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RETURN TO THE AMALGAM AGE OF COMICS: THE DC COMICS COLLECTION (DC Comics & MARVEL Comics)

Written by Dave Gibbons; Alan Grant; Larry Hama; Peter Milligan; Christopher Priest; Ty Templeton; & Mark Waid.

Art by Rodolfo Damaggio; Dave Gibbons; Oscar Jimenez; Adam Pollina; Val Semeiks; Ty Templeton; Rick Burchett; Ray Kryssing; Mark Morales; Jimmy Palmiotti; Anibal Rodriguez; Bill Sienkiewicz; Scott Baumann; Angus McKie; Linda Medley; Patricia Mulvihill; Francesco Ponzi; Gloria Vasquez; John Costanza; Albert DeGuzman; Tim Harkins; Bob Lappan; Ken Lopez; Bill Oakley; Digital Chameleon; Jamison; & Shok Studios.

Compilation Cover Art by Rodolfo Damaggio; Karl Story; & Andre Khromov.

SUMMARY:

Released in 1997, as another volume from DC & Marvel’s Amalgam project, this 160-page compilation consists of six one-shots.  Specifically, Bat-Thing; The Dark Claw Adventures; Generation Hex; JLX Unleashed; Lobo the Duck; and Super-Soldier, Man of War were all originally published in 1997.

Bat-Thing # 1: “Someone to Watch Over Me.”  A gruesome flying creature stalks Gotham City’s nights.  Targeted by thugs for some fatal payback, police detective Clark Bullock contacts the grieving wife and young daughter of chemist Kirk Sallis.  His partner, Christine Montoya, desperately tries to warn Bullock that he has misperceived the monstrous Bat-Thing.  

The Dark Claw Adventures # 1: “Face to Face.”  In Gotham City, Logan (aka “Patch” Malone) evades assassination by a crew of hapless cyber-ninjas.  Dark Claw’s young female protégé, Sparrow, helps him prepare for an imminent showdown inside his underground base.  He knows his vengeful ex-lover, Lady Talia, seeks a climatic duel to avenge her father’s death.

Generation Hex # 1: “Humanity’s Last Stand.”  In the Old West, a mutant outlaw’s gang seek revenge against the self-righteous town that left him horrifically orphaned years before.

JLX Unleashed # 1: “The Unextinguished Flame!”  In a sequel to JLX # 1, the Judgment League Avengers’ incarcerated renegade faction is the world’s best hope against the demonic Fin Fang Flame.  An Avenger must make her decision as to which team she truly stands with.

Lobo the Duck # 1: Untitled.  After Manhattan (including its super-heroes) is annihilated, the cigar-chomping Lobo seeks some off-world retaliation.  Yet, the bad-boy fowl gets sidetracked by a quintet of scantily-clad women.

Super-Soldier, Man of War # 1: “Deadly Cargo.”  During World War II, Clark Kent & Jimmy Olsen’s undercover assignment leads into an overseas confrontation against the Nazis.      

REVIEW:

Thanks to the various art squads, the wonder of DC & Marvel’s Amalgam project still projects some visual magic.  However, as proven by this particular six-pack, the once-welcome novelty is wearing thin fast.  Case in point: the JLX tale offers intriguing moments, but keeping track of so many JLA and Avengers/X-Men characters (specifically, who’s combined with who) is an ongoing distraction. 

Then again, that’s still far, far better than head-shaking one’s way through the crude parody dubbed Lobo the Duck.  Suffice to say, its snarky juvenile humor is both laugh-free and in predictably poor taste.  Including a half-hearted homage to Marvel and DC’s Golden Age, the Super-Soldier tale suffers, as the title character’s virtuous ‘golden boy’ persona is overwhelmingly bland.

Both the Man-Bat/Man-Thing mash-up and a mutant-themed take on Jonah Hex’s Weird Western Tales are semi-interesting.  It’s just that neither story is likely to encourage more than a single read.  Structured and illustrated like Batman: The Animated Series comics, the fun Dark Claw caper delivers this collection’s best straight-up Amalgam.  Yet, like the other five tales, there’s really nothing ‘must-have’ about its actual storytelling, no matter how rare it is. 

Considering its middling content, Return to the Amalgam Age of Comics is primarily geared for those fans seeking to complete their Amalgam trade paperback collection.       

ADDITIONAL CONTENT:

There’s a single-page introduction (“Carwald’s Cornerbox”) from the fictitious ‘M.M. Carwald.’  Each story also includes a faux letters-and-answers column.

The individual covers appear in full-page format.  The project’s cover art teams are: Rodolfo Damaggio, Bill Sienkiewicz; & Patrick Martin (Bat-Thing); Ty Templeton & Rick Burchett (The Dark Claw Adventures); Adam Pollina & Mark Morales (Generation Hex); Oscar Jimenez, Anibal Rodriguez, & Liquid! Graphics (JLX Unleashed); Val Semeiks & John Dell (Lobo the Duck); and Dave Gibbons (Super-Soldier, Man of War). 

BRIAN’S ODD MOON RATING:                    4½ Stars

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Comic Books & Graphic Novels DC Comics DC-Marvel Crossovers DC's Hardcovers & Trade Paperbacks Marvel Comics MARVEL's Hardcovers & Paperbacks

DC/MARVEL CROSSOVER CLASSICS II

Written by:  (See Credits Below)

Art by (See Credits Below)

Cover Art by John Romita Jr. & Dennis Janke

SUMMARY:

Released in 1998, this 222-page trade paperback consists of four one-shots from 1994-1996: specifically, Batman/Punisher: Lake of Fire; its sequel – Punisher/Batman: Deadly Knights; Silver Surfer/Superman: Pop; and the Golden Age-inspired Captain America & Batman.

Batman/Punisher: Lake of Fire. Writer: Dennis O’Neil; Artists: Barry Kitson & James Pascoe; Colors: Matt Hollingsworth; & Letters: Ken Bruzenak.  The new Batman (Jean-Paul Valley) and the Punisher/Frank Castle must tag-team against Jigsaw’s incendiary effort jeopardizing Gotham City’s water supply.

Punisher/Batman: Deadly Knights.  Writer: Chuck Dixon; Artists: John Romita Jr. & Klaus Janson; Colors: Christie Scheele; & Letters: Richard Starkings/Comicraft.  Weeks later, the Punisher returns to Gotham still in pursuit of an elusive Jigsaw, now in cahoots with the Joker.  Awaiting Frank Castle is Bruce Wayne’s original Batman, who has no intention of letting the Punisher run roughshod during a mob uprising.    

Silver Surfer/Superman: Pop. Writer: George Pérez; Artists: Ron Lim & Terry Austin; Colors: Tom Smith; & Letters: John Costanza.  It’s fun-and-games for the Silver Surfer and the Man of Steel, as two familiar interdimensional imps trade off wreaking havoc on their rival universe’s cosmic hero.  Included is a Fantastic Four appearance.

Captain America & Batman.  Writer/Artist: John Byrne; & Colors: Patricia Mulvihill.  In 1945 wartime Gotham City, Captain America & Bucky join the Dynamic Duo in thwarting the Red Skull and the Joker’s Nazi-related terrorist scheme.

Note: The 1949 segment of Byrne’s first Superman & Batman: Generations (An Imaginary Tale) is a direct, if not acknowledged, sequel to Captain America & Batman.  Explaining the Joker’s post-war return, it can be found in either the 1999 Generations mini-series or its subsequent 2000 trade paperback.   

REVIEW:

Sporting different styles, the consistently stellar artwork is a welcome asset.  However, the stories are a mixed bag.  Unless one is a die-hard fan of the Impossible Man and/or Mr. Mxyzptlk, Silver Surfer/Superman: Pop is tough to indulge even once.  Still, Superman’s confrontation with the Super-Skrull (or maybe it isn’t) is a minor gem. 

As to the two Batman/Punisher tales, aside from heavy doses of mob violence, its weak link is the less-than-compelling Jean-Paul Valley.  Unsurprisingly, Bruce Wayne’s Batman deems the Punisher as one more psychopath in Gotham, making their scenes together dynamite, especially as there’s no cop-out alliance between them.  It’s a shame that Wayne’s Batman is stuck with a skimpy plot while Valley has the more compelling Lake of Fire.  Dumping Valley and inserting the original Batman into Lake of Fire would have made an ideal read.

The real gem, however, is a Golden Age caper finally teaming Captain America & Bucky with Batman & Robin, not to mention the Joker’s for-hire alliance with the Red Skull.  Writer-artist John Byrne doesn’t disappoint, as his well-played storyline delivers fun plot twists. 

Considering how hard it is to track down these original mid-90’s comics in pristine form, this collection makes good financial sense for fans.  In all fairness, with the exception of Captain America & Batman, Crossover Classics II isn’t nearly as inspired as those assembled for the first Crossover Classics.  That volume, by the way, has both Superman/Spider-Man team-ups; Batman/Hulk; and the brilliant X-Men/Teen Titans.     

ADDITIONAL CONTENT:

After the table of contents/credits page, a two-page introduction profiles the heroes.  A page explains DC & Marvel’s definition of a “crossover.”  Chuck Dixon provides a two-page foreword to this project.  All four covers are reprinted in a full-page format.   

BRIAN’S ODD MOON RATING:               6 Stars

Categories
Comic Books & Graphic Novels DC Comics DC-Marvel Crossovers Marvel Comics

DR. STRANGEFATE # 1 {Amalgam Comics one-shot} (1996 DC & MARVEL Comics)

Written by Ron Marz

Art by Jose Luis Garcia-Lopez; Kevin Nowlan; Matt Hollingsworth; & Chris Eliopoulos

Cover Art by Jose Luis Garcia-Lopez

SUMMARY:

Entitled “The Decrees of Fate,” this standard-length one-shot was co-published by DC Comics for April 1996, as part of its Amalgam Comics cross-promotion with Marvel Comics.  The bewildered dimensional traveler/teleporter, Access, escapes from the sewer-dwelling monster, the ‘Abominite,’ which is an aquatic reptilian mix mostly of the Abomination, the Lizard, and Killer Croc.  In his private sanctum, the enigmatic Doctor StrangeFate commands his indentured servant, Myx (Wong/Mr. Mxyzptlk), to summon forth three supernatural operatives: Bruce “The Skulk” Banner (Hulk/Super-Skrull); Frankie “Jade Nova” Rayner (Frankie Raye’s Nova/Jade/Fire/Dazzler/Kyle Rayner’s Green Lantern); and the sultry Wanda “White Witch” Zatara (Zatanna Zatara/Scarlet Witch) to retrieve Access.  Ultimately, the sorcerer’s secret identity is revealed. 

Note: The one-shot is reprinted in two Amalgam trade paperbacks: first, DC vs. Marvel (where their Us vs. Them series of one-on-one battles splinters into the Amalgam Universe) and then Age of Amalgam Comics.

REVIEW:

DC and Marvel’s mix-and-match gimmick inevitably muddles the plot, but its overall cohesion holds up better than expected.  Composite characters like the Skulk, Jada Nova, and Abominite are intriguing prospects, but the flirtatious White Witch steals the show as its most memorable Amalgam.  Further, writer Ron Marz imbues this issue with a welcome sense of unpredictability, which negates gaffes in logic during Dr. StrangeFate’s interrogation of Access.  Further, a last-minute twist re: StrangeFate is well-played.  Supporting Marz is a top-tier art squad, as their nifty visuals (especially these particular Amalgam costume designs) add to the chaotic fun.  Doctor StrangeFate # 1 rates among the best Amalgam one-shots, in terms of helping set up this cross-promotion’s conclusion.

ADDITIONAL CONTENT:

There’s a single-page “Strangefate Letters” mock correspondence column.  The single-page “Amalgamnation” column consists of a ‘Carwald’s Cornerbox’ editor’s note and a dozen thumbnail synopses & cover reveals for the second-wave Amalgam Comics issues.  

BRIAN’S ODD MOON RATING:              8 Stars

Categories
Comic Books & Graphic Novels DC Comics DC-Marvel Crossovers Marvel Comics

JLX # 1 {Amalgam Comics one-shot) (1996 DC & Marvel Comics)

Written by Gerard Jones & Mark Waid

Art by Howard Porter; John Dell; Chris Eliopoulos; Gloria Vasquez; & Heroic Age

Cover Art by Howard Porter

SUMMARY:

Published by DC Comics and Marvel Comics’ Amalgam Comics crossover for April 1996, this one-shot mash-up assembles further composites of numerous DC and Marvel characters.  Over the North Atlantic Ocean, the JLA (Judgement League of Avengers) engages in a showdown with its renegade mutant members (the JLX) for protecting the fugitive aquatic hero, Mariner, after the destruction of several oil tankers.  Escaping underwater, the elusive JLX investigates the deserted Kingdom of Atlantis.  Attacked by arch-enemy Will Magnus’ destructive Sentinels, the infuriated squad makes some shocking discoveries fighting back.

Quick Amalgam Guide:

Phoenix/Fire: Firebird                          

Angel/Hawkman: Angelhawk

Cyclops/Ray: Apollo                       

Hawkeye/Green Arrow: Hawkeye

Sub-Mariner/Aquaman: Mariner              

Rogue/Gypsy: Runaway  

(Kree) Captain Mar-vell/ (Shazam) Captain Marvel: Captain Marvel         

Wolverine/Batman: Dark Claw

Nightcrawler/Creeper: Nightcreeper                             

Captain America/Superman: Super-Soldier

Quicksilver/Impulse: Mercury             

Goliath/Green Arrow: Goliath (?)

Gambit/Obsidian/Nightcrawler(?): Wraith      

Mockingbird/Black Canary: Unidentified

Jocasta/female Sentinel: Jocasta                                   

Bolivar Trask/Will Magnus: Will Magnus

Skrull/Martian Manhunter: Marco Xavier / Mr. X

Note: There’s a subsequent sequel to this issue: JLX Unleashed # 1, which guest-stars Amazon (Storm/Wonder Woman).  Instead of searching for it as a back issue, another option is DC/Marvel’s 1997 Return to the Age of Amalgam Comics trade paperback, which also offers solo sequels for Super-Soldier (Superman/Captain America) and Dark Claw (Batman/Wolverine).

REVIEW:

If the above character quick study is any indication, either this wacky storyline is either wild fun … or just wildly confusing.  Suffice to say, JLX # 1 is both.  Boasting terrific artwork and some nifty surprises (including its false sense of continuity), this issue is geared for fans readily familiar with both DC and Marvel characters.  With so many Amalgams present, it’s distracting trying to decipher names and who’s combined with whom.  Even if ‘Mercury’ and ‘Firebird’ are obvious what composites they are, then there is the Cyclops/Ray composite dubbed ‘Apollo.’  For that matter, in cameos, one must infer the Hawkeye/Green Arrow composite is a Green Arrow named ‘Clint Barton,’ or the Goliath (a presumed mix with Hank Pym) is evidently named ‘Ollie Queen.’

Still, co-writers Gerard Jones and Mark Waid conjure up an entertaining ride, including references to the Avengers-X-Men rivalry; the Sentinels; and Atlantis, that somehow meshes into a mildly coherent storyline.  If anything, the  bizarre JLX # 1 is a keeper solely for its uniqueness.     

ADDITIONAL CONTENT:

There is a single-page, mock “JLX-Press” letters-and-answers column.  Including a ‘Carwald’s Cornerbox,’ the single-page “Amalgamnation” hypes the other dozen Amalgam one-shots released in this second wave.

BRIAN’S ODD MOON RATING:                  5½ Stars

Categories
Comic Books & Graphic Novels DC Comics DC-Marvel Crossovers Marvel Comics

BULLETS & BRACELETS # 1 {Amalgam Comics one-shot} (1996 DC & Marvel Comics)

SUMMARY:

Published by DC Comics & Marvel Comics’ Amalgam Comics cross-over for April 1996, this standard-length one-shot is entitled “Final Thrust.”

Sporting adamantium bracelets, Diana Prince and her trigger-happy ex: Trevor Castle (Steve Trevor +  the Punisher = a blond Punisher), must rescue their abducted young son, Ryan.  A showdown with The Hand terrorist group puts them into contact with an amalgamated Monarch.  The estranged ex-spouses storm Apokolips where a vengeful Big Titania (Big Barda + Titania) and the Female Furies await them at Granny Harkness’ dreaded orphanage.  Even worse is the threat of Thanoseid (Thanos + Darkseid), who has lured Diana for an ulterior purpose. 

Note: This Diana Prince isn’t much of an amalgam – she is nearly identical to Diana during Artemis’ storyline arc as the new Wonder Woman. Instead, Diana’s Wonder Woman persona is assigned to the X-Men’s Storm for other Amalgam titles.

REVIEW:

Boosted by excellent visuals (i.e. Gary Frank’s top-caliber penciling), this Amalgam tale surpasses its doubtful premise.  Coherently devising a twist-filled script, writer John Ostrander’s take on a Diana-Punisher family is one that fans should enjoy exploring.  This storyline’s best element is the tag team chemistry between Diana (who utilizes an Artemis-like bow & quiver) and a nihilistic Trevor Castle.  A possible re-kindling of their romance is a well-played sub-plot.  The only big detriment is an implausible finale – suffice to say, this particular twist rings hollow. 

Still, Ostrander’s inventive plotting and uncomplicated use of the Amalgam concept will keep readers tuned in.  Bullets and Bracelets # 1 rates among the best Amalgam stories, as it mostly delivers the necessary goods.    

ADDITIONAL CONTENT:

None.  

BRIAN’S ODD MOON RATING:                       7½ Stars

Categories
Comic Books & Graphic Novels DC Comics DC-Marvel Crossovers Marvel Comics

ALL-ACCESS # 1 (1996 DC & Marvel Comics)

Written by Ron Marz

Art by Jackson Guice; Josef Rubinstein; Bill Oakley; Lee Loughridge; & Digital Chameleon

Cover Art by Jackson Guice & Josef Rubinstein

SUMMARY:

Co-published by DC Comics and Marvel Comics for December 1996, this 48-page Amalgam Comics-related opener entitled “The Crossing!” begins a four-part crossover mini-series.  Leaving his girlfriend, Ming, behind at her parents’ Greenwich Village restaurant, interdimensional conduit Axel “Access” Asher leaps from the Marvel Universe to the DC Universe to retrieve a lost Venom rampaging in Metropolis.  Due to his unfamiliarity with Venom, Superman (still in his mullet phase) is stymied.  Summoning Spider-Man to assist the Man of Steel, Access realizes a triple-threat may be necessary to neutralize Venom.  Elsewhere, a familiar super-mystic senses that further crossover chaos is imminent.    

Note: Despite the all-star cast implied on the cover, only Superman & Spidey appear — aside from a cameo from a certain mystical doctor.

REVIEW:

As fun as these rare Spider-Man/Superman team-ups are, one must swallow the unlikeliness of Venom holding them both off for an indefinite period.  Still, this extended battle sequence is well-played, though Superman is predictably super-dull amidst the long-standing Spider-Man/Venom feud.  Excessive blandness further applies to Access, who actually makes time to flirt with a rescued female hostage  — who is oddly far too relaxed, considering the circumstances.  Despite these scripting contrivances, writer Ron Marz ensures that fans get the Superman/Spider-Man fix they’re seeking.  For this occasion, the art squad delivers glossy and well above-average work from start to finish.  If not for the eye-rolling presence of Access himself, All-Access # 1 makes a decent, if not forgettable, quick read.   

Note: To catch the first two Superman/Spider-Man team-ups, the best option is DC-Marvel Crossover Classics, Volume 1. Also included are X-Men/Teen Titans and Batman/Incredible Hulk.

ADDITIONAL CONTENT:

There’s the full-page “Watch This Space” news, hype, and notes column (it’s # 31).  In roundtable fashion, Mike Carlin, Roger Stern, Dan Jurgens, Louise Simonson, and Karl Kesel discuss the upcoming Superman: The Wedding Album, as well as its live-action TV counterpart on Lois & Clark.  

BRIAN’S OOD MOON RATING:                    5 Stars