Categories
Books & Novels History & Biographies (Books) Movies & Television (Books) STAR WARS-Related

THE FILMS OF HARRISON FORD, Third Edition

Written by Lee Pfeiffer & Michael Lewis

SUMMARY:

Released in 2002 by Citadel Press, this 260-page paperback presents the actor’s biographical/career profile up through the early 2000’s.  The co-authors also analyze Harrison Ford’s films beginning with 1966’s Dead Heat on a Merry-Go-Round and ending with 2002’s K-9: The Widowmaker (still-in-production at the time of writing). 

Note: This book’s prior editions are from 1996 and 1999.

REVIEW:

For Harrison Ford fans, this well-written book is a keepsake.  The co-authors present their text in an enjoyably conversational tone, so this isn’t by any means a pretentious read.  Rarely do their satirical jabs risk breaching good taste – i.e. a snarky comment describing Carl Weathers’ cliché-ridden dialogue in 1978’s Force Ten From Navarone come closest.  Still, considering this endeavor necessitated Ford’s cooperation, any films in which he has a significant role won’t be taking any major critical hits from Pfeiffer & Lewis.  Hence, a film like 1986’s offbeat character piece, The Mosquito Coast, is treated more sympathetically than perhaps it merits.  Also, the co-authors offer Ford-friendly yet still-plausible explanations of notable controversies (i.e. his 1991-92 casting as Jack Ryan/backlash from Alec Baldwin and the 1997-98 Devil’s Own feud with co-star Brad Pitt).  

However, predictable fawning doesn’t apply to Ford’s pre-stardom efforts — case in point: 1967’s notoriously awful Luv.  The co-authors gleefully take hilarious jibes at this would-be Jack Lemmon-Peter Falk comedy, including an amusing video-still image of Ford’s cameo.  Yes, he’s wearing a beret and furry vest – playing a hippie motorist, Hollywood-style.   

Packed with invaluable insights to Ford’s decades-long career, The Films of Harrison Ford offers plenty of praise without devolving into a shameless puff piece.

ADDITIONAL FEATURES:

The last page offers quick bios on the co-authors.

BRIAN’S ODD MOON RATING:                     9 Stars

Categories
Art & History Books & Novels Movies & Television (Books)

FILM POSTERS OF THE 80’S: THE ESSENTIAL MOVIES OF THE DECADE

Written by Tony Normand & Graham Marsh [Co-Editors]

SUMMARY:

Published by Overlook Press in 2001, this 127-page softcover photo album celebrates significant films (both U.S. and international) from the 1980’s.  The posters appear courtesy of London’s Reel Poster Gallery collection.  Partially arranged by genre, actor, or director, each poster specifies its film’s year of release; country; size dimensions; and design/illustration credits, if applicable.  Besides depicting a wide variety of artistic styles, the editorial choices extend between high-profile films and lesser-known titles.  For instance, many popular films and/or cult hits (i.e. Superman II; The Cannonball Run; The Princess Bride; Glory; and Highlander) didn’t make this particular cut.  Further, only the James Bond franchise scores more than one appearance — in this instance, for A View to a Kill and The Living Daylights.

As the majority of the represented films are U.S.-produced., one will occasionally see alternate versions or advance/teaser copies (i.e. back when Return of the Jedi was still called Revenge of the Jedi).  There are also foreign release variants for films like Raging Bull (Czechoslovakia); Cinema Paradiso (Italy); Ran (Japan); Women on a Verge of a Nervous Breakdown (Spain); Once Upon a Time in America (Germany & Hungary); Raiders of the Lost Ark, Return of the Jedi, and Gandhi (Poland); Top Secret and Sex, Lies, and Videotape (Britain); The Sacrifice (Russia); and The Terminator (Poland and Czechoslovakia).       

Note: The co-editors have also published related volumes for the 50’s; 60’s 70’s; and Alfred Hitchcock films.

REVIEW:

Sporting high-caliber production values, this guide should delight movie buffs.  As a coffee table option, its classy approach should also merit casual interest from houseguests.  To the editors’ credit, they don’t offer analysis — they let the posters speak for themselves.  Case in point: the Polish skull-themed version for Raiders of the Lost Ark is eye-popping to behold.  Further, its more obscure posters may prove an effective enticement to viewers to track down some of these movies.  For what this book is, it’s really a vivid treat to peruse. 

ADDITIONAL FEATURES:

Entitled “From Wall Street to Your Wall,” the co-editors provide a two-page introduction.  There is also a single-page index of the posters.     

BRIAN’S ODD MOON RATING:                          8 Stars

Categories
Books & Novels Movies & Television (Books)

THE ESSENTIAL JAMES BOND: THE REVISED AUTHORIZED GUIDE TO THE WORLD OF 007

Written by Lee Pfeiffer & Dave Worrall

SUMMARY:

This updated 2003 paperback edition published by Boxtree (a Macmillan Publishers subsidiary) includes puff piece coverage of Pierce Brosnan’s last Bond film, 2002’s Die Another Day.  At 227 color-filled pages, this treasure trove swiftly critiques each of the first twenty Bond films with production notes; plot synopses; quick character bios & analyses of their actors; separate vehicle & gadget summaries; music summaries; marketing analyses; and box office reviews.  An extensive collection of random production facts and intriguing rare photos are included. 

REVIEW:

Well-written and very readable, the co-authors convey a fun, casual reading experience without pushing any condescending opinions.  While the book predictably gushes over the film franchise, the co-authors still occasionally take fair jabs at its failures.  Case in point: 1971’s Diamonds Are Forever, 1975’s The Man With the Golden Gun, 1979’s Moonraker, and 1985’s A View to a Kill are rightly criticized for the production team’s lapses in judgment re: the clichéd scripting, editing mistakes, and some dubious casting.  Overall, Lee Pfeiffer & Dave Worrall’s informative text is terrific.  Backed by at least two hundred photos (including those of movie posters and various forms of Bond merchandise) and savvy insights into the franchise’ production history, the book is an excellent source of Bond movie info.   

Note: In an instance of art foreshadowing life, page 225 has a head-shot glimpse at the comic strip James Bond of the late 1950’s.  Readers can decide if they agree with the co-authors re: its primitive yet uncanny facial resemblance to Sean Connery – as seen in an adjacent photo from Never Say Never Again

ADDITIONAL FEATURES:

Along with franchise co-producer Michael Wilson’s foreword, author Lee Pfeiffer’s introduction fondly remembers late producer Cubby Broccoli.  Bonus chapters briefly review Bond’s literary history; synopses on the Bond production team’s key players; a look at Bond’s various spy rivals in movie & TV pop culture (The Man From U.N.C.L.E.; Mission Impossible; Get Smart; etc.); those other Bond films (i.e. the original Casino Royale film and 1983’s Never Say Never Again).  Lastly, there is a promo section re: the franchise’s celebration of its 40th anniversary.

BRIAN’S ODD MOON RATING:                     8½ Stars

IMAGE NOT AVAILABLE

Categories
Books & Novels Children's Books DISNEY/PIXAR-Related Movies & Television (Books)

DISNEY’S A WRINKLE IN TIME: A JOURNAL FOR WRITERS, CREATORS, AND THINKERS

Written by Victoria Saxon

SUMMARY:

In 2018, Disney Enterprises, Inc. released this 128-page, creative thinking journal through Farrar Straus Giroux Books.  Utilizing photo stills from the 2018 Disney live-action film, writer Victoria Saxon poses a number of writing and drawing exercises for young readers to imaginatively think hard.  In addition to scribbling a series of short essays, readers can create their own artwork to supplement their writing.  The journal’s primary focus is exploring the film’s themes and how readers might interpret then, as well as the various characters, through their own eyes.       

REVIEW:

Geared towards children for ages 8-12, this activity journal makes an excellent resource for kids to hone their writing skills.  For the younger kids, supervision from parents or older siblings may be necessary to understand some of the questions that writer Victoria Saxon poses.  To her credit, Saxon manages to effectively convey to readers a sense of how to mix light introspection with creative thinking.  Overall, this book makes a solid gift for young fans of the film who might someday write their own fantasy novels. 

ADDITIONAL CONTENT:

Photo stills and quotes from the film are included. 

BRIAN’S ODD MOON RATING:                     8 Stars

Categories
Books & Novels General Non-Fiction Movies & Television (Books)

CADDYSHACK: THE MAKING OF A HOLLYWOOD CINDERELLA STORY

Written by Chris Nashawaty

SUMMARY:

Published in 2018 by Flatiron Books, this 294-page hardcover by Entertainment Weekly movie critic Chris Nashawaty explores the behind-the scenes hijinks during the production of 1980’s Caddyshack.  Nashawaty’s narrative harkens back to The Harvard Lampoon of the late 1960’s before moving on to National Lampoon magazine in the 1970’s. 

Edgy rising comedians, such as John Belushi, Chevy Chase, Bill Murray, and Harold Ramis, helped expand National Lampoon into other mediums, as well as inspire NBC’s Saturday Night Live.  Seeking to score big in Hollywood off their screenwriting gig for 1978’s Animal House, Ramis and cohort Doug Kenney soon finagle their way into making their own movie: Caddyshack

In face of upcoming box office competition from The Blue Brothers and Airplane!, an inexperienced production team and a cast of unique personalities proceed to literally take Florida by storm during filming.  Drug abuse controversies, ad-libs, backstage feuds, and scathing reviews resulted in the film achieving initially modest success.  Yet, Caddyshack’s eventual rise as a Hollywood underdog legend proves a bumpy ride for all involved.         

REVIEW:

Oddly, if one is searching for LOL anecdotes, don’t expect to find them in this book.  It’s no contest that viewing either Caddyshack, or its upbeat making-of featurette, “The 19th Hole,” is a far sunnier experience. 

To his credit, writer Chris Nashawaty delves into the backstory opportunism to explain how Hollywood neophytes Ramis and Kenney ultimately convinced (or perhaps conned) Orion Pictures into bankrolling a six-million dollar movie — let alone trust this duo to behave on location in Florida. Nashawaty’s account is an insightful read, especially head-shaking details of an orgy-like atmosphere freely indulging cocaine, dope, and booze during the film shoot – with Orion Pictures evidently oblivious most of the time.  

It’s not really surprising that a scene-stealing Rodney Dangerfield, for instance, was inexperienced and insecure re: whether his ultra-obonxious on-screen persona was actually funny or not. A more telling sign is how Ramis admits he ingeniously manipulated a spot-on performance from a simmering Ted Knight.  Considering Knight’s old-school professionalism was a far cry from the set’s lackadaisical (at best) atmosphere – it’s ironic how art copies life (or vice versa).

Reminiscences from Ramis, Bill Murray, Cindy Morgan, Chevy Chase, and Michael O’Keefe, among others, are intriguing. Readers get backstage tales of how scenes were improvised, re-improvised, or simply cut to emphasize its four main stars.  For that matter, it’s explained why executive producer Jon Peters pushed for the goofy animatronic gopher’s inclusion, despite lesser-known cast members (“the caddies”) being resentfully upstaged and their screen time considerably shortened. 

Yet, the book’s egotistical behind-the-scenes squabbles are overshadowed by Doug Kenney’s bizarre world, including his enigmatic death months after filming had completed.  For a professional humorist, there’s nothing remotely chuckle-worthy about Kenney’s troubled life.  Wild accounts of his drug-related antics in Florida alone are stunning, especially re: how far too many blind eyes were turned. A grim conclusion one is left with is that everyone else’s own self-involvement precluded emergency intervention to thwart Kenney from binging himself to self-destruction.  

Still, Nashawaty’s candid reporting (which definitely has its dry spells) divulges how the troubled Caddyshack morphed into existence, in spite of a slew of creative compromises.  If anything, this book reiterates why imitators won’t surpass Caddyshack’s unique cult classic stature in movie history.

ADDITIONAL FEATURES:

Eight pages depict color and black-and-white photos. The epilogue features post-Caddyshack career capsules re: its surviving players.  Besides a bibliography, a lengthy ‘Notes’ section specifies sources, interview dates & times, etc.   

BRIAN’S ODD MOON RATING:              7 Stars

Categories
Books & Novels Movies & Television (Books)

BEST MOVIES OF THE 80’S

Written by Helen O’Hara

SUMMARY:

Published by Portable Press in 2018, this 175-page softcover has author Helen O’Hara exploring a wide representation of fifty big-screen films best representing the 1980’s.  O’Hara’s introduction indicates that she wishes to celebrate as many genres as possible.  The author openly acknowledges that not every film she includes is a critical favorite, and that some may seem too similar to another ‘honoree.’  For every acclaimed title like Broadcast News, The Last Emperor, On Golden Pond, The Right Stuff, The Color Purple, Terms of Endearment, and The Accidental Tourist that isn’t included, O’Hara’s standard applies to Caddyshack, The Road Warrior, National Lampoon’s Christmas Vacation, Romancing the Stone, and Honey, I Shrunk the Kids.   

For each year, the author lists the U.S. top-ten grossing films; the major award winners (the Academy Awards; Golden Globes; Cannes Film Festival); notable births and deaths; film debuts; and the year’s perceived Oscar injustice.  Further, each year offers sections on O’Hara’s top picks.  Individual entries include the film’s original U.S. and U.K. release dates; its running time; a trivia note; and O’Hara’s ‘further viewing’ picks, which she readily admits is a backdoor way to include other worthwhile films not otherwise mentioned.  Supported by loads of movie photographs, promo stills, and posters, the films O’Hara selects (by year) are:

1980: The Empire Strikes Back (including Return of the Jedi); The Blues Brothers; Airplane!; and Nine to Five.

1981: Raiders of the Lost Ark.

1982: Chariots of Fire; First Blood; E.T. the Extra-Terrestrial; Tron; Blade Runner; Star Trek II: The Wrath of Khan; Tootsie; and The Thing.

1983: The Evil Dead (including Evil Dead II).

1984: The Terminator; Ghostbusters; Gremlins; Beverly Hills Cop; This is Spinal Tap; A Nightmare on Elm Street; and The Karate Kid.

1985: Back to the Future; The Goonies; and The Breakfast Club.

1986: Top Gun; Aliens; Stand by Me; Ferris Bueller’s Day Off; Crocodile Dundee; Highlander; and Labyrinth.

1987: Wall Street; Predator; Lethal Weapon; Fatal Attraction; The Princess Bride; RoboCop; Dirty Dancing; and The Lost Boys.

1988: Die Hard; Beetlejuice; A Fish Called Wanda; Who Framed Roger Rabbit; Big; and Working Girl.

1989: Heathers; Batman; Do the Right Thing; The Little Mermaid; and When Harry Met Sally.

REVIEW:

The book’s title could be construed as deceptive, since distinguishing between the terms ‘best’ and ‘greatest’ is subjective by this book’s loose standards.  Bolstered by colorful visuals, O’Hara’s book proves solidly entertaining without overstaying its welcome.  She casually celebrates 80’s nostalgia without delving into pretentious criticism on artistic merit or pondering a genre’s common thematic threads.  Carefully limited to two pages per movie, her thoughtful analysis stays on point, as to each film’s production and its cultural significance impacting the present-day.  Even if one doesn’t necessarily agree with O’Hara’s reasoning, the author tactfully states her case for each film, whether she is evidently a fan or not.      

Much insight into the author’s rationale can be found in the introduction, as she explains why, for instance, neither The Untouchables nor Bill & Ted’s Excellent Adventure met her criteria of possessing an 80’s-style vibe.  Further, reading her review deciphering This is Spinal Tap and what satire its makers intended is well worth the audience’s time.  The same applies to sections on Stand by Me and The Little Mermaid, among others.  Saving When Harry Met Sally for last makes fitting sense (as does O’Hara’s upbeat analysis).  Yet, what confirms the Best Movies of the 80s as a nostalgic tribute to the 1980’s is a closing image of a certain young boy taking his alien on an airborne bicycle ride crossing past the moon.      

ADDITIONAL FEATURES:

O’Hara includes some fun miscellaneous sections such as: memorable quotes from films such as The Terminator, The Blues Brothers, Ferris Bueller’s Day Off, and Wall Street; ‘best’ foreign films; famous film poster taglines; best musical moments; MTV’s influence; dubious 80’s movies (i.e. Dolph Lundgren’s live-action He-Man epic, Masters of the Universe); a tribute to 80’s action heroes; best movie theme songs; a Brat Pack tribute; and exploring Steven Spielberg’s various connections (Six Degrees of Kevin Bacon-style) to other movie contributors.  An index is also included.

BRIAN’S ODD MOON RATING:                         8½ Stars

Categories
Books & Novels Movies & Television (Books) Mystery & Suspense

MURDER, SHE WROTE: DYING TO RETIRE

Written by ‘Jessica Fletcher’ & Donald Bain

SUMMARY:

Published in 2004 by Signet (a Penguin Group imprint), this original 260-page paperback is written by Donald Bain in mystery novelist Jessica Fletcher’s first-person POV. 

Dr. Seth Hazlitt, Sheriff Mort Metzger, and Mort’s wife, Maureen, accompany Jessica to a retiree community: Foreverglades, Florida, to attend a former Cabot Cove resident’s funeral.  Chance curiosity leads Jessica & Seth to conclude an unnecessary diet pill triggered their friend Portia Shelby’s fatal heart attack.  Considering Portia’s demise conveniently benefits a local developer’s plans, Jessica wonders if someone intended to kill her friend.  Clues take the Cabot Cove sleuth even further south to Key West in search of a possible culprit. 

REVIEW:

Befitting its South Florida locales, author Donald Bain’s text enjoys a breezy style.  For instance, a generous sprinkling of visual details, especially sights and sounds from Key West, help keep readers awake during dull stretches.  In that sense, the book’s vivid Key West sequences come off like a travelogue. 

Another welcome touch is that Bain mostly refrains from the TV series’ propensity for guest characters incessantly fawning over Jessica’s celebrity.  Perhaps Dying to Retire’s other asset is a guest cast sporting some interesting quirks (i.e. a retiree convinced he’s tailing a mob hitman; Seth’s medical school buddy-turned-Key West hippie — it’s easy to visualize someone like actor Bernie Kopell in this role, etc.).  However, at least one suspect is an unimaginative genre caricature, so Bain might have tried a bit harder in terms of pitching a shred of ambiguity. 

The more significant issue is there’s too little mystery to solve, as the book could have been condensed by a good twenty to thirty pages.  For that matter, aside from Jessica’s brief encounter with an alligator, Dying to Retire skimps on even mild suspense.  Even the central crime’s cause of death seems too implausible the way Bain presents it. 

A recurring gag re: who has the ‘original, authentic’ key lime pie recipe is more tiresome than cute in contributing to Jessica’s adventure.  What’s more evident is that Jessica’s unremarkable suspect list doesn’t merit one genuine surprise during the climax.  In Bain’s favor, however, the novel delivers a tidy epilogue.    

As a leisurely beach or bedtime read, Dying to Retire is okay, but it’s not as entertaining as a vintage TV series episode.

ADDITIONAL FEATURES:

There’s an six-page preview of the next book in this series: 2004’s Murder, She Wrote: A Vote for Murder.

BRIAN’S ODD MOON RATING:                          5 Stars

Categories
Books & Novels Movies & Television (Books) Mystery & Suspense

MURDER, SHE WROTE: MURDER ON THE QE2

Written by ‘Jessica Fletcher’ & Donald Bain

SUMMARY:

Published in 1997 by Signet (a Penguin Group imprint), Donald Bain penned this original 304-page paperback in mystery novelist Jessica Fletcher’s first-person POV. 

Invited as a celebrity guest lecturer, a nostalgic Jessica embarks on her second five-day voyage aboard the Queen Elizabeth 2 (QE2) from New York City to Southampton, England.  Besides her two lectures, Jessica agrees to pen an interactive murder-mystery play to be performed onboard by a professional acting troupe. 

Friction erupts amongst her fellow celebrity lecturers, with their venom directed towards notorious film actress Marla Tralaine amidst her mid-life career comeback.  Also aboard is nasty TV network mogul Sam Teller (it’s easy to visualize someone like actor Ray Walston) and his sultry, eye-candy spouse: TV actress Lila Sims. 

Jessica’s fellow lecturers are all employed by Teller, who naturally despise both their boss and Marla Tralaine to varying degrees.  When Tralaine shockingly turns up dead, the ship’s crew relies upon Jessica for public relations help discreetly containing inevitable gossip and media leaks.  While Jessica and her new friend, Mary Ward, probe the homicide’s peculiarities, a potential witness vanishes.

Until Scotland Yard can reach the still-at-sea vessel, Jessica contends with a slew of suspects — most of them are linked to the victim’s fresh-from-the-tabloids past.

REVIEW:

As compared to this insipid mystery, having Jessica Fletcher make a guest appearance on The Love Boat would have been preferable.  Citing Jessica’s tiresome repetition of correcting others that this regal voyage is a ‘crossing, not a cruise,’ this whodunnit treads close to a condescending read … that is, until its preposterous final leg. By that point, fed-up readers may be gladly throwing themselves overboard. 

Given the sumptuous details Donald Bain supplies his QE2, it’s a fair guess that he has been aboard the real vessel before.  This element works well enough, as far as generating a visual backdrop for one’s imagination.  Yet, apart from Mary Ward’s likable presence, this storyline is overrun by a bland assortment of caricatures conveniently posing as Jessica’s suspects. 

Worse yet, the story’s fishnet of plot holes (i.e. why exactly Marla Tralaine’s nude corpse is found hidden) cover the range between contrived to utterly ridiculous.  Murder on the QE2 finally capsizes on readers once Jessica & Mary devise their makeshift ‘play,’ so the lurid crime scene can be publicly reenacted in front of the ship’s crew and guests. 

This hackneyed ‘big reveal’ falters badly, since the culprit (or possibly culprits) would have had such minimal incentive to commit at least one crime.  Bain tries spicing up the unnecessary motive with hints of tawdry sex, but it’s the equivalent of a disappointing ‘sizzle ‘n’ fizzle.’  If anything, the book’s last third is an unforced error all too reminiscent of Murder, She Wrote’s worst episodes.  Bain’s well-played epilogue offers faint compensation for his dreadful plot, but it’s too little too late. 

Squandering its shipboard vibe, Jessica Fletcher’s eye-rolling murder-mystery cruise aboard the QE2 is more like hook, line, and stinker.

ADDITIONAL FEATURES:

There’s an eight-page preview of the next book in this series: 1998’s Murder, She Wrote: Murder in Moscow.

BRIAN’S ODD MOON RATING:                     2½ Stars

Note: A far more satisfying cruise murder-mystery novel is J.A. Jance’s Birds of Prey.  It’s an Alaskan cruise worth sleuthing with her ex-Seattle cop, J.P. Beaumont.

Categories
Books & Novels Movies & Television (Books) Mystery & Suspense Reference & Science Sherlock Holmes-Related

SHERLOCK HOLMES FAQ

Written by Dave Thompson

SUMMARY:

Published by Applause Theatre & Cinema Books in 2013, this 283-page paperback reference guide pitches itself as “all that’s left to know about the world’s greatest private detective.”  Beginning with author Sir Arthur Conan Doyle’s life, author Dave Thompson commences with discussing Holmes’ literary history, as well as how he inspired a host of rival fictional detectives.  A number of the Holmes short stories and novels are summarized and reflected upon.  Thompson includes sections on how a real London would have looked to Holmes, as well as some of the grim British true crime cases that sorely needed a real-life Holmes. 

Further, Thompson points out the changes in Conan Doyle’s life while he was churning out subsequent waves of new Holmes mysteries.  Even after Doyle permanently shelfed Holmes, Thompson looks at Doyle’s later life, as he dabbled in researching psychic phenomena and feuded with purported ‘ghost hunter’ Harry Price.  

Thompson also chronicles the various Holmes adaptations, including notable films and TV series.  In his analysis, the author provides brief biographies of Holmes actors Basil Rathbone, Peter Cushing, and Jeremy Brett.  The author’s assessment of the BBC’s Sherlock TV series is included.  Other literary adaptations of Holmes (or likely inspired by the character) are given a close look by Thompson.  The author concludes with mentioning a ‘possible’ encounter between Doyle’s alleged ghost and his ex-nemesis, Harry Price, at a séance in 1930. 

REVIEW:

Though Thompson delves into the Holmes phenomenon, this book is more like a FAQ re: Conan Doyle’s resentful existence in Holmes’ shadow.  To his credit, Thompson’s narrative is pretty solid.  If one is looking for some rare tidbits re: Holmes, this book is a decent choice.  Yet, if the readers really want more of a glimpse into Conan Doyle’s world and how his own private life was impacted by Holmes’ unfathomable public success, Sherlock Holmes FAQ proves an intriguing read.  Although this book isn’t necessarily a keeper for the bookshelf, it’s at least worth perusing, if only for curiosity’s sake.   

ADDITIONAL FEATURES:

A four-page appendix catalogs Doyle’s bibliography.  This book’s own bibliography is also included, as is a five-page index.  A neat assortment of photos accompany the text, including some reprints of artist Sidney Paget’s The Strand illustrations and a rare glimpse of early 20th Century stage actor William Gillette in his stint as Holmes.        

BRIAN’S ODD MOON RATING:                                 6 Stars

Categories
Books & Novels Movies & Television (Books) Mystery & Suspense Sherlock Holmes-Related

SHERLOCK ON SCREEN: THE COMPLETE FILM AND TELEVISION HISTORY, 3rd Edition (Sherlock Holmes)

Written by Alan Barnes

SUMMARY:

Published by Titans Books in 2011, this revised 320-page third-edition paperback analyzes virtually every Holmes film and TV program ever produced in alphabetical order.  British author Alan Barnes provides basic credits; cast lists; and synopses.  When feasible, the author breaks a synopsis into: “The Mystery” (the basic set-up); “The Investigation” (self-explanatory); and “The Solution” (again, self-explanatory).  For the various TV series (including a Russian adaptation), the individual episode titles and casting appear first before Barnes analyzes the series in general and citing certain episodes as necessary.  For visual reference, a related film still or photo is included on most pages. 

REVIEW:

To Barnes’ credit, his analyses are balanced, though the BBC’s Sherlock receives some predictably gushing attention.  Occasionally, some undemanding projects, like Tom & Jerry Meet Sherlock Holmes, receive his literary eye-roll.  Still, Barnes offers plenty of compelling history re: how the visual interpretation of Holmes has varied, whether it is by different countries or different producers, either seeking to celebrate Conan Doyle’s creation or, more likely, for a reliable payday.       

The best element of the book is how so many screen Sherlocks (Basil Rathbone; Jeremy Brett; Peter Cushing; Benedict Cumberbatch; Robert Downey Jr.; Arthur Wontner; Eille Norwood, etc.) have been incorporated into one guide.  Further, for additional actors: i.e. Douglas Wilmer, Christopher Lee, John Neville, H.A. Saintsbury, William Gillette, and even John Barrymore, it proves an intriguing read exploring how their films or TV series came into existence, even if many been lost to time.  Even more so is the fascinating information re: the silent film era, going back to the start of the 20th Century when Conan Doyle’s legal copyright was hardly obliged.

The only weakness is that this book lacks an index (even for the major players involved), which would have been helpful.  Still, for any amateur Holmes historian, this insightful reference guide proves a must-have.

ADDITIONAL FEATURES:

Sherlock co-creator Steven Moffat provides a two-page foreword.  In addition to acknowledgments, the author includes a brief introduction / author’s note explaining his terminology.  There is also a four-page appendix re: synopses of lost European silent films from a century ago that were at least inspired by the Holmes phenomenon.  The book’s last section is a five-page chronology (1887-2010) of historical events impacting Holmes’ publishing and film history.

BRIAN’S ODD MOON RATING:                               10 Stars