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HAUNTED HISTORY: HAUNTED CARIBBEAN (Season 2: Episode 10)

SUMMARY:                 RUNNING TIME: Approx. 47:00 Min.

As Haunted History’s final U.S. episode, “Haunted Caribbean” first aired on The History Channel on August 11, 2001.  Narrated by actor John Glover, this installment explores reputedly haunted locations in various Caribbean locales.  Included are uncredited reenactments of Caribbean regional history and reported sightings (i.e. interviewees Gerald and Loretta Hausman play themselves reenacting an unsettling incident where a ghost pirate ‘threatens’ a sleeping Gerald).    

Starting with Fort San Cristobal in San Juan, Puerto Rico, anthropologist Michael Gleeson and historian Milagros Flores discuss eerie legends associated with the locale.  Among them are reported encounters with an imprisoned Spanish captain, a ghostly Spanish soldier on guard duty, and the infamous Devil’s Sentry Box.  The empty Sentry Box purportedly has a history where numerous overnight guards vanished without a trace.     

For the Jamaica segment, married folklorists and authors Gerald Hausman and Loretta Hausman discuss ghostly sightings at “Blue Harbor” (aka the Noël Coward House) situated on Cabrita Island.  It’s acknowledged that fellow interviewee Gleeson owns Coward’s former estate. 

Next discussed are local legends associated with notorious 17th Century pirate Henry Morgan and those of alluring mermaids killing their male prey.  Another Jamaican locale explored is the reputedly haunted Edinburgh Castle.  Its initial owner, Dr. Lewis Hutchinson, is believed to have been a mass serial killer.  Similarly, the ghost of slave owner Annie Palmer, known as the sadistically evil ‘White Witch of Rose Hall,’ supposedly haunts her former plantation.  It’s acknowledged that both Hutchinson and Palmer subsequently met foul endings through evidently karmic justice in Jamaica.

Moving on to the St. Thomas beach in the U.S. Virgin Island, the initial topic is the presence of ghosts associated with 1853’s cholera plague victims.  Local resident Joseph LaPlace is interviewed, as is historian David Knight.  Also discussed are reputed (and unrelated) hauntings of two private homes at St. Thomas: one dating to the 19th Century and the other on Charlotte Amalie Harbor.  In this segment, local residents Kenneth L. Brick and Kate McDonnell are interviewed, as is author Joan Medicott.  The 19th Century legend of local voodoo enthusiasts attempting to turn a deceased elderly recluse into a zombie is also told.  

Lastly, at St. Croix, the “One North” estate once owned by a Mary Pomeroy is examined.  Including reenactments, the late Pomeroy (portrayed by an uncredited actress) resorted to a Catholic Church-sanctioned exorcism to cleanse her home.  According to a subsequent owner, George Tyler, the recruited priest’s efforts evidently succeeded.

Glover concludes by noting that haunting mysteries abound in the Caribbean, in spite of the region’s popularity with tourists.        

Notes: Including one standalone special (with actor Michael Dorn as the narrator), Glover’s U.S. version produced 26 episodes over two seasons between 1998 and 2001.  Haunted History’s 1998 British version lasted one season consisting of six episodes, which explored more historically-based stories in the United Kingdom, the U.S., and Tasmania.

REVIEW:

Clearly made on the cheap, the episode’s intriguing historical context and vivid tourist advertisement (stock) footage help make this show watchable.  Still, given this show’s low-rent production values (i.e. being filmed on videotape and the dubious reenactments), it’s a stretch taking “Haunted Caribbean” seriously. 

A lack of verifiable historical documentation of these hauntings is a glaring red flag, in spite of some seemingly credible interviewees.  The same applies to an over-generalization of local folklore/superstitions and stereotyping local residents (i.e. the region’s African and Spanish descendants) as being wary, if not fearful, of the supernatural.  One wonders if the lack of native input (at least, on-screen) is coincidental, in terms of the controversial claims Haunted History seeks to push.    

Regarding John Glover’s off-screen presence, it’s a mixed bag.  Hiring him as the series narrator, theoretically, makes good sense.  Viewers could presume that his narrative style meant to convey the same unsettling, almost creepy vibe Paul Winfield’s voice added to City Confidential’s lurid, real-life whodunnits – or perhaps mimic Robert Stack on Unsolved Mysteries.   However, when considering the contentious paranormal subject matter and his obviously scripted comments, let’s just say Glover’s contribution falls short of convincing armchair skeptics.

While “Haunted Caribbean” is instantly forgettable, its tidbits of often sinister historical fact dating back long before Christopher Columbus may still whet one’s curiosity.           

BRIAN’S ODD MOON RATING:                           4 Stars

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THE JETSONS: SOLAR SNOOPS (Season 2: Episode 3)

SUMMARY:                     RUNNING TIME: 20:00 Min.

First airing on ABC-TV on September 18, 1985, Barry E. Blitzer is credited with penning this episode.  Per the closing credits, the second season’s directors are listed together.  Hence, an individual director for “Solar Snoops” isn’t identified. 

Perpetual business rivals Cosmo S. Spacely (Blanc) and W.C. Cogswell (Butler) are once again one-upping each other in corporate espionage.  Spacely first pilfers Cogswell’s robot guard dog prototype, Sentro, after he is supposedly delivered to the wrong warehouse.  Spacely then disregards George Jetson (O’Hanlon) and his son Elroy’s (Butler) dire warnings that Sentro is really a ‘Trojan dog’ sent to spy on the company. 

Meanwhile, hidden inside Sentro is Cogswell’s spy, Galacta Sneak (Gordon), who then swipes Spacely’s invaluable chocolate chip cookie microchip.  Once realizing Cogswell’s scheme, Spacely seeks revenge by answering his enemy’s advertisement for a gorgeous yet minimally talented secretary.  Sending George in drag undercover as ‘Georgina Jetstream,’ Spacely expects him to con a smitten Cogswell into hiring ‘Georgina.’ 

The plan’s second phase involves ‘Georgina’ seductively retrieving the microchip from an unsuspecting Cogswell.  That night, the Jetson family helps prepare George for his sexy undercover role.  Simultaneously, Sneak extorts double pay from the incensed Cogswell for the stolen microchip.  Romantic dancing during a restaurant lunch date between Cogswell and ‘Georgina’ sets off Cogswell’s furious wife, who unexpectedly arrives on the scene. 

Meanwhile, George & Astro’s fast getaway with the microchip is threatened by Sneak’s tech-powered retaliation.  As for the microchip, Spacely doesn’t mind George’s simple means of concealing it until the inevitable happens.          

                                        Voice Cast:

George Jetson: George O’Hanlon

Judy Jetson: Penny Singleton

Judy Jetson: Janet Waldo 

Elroy Jetson / Mr. W.C. Cogswell: Daws Butler

Astro / presumably Sentro: Don Messick

Cosmo S. Spacely: Mel Blanc

Harlan: Howard Morris

Rosie The Robot: Jean Vander Pyl

Galacta Sneak: Barry Gordon

Mrs. Cogswell: Uncredited

Miss Nova (Mrs. Cogswell’s running robot): Uncredited

Mrs. Cogswell’s luncheon friend: Uncredited

Robot Chauffeur: Uncredited

Fred Asteroid: Uncredited

Venus: Uncredited.

REVIEW:

Given its premise, the sitcom plotting ought to amuse adults.  The same applies to the original voice cast’s charm, along with Hanna-Barbera updating the show’s familiar animation style for the mid-80’s.  Good production values holding up well forty years later, unfortunately, can’t disguise a dubious storyline aimed at the kiddie target audience. 

The script’s illogic might get away with a cross-dressing George Jetson briefly, but not for most of the episode – i.e. why doesn’t Spacely recruit a loyal female employee for his scheme?  Adding to this eye-rolling conundrum is Cogswell’s antics (no surprise) as a philandering husband – who first insults his wife’s weight and then later gets caught trying to cheat on her.  It’s unlikely that parents will want to explain the episode’s sexist humor (including far too much ‘Georgina’) to a confused child – even if the jokes are meant as harmless pap. 

Given the circumstances, “Solar Snoops” (even the ‘solar’ aspect of the title doesn’t make sense) is best left in Hanna-Barbera’s ‘80s animation dustbin.

BRIAN’S ODD MOON RATING:                               3 Stars

Note: For a more kid-appropriate Jetsons caper, Season 1’s “Astro’s Top Secret” isn’t brilliant, but it has the right idea.

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THE JETSONS: ASTRO’S TOP SECRET (Season 1: Episode 12)

SUMMARY:                 RUNNING TIME: 22:00 Min.

First aired on ABC-TV on December 9, 1962, series co-creators William Hanna and Joseph Barbera directed this Tony Benedict-written episode. 

Business rivals and golfing partners Spacely (Blanc) and Cogswell (Butler) incessantly egg each other on at the floating golf course.  A fed-up Spacely then insists that he will soon put his frenemy out of business.  Cogswell worriedly sends his jetpack-wearing henchman, Harlan (Morris), to spy on Spacely Sprockets. 

With Spacely delegating his scheme to an incredulous George Jetson (O’Hanlon), results are expected first thing the next morning.  Harlan’s further covert surveillance of the Jetson family home convinces him (and then Cogswell) that a luckless George has somehow invented an anti-gravity device allowing flight.  What they don’t realize is that the family dog, Astro (Messick), can now fly upon accidently swallowing Elroy’s (Butler) remote control flying car. 

Still, Cogswell is desperate enough to abduct a befuddled Astro to get some fast answers. 

                                      Voice Cast:

George Jetson: George O’Hanlon

Judy Jetson: Penny Singleton

Judy Jetson: Janet Waldo (Note: Judy doesn’t appear in this episode)

Elroy Jetson / Mr. Cogswell: Daws Butler

Astro / Computer: Don Messick

Cosmo S. Spacely: Mel Blanc

Harlan: Howard Morris.

REVIEW:

Loaded with typically tame Hanna-Barbera sitcom humor, this episode is a delight in parodying corporate espionage.  Not only does the low-key animation still hold up, but the voice acting is also terrific.  Case in point: the sequence where a clueless Astro is being interrogated, enemy spy-style, delivers the episode’s best clichéd joke.

Even if “Astro’s Top Secret” isn’t memorable, it pitches a welcome bone for the futuristic canine’s fans. For the eight-year-old residing in all of us, this cartoon is amusing.       

BRIAN’S ODD MOON RATING:                           6½ Stars

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RICKY “THE DRAGON” STEAMBOAT & STING vs. “STUNNING” STEVE AUSTIN & “NATURE BOY” RIC FLAIR, with “SENSUOUS” SHERRI (WCW Saturday Night: Televised: 7-30-1994)

SUMMARY:                   RUNNING TIME: Approx. 29:00 Min.

For the July 30, 1994, edition of WCW Saturday Night, the main event would pit Sting and Ricky “The Dragon” Steamboat (both former WCW World Champions) vs. the arrogant WCW U.S. Champion “Stunning” Steve Austin and “The Nature Boy” Ric Flair, accompanied by ‘Sensuous’ Sherri Martel.  The bout was presumably filmed at WCW Saturday Night’s studio: the Center Stage Theater in Atlanta, Georgia.  The announcers are Tony Schiavone and Bobby “The Brain” Heenan. 

Notably, the bout was televised (but not necessarily filmed) days after WCW Bash at The Beach where Flair had dropped the WCW World Heavyweight Championship to Hulk Hogan. 

REVIEW:

Both duos are in excellent form, as Steamboat’s on-screen chemistry with Flair and Austin demonstrates why they were undoubtedly his best WCW adversaries (along with Rick Rude).  More so, Austin and Flair’s heel teamwork is impressive. 

Given that Steamboat’s active in-ring career ended only months later (due to an injury), fans shouldn’t mind seeing that he gets more screen time than Sting.  Eerily, it’s like a premonition that Schiavone and Heenan comment that some think that an aging Steamboat’s abilities had somewhat declined.  That may have been accurate, but, even in his early forties, Steamboat still nimbly holds his own against Austin (a decade younger) and a timeless, 44-year-old Flair.  What can else be said of a mid-thirties Sting, other than he delivers exactly what it is required of him.        

The bout’s only stale component is “Sensuous” Sherri Martel’s participation.  Her villainous antics come off as a tired cliché (after three productive years performing the same function in the WWF for Randy Savage, Ted DiBiase, and finally Shawn Michaels).  Still, she is a welcome upgrade over Flair’s dubious former valet/maid, ‘Fifi,’ who “The Nature Boy” would marry in real life decades later.      

Though this tag bout’s action is formulaic and becomes somewhat monotonous (presumably, to fill at least thirty minutes of airtime), neither the participants nor the announcers let viewers down.  That includes a somewhat unexpected finish, in terms of which tandem scores a decisive win.    

BRIAN’S ODD MOON RATING:                   7 Stars

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STING, “NATURE BOY” RIC FLAIR, & THE BOSS (RAY TRAYLOR), with ICE TRAIN VS. “RAVISHING” RICK RUDE, RON SIMMONS, & “STUNNING” STEVE AUSTIN, with COL. ROBERT PARKER (WCW Saturday Night: Televised 1-22-1994)

SUMMARY:                            RUNNING TIME: 11:33 Min.

Televised on January 22, 1994, this WCW Saturday Night six-man main event was filmed at WCW’s Atlanta, GA studio: the Center Stage Theater.  On one side stands Sting, The Boss (Ray Traylor – formerly the WWF’s Big Boss Man and the UWF’s Big Bubba Rogers), and, in the aftermath of Starrcade 1993, the newly crowned WCW World Champion, “Nature Boy” Ric Flair.  Accompanying this trio to ringside is fellow wrestler, Ice Train. 

Opposing them are WCW International World Champion “Ravishing” Rick Rude, WCW U.S. Champion “Stunning” Steve Austin, and a supposedly resentful ex-WCW World Champion, Ron Simmons.  Accompanying them is Austin’s manager, Col. Robert Parker.     

The announcers are Tony Schiavone & Jesse “The Body” Ventura.

REVIEW:

Given the considerable star power involved, one would expect in-ring fireworks.  While waiting for some burst of welcome chaos, viewers instead get formulaic tag action.  Hence, this average TV six-man showdown is enjoyably watchable (including Ventura & Schiavone’s repartee) for the right reasons. It’s just not memorable.

BRIAN’S ODD MOON RATING:                        6 Stars

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“RAVISHING” RICK RUDE & THE NASTY BOYS: BRIAN KNOBBS & JERRY SAGS, with MISSY HYATT vs. STING, RICKY “THE DRAGON” STEAMBOAT, & “NATURE BOY” RIC FLAIR, with ‘FIFI’ (WCW Saturday Night: Televised 11-27-1993)

SUMMARY:                       RUNNING TIME: 19:18 Min.

Televised on WCW Saturday Night on November 27, 1993, this six-man main event occurs four weeks before Starrcade 1993 – where “The Nature Boy” Ric Flair would supposedly risk his career for a WCW World Title challenge against the reigning incumbent, Vader. 

At the time this bout was aired (but not necessarily filmed), “Ravishing” Rick Rude was the WCW International World Heavyweight Champion (having defeated Flair) while The Nasty Boys: Brian Knobbs and Jerry Sages were WCW’s World Tag Team Champions.  Accompanying The Nasty Boys to ringside is their unlikely valet, Missy Hyatt.

Their formidable opposition is a trio of former (and/or future) WCW World Champions: Ricky “The Dragon” Steamboat, Sting, and Flair.  They are accompanied by Flair’s valet/maid (and, decades later, his real-life spouse), ‘Fifi.’ 

Filmed at WCW Saturday Night’s Atlanta, GA studio facility, the Center Stage Theater, the announcers are Jesse “The Body” Ventura and Tony Schiavone. 

REVIEW:

The bout’s slow start is further hampered by Ventura’s unnecessarily slow realization that Hyatt utilizes hair extensions – which Schiavone has to explain to him.  Along with this dubious exchange between the announcing team, the preponderance of in-ring star power falls short of translating into a must-see showdown. It’s really more of the caliber of what one might see at a (non-televised) house show. 

Of the six combatants, Steamboat gets the least amount of screen time while a game Flair unusually absorbs the brunt of the punishment.  For long-time fans, the rare sight of Flair or Sting vs. The Nastys … or any of the three ex-World Champions facing off against arch-rival Rude is certainly watchable action. 

As for the opposing valets, unfortunately, neither one contributes anything resembling talent — as they weren’t likely scripted a chance to do so. Still, it’s bizarre seeing the traditionally glammed-up Hyatt aligned with Knobbs & Sags – and such incongruity is as contrived as it sounds. Regarding ‘Fifi,’ WCW evidently sought a demure Miss Elizabeth wanna-be to stand pretty in Flair’s corner. Yet, she lacks the late Elizabeth Hulette’s presence and charm conveying the same role with “Macho Man” Randy Savage. Replacing ‘Fifi’ months later with “Sensational/Scary/Sensuous” Sherri Martel for Flair’s next heel run was at least a logical WCW personnel move.

This formulaic bout (including a chaotic finish), suffice to say, is merely lukewarm average.    

BRIAN’S ODD MOON RATING:                   5½ Stars

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MURDER, SHE WROTE: FROZEN STIFF (Season 12: Episode 10)

SUMMARY:             APPROX. RUNNING TIME: 47:00 Min.

First airing on CBS on November 30, 1995, this final season episode was directed by Paul Lazarus off Mark A. Burley’s script exploring skullduggery at a Ben & Jerry’s-style ice cream factory. 

In Racine, Wisconsin, Jessica Fletcher (Lansbury) is visiting her friend, ice cream magnate Larry Armstrong (Smitrovich). His prosperous ice cream company, Gary & Larry’s Frozen Stuff, is donating $750,000.00 to her literary fund charity.  Yet, Larry’s accountant (Bovingloh) suspiciously dies, and then the $750,000.00 shockingly vanishes from a Gary & Larry’s bank account.

Further complicating matters is a potentially ugly scandal, as Larry’s business partner, Gary (Benedict), tries halting a consumer investigation over the company’s alleged use of banned milk-related substances.  On top of all else, Larry’s shadowy ‘flower child’ past has suddenly come back to haunt him.

Clandestine shenanigans involving embezzlement, blackmail, adultery, and literally cold-blooded greed precipitates homicide.  Helping expedite Sheriff Chubb’s (Curry) investigation, Jessica must quickly find some answers before Gary & Larry’s Frozen Stuff implodes. 

Jessica Fletcher: Angela Lansbury

Larry Armstrong: Bill Smitrovich

Gary Herling: Dirk Benedict

Carol Herling: Kristen Dalton

Woodstock “Woody” Seabrook: Bryan Travis Smith

Susan McGregor: Christina Pickles

Ralph Brewer: Gregorzy Itzin

Jim Kenton: George Wyner

Peggy Evans: Ann Hearn

Victoria: Sarah Koskoff

Kyle McGregor: Don Bovingloh

Sheriff Mike Chubb: Christopher Curry

Coroner: Fred Sanders

Cop: Scott Cranford

Priest: Charles C. Stevenson, Jr.

Mourners: Uncredited

Sheriff’s Deputies: Uncredited

Gary & Larry’s Frozen Stuff personnel: Uncredited

Larry’s Ex-Girlfriend (photo only): Uncredited.

REVIEW:

This episode’s well-played whodunnit elements manage to surpass an otherwise dull setting. 

Led by Bill Smitrovich, the supporting cast provides Angela Lansbury with solid on-screen chemistry.  More specifically, guest star Dirk Benedict redeems himself after his disappointingly shallow performance in Season Five’s “Smooth Operators.”   Benedict delivers this episode’s most intriguing character, in terms of conveying ethical ambiguity.  Hence, it becomes a surprise whether or not his well-played ‘Gary Herling’ will be the culprit, a victim getting a lethal dose of the “cold shoulder” treatment, or perhaps a mostly innocent bystander.

“Frozen Stiff,” in that sense, makes for a fine Murder, She Wrote with some welcome plot twists. 

BRIAN’S ODD MOON RATING:                            6 Stars

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MURDER, SHE WROTE: DEADLY BIDDING (Season 12: Episode 9)

SUMMARY:          APPROX. RUNNING TIME: 47:00 Min.

First airing on CBS on November 23, 1995, this final season episode was directed by Angela Lansbury’s son, Anthony Pullen Shaw, off series producer/writer Tom Sawyer’s script.   

In New York City, on behalf of a museum, Jessica Fletcher (Lansbury) is eagerly in pursuit of a genuine Arthur Conan Doyle manuscript.  Meanwhile, ominous deaths are linked to an elusive, multi-million-dollar Edgar Degas painting that may have resurfaced at the same auction house where the now-disputed Doyle manuscript is up for bidding. 

Shady international bidders, include one stateside team that sends perpetually luckless Chicago private detective Charlie Garrett (Rogers) as their representative, quickly become interested in eccentric artist Angus Neville’s (Hutchinson) latest painting at the auction. With art world mobsters now involved, could this development be a coincidence or not?

After Garrett bungles his assignment and overbids by $300,000, it’s a murky question of now who really owns the interpretative Neville work.  Once Neville himself steals the painting, his subsequent homicide has Jessica, her trusted friends Reggie and Pete (Jones & Williams), and the NYPD’s irritable Sgt. Unger (Allen) in search of his missing artwork and an opportunistic killer. 

With the lost Degas also still at stake, could Jessica’s opportunistic ally, Garrett, turn into the greedy culprit?        

Jessica Fletcher: Angela Lansbury

Reggie Evers: Renée Jones

Pete Dunning: Jeff Williams

Giles Havelock: Martin Jarvis

Charlie Garrett: Wayne Rogers

Milt Solomon: Paul Lieber

Diana Barrow: Melanie Smith

NYPD Sgt. Unger: Tyrees Allen

Lawrence Mezznou: Aharon Ipalé

Angus Neville: Doug Hutchinson

Felix Wesker: Craig Richard Nelson

Serena Rundle: Kathleen Garrett

Kenneth Rundle: Edd “Cookie” Byrnes (uncredited cameo)

NYPD Det. McKenna: Charles Hoyes

Waiter: Sian Taylor (Dane Taylor Matthews)

Auction House Extras: Uncredited

NYPD Cops: Uncredited

Restaurant Customers: Uncredited.

REVIEW:

This episode’s complex premise teases intriguing possibilities.  The problem is that its whodunnit substance is sabotaged by exceedingly dull execution (pardon the expression) of the plot twists.  While guest stars Renée Jones and Tyrees Allen convey some vibrant energy supporting Angela Lansbury, that cannot be said of the other cast members.  Ironically, the episode’s weakest link – in spite of his generally reliable career – is Wayne Rogers’ lazy contribution. 

Rogers’ dubious effort as private detective ‘Charlie Garrett’ falls far short of the welcome snark that Jerry Orbach’s semi-sleazy ‘Harry McGraw’ once imbued Murder, She Wrote.  Suffice to say, replacing Orbach’s world-weary gumshoe with Rogers’ affable ‘Garrett’ does neither Jessica Fletcher nor viewers any favors.  This unfortunate observation is especially true in “Deadly Bidding,” as the script plays ‘Garrett’ as a weakly forgettable suspect rather than Jessica’s co-sleuth. 

Had Orbach’s everyman star power replaced a bored Rogers (and with a few necessary plot tweaks), “Deadly Bidding” likely would have been far more entertaining.

BRIAN’S ODD MOON RATING:                  5 Stars

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BUGS BUNNY’S CUPID CAPERS

SUMMARY:         APPROX. RUNNING TIME: 36:00 Min.

Released on DVD in 2010, this Looney Tunes TV special first aired on CBS in 1979. 

Incorporating original framework sequences, the storyline consists of Bugs Bunny’s encounter with a Cupid resembling a scantily clad Elmer Fudd.  Demonstrating this Elmer-Cupid’s dubious match-making talents, clips from nine Looney Tunes are shown (not in this particular order):

  1. 1949’s The Grey Hounded Hare (Bugs Bunny);
  2. 1948’s Hare Splitter (Bugs Bunny & Casbah Rabbit);
  3. 1952’s Little Beau Pepé (Pepé Le Pew & Penelope Pussycat);
  4. 1953’s Wild Over You (Pepé Le Pew);
  5. 1954’s Devil May Hare (Bugs Bunny & The Tasmanian Devil);
  6. 1954’s Rabbit Romeo (Bugs Bunny, Millicent, & Elmer Fudd);
  7. 1952’s The Super Snooper (Daffy Duck);
  8. 1953’s Hare Trimmed (Bugs Bunny, Yosemite Sam, & Granny); and
  9. 1953’s Of Rice and Hen (Foghorn Leghorn, Barnyard Dawg, & Miss Prissy).

Voice Cast:

Bugs Bunny / Daffy Duck / Pepé Le Pew / Foghorn Leghorn / Barnyard Dawg /Yosemite Sam / Elmer Fudd / etc.:  Mel Blanc

Granny / Miss Prissy / Various Female VoicesJune Foray & Bea Benaderet.

Notes: Bugs Bunny’s Cupid Capers was previously released in 1992 in a VHS format.  The compilation’s alternate title is  Bugs Bunny’s Valentine

REVIEW:

Bugs Bunny’s Cupid Capers, unfortunately, does the Looney Tunes franchise no favors.  Despite Mel Blanc’s reliable vocals, the crummy animation deployed for the Bugs Bunny/Cupid framework sequences speaks for itself.   Forty-five years later, Warner Bros frankly ought to be embarrassed by how poorly Bugs Bunny’s Cupid Capers plays on television. 

Long before their eventual re-mastering, this assortment of Looney Tunes clips (some are extended further than others) hold up fine – relatively speaking.  The only cringe-worthy ones are Pepé Le Pew’s amorous contributions, including his bonus Past Perfurmance cartoon. 

This DVD, in retrospect, could have been salvaged in two easy steps. First, axing the awful framework scenes altogether should have been a foregone conclusion. Then, Warner Bros. should have chosen four or five complete Looney Tunes for the Valentine’s Day theme. Otherwise, unless one retains nostalgia for the original TV special, Bugs Bunny’s Cupid Capers is strictly a dollar store find.      

ADDITIONAL CONTENT:

As padding, there are two complete Looney Tunes cartoons.  One is 1940’s Holiday Highlights (a parody of holidays) – it’s an archived relic one might peruse on a Looney Tunes Golden Collection set.  Still, this lackluster cartoon short is obscure for good cause.  The other is 1955’s Past Perfumance (Pepé Le Pew & Penelope Pussycat), where the setting is a 1913 Paris movie studio.  Plot-wise, it involves standard-issue Pepé hijinks, and let’s leave it at that.

Also included is an interactive Looney Tunes jigsaw puzzle for children.  Lastly, there is a combo trailer for the Be My Valentine, Charlie Brown and It’s The Easter Beagle, Charlie Brown DVD’s.

Language options consist of English and Spanish.  Subtitles are available in English, Spanish, and French.

PACKAGING:

Though simplistic and a bit vague, its advertising is accurate.  The disc is reasonably well-protected.  The DVD’s main menu screen is easy to navigate.

BRIAN’S ODD MOON RATING:                        2½ Stars

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JAKERS! THE ADVENTURES OF PIGGLEY WINKS: WAKING THOR (Season 2: Episode 7)

SUMMARY:        APPROX.  RUNNING TIME: 23:00 Min.

In the United States, the United Kingdom, and Australia, this children’s cartoon series ran for fifty-two episodes over three seasons (2003-2007).  For its time, the program utilized 3D CGI animation graphics in its depiction of the anthropomorphic world of Piggley Winks – both in the present-day and mid-1950’s.  This second-season episode initially aired on October 31, 2004. 

In the present-day, Grandpa (aka Piggley Winks) (Lamb) lives with his grown daughter and her three small children.  Just before bedtime, brothers Seamus and Sean (Futterman/Darling), are unable to find a missing toy: Captain Cyclops.  With Seamus despondent that he won’t be able to sleep without his action figure’s ‘protection,’ Grandpa senses the older Sean’s empathy is imperative.  Grandpa then relates a story from his own youth.  As he is growing up in mid-1950’s rural Ireland, Piggley (Flanagan) is eight years old.  Young Piggley lives on Raloo Farm in the village of Tara.   

Piggley and Dannan (Strong) find out that their friend Ferny’s (Taylor) beloved goldfish, Thor, has passed.  Thinking that distracting Ferny is the best medicine to ease his loss, Piggley and Dannan work hard to console a devastated Ferny.  At best, it temporarily works until Ferny is reminded of Thor’s demise again and again.   Meanwhile, back on Waloo Farm, Wiley the Sheep (Brooks) coaxes his pal Bernie (Uncredited) into playing tennis, sheep-style, for some needed exercise.  Wiley soon regrets that impulse.  

After consulting Ferny’s widowed father (Escanadon) and Piggley’s own dad (Adler), a decision is finally made to hold a traditional Irish wake for Thor.  Surrounded by his father, his schoolmates, and Tara’s other residents, a despondent Ferny realizes remembering his goldfish for the good times they had matters more than holding on to grief.

In the present-day, Grandpa’s message motivates his grandsons to find Captain Cyclops together in the few minutes they still have before bedtime. 

Voice Cast:

Piggley Winks (young): Maile Flanagan

Piggley Winks (Grandpa): Peadar Lamb

Pádraig/Patrick Winks & Mr. Hornsby: Charlie Adler

Molly Winks & Dannan Mallard: Tara Strong

Elly Winks & Fernando “Ferny” Toro: Russi Taylor

Don Toro: Fernando Escanadon

Hector MacBadger: Pamela Adlon

Millie Pelly: Kath Soucie

Gossie: Candi Milo

Seamus & Sean: Nika Futterman (U.S.) / Maria Darling (U.K.)

Bernie the Sheep: Uncredited

Wiley the Sheep: Mel Brooks.

Notes:  Including this episode, a compilation DVD was subsequently released in 2006.  The compilation’s three other episodes are: Season 1’s Sheep on The Loose (the compilation’s title); Season 1’s Donkeys Into Racehorses; and Season 2’s Molly Had a Little Lamb.  Slightly different versions of these episodes exist – per the series policy of using American voice actors for the present-day sequences for its U.S. audience only.

REVIEW:

Twenty years later, the program’s storytelling retains its undemanding charm – it’s a welcome supplement for those fans who enjoy the unrelated Shaun The Sheep.  The 3D CGI animation still holds up well – case in point: the sunset background visuals of Thor’s funeral voyage off into the pond are beautifully rendered.  As for the story, it’s alternately poignant and amusing in reiterating a timeless moral to viewers.

Keeping in mind the target audience, this Jakers! tale serves up a thoughtful treat for both toddlers and preschoolers. 

BRIAN’S ODD MOON RATING:                                6 Stars