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Action Figures Toys & Games WWF/WWE (Pro Wrestling)

‘CLASSIC’ STING (WWE/MATTEL BASIC ACTION FIGURE)

SUMMARY:

From Mattel in 2013, this ‘basic’ six-inch WWE figure presents WCW legend Sting from his late ‘80s – early ‘90s prime.  To define WWE ‘basic’ figures, it means: 1. This figure’s limited articulation doesn’t allow his abdomen & ribs to bend; 2. The legs can bend at the knees, but they can’t extend into splits; and 3. His calves don’t rotate. 

REVIEW:

Its resemblance to the ‘Stinger’ is mostly there.  Yet, the body is inexplicably short for someone who is 6’2” or 6’3” in real life.  Like other ‘basic’ figures, his ripped physique is somewhat embellished.  His famous peroxide blonde long crewcut, of course, is immaculately molded (including the distinctive short ponytail).  The limited articulation includes the ability to nod his head; bend his elbows; swivel his waist; rotate and bend the wrists and lower legs; and expand his arms just barely for a classic curled bicep pose. 

In terms of production quality, the figure is nicely sculpted and sturdily built.  The paint quality is high-caliber, as the entire light green, lime green, and black outfit and facial make-up is painted on.  His white wrist tape is also painted.  Posing options are disappointingly limited, but the figure stands up well when his feet are properly positioned.  There are holes in the bottom of the feet for display base pegs, though a base isn’t included.  Whether for playing, posing, or intimidating pro wrestling’s villains, this middle-of-the-pack Sting figure is a solid buy for fans at its standard purchase price.

ADDITIONAL CONTENT:

There aren’t any props.  A WCW World Title belt or a flashy ring jacket would have been appreciated.

PACKAGING:

The packaging is simplistic yet effective.  Its generic theme celebrates Sting’s energetic look for that era.

ROSCOE’S ODD MOON RATING:                      6 Stars

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Action Figures Toys & Games WWF/WWE (Pro Wrestling)

STING, “THE TOTAL PACKAGE” LEX LUGER, & “MACHO MAN” RANDY SAVAGE (WWE/MATTEL: WCW 1996 BASH AT THE BEACH ACTION FIGURES THREE-PACK)

SUMMARY:

From Mattel, this ‘elite’ WWE three-pack of approximately 6” to 6½” figures consists of: Sting; “Macho Man” Randy Savage; and “The Total Package” Lex Luger, all wearing their wrestling attire from July 1996’s pivotal WCW Bash at the Beach event.  This trio clashed with Kevin Nash, Scott Hall, and, shockingly, Hulk Hogan, as this six-man tag match would controversially unleash WCW’s ‘NWO’ (New World Order) heel faction.  These wrestling heroes’ gear (including their wrist tape) and facial art are painted-on, though Savage has tightly-secured, yellow rubber boot tassels.

To accurately define a WWE ‘elite figure, it includes: 1. The figure can nod and turn his head 180-degrees both ways.  2. The elbows and wrists bend to comfortably create a classic curled-bicep pose.  3.  360-degree rotation of the wrists and hands are easy.  4. 360-degree swiveling of the waist is also easy.  5. Bending his upper body/chest is workable.  6. The calves allow a 360-degree rotation of the legs.  7. The knees and ankles bend.  8.  The figure easily stands, as long as his feet are properly positioned.  The bottom of the feet have peg holes for any display base the figure may fit, but display bases aren’t included for these figures. 

Note: This Sting, Luger, and Savage, are exclusive to this set, particularly for Savage & Luger’s use of Sting-like face paint.

REVIEW:

Starting with “The Total Package,” his figure’s likeness (even the facial expression), ripped muscular frame, and paint job are all spot-on.  Luger’s imposing, real-life 6’5” height is recreated next to the Savage and Sting figures (who mimic their approximate 6’1”-6’2” real heights).  Despite the black knee pads, Luger’s loose mobility is excellent.  The same applies to Sting, as everything about this Stinger figure is top-caliber.  In a subtle way, Sting’s physique isn’t overly embellished, which nicely adds to its realism.  Perhaps the figure’s most life-like visual element is the neat wide-eye stare.  Another plus is that his tights are garnished by his colorful scorpion logo on one leg and a multi-colored “Stinger” on the opposite leg. 

The Savage figure borders on near-perfection (in terms of its sturdy construction; a spot-on likeness, etc.).  This Sting-inspired “Macho Man” is only marred by the generously ripped portrayal of his upper body.  Still, the figure’s ‘agility’ is remarkably on a par with the real Savage’s legendary high-flying antics.  Posing options are surprisingly good, though the lack of a display base is a disappointment.  Whether for posing or battling the sleazy NWO, this awesome three-pack proves an exceptional buy for WCW fans at its standard purchase price.

ADDITIONAL CONTENT:

Savage’s black bandanna is detachable.  Oddly enough, so is Luger’s ponytail. 

PACKAGING:

The packaging is simplistic yet effective.  Its theme predictably reflects the 1996 Bash at the Beach.

ROSCOE’S ODD MOON RATING:                          9 Stars

Categories
Action Figures Toys & Games WWF/WWE (Pro Wrestling)

KILLER BEES: B. BRIAN BLAIR & “JUMPING” JIM BRUNZELL (WWE/JAKKS PACIFIC ACTION FIGURES TWO-PACK)

SUMMARY:

From JAKKS Pacific in 2003, this two-pack consists of a prominent WWE tag team of the mid-80’s: B. Brian Blair (with the moustache) and drop-kick specialist: “Jumping” Jim Brunzell, both in 6¾-inch form.  Their attire consists of: yellow-and-black vertical striped trunks with matching wristbands for Blair (and white wrist tape on Brunzell); firmly attached black rubber knee-pads; and each with a variation of yellow-and-black wrestling boots.  Blair also has white knuckle tape on his right hand.  These Bees wouldn’t be complete without their yellow-and-black fabric masks to bewilder evil opponents and, whenever necessary, the referee.  

Their limited mobility and ripped sculpting is a precursor to that of current WWE-Mattel ‘basic’ figures.  Specifically, each figure’s articulation points allow or won’t allow: 1. Their heads turns both ways, though Brunzell’s head appears more flexible.  However, Brunzell’s head is in a permanent nodding position.  2. 360-degree rotations are possible with the arms.  The arms also bend at the wrists and elbows, so a classic bicep curl pose is possible.  3.  The upper body will bow, but the waist & abdomen don’t move.  4. Sporting okay flexibility, the legs can bend at the knees and ankles, but they can’t extend into splits.  Walking and kicking poses are workable.  5.  Neither the legs nor the calves rotate.      

REVIEW:

In terms of their resemblance to Blair & Brunzell, the likenesses are close, aside from the embellished physiques.  Even Blair’s brown mullet and moustache are spot-on.  In terms of production quality, these figures are well-sculpted and sturdily built.  The paint quality is high-caliber.  Their faithfully-rendered masks will tend to sag because the nose hole is slightly too big.  For posing, the Bees stand up well when their feet are properly positioned.  However, there aren’t peg holes in the bottom of the feet for display bases.  Their elongated feet are instead protected by a ring at the bottom of each boot sole to provide balance for standing poses.  For those remember Blair & Brunzell’s high-flying antics, seeing this fan-friendly duo again makes a welcome treat.    

ADDITIONAL CONTENT:

The sole extra is their detachable yellow-and-black masks. The masks are baggy enough to easily put on and take off.    

PACKAGING:

The packaging is simplistic but effective.  It offers some cool nostalgia re: the Bees’ wrestling legacy.

BRIAN & ROSCOE’S ODD MOON RATING:        7 Stars

Categories
CD's Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic WWF/WWE (Pro Wrestling)

A PERFECT FRIEND (by “Macho Man” Randy Savage: Be A Man)

SUMMARY:                                   RUNNING TIME: 3:54 Min.

The song appears as the fourteenth track on “Macho Man” Randy Savage’s 2003 debut rap album, Be A Man.  He collaborates with Prymary Colorz in a personal tribute to his late friend and colleague, “Mr. Perfect” Curt Hennig, who had passed away earlier that year.  Savage’s brother, Lanny Poffo, penned the song.  As “The Genius,” Poffo once ‘managed’ Hennig during their WWF/WWE days — notably, for high-profile feuds with Hulk Hogan and later Brutus Beefcake.  

REVIEW:

Of the few assets re: Be A Man, “Perfect Friend” is one of them.  Setting aside Savage’s dubious rap talents,  the lyrics are decent, if not sometimes awkwardly phrased.  This track scores in large part due to Prymary Colorz’s solid R&B/rap melody.  In terms of good intentions, Savage’s remembrance of Curt Hennig is commendable, as “Perfect Friend” is likely the best effort on Be A Man.

BRIAN’S ODD MOON RATING:                   7 Stars

Note: An opportunity to see Savage & Hennig team up is their tag match as ‘The Perfect Team’ at WWE’s 1992 Survivor Series.

Categories
CD's Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic WWF/WWE (Pro Wrestling)

FEEL THE MADNESS! (by “Macho Man” Randy Savage: Be A Man)

SUMMARY:                                 RUNNING TIME: 3:20 Min.

The song is the eleventh track on “Macho Man” Randy Savage’s 2003 debut rap album, Be A Man.

REVIEW:

As maligned as Savage’s rap music (vanity) project deservedly is (no surprise, it was his only album), Be A Man still has a few decent tracks.  Of them, along with great metal instrumentals, there’s no mistaking Savage’s distinctively gravelly voice on “Feel the Madness!” 

Think of the track as a cross between something closer to hard rock than rap and an extended “Macho Man” wrestling promo.  If not for his long-held preference for “Pomp and Circumstance,” this track could have been a good entrance music choice during his late World Championship Wrestling (WCW) career (say, 1999). 

Inevitably, his back-up chorus gets almost as much airtime, but the chemistry with rap rookie Savage actually works.  Some of this song’s lyrics are laughably bad, particularly coming from a fifty-year-old Savage, but at least the end result of “Feel the Madness!” delivers some tongue-in-cheek entertainment.

BRIAN’S ODD MOON RATING:                     6 Stars

Categories
DC-Related Digital Movies & TV Movies & Television (Videos) TV Episodes & Movies

ADVENTURES OF SUPERBOY (Unaired 1961 Live-Action TV Pilot)

SUMMARY:                    Running Time: 26 Min. (Black & White)

Directed by George Blair, this unaired half-hour episode entitled “Rajah’s Ransom” long pre-dates the 1988-1992 syndicated Superboy TV series.  Meant as a prequel of sorts, it’s a homage to the late George Reeves’ The Adventures of Superman TV series. 

Smallville high school students Clark Kent and Lana Lang express compassion for classmate Jimmy Drake’s embarrassment that his blue-collar dad is a movie theater doorman.  A subsequent jewel heist at the theater by three armed crooks sets up Jimmy’s father as the crime’s pivotal eyewitness.  Of course, it’s up to Superboy to save Mr. Drake from retribution from these ruthless thugs. 

Clark Kent / Superboy: John “Johnny” Rockwell     Mr. Drake: Ross Elliott

Lana Lang: Bunny Henning                                 Shifty: Richard Reeves

Martha Kent: Monty Margetts                                Miss Gibson: Yvonne White

Police Chief Parker: Robert Williams                     Jimmy Drake: Jimmy Bates

Theater Manager: Ray Walker                              Donna: Trudy “True” Ellison

Jake: Stacy Harris                                            Gunner Ferde: Charles Maxwell

Notes: Supposedly, a dozen additional scripts were created – just in case.  A live-action Superboy and Lana Lang make their first on-screen appearances — five years before their animated counterparts debuted on television in 1966 with Filmation’s same-named cartoon series.

REVIEW:

Decades before Superboy and Smallville, this Superboy’s sole flight wobbles on the cheap.  Lacking any semblance of a dazzling opener, “Rajah’s Ransom” is evidently an ordinary episode of what might have been.  Inexplicably, this teenage Clark Kent (despite star John Rockwell’s twenty-something looks) is repackaged as the adoptive son of a suburban grocery store manager and a housewife.  As Superboy, he easily makes time for crime-fighting, including the use of an underground Super-cave, no less.  There’s no point even comparing this loose adaptation to the Silver Age Superboy and the rural Smallville already established in DC Comics.  Relying on TV clichés (i.e. stolen jewels), this plot is strictly paint-by-the-numbers.   

Evidently set in present-day 1961, this super-mundane adventure deliberately tries to evoke Reeves’ TV series by deploying the same primitive flying effects.  It’s no coincidence that the same producer (Whitney Ellsworth) spearheaded this project.  Adapting an actual comic book script, the wholesome “Rajah’s Ransom” admirably retains its mid-1950’s Boy Scout-style charm to no end.  In that sense, its low-budget production values are at least forgivable. 

Ironically, Rockwell’s bland Clark Kent/Superboy persona is a precursor to actor Gerard Christopher, who thirty years later displayed similar mannerisms in the role.  Yet, by making this future Superman so milquetoast, it should have been imperative for Rockwell to enjoy repartee with likable actors — like Noel Neill & Jack Larson did with George Reeves.  Christopher’s own starched portrayal benefited from that kind of chemistry with Stacy Haiduk and Ilan Mitchell-Smith.  That’s really the detriment of this dud pilot: Rockwell’s supporting cast evidently wasn’t encouraged to express an iota of charisma playing off his decent imitation of Reeves. 

For Superman fans, this historical curiosity is solely worth perusing to see the first live-action Boy of Steel.

BRIAN’S ODD MOON RATING:                             3 Stars

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Categories
Agatha Christie-Related Digital Movies & TV Movies & Television (Videos) Mystery & Suspense TV Episodes & Movies

TEN LITTLE INDIANS (1959 NBC Television Movie)

SUMMARY:                     Running Time: 52 Min. (Black & White)

Directed by Paul Bogart, this 1959 NBC mystery presents its own take on the stage play Agatha Christie adapted from her suspense novel, “And Then There Were None.”  In part, due to a short running time, sections of the play and its dialogue have been altered. 

Case in point: the novel’s youngest characters, Vera Claythorne and Anthony Marston (he’s renamed Frederick Marston here), are re-imagined as forty-somethings to accommodate this particular cast.  Oddly enough, some ridiculous character-building scenes are also inserted into the script that Christie’s story never implied.

Transported by boat, six strangers arrive on a foggy Friday night at a manor home on secluded Indian Island off England’s Devon coast, seemingly for a weekend house party.  They are greeted by their unseen host’s secretary, Vera Claythorne, and by amiable Philip Lombard — another guest who arrived early.  Briefly entertaining themselves, the houseguests and a married servant couple are mortified by accusations of ghastly homicides from the ominous voice of their enigmatic host, ‘U.N. Owen.’ 

Adhering to the “Ten Little Indians” nursery rhyme decorating the mansion’s lounge, the ten captives are rapidly executed, one by one.  Alliances are made, but can anyone escape this unseen predator’s wrath?    

Note: This production scores some points, if only for keeping virtually intact the novel/play’s character names.  An exception, of course, is substituting in ‘General Mackenzie’ for ‘General MacArthur,’ though changing Marston’s first name from ‘Anthony’ to ‘Frederick’ makes zero sense. Up until the recent BBC mini-series, none of the other filmed adaptations retained the character names exactly as Christie had devised them.

Vera Claythorne: Nina Foch                  Frederick Marston: Chandler Cowles  

William Henry Blore: James Berwick    Dr. Edward Armstrong: Romney Brent

Emily Brent: Victoria French              Justice Lawrence Wargrave: Barry Jones

Thomas Rogers: George Turner    General John Gordon Mackenzie Peter Bathurst

Ethel Rogers: Caroline Brenner      Narrator / U.N. Owen’s Voice: Uncredited

Philip Lombard: Kenneth Haigh       Boatman: Jeremiah Morris

REVIEW:

Unsurprisingly, this low-budget NBC effort is obscure for several reasons.  It doesn’t help that its charming 1945 big-screen predecessor, “And Then There Were None,” which adapts the same Christie stage play, actually comes off as more contemporary by comparison.  Populated by such a bland stock theater-style cast, only headliner Nina Foch makes a faint impression here … because of her character’s repetitive hysterics. 

Crass efforts by NBC to spice up Christie’s play fail miserably.  In one instance, a boorish Marston suggests to the younger Lombard that they play swinging singles ‘trading off’ on the two female guests. Indulging her condescending spinster persona, Emily Brent, meanwhile, disparages Vera Claythorne’s demure black dress as being somehow offensively provocative.  Instead of adding some intended depth, such eye-rolling scenes only contribute to reducing Christie’s enigmatic cast of scoundrels to mere caricatures.     

However, there’s a curious surprise early on.  During the spooky U.N. Owen monologue, NBC stays mostly faithful to the novel.  Why the era’s broadcast censors didn’t object to mention of such cold-blooded crimes is anyone’s guess.  Conversely, despite its initial creepiness, this film’s ‘suspenseful’ climax is laughably awful by any generation’s standards. 

Worsening this experience is the primitive cinematography, which looks more reminiscent of hazy 1940’s TV standards than any technological refinements available in 1959.  Best left a historical curiosity, this “Ten Little Indians” is a sub-par TV experiment translating one of Christie’s darkest tales for mass viewing.    

BRIAN’S ODD MOON RATING:                    3 Stars

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Blu-Ray Digital Movies & TV DVD Sports (TV & Videos) WWF/WWE (Pro Wrestling)

THE ROCK VS. “STONE COLD” STEVE AUSTIN (WWE WRESTLEMANIA 19: Taped March 30, 2003)

SUMMARY:                               RUNNING TIME: 18 Min. +

Memorably, these legendary frenemies had twice before clashed at WrestleMania – 1999 and 2001 – with the WWE World Heavyweight Championship at stake.  Now, with Austin on the verge of forced retirement due to a lingering neck injury, completing their trilogy meant a final showdown at Seattle’s Safeco Field on March 30, 2003.  Motivating The Rock’s pride were two bitter World Title losses, as Austin, healthy or not, evidently had his WrestleMania number.  The match commentators are Michael Cole and Tazz, with Carlos Cabrera & Hugo Savinovich as the WWE’s Spanish language announcers.    

Note: As of this date, it would be Austin’s last match.

REVIEW:

It’s all about the star power.  Stealing WrestleMania 19’s glow more through nostalgia than actual substance, this match’s run time is deceptive.  Less than eight minutes of finishers and stealing the other guy’s crowd-pleasing finishers makes this expedited slugfest more of a greatest-hits highlight reel.  Frankly, it resembles a Monday Night RAW street fight where the unremarkable action escalates into an in-ring slugfest and a ringside beatdown.  To the surprise of no one, there are few, if any, technical wrestling displays – more disappointingly (no doubt due to Austin’s physical condition), no major choreography spots commemorate his retirement.    

In the end, what might have been a legendary finale to The Rock vs. “Stone Cold” is a strictly run-of-the-mill brawl.  This match offers historic context only by watching their two prior WrestleMania battles first.  

ROSCOE’S ODD MOON RATING:                        6½ Stars

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Blu-Ray Digital Movies & TV DVD Sports (TV & Videos) WWF/WWE (Pro Wrestling)

THE ROCK VS. “HOLLYWOOD” HULK HOGAN (WWE WRESTLEMANIA 18: Taped March 17, 2002)

SUMMARY:                                       RUNNING TIME: 17 Min. +

A full year had lapsed since the demise of World Championship Wrestling (WCW).  The triumphant WWE gradually incorporated the WCW on-screen personnel it wanted, including the original New World Order (NWO): “Hollywood” Hulk Hogan, Kevin Nash, and Scott Hall.  For WrestleMania 18 at Toronto’s SkyDome, on March 17, 2002, the WWE’s ‘Icon vs. Icon’ match pitted The Rock vs. the legendary Hogan.  Amidst all the back-and-forth trash talking with The Rock, Hogan and his cronies were depicted as ultra-nefarious baddies out to put the WWE’s most charismatic star down permanently.  

Yet, as for the climatic showdown itself, even Hogan was humbled that SkyDome fans were loudly cheering his first WrestleMania in nine years.  The Rock’s own reaction proves stunning, particularly after Hogan is greeted with a post-match beatdown by superior numbers – a dubious WCW tradition. 

The commentators are Jim Ross and Jerry “The King” Lawler, with Carlos Cabrera and Hugo Savinovich as the WWE’s Spanish language announcers.    

REVIEW:

Suffice to say, this clash is much better than expected.  Evidently inspired by SkyDome (after 1990’s WrestleMania VI), the 48-year old Hogan cranks up his performance quality enough to share the same ring as The Rock.  While both adversaries are wildly cheered, what’s perplexing is whose side is the majority of SkyDome fans on.  Then again, does it really matter?  Packing this ego-driven showcase with flexing, finisher stealing, and egging on the crowd’s reaction, it’s an instance where the not-quite-wrestling is far more about sparking pure nostalgic emotion than any technical know-how.  Even so, Rock vs. Hogan is remarkably generous with its People’s Elbows and Running Leg Drops bringing the audience to their feet.  Above all, The Rock’s professionalism hiding an aging Hogan’s limited mobility is admirable.  The fact that their match doesn’t resort to cheap interference ploys, just for drama’s sake, says plenty.  

In the best possible way, however, the aftermath (improvised or not) surpasses their crowd-popping in-ring work.  Despite an eternity spent on the traditional ‘Hulk-A-Mania’ pose-down, fans ultimately score the finale they didn’t realize they wanted.  Not to mention, this showdown’s genuine magic easily overshadows the all-too-predictable Chris Jericho/Triple H Unified World Championship title match.  Courtesy of the mutual admiration society established between these two wrestling legends, the turbulent pro wrestling universe for the moment, finally rights itself. 

ROSCOE’S ODD MOON RATING:                    8½ Stars

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Digital Movies & TV Sports (TV & Videos) TV Series (Specific Episodes) WWF/WWE (Pro Wrestling)

SHAWN MICHAELS VS. ROB VAN DAM — WORLD HEAVYWEIGHT TITLE MATCH (WWE Monday Night RAW: Taped November 25, 2002)

SUMMARY:                               RUNNING TIME: 8:55 MIN.

As Monday Night RAW’s main event on November 25, 2002, this championship showdown pitting Van Dam, aka ‘RVD,’ vs. new titleholder Michaels, aka “The Heartbreak Kid,” occurs in Charleston, North Carolina.  According to Jim Ross, in the aftermath of Survivor Series 2002, the match is Michaels’ third match back after an extended in-ring hiatus dating back to 1998.  Still, it should be noted that Michaels sporadically appeared between 1999-2001 on WWE programming, along with hosting his own Texas Wrestling Academy. 

REVIEW:

At first glance, this title bout implies a potential classic in the making.  Yet, it’s on free TV, so there’s always the possibility that it could prove disappointing even before hitting the remote’s play button.  Their title showdown is actually very good at times.  It even hints at Pay-Per-View (PPV) caliber, had it been extended for another ten minutes or so.  Still, the match acts more as a momentum builder for Michaels rather than a realistic shot for RVD to win it all.  Interference by Triple H only exacerbates this point, leading to a cheap DQ win for Van Dam and a post-match beatdown of “The Heartbreak Kid,” via a steel chair.  Overall, viewers end up underwhelmed, as this bout is meant to propel the recent Michaels/Triple H rivalry.  RVD, unsurprisingly, is left as the odd man out. 

ROSCOE’S ODD MOON RATING:                      6 Stars

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