Don Juan onstage is superbly conveyed by Antoine Duléry.  For such scenes, he and co-star Marius Colucci get terrific help from their guest stars, especially Alice Isaaz as an effervescent “Juliette.’  Hence, the delightful last scene speaks for itself.   

The flip side, however, is the lowest-common-denominator junk disguised as a fresh sub-plot.  Instead of Christie’s tongue-in-cheek jabs exploring British high society love affairs, this adaptation resorts to a deviant strangler, whose identity viewers know from the get-go. 

Wasting a potential second mystery, this gratuitous sub-plot is padding relying upon genre clichés – i.e., where the Superintendent pursues the culprit to save his abducted daughter.  Even worse is the unnecessary inclusion of ghoulish details (i.e., the severed foot sequence; a character bloodily impaled with a pitchfork, etc.) just for the sake of adding more grisliness.

Unlike other first season episodes, ”The Knife in the Neck” borders on R-rated material, in terms of its visual imagery.  In that sense, such sensationalism mirrors the glossier later seasons of Agatha Christie’s Poirot (not to mention, Agatha Christie’s Marple) where spicing up Christie’s old material meant pushing tawdry sexual themes to lure in more of a supposed contemporary audience.  Instead, this trashy creative risk affects a turn-off (or, at least, an incentive to reach for the fast-forward button).    

For adult fans, this season finale presents a potentially worthwhile whodunnit.  However, the program’s innate charm is sabotaged by one too many cold-blooded killers.         

BRIAN’S ODD MOON RATING:                   6 Stars

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AGATHA CHRISTIE’S LITTLE MURDERS: THE EBB AND THE FLOW {aka TAKEN AT THE FLOOD} (Season 1: Episode 8)

SUMMARY:                     RUNNING TIME: 1 Hour, 34 Min.

The French translation of the series title is les petis meurtres d’Agatha Christie. First airing in France on April 15, 2011, this episode loosely adapting Agatha Christie’s 1948 Hercule Poirot novel, Taken at the Flood, is entitled “Le Flux et le Reflux” (aka “The Ebb and the Flow”).  Produced by Escazal Films, Eric Woreth directed this installment. 

Set in 1930’s Northern France (in proximity to Lille), Police Superintendent Larosière (Duléry) is overjoyed at an unexpected post-war reunion with his former commander (and beloved mentor), Captain Delarive (Pignot).  Athis country estate, the Delarive family is far less so upon their elderly patriarch’s admission that that he has secretly married a far younger woman while overseas.  For the time being, the squabbling Delarive family will have to wait to meet their new relative, as she is on a shopping spree in Paris.

Legal repercussions from a tragic fire soon afterwards leave Delarive’s demure widow, Albertine (Bellavoir), and her ultra-abrasive brother, Gabriel (Zambeaux), in control of her late husband’s evident wealth and chateau.  With Larosière emotionally devastated and his professional judgment badly compromised, his immediate subordinate, the bumbling Inspector Émile Lampion (Colucci) assume command of the investigation. 

Two subsequent homicides (including of an enigmatic blackmailer) prompt the savvy Superintendent to circle back to his original suspects: the spiteful and greedy Delarives.    

The episode’s language is French with easy-to-follow English subtitles.    

Superintendent Jean Larosière: Antoine Duléry

Inspector Émile Lampion: Marius Colucci

Ménard: Serge Dubois

Dr. Verdure: Olivier Carré

Célie: Marie Denarnaud

Albertine: Blandine Bellavoir

Gabriel: Alexandre Zambeaux

Capt. Delarive: Yves Pignot

Ferdinand: Nicky Marbot

Léonce: Pascal Ternisien

Gìsèle: Luce Mouchel

Emilienne: Dominique Labourier

Lavallière: David Gabison

Madame Laurier: Marielle Duroule

Ulysse Argos: Francois Siener

Fire Captain: Eric Beluzé

Firemen: Uncredited

Club Members: Uncredited

Other Cast Members: Mickaél Wiame & Charles Antoine Decroix

Note: Bellavoir was subsequently recast as one of three new co-leads headlining Season 2 retitled “Agatha Christie’s Criminal Games.”

REVIEW:

With excellent production values and macabre wit, this incarnation of “Taken at the Flood” is well-played.  The primary cast’s spot-on chemistry with this group of guest stars provides a consistent asset.  More so, the scripting’s plot twists and relatable bits of humor add some welcome unpredictability to Christie’s somewhat bland source material. 

In terms of a comparison, the plot’s contents (including a few grisly post-mortem scenes) is more reminiscent of glossy stylistic changes occurring in later seasons of Agatha Christie’s Poirot.  If anything, this whodunnit concocts an entertaining gift for Christie’s international fanbase.

BRIAN’S ODD MOON RATING:                7½ Stars

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