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STAR TREK – THE ORIGINAL SERIES: SPECTRE OF THE GUN (Season 3, Episode 6)

SUMMARY:                      RUNNING TIME: 51:00 Min.

First airing on NBC-TV on October 25, 1968, Vincent McEveety directed this episode penned by Gene L. Coon (per his pseudonym, Lee Cronin).  Disregarding Melkotian insistence not to beam down, Captain Kirk leads an U.S.S. Enterprise landing party down to their misty world to intrude and stubbornly push Federation diplomacy. 

As fitting retaliation, the offended Melkots transplant Kirk’s team into a partial replica inspired by Earth’s deadly history: October 26, 1881, at Tombstone, Arizona.  Hence, the Enterprise’s stranded landing party are forced into the roles of the hapless Clanton/McLaury gang awaiting the showdown vs. the coldly belligerent Earp Brothers and “Doc” Holliday at the ‘Gunfight at the O.K. Corral.’

With time running on their destined ‘fate,’ Kirk’s team must uncover a means to alter established ‘history.’  In essence, their alien captors intend to pit the crew’s sense of virtue against humanity’s worst impulses resorting to lethal violence.    

Captain James T. Kirk (Ike Clanton): William Shatner

Commander Spock (Frank McLaury): Leonard Nimoy

Dr. Leonard H. McCoy (Tom McLaury): DeForest Kelley

Commander Montgomery Scott (Billy Clanton): James Doohan

Ensign Pavel Chekov (Billy Claiborne): Walter Keonig

Sylvia: Bonnie Beecher

Wyatt Earp: Ron Soble

Morgan Earp: Rex Holman

Virgil Earp: Charles Maxwell

“Doc” Holliday: Sam Gilliman

Melkotian (voice): Abraham Sofaer

Tombstone barber: Ed McCready

Ed: Charles Seel

Cowboys: Paul Baxley & Richard Anthony

Lt. Hadley: Bill Blackburn

Note: Kelley had previously portrayed Morgan Earp in 1957’s Gunfight at the O.K. Corral co-starring Burt Lancaster & Kirk Douglas. Holman would later play a supporting role as one of Sybok’s recruits in 1989’s Star Trek V: The Final Frontier.   

REVIEW:

Though the premise isn’t half-bad, suffice to say, Trek’s first Western doesn’t age well.  Given the production’s glaring budgetary limitations, at least a plausible excuse is conjured up justifying the flimsy Tombstone set (i.e. the aliens possess an incomplete knowledge of Old West historical detail).  Still, the episode itself invariably looks and feels cheap. 

Distorting even rudimentary historical facts, this Trek, unfortunately, conveys that the Clantons and McLaurys weren’t sleazy outlaws facing frontier justice they deserved.  Ironically, by replacing their historical criminality with the heroism of Kirk, Spock, etc., the Clanton/McLaury faction is sympathetically depicted as being bullied and gunned down by the vindictive, trigger-happy Earps. 

As crudely produced as this episode is, “Spectre of the Gun” is still more re-watchable than some of the viewer-insulting dreck Season 3 dubiously peddled (“Spock’s Brain,” anyone?).    

Note: A 1987 Real Ghostbusters animated episode (“Ghost Fight at the O.K. Corral”) recycles this same concept and actually does a much better job.

BRIAN’S ODD MOON RATING:                  4 Stars

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STAR TREK – THE ORIGINAL SERIES: METAMORPHOSIS (Season 2: Episode 9)

SUMMARY:                        RUNNING TIME: 50:00 Min.

First airing on NBC-TV, on November 10, 1967, Ralph Senesky directed this episode penned by Gene L. Coon.  An U.S.S. Enterprise shuttlecraft is abducted by a mysterious energy cloud, which then strands Captain Kirk, Spock, Dr. McCoy, and terminally ill Federation diplomat Nancy Hedford on the remote Gamma Canaris N planetoid.  Effectively marooned, the shuttle’s crew are stunned to discover that their fellow inhabitant is engineer Zefram Cochrane: the legendary inventor of warp drive. 

According to Earth history, an elderly Cochrane had vanished some 150 years prior, leaving an unsolved mystery.  Yet, he has resided alone on this planet — somehow restored to his physical prime.  It’s revealed that the ethereal ‘Companion,’ in an act of compassion, has brought the quartet there to befriend a lonely and evidently now-immortal Cochrane. 

With Cochrane’s reluctant help, Kirk, Spock, and McCoy desperately try escaping The Companion’s captivity, in part to seek Hedford’s emergency medical care.   

Captain James T. Kirk: William Shatner

Commander Spock: Leonard Nimoy

Dr. Leonard H. McCoy: DeForest Kelley

Lt. Commander Montgomery Scott: James Doohan

Lt. Uhura: Nichelle Nichols

Lt. Sulu: George Takei

Zefram Cochrane: Glenn Corbett

Commissioner Nancy Hedford: Elinor Donahue

The Companion (voice): Elizabeth Rogers

Lt. Leslie: Eddie Paskey

Lt. Hadley: Bill Blackburn

REVIEW:

Suffice to say, it’s Star Trek’s most underrated love story.  Instead of a slam-bang Trek adventure, writer Gene L. Coon ensures that the mature romanticism powering “Metamorphosis” caters to a wider adult audience than stalwart Trekkers.  Enjoying solid chemistry with guest stars Glenn Corbett and Elinor Donahue, the trio of Shatner, Nimoy, and Kelley reliably carry this episode’s poignant themes to a satisfying finish. 

Though Cochrane’s tale isn’t among the most re-watchable Original Series episodes that spring to mind, “Metamorphosis” remains a classy and genuinely welcome Trek-or-treat.

BRIAN’S ODD MOON RATING:                   8 Stars

Note:  Co-written by Judith and Garfield Reeves-Stevens, the 1994 Original Series/Next Generation crossover novel, Federation, serves as a direct sequel to this episode (and, to a much lesser degree, “Journey to Babel”).

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FANTASY ISLAND {1984}: ETERNAL FLAME / A DATE WITH BURT (Season 6: Episode 16)

SUMMARY:                RUNNING TIME: 51:00 Min.

First airing on ABC-TV on March 5, 1983, Don Weis directed this episode.  Concurrently depicted, a newlywed couple (Oakes & Boomer) blissfully seeks out romantic immortality while a middle-aged spinster lands a dream date with her favorite Hollywood celebrity. 

Specifically, the young Westons find a magical lagoon is a portal into an alternate reality where an ancient civilization still exists on a remote island.  As it ominously proves for one of them, supposed immortality is indeed sold for a steep price. 

Meanwhile, at risk of losing his iconic James Bond-like role to a teenager, aging action-film icon Burt Hunter (Ely) resorts to manipulating his biggest fan, Margaret Winslow (Dee), to persuade the franchise’s disinterested producer (Landsberg) into saving his career.  Tattoo and a young girl (Spelling) contribute to an adoring Ms. Winslow’s unlikely romance with her self-involved heartthrob.

Mr. Roarke: Ricardo Montalbán

Tattoo: Hervé Villechaize

Diana Weston (“Eternal Flame”): Randi Oakes

Alex Weston (“Eternal Flame”): Linwood Boomer

Maatira (“Eternal Flame”): Stella Stevens

Ra-Mas (“Eternal Flame”): Alex Cord

Vaal (“Eternal Flame”): Nicholas Worth

Soldiers (“Eternal Flame”): Uncredited

Maidens (“Eternal Flame”): Uncredited

Margaret Winslow (“A Date With Burt”): Sandra Dee

Burt Hunter (“A Date With Burt”): Ron Ely

Various Party Guests (“A Date With Burt”): Uncredited

John Pike (“A Date With Burt”): David Landsberg

Christy (“A Date With Burt”): Tori Spelling

Yvonne (“A Date With Burt”): Terri Lynn

Stuntmen as ‘Pretend Thugs’ (“A Date With Burt”: David Cass Jr. & John Tuell

Additional ‘Thug’ Stuntmen (“A Date With Burt”): Uncredited

Island Dancers: Uncredited

Island Inhabitants: Uncredited

Note: Worth later played one of Montalbán’s evil henchmen in 1988’s The Naked Gun: From the Files of Police Squad.

REVIEW:

Reminiscent of a seven-layer dip, melted cheese oozes throughout this inane episode.  Aside from producer Aaron Spelling’s glaring nepotism casting his young, pig-tailed daughter, one is left with a middling pair of love stories struggling to remain watchable. 

Both storylines serve up laughably clichéd pap, including a long-lost Egyptian/Greek/Roman civilization appearing freshly-minted from some second-rate Hollywood costume-and-prop department.  Most likely, viewers are lucky to tolerate a single viewing.

BRIAN’S ODD MOON RATING:                       3 Stars

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SLIMER AND THE REAL GHOSTBUSTERS: ELEMENTARY, MY DEAR WINSTON (Season 5, Episode 4)

SUMMARY:                 RUNNING TIME: 22:00 Min.

First aired on ABC-TV on September 16, 1989, this early Season 5 episode was directed by Will Meugniot.  With New York City readily emanating evil, the apparitions of Professor James Moriarty and a monstrous (dragon-like) Hound of the Baskervilles arise to collect enough evil supernatural power to bring Moriarty back to ‘life.’   Courtesy of a primitive-looking automobile, the ghostly duo of Sherlock Holmes and Dr. John H. Watson subsequently chase their foes across the city. 

Aiding Holmes in his rescue of an abducted Watson, only Winston Zeddemore initially senses the Ghostsbusters’ true foes in this odd skirmish.  Worse yet, upon invading the Ghostbusters’ HQ, Moriarty intends to feed off the captured ghosts held in their containment chamber to make himself unstoppable.    

Note: Egon speculates that, though Arthur Conan Doyle’s characters are indeed fictional, their ‘ghosts’ somehow manifest themselves because mass audiences firmly believe in them.  Hence, Doyle’s characters exist in their own ‘quasi-reality.’ 

Dr. Peter Venkman: Dave Coulier

Dr. Raymond Stantz, Slimer, Hound, & Miscellaneous Voices: Frank Welker

Winston Zeddemore: Buster Jones

Janine Melnitz: Kath Soucie

Dr. Egon Spengler & Dr. John H. Watson: Maurice LaMarche

Sherlock Holmes: Alan Shearman

Louis Tully & Professor James Moriarty: Rodger Bumpass

REVIEW:

Aside from a nice homage referencing the original film’s library sequence, this episode doesn’t age well.  Courtesy of a blah script geared towards first-graders with, at most, a rudimentary idea who Sherlock Holmes is, adults expecting little won’t be surprised.  While it is fun seeing Winston essentially take command of the team, the flimsy plotting (much like the animation) won’t likely impress anyone.

More so, Dave Coulier’s annoying take on Venkman makes the show’s lead character sound as dim-witted as John Travolta’s Vinnie Barbarino on Welcome Back, Kotter.  Let’s just say Venkman’s dubious contributions to this episode become an unwelcome distraction.  Despite entertaining its undemanding target audience for twenty minutes, the content of “Elementary, My Dear Winston,” clearly falls short of its intriguing premise. 

BRIAN’S ODD MOON RATING:                     3½ Stars

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(SLIMER AND) THE REAL GHOSTBUSTERS: GHOST FIGHT AT THE O.K. CORRAL (Season 2: Episode 47)

SUMMARY:                 RUNNING TIME: 22:00 Min.

First aired in syndication on November 17, 1987, this episode was directed by Masakzu Higuchi.  At Tombstone, Arizona, celebrated Western novelist Dewey LaMort (spoofing Louis L’Amour) is the guest of honor for a press conference announcing a new Old West theme park.  Yet, the restless ghost of Wyatt Earp interrupts … appropriately enough, at Boot Hill cemetery.  Earp’s fast-shooting ghost has no intention of giving up Tombstone to anyone.  It’s time to call in the Ghostbusters!

Upon their arrival in present-day Tombstone, the team (including a stowaway Slimer) splits up and faces ambushes from a spectral Earp and his re-materialized allies (brother Virgil & Morgan, along with “Doc” Holliday).  Ultimately, the Ghostbusters reckon that the trigger-happy Earp faction intends to replay the ‘Gunfight at the O.K. Corral.’  Yet, what can the team do in self-defense standing in for the hapless Clanton Gang outlaws?

Dr. Peter Venkman (and either Morgan or Virgil Earp): Lorenzo Music

Winston Zeddemore (and either Virgil or Morgan Earp): Arsenio Hall

Dr. Egon Spengler, “Doc” Holliday, & Mayor of Tombstone: Maurice LaMarche

Dr. Raymond Stantz, Dewey LaMort, & Slimer: Frank Welker

Wyatt Earp & Boris Mealey: Jonathan Schmock

Janine Melnitz: Laura Summer

Note: Although a gun is seen in Earp’s holster, the Earps & Holiday use their hands to simulate guns for their rapid-fire ‘ghost bullets.’

REVIEW:

On its surface, the premise practically duplicates a lesser Star Trek: The Original Series episode: “Spectre of the Gun.”  Like that Star Trek episode, again Wyatt Earp and his faction are conveniently the cold-hearted bad guys, regardless of actual American history.  Yet, upon a comparison of entertainment value, “Ghost Fight at the O.K. Corral” ages far better. 

Specifically, this Tombstone-themed episode sports more accurate historical research (including appropriate visuals for Wyatt’s squad) and, most obviously, a far-superior script where the Ghostbusters are forced into a defensive mode.  With the voice cast in terrific form, the much-better-than-expected “Ghost Fight at the O.K. Corral” merits a chance for re-discovery.    

BRIAN’S ODD MOON RATING:        6½ Stars

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FANTASY ISLAND {1979}: SÉANCE / THE TREASURE (Season 2: Episode 14)

SUMMARY:                       RUNNING TIME: 45:00 Min.

ABC-TV first broadcast this mid-season episode on January 13, 1979.  Mr. Roarke and Tattoo host this week’s guests: a young heiress who wishes to contact her dead twin brother through a séance; and a blue-collar fisherman brings along his down-to-earth wife to explore life as an instant multi-millionaire. 

Meanwhile, Tattoo has inadvertently ‘stolen’ a pony from somewhere on the island.  Also briefly seen is another guest (a mild-mannered news reporter, no less) living out his dream as Superman – though the character’s name is never stated, presumably for copyright purposes. 

Mr. Roarke: Ricardo Montalbán

Tattoo: Hervé Villechaize

Clare Conti (“Séance”): Eve Plumb

Todd Conti (“Séance”): Uncredited (possibly Eve Plumb)

Victor Conti (“Séance”): Leslie Nielsen

Eddie Loomis (“Séance”): Ross Bickell

Denise Morot (“Séance”): Stepfanie Kramer

Claude Morot (“Séance”): Joseph Hacker

Eva Capos (“The Treasure”): Shelley Fabares

Joe Capos (“The Treasure”): George Maharis

Party Guests (“The Treasure”): Warren Munson, Doug Banks, & Dorit Renier

McCloud (“The Treasure”): Michael Fox

Rancher: Don Megowan

Island Dancers: Uncredited

Island Inhabitants: Uncredited

‘Clark Kent:’ Uncredited

REVIEW:

Though Montalbán and Villechaize are in reliably good form, their guest stars fail to bring their A-game or even their B-game.  “Séance’s” plot thread presents some dark turns, but this supernatural potboiler is mediocre to the hilt.  Still, the outlandish spectacle of two explosive séances solving a murder-mystery is better viewing than “The Treasure.” 

When one sees Fabares & Maharis’ casually-dressed couple actually go scuba diving without equipment (aside from a single mask), “The Treasure’s” quality control instantly sinks with them.  This get-rich-quick fable is so predictable and illogical that the entire cliché-fest becomes virtually unwatchable. 

In particular, there shouldn’t be viewer sympathy for Maharis’ self-absorbed and nasty Joe Capos, i.e. as to how monetary wealth can be corruptive and why a happy marriage offers far greater wealth.  The only sympathy that should be extended is to co-star Fabares for being stuck with a crummy script.

As for Tattoo’s pony, this minor side story is mildly charming, as are the Superman/Clark Kent sight gags eliciting a quick chuckle.  The insurmountable problem, however, is that two ridiculous storylines suffer from undeniably dreadful acting.  Ironically, it makes sense that Nielsen’s cynical uncle would be this episode’s most believable guest character.     

BRIAN’S ODD MOON RATING:                  3 Stars

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POIROT: THE ADVENTURE OF JOHNNIE WAVERLY (Season 1: Episode 3)

SUMMARY:                  RUNNING TIME: 51:00 Min.

First broadcast on January 22, 1989, Renny Rye directed this early episode that Clive Exton adapted from Agatha Christie’s 1923 short story.  Both Scotland Yard and Poirot are baited ahead of time daring them to prevent the abduction of a country squire’s young son from his own home.  Despite Poirot and the police’s best efforts, young Johnnie Waverly still mysteriously vanishes. 

It’s up to Poirot and Hastings to track down the enigmatic kidnapper (or, quite possibly, kidnappers) to save the young boy. 

Hercule Poirot: David Suchet

Capt. Arthur Hastings: Hugh Fraser

Chief Inspector James Japp: Philip Jackson

Felicity Lemon: Pauline Moran

Ada Waverly: Julia Chambers

Johnnie Waverly: Dominic Rougier

Marcus Waverly: Geoffrey Bateman

Jessie Withers: Carol Frazer

Tredwell: Patrick Jordan

Miss Collins: Sandra Freeman

Police Sergeant: Phillip Manikum

Policemen: Jonathan Magnanti & Jona Jones

Hughes: Patrick Connor

Rogers: Robert Putt

Barmaid: Samantha Beckinsale

REVIEW:

Remaining faithful to Agatha Christie’s weak source material invariably backs this TV adaptation into a corner.  In spite of an initially ominous premise, the plotting then deteriorates into a rather flimsy excuse for a mystery.  Still, Poirot’s production values are stellar, even if this particular storyline is easily forgettable.

BRIAN’S ODD MOON RATING:                   5½ Stars

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POIROT: THE DREAM (Season 1: Episode 10)

SUMMARY:         RUNNING TIME: 50:00 Min.

First broadcast on March 19, 1989, Edward Bennett directed this early episode that Clive Exton adapted from Agatha Christie’s 1937-38 short story.  Poirot is cryptically summoned by reclusive London manufacturing tycoon Benedict Farley as a consultant for a strange recurring dream Farley experiences.  Specifically, this ominous dream compels him to violently commit suicide in his locked office. 

Failing to appease an irritable Farley, Poirot is soon alerted that Farley’s dream was indeed a grim premonition.  Considering others in Farley’s proximity would gladly benefit from his sudden death, Poirot senses that all isn’t what it seems.    

Hercule Poirot: David Suchet

Capt. Arthur Hastings: Hugh Fraser

Chief Inspector James Japp: Philip Jackson

Felicity Lemon: Pauline Moran

Joanna Farley: Joely Richardson

Benedict Farley / Hugo Cornworthy: Alan Howard

Mrs. Farley: Mary Tamm

Dr. Stillingfleet: Paul Lacoux

Herbert Chudley: Martin Wenner

Mr. Tremlett: Christopher Saul

Newsreel Voice: Neville Phillips

Workmen: Fred Bryant & Tommy Wright

Bandmaster: Christopher Gunning

Mayor: Donald Bisset

Fencing Instructor: Arthur Howell

Note: Series composer Christopher Gunning makes a cameo appearance in an appropriate role. 

REVIEW:

Effectively expanding upon Christie’s source material, padding this adaptation of “The Dream” with a youthful romance proves well-played.  Like the original short stories, “The Dream” surpasses “Four and Twenty Blackbirds” (also adapted in this same season), in terms of relying upon the same plot device.  This episode is very watchable!   

BRIAN’S ODD MOON RATING:                7 Stars

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POIROT: PROBLEM AT SEA (Season 1: Episode 7)

SUMMARY:             RUNNING TIME: 51:00 Min.

First broadcast on February 19, 1989, Renny Rye directed this early episode that Clive Exton adapted from Agatha Christie’s 1936 short story.  On a Mediterranean cruise, Belgian sleuth Hercule Poirot and his best friend, Captain Arthur Hastings, are among the passengers uneasily witnessing turbulence in the Clapperton marriage. 

Having gone ashore with two sympathetic female companions, Col. Clapperton later returns to shockingly discover that his wealthy spouse has been murdered inside their locked cabin.  Poirot and Hastings realize that that something beyond a random jewel theft is the true motive precipitating Mrs. Clapperton’s homicide.  

Hercule Poirot: David Suchet

Capt. Arthur Hastings: Hugh Fraser

Col. John Clapperton: John Normington

General Forbes: Roger Hume

Capt. Fowler: Ben Aris

Mrs. Clapperton: Sheila Allen

Ellie Henderson: Ann Firbank

Nelly Morgan: Dorothea Phillips

Emily Morgan: Sheri Shepstone

Kitty Mooney: Melissa Greenwood

Ismene: Louise Jones

Pamela Cregan: Victoria Hasted

Mr. and Mrs. Tolliver: Geoffrey Beevers & Caroline John

Mr. Russell: James Ottaway

Skinner: Colin Higgins

Bates: Jack Chissick

Photographer: Giorgos Kotanidis

Note: For historical purposes, Christie’s plot, intentionally or not, resembles her middling 1933 Parker Pyne short story, “Death on the Nile,” which utilizes a similar premise and locale.  By comparison, Problem at Sea” is a more satisfying mystery.

REVIEW:

High-caliber production values (spot-on acting, terrific location filming, etc.) easily surpass an average mystery that resorts to an eye-rolling gimmick for the ‘big reveal’ sequence.  Still, none of this faithful episode’s storytelling flaws ought to be attributed to this otherwise well-played production.  It simply conveys a decent Poirot tale making the story look better than Christie’s source material actually is.

BRIAN’S ODD MOON RATING:                    6 Stars

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POIROT: TRIANGLE AT RHODES (Season 1: Episode 6)

SUMMARY:                RUNNING TIME: 50:00 Min.

First broadcast on February 19, 1989, Renny Rye directed this early episode that Stephen Wakelam adapted from Agatha Christie’s 1936 short story.  On holiday at the scenic Greek island of Rhodes, Belgian sleuth Hercule Poirot reluctantly observes marital troubles flaring up between two vacationing couples: the Chantrys and the Golds. 

Poirot’s stern effort at intervention to avert imminent tragedy fails once the glamorous Mrs. Chantry is fatally poisoned.  With Mrs. Chantry’s rumored lover, Douglas Gold, arrested for her murder, Poirot senses a more sinister outcome has now been set in motion.  

Hercule Poirot: David Suchet

Pamela Lyall: Frances Low

Douglas Gold: Peter Settelen

Marjorie Gold: Angela Down

Commander Chantry: Jon Cartwright

Valentine Chantry: Annie Lambert

Major Barnes: Timothy Kightley

Police Inspector: Al Fiorentini

Skelton: Anthony Benson

Hotel Manager: Patrick Monckton

Young Greek Girl: Georgia Davis

Older Greek Woman: Sofia Olympiou

Cashier: Dimitri Andreas

Policeman: Stephen Gressieux

Ship Purser: Giannis Hatzgiannis

Customs Officer: Tilemanos Emanuel

Note: For historical purposes, “Triangle at Rhodes” predates Christie’s similar Poirot novel, Evil Under the Sun, by five years.

REVIEW:

The Poirot TV series faithfully adapts “Triangle at Rhodes” with welcome precision (i.e. beautiful scenic locations, superb acting, etc.).  Even better is that the script smartly expands upon Christie’s source material in the right places.  For instance, David Suchet’s on-screen chemistry with Frances Low’s Pamela Lyall and Timothy Kightley’s Barnes as his temporary crime-solving partners is well-played. 

Though “Triangle at Rhodes” is a relatively obscure mystery, its TV adaptation certainly merits re-discovery. 

BRIAN’S ODD MOON RATING:               7½ Stars