Category: DC Comics

Writer/Artist/Letterer: John Byrne & Colors by Trish Mulvihill

SUMMARY:

Released by DC Comics in 2003, this 200-page collection reprints the four-issue Elseworlds sequel mini-series from 2001. 

Again aging the iconic characters in real time, writer-artist John Byrne depicts Superman & Batman’s evolving lives at eleven-year intervals between 1942 and 2019.  Byrne ups the ante by adding Wonder Woman, the Flash, Green Lantern, and other familiar faces in exchange for the World’s Finest Duo’s decreased screen time.  Per his foreword, Byrne deliberately inserts contradictions to mirror the comics industry’s tendency to tweak established backstories.  Hence, a few dropped hints justify yet another ‘first’ meeting of Clark Kent and Bruce Wayne — this time, it’s approximately 1918.      

1942 (Battlefields): The Man of Steel backs up the JSA and the Blackhawks amidst World War II.  In Gotham City, with Batman missing in action, Lois Lane & Robin face jeopardy from Lex Luthor’s forces.  On Paradise Island, Wonder Woman’s worldwide debut is imminent.     

1953 (Absent Friends): Batman and the JSA worry that a long-missing James Gordon’s return hints at an ominous mystery.  In deep space, Superman meets a familiar Green Lantern.  At a Metropolis hospital, Lois Lane-Kent gives birth to their second child.  Simultaneously, tragedy strikes Wonder Woman’s famiily, as she gives birth to her own half-mortal daughter.   

1964 (Children’s Hour): The current Batman (Dick Grayson) hooks up with Barbara Gordon’s Batgirl.  A potential squad of Teen Titans first unite against the combined villainy of Gorilla Grodd, Mirror Master, and Weather Wizard.

1975 (Troubled Souls): Batman & Supergirl recruit Deadman and Dr. Occult to help put an old friend’s ghost at peace.  An aging Hal Jordan makes a life-changing decision.

1986 (To Hunt the Hunter): Superman finally locates a fugitive Lex Luthor (or does he?).  Including the current Wonder Woman and a new Flash, a short-handed Justice League confronts a renegade Batman.

1997 (Turning Points): Will there be a fourth Batman?  Meanwhile, Sinestro overwhelms the Justice League, which sets up a climatic showdown at the White House. 

2008 (This Ancient Evil): The Justice League’s new Flash joins their fight vs. Metallo.  Knightwing keeps a long-standing romantic promise.  Two Batmen reunite with Mrs. Wayne.

2019 (Father to the Man): At the Fortress of Solitude, Superman and Knightwing reveal to Batman the full shocking truth behind Clark & Bruce’s first encounter a century before. 

REVIEW:

Considering the difficulty factor mustering so many characters, kudos must go to Byrne and his colorist, Trish Mulvihill for a generally satisfying effort.  Yet, this multi-part sequel suffers from too much of a good thing. 

In terms of further detailing the first Generations, Byrne’s work is admirable.  Case in point: Barbara Gordon’s progression beyond Batgirl; a version of the Silver Age Teen Titans; Hal Jordan’s destiny, etc.  As for some other relevant answers (i.e. whatever happens to Diana Prince-Trevor’s Wonder Woman), evidently one must wait for Generations III.  Hence, this book isn’t a conclusive read, especially as a pivotal 2008 sequence is deliberately cut short (to be finished in the next mini-series).

Up through the 1975 segment, Generations 2 is easily enjoyable without prior knowledge of the first book.  Both the 1942 opener and a delightful Teen Titans adventure are worthy highlights.  However, it should be noted that a 1964 scene implying sexual intercourse and a brief 1986 glimpse reminding readers of Supergirl’s grisly fate likely precludes this book from pre-teens.  To Byrne’s credit, he refrains from gore or other gratuitous displays in Generations 2.

In its second half, though, Generations 2 becomes far more convoluted due to its surplus of new characters. For instance, so many Flashes may prove hard to keep track of, so the ‘roll call’ Byrne provides at the book’s end comes in handy.  Still, Generations 2’s entertainment value doesn’t bog down too much.  It’s really more of a matter if readers actually want to see more third-generation heroes, like Knightwing, for instance.  Byrne assumes one does, that is judging by the last three segments, so it’s something to keep in mind. 

Finally, though some purists may dislike it, the 2019 segment poignantly takes a revisionist approach to Batman’s origin that is worth checking out.  At the very least, it’s an effective wrap-up for Generations 2.  This sequel isn’t nearly as intriguing as its more tightly-focused predecessor, but fans should like Byrne’s sequel.  

ADDITIONAL CONTENT:

Unlike the previous volume’s lack of extras, Generations 2 goes the distance.  Byrne’s one-page June 2001 foreword offers some appreciated insights re: both books.  A helpful ‘role call’ page lists all of this sequel’s heroes.  Each of Byrne’s four Generations 2 covers are printed in a full-page format to conclude this book.       

BRIAN’S ODD MOON RATING:                  6½ Stars

Note: Byrne’s first Generations is available in trade paperback form, but, as of this writing, his 12-part Generations III mini-series remains uncollected in this format.    

Writer/Artist/Letterer: John Byrne & Colors by Trish Mulvihill

SUMMARY:

Released by DC Comics in 2000, this 192-page collection assembles the four-issue Elseworlds mini-series of 1999.  Aging the iconic characters in real time, writer-artist John Byrne depicts Superman and Batman’s lives at ten-year intervals starting in 1939. 

Over sixty years, the World’s Finest Duo pursue truth and justice before time’s inevitable tragedies impact them.  In a deliberately contradictory epilogue, Byrne brings this volume virtually full circle.  Byrne’s two subsequent sequels fill in unexplained gaps, including teases re: the mysterious Mrs. Wayne’s identity.    

1939 (The Vigilantes): Each approximately 28-30 years old, Batman & Superman seemingly meet for the first time at the World’s Fair in Metropolis.  Joining forces, they must rescue an abducted Lois Lane from the Ultra-Humanite’s clutches. Meanwhile, Bruce Wayne meets a future Boy Wonder.

1949 (Family Matters): Before Dick Grayson leaves for college, the original Dynamic Duo’s last case reunites them with the Man of Steel.  Facing a kryptonite death trap, it’s up to Batman & Robin to help rescue Superman’s pregnant wife from the combined forces of Lex Luthor and the Joker.

Note: Alluding to the Joker’s post-war return, this 1949 segment is a direct, if unacknowledged, sequel to Byrne’s mid-90’s Captain America & Batman one-shot.  Their Golden Age-inspired team-up appears in 1998’s DC-Marvel Crossover Classics II trade paperback. 

1959 (Strange Days): The World’s Finest tag-team contends with Bat-Mite & Mr. Mxyzptlk amidst a hostile alien threat.  While Luthor ominously makes his next move, Lois Lane-Kent makes a startling discovery re: young daughter Kara.

1969 (Changing Times): Multiple tragedies strike the Kents and a second-generation Dynamic Duo.  With the Joker’s son evidently on the loose, a new Batman must soon rise.

1979 (Twlight of the Gods): In the Himalayas, a seventy-year old Bruce Wayne seeks out Ra’s Al Ghul for a long-overdue confrontation.  Luthor and his secret accomplice unleash devastating vengeance upon Bruce Jr./Batman & Kara/Supergirl’s wedding day.

1989 (Crime and Punishment): U.S. President Hal Jordan reluctantly seeks to capture a fugitive Superman.  At the Fortress of Solitude, the current Batman has a showdown with the Man of Steel.

1999 (Beginnings and Endings): Bruce Wayne resurfaces to confront his own son and settle Batman’s future.  Superman reunites with an old friend, as they meet a third-generation hero who is linked to both of them.

2919 (1929): In the far, far future, the two legends recall their first costumed adventure together back in 1929 teaming up with fellow teen adventurer Lois Lane.  Superman has a surprise guest to greet the original Dark Knight. 

REVIEW:

From a visual standpoint (including collaborator Trish Mulvihill’s expert colors), Byrne’s work is flawless.  There’s no mistaking his mostly first-class manner handling these characters. 

As to his writing, Byrne’s uncomplicated storyline frequently scores the necessary points.  For instance, the terrific 1939 segment accurately nails even minute details from that era.  Whether it is utilizing Bob Kane’s original Bat-Man costume (not to mention, throwing in Bruce Wayne’s then-engagement to Julie Madison!) or, for that matter, Superman is seen leaping instead of flying, Byrne evidently knows his Golden Age history.  Byrne continues with a solidly entertaining 1949 segment that reflects plausible evolution in Clark and Bruce’s private lives. 

Readers then must endure an overdose of Mr. Mxyzptlk and Bat-Mite in a Silver Age homage, as this segment is probably best just to peruse.  However, the 1969 and 1979 segments will likely arouse controversy once their shock value and implied gore take effect.  While the aftermath scenes effectively convey an emotional impact upon Superman and Bruce Jr.’s Batman, the homicidal imagery is unsettling.  One could fault Byrne’s creative discretion during this stretch, as there were other less sensational means of achieving the same end results.  Nonetheless, his plot twists in the 1969 and 1979 segments should preclude younger readers as a potential audience.

The 1989 segment is a distinct improvement, as a tech-powered Batman’s efforts to bait an elusive Superman into a confrontation is well-played.  While the 1999 chapter is okay, it’s oddly disappointing.  Specifically, Bruce Wayne’s self-involved attitude doesn’t reflect a particularly noble look.  If it had been about a long-absent father relieving his weary, middle-aged son from Batman’s punishing mantle rather than merely desiring his cape and cowl back, the resolution would have then been a truly poignant moment.  Still, the last few pages of the 1999 segment are worth catching.

As for Byrne’s ambitious finale, it’s a take-it-or-leave-it proposition.  While it’s absurd to project the characters both surviving a millennium, Byrne knowingly counter-acts this notion with a whimsical Superboy-Lois Lane-Bruce Wayne tale that sports some fun surprises.  If not for some debatable scenes late in the game, this book would have definitely merited a higher rating.  As it stands, Superman & Batman: Generations is often a great adult read, but it could have been (and probably should have been) more kid-friendly.

ADDITIONAL CONTENT:

None.  It feels like a cheat that the covers aren’t provided.   

BRIAN’S ODD MOON RATING:                 7½ Stars

Note: Byrne’s Generations 2 sequel is also available in trade paperback form. As of this writing, his 12-part Generations III mini-series remains uncollected.    

Written by Geoff Johns

Art by Gary Frank; Ethan Van Sciver; Brad Anderson; Jason Wright; Ivan Reis; Joe Prado; Hi-Fi; Phil Jimenez; Matt Santorelli; Gabe Eltaeb; & Nick J. Napolitano

Cover by Gary Frank & Brad Anderson

SUMMARY:

Released by DC Comics, this 2016 hardcover reprints the one-shot Rebirth opener from the same year.  In the wake of the New 52 Superman’s death, the original Wally West desperately tries escaping captivity within the Speed Force.  He knows that the DC Universe has been mysteriously de-aged ten years by some unknown cosmic threat.  His efforts to reach Batman; an elderly Johnny Thunder; and a far younger Linda Park sadly fail, as Wally’s heroic past is revisited. 

Knowing his time is finally up, Wally reaches out to his last hope.  The unknown force ‘attacking’ the DC Universe is implied, as a crossover with Watchmen becomes ominously apparent. 

Among other developments teased: a jailed Saturn Girl’s insistence to speak with Superman; two unknown heroes who may answer Gotham City’s Bat-signal; the existence of Wonder Woman’s brother; the fate of Pandora; Aquaman & Mera’s reunion; Ray Palmer needing his student protégé Ryan Choi’s help; Doctor Fate confronting Ted Kord; and ‘Mr. Oz’ contacting the real Superman.  The one-shot story concludes with a Watchmen-style “The Clock is Ticking Across the DC Universe” two-page spread. 

REVIEW:

Considering its all-star arsenal of artists, this book’s glossy visuals deliver an obligatory knock-out.  Few times in recent years has DC Comics angled this kind of effort reaching out to traditional fans.  Credit must go to writer Geoff Johns for cleverly initiating a number of storylines still to come (even without any explanation).  Best of all, Johns satisfactorily re-assimilates the original Wally West into DC continuity, which is really the book’s most vital element.  Seeing Wally back-dated to an age where he is Kid Flash again is intriguing.  Though Johns doesn’t yet address the erasing of Wally & Linda’s two children, the poignancy between Wally and a Linda who doesn’t remember him is still well-played. 

As for the book’s best sequence, it’s most likely Wally’s reunion with Barry Allen for the first time since pre-Flashpoint.  Remembering Johns’ expertise re: these two characters, he ensures that a five-year wait is worth it.  As a hint of redemption, Johns handles this Rebirth opener far, far classier than his ludicrous Infinite Crisis mini-series in 2005-2006. 

However, Johns doesn’t alleviate New 52’s logistical gaffes: i.e. how can Batman still have a 13-year old son, if he is supposedly ten years younger?  Why does Kate Kane’s Batwoman exist in this reality, if she wasn’t even active a decade before?  Why are there now two Wally Wests/Kid Flashes?  Johns indicates that the New 52 Wally is conveniently the original Wally’s cousin (with the same name and powers).  It’s wholly implausible, but for now it’s an answer.  In fairness, Johns didn’t generate every tone-deaf mistake re: the New 52 Universe, so it makes sense that other writers will contribute further remedies.  Good luck to them trying to resolve these weird inconsistencies elsewhere. 

Re: this book’s ‘deluxe’ features, the final page count is still a skimpy 96 pages.  Keep that number in mind, as DC Comics could have easily padded this book with some insightful or at least nostalgic pre-New 52 reprints.  Instead, fans are imparted only with some pretty (thin) wrapping.  While a ‘deluxe’ special edition should offer more, DC Universe Rebirth: The Deluxe Edition, in little time, still accomplishes its primary goal.  It’s a great ‘stay tuned’ read that justifies optimism to patient fans that welcome changes lie ahead.

ADDITIONAL CONTENT:

DC Entertainment President Diane Nelson pens a two-page introduction, which swerves between hype and unabashed gushing re: Johns.  There’s a two-page spread each for the near-identical first printing and second printing covers by Gary Frank & Brad Anderson.  Also included is a two-page spread for the variant cover by Ivan Reis; Joe Prado; and Alex Sinclair.  Single-page covers depict the third printing (by Gary Frank & Alex Sinclair); the fourth (by Ethan Van Sciver & Gregory Wright), and a fifth (by Phil Jimenez & Alex Sinclair).  A two-page spread celebrates DC Universe: Rebirth’s heroes (many with revised costumes). 

Three pages are dedicated to the story’s artistic nods to Watchmen.  Rebirth portraits of various characters (and reminders of their New 52 looks) are the remaining nine pages:

• Batman (by Greg Capullo); Superman (by Patrick Gleason); Wonder Woman (by Tony S. Daniel);
• Nightwing (by Javier Fernandez); Superboy / Jon Kent (by Jorge Jimenez); Donna Troy (by Brett Booth);
• Wally West’s Flash (by Brett Booth), though this new costume isn’t actually revealed in the story;
• Aquaman (by Brad Walker); and Green Arrow (by Otto Schmidt).

BRIAN’S ODD MOON RATING:                 7 Stars