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DVD DVD/Blu-Ray Extra Movies & Television (Videos) Sports (TV & Videos) WWF/WWE (Pro Wrestling)

WWF INTERCONTINENTAL CHAMPION “RAVISHING” RICK RUDE (with BOBBY “THE BRAIN” HEENAN) VS. THE ULTIMATE WARRIOR (WWF SUMMERSLAM ’89: Aired Live 8-28-1989)

SUMMARY:                         RUNNING TIME: 16:02 Min.

Nearly five months after his WrestleMania V I-C Title win, “Ravishing” Rick Rude would again face The Ultimate Warrior in this grudge rematch.  This SummerSlam ’89 showdown would occur at The Meadowlands Arena in East Rutherford, New Jersey, on August 28, 1989.  Giving Rude a ringside advantage is his unscrupulous manager, Bobby “The Brain” Heenan, whose interference had previously sealed Rude’s title win over the Warrior. 

The match commentators are Jesse “The Body” Ventura and Tony Schiavone.  Also making a pivotal ringside appearance is “Rowdy” Roddy Piper, as he would be Rude’s next major feud.

Notes: This title clash has been collected at least times on WWE DVD sets: specifically, the first SummerSlam anthology (1988-1992); The History of the WWE Intercontinental Championship; and The Ultimate Warrior: The Ultimate Collection.  In his last WWF Pay-Per-View main event a year later, Rude subsequently challenged for The Warrior’s WWF World Championship inside a steel cage at SummerSlam ’90 in Philadelphia, PA. 

For trivia’s sake, Rude and the then-called ‘Dingo Warrior’ were once mid-80’s tag team partners in the Von Erichs’ World Class Championship Wrestling promotion.  

REVIEW:

It’s been said that far too few competitors (i.e. “Macho Man” Randy Savage) could consistently conjure up excellent in-ring chemistry with The Ultimate Warrior.  Among them, “Ravishing” Rick Rude is another name that comes to mind.  Beyond these two wrestling icons, it’s likely a steep drop.  Case in point: even “The Million Dollar Man” Ted DiBiase and “Mr. Perfect” Curt Hennig’s solo clashes with the Warrior, comparatively, were a few shades beyond merely watchable.   

It’s indisputable that this Warrior-Rude bout’s initial few minutes imply another glorified Warrior squash win in the making.  Patient viewers, however, are subsequently rewarded with perhaps the best I-C Title showdown since 1987’s Savage vs. Ricky Steamboat feud.  I don’t make this assessment lightly – given I’m admittedly a fan of neither Rude nor the Warrior. 

Rude and the Warrior’s SummerSlam ’89, however, effort readily surpasses the Honky Tonk Man’s endlessly cheap 1987-88 finishes – escaping the far more talented likes of Savage, Steamboat, and Jake Roberts, among others.  Specifically, Rude leads with a high-caliber heel performance that prompts the Warrior to keep up with him for over fifteen minutes.  The Warrior, in that sense, overcomes his ultra-limited power move set (and matches running only a few minutes) to appear closer to Rude’s in-ring equal. 

What’s peculiar is that Bobby Heenan briefly teases some outside interference, but then nothing actually happens.  It’s possible that a consummate professional like Heenan wouldn’t upstage Roddy Piper’s own contribution.  Accordingly, fans will get a decisive yet hardly surprising end to the first Rude vs. Warrior title feud.   

For a nostalgic return to SummerSlam ’89, this WWF Intercontinental Title match deserves re-discovery.

BRIAN’S ODD MOON RATING:                  8 Stars

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DVD DVD/Blu-Ray Extra Movies & Television (Videos) Sports (TV & Videos) WWF/WWE (Pro Wrestling)

NWA U.S. CHAMPION “THE TOTAL PACKAGE” LEX LUGER VS. RICKY “THE DRAGON” STEAMBOAT (NWA Great American Bash – Glory Days: Aired Live 7-23-1989)

SUMMARY:                RUNNING TIME: 10:26 Min.

This NWA U.S. Championship bout was contested at The Baltimore Arena in Baltimore, MD.  It was a semi-main event for The Great American Bash: Glory Days card held on July 23, 1989. 

Having recently turned heel, U.S. Champion “The Total Package” Lex Luger arrogantly insists upon the no-disqualification stipulation be waived or he will refuse to wrestle.  Eager for personal vengeance after his beatdown by Luger the month before, Steamboat supposedly has no choice but to acquiesce to Luger’s demands.  Hence, the bout subsequently takes place under pro wrestling’s standard title defense rules. 

At ringside are commentators Jim Ross and Bob Caudle.  The bout occurs inside a double-ring due to the War Games bout (Road Warriors/Midnight Express/Steve “Dr. Death” Williams vs. The Freebirds/Samoans) on the same card.

Notes: Steamboat’s then-wife, Bonnie, and their young son make a customary cameo appearance during Steamboat’s extended ring introduction.  Reminiscent of his 1986 WWF encounters with Jake “The Snake” Roberts, Steamboat brings a presumably sedated Komodo dragon with him to ringside.

REVIEW:

While “The Total Package” falls short of the same match chemistry that “Ravishing” Rick Rude had with Ricky Steamboat, the end result is still solid.  Both the spry Steamboat and Luger (despite his somewhat limited move set) ensure that fans are entertained by a well-choreographed brawl.  Though heavily alluded to beforehand, the match’s inevitably cheap finish isn’t as bad as it may sound. 

If anything, Steamboat’s rarely seen sadistic streak makes Luger evidently his most ‘hated’ adversary since his epic 1987 WWF Intercontinental Title feud with “Macho Man” Randy Savage.  Given its less-than-decisive ending, this slightly-above-average showdown isn’t necessarily must-see viewing.   Catching a glimpse of the short-lived Steamboat vs. Luger feud, however, still makes for some fun nostalgia.     

Note: Prior to the NWA’s next Pay-Per-View, the inaugural Halloween Havoc ’89, Steamboat quietly quit the NWA.  Hence, his title feud with Luger was abruptly dropped, with Brian Pillman soon inserted as Steamboat’s replacement.   

BRIAN’S ODD MOON RATING:                          6½ Stars

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DVD DVD/Blu-Ray Extra Movies & Television (Videos) Sports (TV & Videos) WWF/WWE (Pro Wrestling)

WCW U.S. CHAMPION “RAVISHING RICK RUDE VS. RICKY “THE DRAGON” STEAMBOAT {Non-Title Iron Man Challenge} (WCW Beach Blast ’92: Aired Live 6-20-1992)

SUMMARY:           APPROX. RUNNING TIME: 30:00 Min.

On June 20, 1992, this non-title ‘Iron Man Challenge’ occurred at the Mobile Civil Center in Mobile, Alabama for WCW’s Beach Blast ’92

On one side is WCW U.S. Champion “Ravishing” Rick Rude, with his usual ‘Dangerous Alliance’ cronies (i.e. Madusa and manager Paul E. Dangerously – aka Paul Heyman) ‘barred’ this time from ringside.  Opposing him is former NWA World Champion Ricky “The Dragon” Steamboat.  The bout’s stipulation specifies that the wrestler accumulating the most falls within thirty minutes becomes the winner.   

Prior to the bout, co-hosts Tony Schiavone and Eric Bischoff offer brief remarks.  Seen at ringside are the commentators: Jesse “The Body” Ventura and Jim Ross.        

Note: Steamboat’s then-wife, Bonnie, and their young son makes a customary cameo appearance coming down to ringside during his ring introduction.

REVIEW:

Supposedly injuring a caught off-guard Rude’s ribs, Steamboat dominates the first several minutes.  Yet, an aggressive Rude still racks up multiple falls to gain a numbers advantage over “The Dragon.” 

For some viewers, this gritty bout could be construed as dull or merely slow-paced, but what matters most is probably its last ten minutes. Demonstrating several flashes of their impressive in-ring chemistry, Steamboat and Rude save their best trading blows for the end.  Hence, the suspense factor kicks in, as Steamboat is forced to race the clock and still remain conscious against Rude’s hard-nosed onslaught.

Including Ross and Ventura’s spot-on commentary, this non-bloody ‘Iron Man’ face-off concocts a welcome deep dive into WWE’s video archives.  If anything, even with ex-WCW Champions Ric Flair and Lex Luger by then working for the rival WWF, it makes for great nostalgia.  Specifically, this ‘Iron Man Challenge’ is proof enough that World Championship Wrestling (two years before Hulk Hogan’s vaunted arrival) still had several wrestling legends, who could deliver the necessary in-ring substance.      

BRIAN’S ODD MOON RATING:                       7½ Stars

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DVD DVD/Blu-Ray Extra Movies Movies & Television (Videos)

GREASE: ROCKIN’ RYDELL EDITION

SUMMARY:                  RUNNING TIME: 1 Hr., 50 Min.

Paramount Pictures’ 2006 DVD widescreen release of 1978’s Grease is single-disc.  Randall Kleiser directed the film, which is adapted from the long-running Broadway stage musical.  It isn’t specified as to the film’s exact locale, but a subsequent drag race through a familiar river basin implies a Los Angeles, California suburb. 

Set in 1958, over a blissful California summer, shy Australian high schooler Sandy Olsson (Newton-John) falls in love at the beach with a local gang member, Danny Zuko (Travolta).  Not expecting to see her again, Danny begins his senior year at Rydell High School, with his fellow car-crazy and girl-crazy Thunderbirds (Conaway; Pearl; Tucci; & Ward)

Unbeknownst to Danny, Sandy has since moved to town and soon affiliates herself with Rydell High’s Pink Ladies (Channing; Conn; Manoff; & Donnelly) faction.  Weary of Sandy’s dreamy romantic claims and Danny’s own incessant (and egged-on) bragging, an abrasive Rizzo (Channing) deliberately reunites the couple – with awkward results.

The school year progresses, as romances between Sandy & Danny, as well as Rizzo and Kinickie (Conaway), undergo bouts of typical teenage angst. Danny becomes a school athlete attempting win Sandy back from the school’s dim-witted star quarterback, Tom Chisum (Lamas).  Other shenanigans involve the Thunderbirds’ auto shop class effort to soup up Kinickie’s (Conway) beat-up convertible; the school dance contest’s appearance on a live edition of TV’s National Bandstand; Rizzo’s possible pregnancy; and Frenchie’s (Conn) failed attempt at beauty school. 

Circumstances unexpectedly prompt Danny to replace Kinickie in a dangerous drag race in his friend’s refurbished ‘Greased Lightning’ convertible.  Awaiting Kinickie and Danny on ‘Thunder Road’ (the Los Angeles River Basin), with all their friends in attendance, is the despised punk, Leo (Stewart) – with his own tricked-out convertible.  Watching the climatic race, Sandy has an unexpected epiphany. 

On the last day of school, the new graduates energetically conclude their intertwined stories at their Seniors’ Day carnival.     

                                  Primary Cast:

Danny Zuko (The Thunderbirds): John Travolta

Sandy Olsson (Pink Ladies associate): Olivia Newton-John

Rizzo (The Pink Ladies): Stockard Channing

Kinickie (The Thunderbirds): Jeff Conaway

Frenchie (The Pink Ladies): Didi Conn

Marty (The Pink Ladies): Dinah Manoff

Doody (The Thunderbirds): Barry Pearl

Sonny (The Thunderbirds): Michael Tucci

Jan (The Pink Ladies): Jamie Donnelly

Putzie (The Thunderbirds): Kelly Ward

Principal McGee: Eve Arden

Coach Calhoun: Sid Caesar

Blanche: Dody Goodman

Patty Simcox: Susan Buckner

Mrs. Murdock: Alice Ghostley

Tom Chisum: Lorenzo Lamas

Leo: Dennis C. Stewart

Vi: Joan Blondell

‘Cha Cha:’ Annette Charles

Eugene: Eddie Deezen

Nurse Wilkins: Fannie Flagg

Mr. Lynch: Darrell Zwerling

Waitress: Ellen Travolta

Vince Fontaine: Edd “Kookie“ Byrnes

Johnny Casino & The Gamblers: Sha-Na-Na

Teen Angel: Frankie Avalon     

REVIEW:

Aside from its ultra-flimsy plot (i.e. an implausible timeline and no parents on screen), the cinematic Grease wins on rollicking pure charm.  This asset can be effectively divided amongst its musical numbers, a game cast, and a campy escapist fantasy take on high school life in the Late 1950’s.  The lesson to take from Rydell High is that this romantic musical-comedy doesn’t have to be even remotely believable – just be as entertaining as possible.    

Led by John Travolta and undeniably Stockard Channing, the cast consistently delivers the necessary goods, no matter if a few scenes don’t age well.  The cast is assisted mightily by Patricia Birch’s choreography and a batch of timeless showtunes.

Overall, Grease lives up to its reputation as one of the best feel-good musical comedies of its era.  Including this DVD’s surplus of extra goodies, the Grease: Rockin’ Rydell Edition is a welcome treat.        

BONUS FEATURES:

The impressive roster of additional materials is easily accessible via the DVD’s main screen.  The bonus features consist of (not necessarily in this particular order):

  • director Randall Kleiser’s optional brief introduction;
  • optional commentary by Kleiser & choreographer Patricia Birch;
  • an interactive ‘Rydell Sing-Along’ where fans can join on the film’s featured tunes;
  • 11 deleted-extended-and-or-alternate scenes;
  • DVD Launch party: footage from 2003’s 25th Anniversary DVD launch party;
  • John Travolta and Olivia Newton-John’s joint interview and Grease memories;
  • “The Moves Behind the Music” featurette;
  •  photo albums: ‘Rydell High Year Book,’ ‘Production,’ ‘Premiere,’ and ‘Grease Day;’
  • theatrical trailer; 
  • John Travolta and Allen Carr “Grease Day” interview;
  • Olivia Newton-John &  Robert Stiegman “Grease Day” interview;
  • “Thunder Roadsters” featurette.

The DVD’s widescreen format is ‘enhanced’ for 16:9 televisions.  The film’s sound is in Dolby Digital: English 5.1 Surround; English 2.0 Surround; and French 2.0 Surround.  English subtitles are available.  

Also included are Paramount DVD preview ads for Failure To Launch; Ferris Bueller’s Day Off; and Titanic.

PACKAGING:

The disc is sturdily protected.  The DVD case’s advertising is verified as accurate.  Given the number of special features, the main screen portal is easy to navigate.     

BRIAN’S ODD MOON RATING:                        8 Stars

Categories
Digital Animated Shorts DVD DVD/Blu-Ray Extra LOONEY TUNES-Related Movies & Television (Videos) TV Episodes & Movies

BUGS BUNNY’S CUPID CAPERS

SUMMARY:         APPROX. RUNNING TIME: 36:00 Min.

Released on DVD in 2010, this Looney Tunes TV special first aired on CBS in 1979. 

Incorporating original framework sequences, the storyline consists of Bugs Bunny’s encounter with a Cupid resembling a scantily clad Elmer Fudd.  Demonstrating this Elmer-Cupid’s dubious match-making talents, clips from nine Looney Tunes are shown (not in this particular order):

  1. 1949’s The Grey Hounded Hare (Bugs Bunny);
  2. 1948’s Hare Splitter (Bugs Bunny & Casbah Rabbit);
  3. 1952’s Little Beau Pepé (Pepé Le Pew & Penelope Pussycat);
  4. 1953’s Wild Over You (Pepé Le Pew);
  5. 1954’s Devil May Hare (Bugs Bunny & The Tasmanian Devil);
  6. 1954’s Rabbit Romeo (Bugs Bunny, Millicent, & Elmer Fudd);
  7. 1952’s The Super Snooper (Daffy Duck);
  8. 1953’s Hare Trimmed (Bugs Bunny, Yosemite Sam, & Granny); and
  9. 1953’s Of Rice and Hen (Foghorn Leghorn, Barnyard Dawg, & Miss Prissy).

Voice Cast:

Bugs Bunny / Daffy Duck / Pepé Le Pew / Foghorn Leghorn / Barnyard Dawg /Yosemite Sam / Elmer Fudd / etc.:  Mel Blanc

Granny / Miss Prissy / Various Female VoicesJune Foray & Bea Benaderet.

Notes: Bugs Bunny’s Cupid Capers was previously released in 1992 in a VHS format.  The compilation’s alternate title is  Bugs Bunny’s Valentine

REVIEW:

Bugs Bunny’s Cupid Capers, unfortunately, does the Looney Tunes franchise no favors.  Despite Mel Blanc’s reliable vocals, the crummy animation deployed for the Bugs Bunny/Cupid framework sequences speaks for itself.   Forty-five years later, Warner Bros frankly ought to be embarrassed by how poorly Bugs Bunny’s Cupid Capers plays on television. 

Long before their eventual re-mastering, this assortment of Looney Tunes clips (some are extended further than others) hold up fine – relatively speaking.  The only cringe-worthy ones are Pepé Le Pew’s amorous contributions, including his bonus Past Perfurmance cartoon. 

This DVD, in retrospect, could have been salvaged in two easy steps. First, axing the awful framework scenes altogether should have been a foregone conclusion. Then, Warner Bros. should have chosen four or five complete Looney Tunes for the Valentine’s Day theme. Otherwise, unless one retains nostalgia for the original TV special, Bugs Bunny’s Cupid Capers is strictly a dollar store find.      

ADDITIONAL CONTENT:

As padding, there are two complete Looney Tunes cartoons.  One is 1940’s Holiday Highlights (a parody of holidays) – it’s an archived relic one might peruse on a Looney Tunes Golden Collection set.  Still, this lackluster cartoon short is obscure for good cause.  The other is 1955’s Past Perfumance (Pepé Le Pew & Penelope Pussycat), where the setting is a 1913 Paris movie studio.  Plot-wise, it involves standard-issue Pepé hijinks, and let’s leave it at that.

Also included is an interactive Looney Tunes jigsaw puzzle for children.  Lastly, there is a combo trailer for the Be My Valentine, Charlie Brown and It’s The Easter Beagle, Charlie Brown DVD’s.

Language options consist of English and Spanish.  Subtitles are available in English, Spanish, and French.

PACKAGING:

Though simplistic and a bit vague, its advertising is accurate.  The disc is reasonably well-protected.  The DVD’s main menu screen is easy to navigate.

BRIAN’S ODD MOON RATING:                        2½ Stars

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Blu-Ray DVD/Blu-Ray Extra Fantasy, Horror, & Science Fiction Movies & Television (Videos)

THE TERMINATOR (1984)

SUMMARY:                  RUNNING TIME: 1 Hr., 47 Min.

Released in 1984 by Orion Pictures, James Cameron directed this Hemdale/Pacific Western production off a script he had co-written with his then-wife (and the film’s producer), Gale Anne Hurd.

In Los Angeles of 2029, a nuclear holocaust decades before has devastated humanity.  Eradicating the remaining pockets of human resistance is the monstrous artificial intelligence, Skynet.  Its high-tech, robotic army of ‘Machines’ include ruthless androids packing laser blasters are designed to infiltrate and destroy humanity from within by posing as one of them.  These superhuman and virtually indestructible cyborgs are dubbed ‘Terminators,’ as their kill-only programming can neither be bargained nor reasoned with. 

To eliminate its greatest threat: the pivotal resistance leader, John Connor, Skynet’s experimental technology sends a Terminator (Schwarzenegger) back to the Los Angeles of 1984.  Its mission is to exterminate Connor’s unsuspecting, future mother: Sarah (Hamilton).  For a seemingly one-way suicide mission, Connor’s best and most trusted friend, commando Kyle Reese (Biehn), volunteers to follow and protect Sarah, as best he can. Once marooned in 1984, both the Terminator and Reese must then rely upon present-day weaponry in battling one another.  

It’s up to Reese to desperately improvise a fleeing defense in saving an incredulous Sarah from her worst possible nightmare.  Caught up in this mass-homicide showdown are civilians and Los Angeles cops, unaware that the first sign of the nuclear apocalypse has arrived in the form of the Terminator.  

                                       Primary Cast

Sarah J. Connor: Linda Hamilton

The Terminator: Arnold Schwarzenegger

Kyle Reese: Michael Biehn

Lt. Ed Traxler (LAPD): Paul Winfield

Vukovich (LAPD): Lance Henriksen

Dr. Peter Silberman: Earl Boen

Ginger: Bess Motta

Matt: Rick Rossovich

Nancy: Shawn Schepps

Gun Shop Clerk: Dick Miller

2nd Terminator (2029): Franco Columbu

Sarah Connor # 1: Marianne Muellerleile

LAPD Desk Sergeant: Bruce M. Kerner

LAPD Patrol Officer: William Wisher (who contributed dialogue and later co-scripted 1991’s T2: Judgment Day)

LAPD Cops: Ken Fritz, Tom Oberhaus, & Ed Dogans

LAPD Station Cops: Uncredited

Derelict: Stan Yale

Gas Station Attendant (Mexico): Tony Mirelez

Mexican Children: Anthony J. Trujillo & Philip Gordon

Sarah’s Mother (voice only): Uncredited

Resistance Members (2029): Uncredited

Punks: Bill Paxton, Brad Rearden, and Brian Thompson.

REVIEW:

For the Terminator’s 40th Anniversary, there probably isn’t anything new to be said applauding this game-changing 1984 film for standing the test of time – pardon the expression. 

In comparison to the franchise’s innumerable and mostly unnecessary sequels (not to mention, a sub-genre of inferior imitators), the phrase, ‘simple yet sophisticated,’ comes to mind.  Working off a modest budget (an estimated $6.4 million), virtually every vital component of The Terminator’s production ranges from above-average to superb for its era: special effects; Brad Fiedel’s pulsating, metallic-like score; acting; and, above all, the story’s cohesive structure. 

While the film’s VFX limitations are occasionally exposed (i.e. distorted close-ups depicting the Terminator’s damaged face; and the hokey puppetry passing for Stan Winston’s Terminator metallic endoskeleton), the ensemble cast’s efforts selling the plot easily makes up any difference.  Beyond the immense credit that writer/director James Cameron and Arnold Schwarzenegger deserve, Linda Hamilton herself puts forth an MVP-caliber performance. 

Along with a game Hamilton, an underrated Michael Biehn certainly merits recognition for a job well done. Biehn effectively imbues his sole franchise appearance (aside from Reese’s discarded T2 scene) with an aura of plausible desperation the film needs and takes full advantage of.  Additional kudos go to Earl Boen’s ultra-cynical psychiatrist and, ever subtly, Paul Winfield’s low-key cop for further pushing The Terminator’s outlandish premise into believable sci-fi. 

Understandably, the film’s surplus of grisly and glamorized violence will be a turn-off to some viewers.  Yet, the messiah-inspired storyline that Cameron and his then-wife (and producer), Gale Anne Hurd, devised is still brilliantly implemented.  In his most menacing and iconic on-screen persona, Schwarzenegger (buoyed by Hamilton and Biehn’s terrific support) visualizes the Cameron/Hurd story into one of the best sci-fi/horror thrillers ever made.  It’s simple as that.       

ADDITIONAL CONTENT:

This High-Definition Blu-Ray’s technical specifications are: English DTS-HD Master Audio 5.1; alternatively, the options are Spanish Dolby Digital 5.1 and French DTS 5.1.  Subtitles are available in English SDH, Spanish, and French.  The viewing perspective is Widescreen 1.85:1.

Among the seven deleted scenes provided, two are particularly intriguing.  One entitled “Lt. Traxler’s Arc” is a montage of quick Paul Winfield scenes excluded from the theatrical cut, including a final exchange between Sarah, Reese, and a wounded Traxler.  More so, the “Sarah Fights Back” explores material that foreshadows Sarah’s preemptive attack against Cyberdyne Systems (Skynet’s precursor) prior to 1991’s T2: Judgment Day.

There is also a vignette: Creating The Terminator, which discusses the creation of its visual effects and Brad Fiedel’s instrumental score.  Evidently produced prior to the 1991 sequel, the Terminator: A Retrospective vignette intercuts footage from the original film with clips of Cameron and Schwarzenegger casually reminiscing in a sit-down discussion and a separate Cameron interview.    

BRIAN’S ODD MOON RATING:                  9 Stars

Categories
Blu-Ray DVD/Blu-Ray Extra Fantasy, Horror, & Science Fiction Movies & Television (Videos)

PREY (2022)

SUMMARY:               RUNNING TIME: 1 Hr., 40 Min.

Released by 20th Century Studios in 2022, Dan Trachtenberg directed this Lawrence Gordon/Davis Entertainment Company production off a script by Patrick Aison.  Aison and Trachtenberg had co-written the original story devised as a prequel to Arnold Schwarzenegger’s original 1987 Predator film.

In the Great Northern Plains of 1719, a Predator (DiLiegro) is dropped off on Earth seeking local adversaries worthy of battle.  Unlike its future successors, this Predator’s technology appears somewhat less sophisticated; nonetheless, such alien weaponry still far surpasses arrows, spears, and rudimentary guns.  In addition to a metallic shield, other devices this Predator deploys include a laser targeting device and a stealth cloaking field to generate invisibility.    

Meanwhile, the Commanche Nation’s young Naru (Midthunder), a young medicine woman in her late teens or early twenties, desires to prove her equality.  Foremost, she prefers being a hunter despite the scoffing male peers of her tribe.  Helping retrieve a wounded tribal member overnight, a wounded Naru is the first to sense that something fearsome and evil is lurking out there on the Plains.  Her instincts determine it’s neither a lion nor a bear, but something infinitely more dangerous.  Yet, even Naru’s solder brother, Taabe (Beavers), dismisses such vague suspicions as likely a figment of her imagination.        

Naru seeks her culture’s ancient hunting rite reserved for males: to be both predator and prey against a formidable quarry.  Intending to protect her tribe, Naru and her faithful canine, Sarii (Coco), set out on her fateful destiny to find and destroy the monster.

On her quest, she survives a quicksand bog and later evades a mauling death from a ferocious bear.  Yet, both the bear and previously a wolf are no match for the Predator’s own intense savagery.  Located by Taabe’s search party, Naru’s extraordinary claims of what she has recently witnessed are again dismissed and/or met with wary skepticism. 

Both the Commanche search party and a nefarious French hunting expedition are subsequently decimated in battle.  Witnessing the Predator destroy wave after wave of human challengers, Naru realizes that sheer numbers and conventional weapons aren’t the answer.  It’s up to her to improvise an unexpected yet insightful means of attack.  Naru’s fate will be decided by a last desperate showdown after nightfall with her prey. 

                                     Primary Cast:

Naru: Amber Midthunder

Taabe: Dakota Beavers

Predator: Dane DiLiegro

Aruka: Michelle Thrush

Wasape: Stormee Kipp

Sarii: Coco

Waxed Moustache: Nelson Leis

Big Beard: Mike Paterson

Raphael: Bennett Taylor

Sumu: Stephany Mathias

Chief Kehetu: Julian Black Antelope

Commanche Tribal Members: Corvin Mack; Harlan Blayne Kytwayhat; Skye Pelletier; Samiyah Crowfoot; Seanna Eagletail; Tymon Carter; Ginger Cattleman; & Samuel Marty

Additional Commanche Tribal Member: Uncredited

Additional French Trappers: Uncredited.

REVIEW:

Starting with 1990’s Predator 2, the franchise’s bloodthirsty formula became increasingly unimaginative over the next three decades.  These lazy thrill rides (much like Schwarzenegger’s other iconic franchise, The Terminator) opted to peddle convoluted shoot-em-up’s where grisly, sci-fi action was evidently the sole justification.  Yet, writer-director Dan Trachtenberg would ingeniously devise an ideal follow-up to 1987’s Predator.  In this instance, his prequel re-imagines the ‘thrill of the hunt,’ as an instinctive urge to overcome one’s own worst fears surpasses macho glory.      

With actress Amber Midthunder as his reliable lead, Trachtenberg’s Prey fulfills a void few filmmakers would have imagined: a sci-fi/horror thriller set inside a historical period piece.  Perhaps it isn’t coincidental that the Canadian forest scenery and a vaguely similar instrumental score are often reminiscent of 1992’s Last of the Mohicans.  This same kind of timeless adventure vibe works for Naru’s hunt.  

Off-note is some fairly obvious CGI enhancing the scenic Canadian backdrops.  The Predator’s fight choreography also appears too predictably intricate.  Hence, Prey continue a dubious franchise tradition of demonstrating a cool multitude of ways the alien can easily eviscerate its victims.  Trachtenberg at least tactfully keeps much of this icky carnage at a distance or partially off-screen.  Lastly, Midthunder’s impressive martial arts scenes come off as implausible for a petite woman’s self-defense versus multiple attackers three centuries ago.  Given the film production’s complexities, such minimal quibbles mean Trachtenberg’s well-structured and mostly original plot succeeds, as intended.

Ultimately, Trachtenberg and a game Midthunder ensure that their Prey is mighty good for the story it tells.  

ADDITIONAL CONTENT:

This High-Definition Blu-Ray’s technical specifications are English 7.1. DTS-HDMA, 2.0 Dolby Digital Descriptive Audio, Spanish and French 5.1 Dolby Digital.  Subtitles are available in English SDH, Spanish, French; additionally, a full-length Commanche audio track is included.  An optional audio commentary track includes director Dan Trachtenberg; actress Amber Midthunder; film editor Angel M. Catanzaro; and the film’s director of photography, Jeff Cutter.  

The bonus features consist of:

  • a “Making of Prey” vignette;
  • three deleted scenes (including an alternate opening scene), with Trachtenberg’s voiceover explanations;
  • reminiscent of Comic-Con, there is a Prey “FYC (For Your Consideration)” Panel Discussion including Trachtenberg, Midthunder, and other key production members.

BRIAN’S ODD MOON RATING:                     8½ Stars

Categories
DVD DVD/Blu-Ray Extra Movies & Television (Videos) Sports (TV & Videos) WWF/WWE (Pro Wrestling)

WCCW WORLD CHAMPION KERRY VON ERICH VS. AWA WORLD CHAMPION JERRY “THE KING” LAWLER (AWA SUPERCLASH III: Aired Live 12-13-1988)

SUMMARY:                RUNNING TIME: 18:53 Min.

Held at Chicago’s UIC Pavilion on December 13, 1988, this World Title unification bout would headline the AWA’s sole Pay-Per-View: the interpromotional SuperClash III.  At the time, in addition to starring in his co-owned CWA outfit, Jerry “The King” Lawler doubled as the AWA’s World Heavyweight Champion.  Opposing him this night would be WCCW’s multi-time World Champion, “The Modern-Day Warrior” Kerry Von Erich. 

To stoke interest, Von Erich had recently lost and then regained his WCCW title from Lawler on their own perspective home turfs.  Hence, the winner of their SuperClash III showdown would be declared the AWA’s Unified World Champion – presumably, as a dig upstaging WWF World Champion “Macho Man” Randy Savage and NWA World Champion “The Nature Boy” Ric Flair. 

For this pivotal bout, Von Erich’s second would be WCCW promoter Frank Dusek.  The ringside commentators are the AWA’s Lee Marshall and Ray “The Crippler” Stevens. 

Along with a Lawler biographical career profile, this match is included on the WWE’s The Greatest Wrestling Stars of The ‘80s DVD set. It also is provided in the WWE’s The Spectacular Legacy of The AWA DVD set.    

Note: It’s all about the acronyms.  1. AWA: Verne Gagne’s Minneapolis-based American Wrestling Association.  2. CWA: Lawler’s Memphis-based Championship (or Continental) Wrestling Association.  3. WCCW: The Von Erich family’s Dallas-based World Class Championship Wrestling.

REVIEW:

The Von Erichs’ 22-year-old World Class franchise essentially ended at SuperClash III, if not on paper.  However, an ultra-brawny Kerry Von Erich’s one-dimensional performance isn’t to blame.  After evidently lacerating his arm with a hidden blade in his ring robe (during the pre-match introductions), Von Erich proceeds with a game effort against Lawler’s opportunistic villain. 

While neither champion demonstrates much of a repertoire (i.e. lots of punches, trading single piledrivers, Von Erich’s ‘Iron Claw,’ Lawler’s brass knuckles, etc.), this bout is solidly constructed — up to a point.  Hence, neither the WWF nor the NWA would likely lose sleep over this second-tier competition between rival World Champions.

Including repetitive teases, the match’s fateful miscalculation is its gory, cop-out finish.  Curiously, the NWA’s Great American Bash ‘88 Pay-Per-View World Title bout between champion Ric Flair and Lex Luger had implemented a similar outcome only five months earlier.  Inevitable blowback from NWA fans indicated that Luger’s eye-rolling disqualification (or submission) due to blood loss was a major turn-off.  One visible difference is that Luger’s forehead bled minimally, as compared to Von Erich’s grisly head wound.  Still, why would SuperClash III foolishly risk this same tainted ending? 

One can reason out the tone-deaf justification.  First, assuming SuperClash III was even a moderate success, then the show’s promoters cynically figured they would get away with it.  Seeing an upset Dusek (along with a bloody Von Erich) protest to the referee during the match and afterwards definitely adds a semblance of real-world credibility.  Then, having a straight-faced Lawler concur with the referee’s decision to ‘protect’ Von Erich’s health delivers the cheating winner’s insult after injury. 

More so, a blood stoppage might have been the one dubious option that could be agreed upon backstage without anybody losing face.  That means the various promotions involved wouldn’t care less, even if fans despised the ending.  Regardless of any pride-driven motives, this Lawler/Von Erich title bout is still remarkably good.  The drawback is having a satisfying and conclusive finish replaced by some ugly wrestling politics.     

BRIAN’S ODD MOON RATING:                  7 Stars

Notes: Ironically, SuperClash III’s fallout surpassed its main event.  For starters, the show’s dismal failure was threefold: it flopped both at the box office and on Pay-Per-View.  Most significantly, its dire lack of revenue effectively halted future collaborations between Lawler’s group and World Class, among others, with the AWA.   

Still, Lawler’s CWA and Von Erich’s World Class merged into what became the USWA (United States Wrestling Association) — an entity which Lawler would privately co-own with Jerry Jarrett.  By early 1989, backstage animosity had abruptly stripped Lawler of his AWA World Championship.  Even so, his Memphis-based USWA’s regional success continued, including a mid-90’s affiliation with Vince McMahon’s WWF/WWE.  

World Class, after merging with and then later separating from the USWA, quietly closed in 1990.  The Von Erich brothers, Kerry and Kevin, were reportedly among its last co-owners, along with Jerry Jarrett.  

Lastly, Verne Gagne’s long-diminished AWA shut down approximately two years after SuperClash III. Per its bankruptcy, the company officially became defunct by August 1991.

Categories
DC-Related DVD DVD/Blu-Ray Extra Movies Movies & Television (Videos) TV Series

BATMAN (1966)

SUMMARY:                  RUNNING TIME: 1 Hr., 45 Min.

Producer William Dozier had initially intended to make this film as a big-screen advertisement for the premiere of his same-named TV series.  Instead of a high-profile pilot film, Dozier had to settle for concocting the movie between the TV program’s first and second seasons.  Released by Twentieth Century Fox, the prolific Leslie H. Martinson directed the project off Lorenzo Semple Jr.’s original script.  Both Martinson and Semple had previously worked with Dozier on the TV series during its first season.   

Failing to thwart Commodore Schmidlapp’s (Denny) abduction, the Dynamic Duo (West and Ward) soon realize that their four most elusive super-foes: the Joker (Romero); the Penguin (Meredith); the Riddler (Gorshin); and Catwoman (Meriweather) have formed a sinister alliance.  While Batman and Robin decipher this quartet’s outlandish scheme, wealthy Bruce Wayne falls for an alluring socialite, Miss Kitka.  Taken captive, Wayne must somehow escape and return to action as Batman.  Attempting to free an oblivious Schmidlapp, the Dynamic Duo later engage their enemies in a fistfight atop an at-sea submarine.      

Possessing Schmidlapp’s experimental dehydrator capable of rendering humans to molecular dust (and yet conveniently able to restore its victims to normal), the four villains pursue their endgame.  Specifically, they intend to target the United Nations’ diplomats and hold them as high-profile hostages to the world.  It’s time for Gotham City’s legendary Caped Crusaders to catch up and end this dastardly extortion scheme.

Note: This film is available in DVD, Blu-Ray, and digital formats.

Batman / Bruce Wayne: Adam West

Robin / Dick Grayson: Burt Ward

The Joker: Cesar Romero

Catwoman / ‘Miss Kitka:’ Lee Meriweather (Note: Due to Julie Newmar’s unavailability, Meriweather is her substitute.)

The Penguin: Burgess Meredith

The Riddler: Frank Gorshin

Alfred Pennyworth: Alan Napier

Commissioner James Gordon: Neil Hamilton

Police Chief O’Hara: Stafford Repp

Aunt Harriet: Madge Blake

Commodore Schmidlapp: Reginald Denny

Vice-Admiral Fangschleister: Milton Frome

Morgan: Dick Crockett

Bluebeard: Gil Perkins

Quetch: George Sawaya

U.S. President Lyndon B. Johnson: The Green Hornet’s Van Williams (voice only)

U.N. Delegates: Teru Shimada; Albert Carrier; Maurice Dallimore; George J. Lewis; Robert Goodwin; Wolfe Barzell; William Tannen; Ivan Triesault; & Gregory Gaye

Man on Gotham City Rooftop: Jack LaLanne (cameo)

Voice of Bat-Computer & Narrator: William Dozier.

REVIEW:

Unlike big-screen outings during that era for The Saint, The Man From U.N.C.L.E., etc., the 1966 Batman caper enjoys a distinct advantage justifying its cult favorite status.  Chiefly, Adam West and Burt Ward’s sole Batman feature film isn’t derived by merely pasting two or three TV episodes together and then calling it a movie — usually released for overseas audiences. The film’s big-screen plotting is also independent of the TV series, making it deliberately easier to reel in casual viewers.  

Two impressive factoids stand out: 1. Lorenzo Semple Jr. somehow devised an original feature script in only a few days; and 2. The movie was subsequently cranked out in only a month’s filming.  Despite its expedited nature, the film delivers to fans of the iconic TV series a practically can’t- miss prospect.  Lee Meriweather’s one-time appearance, in that sense, doesn’t diminish Catwoman’s role whatsoever.

Afforded the movie’s bigger production values (i.e. the submarine fistfight), viewers score the most Bat-bang for the buck from a game cast.  Hence, the TV show’s uniquely colorful qualities are expanded enough without losing its creative grip.  All that is regrettably absent is Neal Hefti’s title song, which is replaced by Nelson Riddle’s cinematic instrumental score.  From a grown-up’s perspective, this element better distinguishes the film from the TV series.  Still, even a brief homage to Hefti’s pop tune at some juncture would have made for some welcome fan service.    

Another hiccup is that the film occasionally falls flat between action set pieces.  That isn’t surprising, as the TV series relied upon superior pacing in 25-minute installments.  Accordingly, its two-part episodes, as separated by their signature cliffhangers, were often high-caliber in conveying a live-action comic book.  If fairly compared to the TV show’s best storytelling, the 1966 film doesn’t surpass episodes where the cast is at the top of their game. The movie’s wacky (and, ultimately, message-laden) plot, however, is still well-anchored somewhere within the series’ upper half. 

This kid-friendly 1966 film delivers sufficient goods — even if its running time doesn’t mean more Batman is necessarily better.       

ADDITIONAL CONTENT:

Presented in anamorphic widescreen, this single-disc DVD’s aspect ratio of 1.85:1.  Audio options are: English (Stereo); English (Mono); and French (Mono).  Subtitles are available in both English and Spanish.  The primary screen provides: appropriately enough, ‘Bat Movie!!’; ‘Bat Features!’ ‘Bat Scenes!’ and ‘Bat Languages’ options.  The DVD’s scene selection insert identifies all thirty-two scenes.   

The Caped Crusaders: Adam West & Burt Ward supply an optional audio commentary.  This special edition’s other features consist of a Batmobile tour; a making-of-the-film featurette; a photo still gallery; the theatrical trailer; and its pre-release teaser.    

PACKAGING:

The contents are confirmed as exactly as the DVD’s case advertises. The disc is firmly enclosed.    

BRIAN’S ODD MOON RATING:                         6½ Stars

Categories
Digital Animated Shorts Digital Movies & TV DISNEY/PIXAR-Related DVD/Blu-Ray Extra Movies & Television (Videos)

FROZEN FEVER

SUMMARY:                                 RUNNING TIME: 5:01 Min.

Frozen’s animated 2015 mini-sequel, Frozen Fever, has a cold-stricken Elsa guiding her sister, Anna, through a series of birthday surprises inside and outside their castle.  Frozen’s cast, including Idina Menzel, Kristen Bell, Jonathan Groff, and Josh Gad, among others, reprise their roles. 

The short initially accompanied Disney’s live-action Cinderella film to movie screens debuting in March 2015.  Later that year, Frozen Fever made its Digital HD debut, along with its inclusion on both the Walt Disney Animation Studios Short Films Collection and Cinderella Blu-Ray/DVD releases.  Presently, Disney now also streams Frozen Fever

REVIEW:

Frozen Fever is a welcome treat for Elsa & Anna’s fans.  Not only is the animation big-screen caliber, but the cast all contribute ‘game-on’ performances.  One caveat is overplaying a cute gag where Elsa’s magical sneezes conjure cute little sentient snowmen – suffice to say, adults may already be rolling their eyes come the third or fourth time this joke occurs. 

Still, Frozen Fever (including its single, “Making Today a Perfect Day”) is a reliable Disney gift to viewers, who are seeking something beyond comic book violence as kid-friendly entertainment.

BRIAN’S ODD MOON RATING:                         8½ Stars

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