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HOOKED ON POLKAS (by “Weird Al” Yankovic: Dare to Be Stupid)

SUMMARY:                    RUNNING TIME: 3:38 Min.

In a medley of familiar 80’s pop/rock hits, it’s the spoofy finale of “Weird Al” Yankovic’s 1985 comedy album, Dare to be Stupid.    

REVIEW:

Its sound effect-laden polka melody is worthy of a cartoon series in the same spirit, like Be Cool, Scooby Doo! and Get a Clue, Scooby-Doo. Undeniably wacky and mostly certainly original, “Hooked on Polkas” is an upbeat gem for listeners who can appreciate a mishmash parody of early-to-mid 80’s radio hits. 

BRIAN’S ODD MOON RATING:              8 Stars

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Humor (CD's) Individual Tracks (CD's) Music & Radio Shows

LIKE A SURGEON (by “Weird Al” Yankovic: Dare to Be Stupid)

SUMMARY:                                      RUNNING TIME: 3:32 Min.

Spoofing rookie surgeons, “Weird Al” Yankovic plays off the melody from Madonna’s 1984 hit song, “Like a Virgin.” It’s the opener for his 1985 comedy album, Dare to Be Stupid.    

REVIEW:

A combination of “Weird” Al Yankovic’s zany vocals and plenty of ingenious lyrics makes hearing “Like a Surgeon” a guilty pleasure … that is, when it’s heard for the first time.  Yet, once listeners start processing the song’s silly lyrics (not to mention, the use of medical sound effects), poor taste becomes all too evident.  This track is at most a single-listen wonder.

BRIAN’S ODD MOON RATING:                    3 Stars

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

A CONVERSATION (by Ben Whishaw: Mary Poppins Returns movie soundtrack)

SUMMARY:                                  RUNNING TIME: 2:42 Min.

Spoken and briefly sung by actor Ben Whishaw, the track has Whishaw’s widowed father-of-three Michael Banks privately confiding his feelings to his late wife and why he really needs her guidance.

REVIEW:

Matched upon soft-spoken lyrics, the track’s music box-like melody is brilliant.  Poignantly performing this track, Ben Whishaw believably conveys a grieving husband’s need for his late wife’s maternal magic raising their young children alone.   Although stars Emily Blunt and Lin-Manuel Miranda are rightfully the movie’s featured stars, one shouldn’t lose forget Whishaw’s spot-on contribution here.      

BRIAN’S ODD MOON RATING:           9 Stars

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Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows

CURSUM PERFICIO (by Enya: Watermark)

SUMMARY:                                  RUNNING TIME: 4:09 Min.

Despite its actual name, it’s the title tune (Track # 2) off Enya’s 1988 Watermark album.  The Latin phrase translates to “watermark,” or, specifically, the end of one’s journey (from a first person point-of-view).    

REVIEW:

Unlike other tracks on Watermark, “Cursum Perficio” isn’t likely to inspire a meditative or relaxing mood.  Its initial gentleness evolves into a seemingly ominous narrative, per the song’s extensive choral chanting.  Enya’s fans can best appreciate this track’s sophistication, but the noticeably dramatic “Cursum Perficio” doesn’t apply towards practical use (i.e. yoga and massage therapy).

BRIAN’S ODD MOON RATING:                5 Stars

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

DANCING IN THE SHEETS (by Shalamar: Footloose {1984} movie soundtrack, 15th Anniversary Edition)

SUMMARY:                          RUNNING TIME: 4:05 Min.

Recorded for 1984’s Footloose film soundtrack, Shalamar delivers this R&B/dance-pop tune.  The song is included on the soundtrack’s 1998 15th Anniversary Edition. The track was co-written by lyricist Dean Pitchford.   

REVIEW:

This tune’s up-tempo, mid-‘80s dance-pop sound is unmistakable.  In that sense, the energetic instrumental portions are still terrific.  Yet, despite Shalamar’s solid performance, the glitzy lyrics doubling as suggestive pick-up lines don’t age well. 

Considering the song is featured in a movie about high school students, “Dancing in the Sheets” pushes a far sleazier inference than what Shalamar likely meant.  Though the song’s thematic content isn’t appropriate for kids, the track offers a decent choice for soundtrack and workout playlists.      

BRIAN’S ODD MOON RATING:                    5½ Stars

Note: Footloose’s extended 15th Anniversary soundtrack also sports an ‘Extended 12” Remix’ of “Dancing in the Sheets,” with a running time of 6:17.

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Country, Folk, & Bluegrass Individual Tracks (CD's) Music & Radio Shows

COULD HAVE BEEN MINE (by Crystal Bernard: The Girl Next Door)

SUMMARY:                              RUNNING TIME: 3:58 Min.

From her 1996 The Girl Next Door album, Crystal Bernard from NBC TV’s Wings performs this country-western track.

REVIEW:

The upbeat “Could Have Been Mine” is a classy homage to old school honkytonk sound.  Crystal Bernard’s spot-on vocals are well-supported by a nifty melody.  For county-western enthusiasts, this track would make a worthwhile addition to various contemporary playlists.     

BRIAN’S ODD MOON RATING:                 7 Stars

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

DEMONS (by Imagine Dragons: Night Visions)

SUMMARY:                           RUNNING TIME: 2:57 Min.

Released by Imagine Dragons for their 2012 Night Visions album, it’s the fourth track.

REVIEW:

As one of the Imagine Dragons’ hits, the song is typical of their soft rock formula.  It easily blends into the Night Visions album, as many of the tracks sound alike.  For fans, this track is well worth downloading — for others, “Demons” is more likely a one-time wonder.   

BRIAN & ROSCOE’S ODD MOON RATING:          7 Stars

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

THE GLORY OF LOVE (by Peter Cetera: Solitude/Solitaire)

SUMMARY:                                   RUNNING TIME: 4:23 Min.

Chicago’s ex-lead vocalist, Peter Cetera, recorded and co-wrote this romantic pop tune for his 1986 solo album, Solitude/Solitaire.  Among its other collaborators is the prolific David Foster.  The song was utilized as the love theme for The Karate Kid Part II, which was released the same year.

REVIEW:

Long overshadowed by Bryan Adams’ 1991 “(Everything I Do) I Do It for You,” Peter Cetera’s romantic ode to chivalry still holds up fairly well.  The main difference is that, unlike Adams’ rousing anthem, Cetera’s “Glory of Love” relies far more heavily on pure schmaltz, i.e. his specific analogy to a ‘knight in shining armor.’  Still, Cetera’s vocals are well-matched with the mid-80s’ easy listening style of melody.  It just comes down to a matter of preference re: idealistic love songs, as this track borders on genre pap.  Even so, “Glory of Love” rates among Cetera’s best solo efforts, so it’s worth consideration for any Best-of-the-80’s romantic pop playlists.    

BRIAN’S ODD MOON RATING:                    7 Stars

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Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

(KEEP MY LOVE) ALIVE (by John Cafferty & The Beaver Brown Band: Eddie and The Cruisers II movie soundtrack)

SUMMARY:                                    RUNNING TIME: 3:42 Min.

This rock tune was recorded by John Cafferty & The Beaver Brown Band for 1989’s Eddie & The Cruisers II soundtrack.  For the film, Cafferty provides the voice of ‘Eddie Wilson,’ while Michael Paré does the acting.  This particular song appears only briefly as background music in the movie.  Yet, it isn’t ever made clear if the song is material from Eddie’s new band or came off a ‘mystery tape’ Eddie had recorded more than twenty years before (presumably, one should think the former).

REVIEW:

Its assets are an upbeat rock melody tinged by R&B and John Cafferty’s energetic vocals.  Yet, “(Keep My Love) Alive” just sounds very much like it’s filler material.  The tune is still solid listening on the complete album — the track itself isn’t likely worth a solo download. 

BRIAN’S ODD MOON RATING:                    6 Stars

Categories
Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows

CHINESE FOLK TUNE {Cover} (by Vanessa-Mae: The Classical Collection, Part 1)

SUMMARY:                                  RUNNING TIME: 2:36 Min.

This instrumental track appears on Disc 3 of Vanessa-Mae’s 2000 Classical Collection, Part 1 album.

REVIEW:

“Chinese Folk Tune” has a wonderful sound, courtesy of this orchestral interpretation and Vanessa-Mae’s serene violin work.  As one of many low-key gems on this three-disc album, this track is recommended. 

BRIAN’S ODD MOON RATING:             8 Stars