Categories
CD's Classical, Electronica, & New Age Music & Radio Shows

A PORTRAIT (by Cecilia Bartoli)

SUMMARY:               RUNNING TIME: 75:00 Min.

In 1995, Decca (or Decca Records) released this first compilation album celebrating Italian coloratura mezzo-soprano, Cecilia Bartoli.  On various tracks, her musical collaborators include: Lesley Schatzberger; Christopher Hogwood; György Fischer; András Schiff; Charles Spencer; Ion Marin; & Riccardo Chailly.  Also participating are The Vienna Chamber Orchestra; Orchestra of La Fenice Venice; and the Bologna Teatro Communale.

Grouped by composer, Bartoli’s sixteen tracks are:

Wolfgang Amadeus Mozart:

  1. La Clemenza Di Tito K 621 – Parto, Parto, Ma Tu, Ben Mio     Running Time: 6:15
  2. Così Fan Tutte, K 588 – Temerari! … Come Scoglio      Running Time: 5:48
  3. Così Fan Tutte, K 588 – In Vomini, In Soldati            Running Time: 2:39
  4. Le Nozze Di Figaro, K 492 – Voi Che Sapete             Running Time: 2:48
  5. Le Nozze Di Figaro, K 492 – Giunse Alfin II Momento… Deh Vieni  Running Time: 5:24
  6. Don Giovanni, K 527 – Batti … O Bel Masetto           Running Time: 3:45
  7. Ch’lo Mi Scordi Di Te … Non Temer, Amato Bene K 505     Running Time: 10:15

Alessandro Parisott

  • Se Tu M’Ami                                      Running Time: 2:33

Umberto Giordano

  • Caro Mio Ben                                     Running Time: 2:46

Guilio Caccini

  1. Amarilli                                            Running Time: 3:12

Franz Schubert

  1. La Pastorella                                        Running Time: 2:14
  2. Vedi Quanto Adoro Ancora Ingrato! – Didone Abandonetta  Running Time: 4:53

Gioachino Rossini

  1. Belta Crudele                                                     Running Time: 4:42
  2. Semiramide – Bel Raggio Lusinghier                     Running Time: 7:58
  3. Maometto II – Giusto Ciel, In Tal Periglio            Running Time: 3:26
  4. La Cenerentola – Nacqui All’Affanno, Non Piú Mesta    Running Time: 7:14

REVIEW:

Enjoyable for either experienced or aspiring opera buffs, Bartoli’s impressive vocal talents as a storyteller are given their just due.  Decca ensures that listeners get their money’s worth, as far as the diverse track selection goes.  Filled with Bartoli’s vibrant sound, A Portrait is absolutely well-played!

PACKAGING:

Decca delivers high-quality production values.

BRIAN’S ODD MOON RATING:                      9 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

THE PHANTOM OF THE OPERA (by Sarah Brightman & Michael Crawford: The Very Best of Andrew Lloyd Webber – The Broadway Collection)

SUMMARY:                        RUNNING TIME: 4:18 Min.

From the 1986 London cast, Sarah Brightman (as Christine Daae) and Michael Crawford (as the cackling Phantom) duet the title song from Andrew Lloyd Webber’s adaptation of The Phantom of the Opera.  This full-length track is a sampler off the 1996 compilation album: The Very Best of Andrew Lloyd Webber: The Broadway Collection.  In addition as a single digital purchase, the track appears on the complete Phantom double-disc soundtrack (2001), as well as the soundtrack’s single-disc Highlights edition (1990). 

Alternatively, Crawford includes the duet on both 2005’s Michael Crawford Performs Andrew Lloyd Webber and his two-disc Ultimate Collection (from 2013).  Similarly, Brightman opens her 1999 Ultimate Andrew Lloyd Webber Collection with this song.   

Note: From Phantom, Crawford’s “Music of the Night” also appears on this same Very Best compilation album.  

REVIEW:

Propelled by an ominously up-tempo, pop-rock melody, Lloyd Webber’s original Christine and Phantom conduct a master class re: how to bring a Broadway tune to life.  Not only are Brightman’s vocals in peak form, but Crawford’s Phantom conveys his character’s spine-tingling presence in such a way that creepy visuals aren’t even necessary.  In that sense, this duo’s teamwork makes it feel plausible that Brightman’s Christine has now become mesmerized by Crawford’s wicked Phantom.

Though others have aspired to match it and some have come very close (i.e. the 2004 film version’s Emmy Rossum, in spite of an outmatched Gerard Butler), Brightman & Crawford’s rendition exudes timeless audible magic.  Highly recommended!   

BRIAN’S ODD MOON RATING:                      10 Stars

Categories
CD's Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

ALL THAT YOU CAN’T LEAVE BEHIND (by U2)

SUMMARY:                                RUNNING TIME: 49:00 Min.

Released by Island Records & Interscope Records, U2’s tenth studio album was released in late 2000.  The album’s eleven tracks are:

                                                                  Running Time:

  1. “Beautiful Day”                                             4:07
  2. “Stuck in a Moment You Can’t Get Out Of”     4:31
  3. “Elevation”                                                   3:46
  4. “Walk On”                                                   4:55
  5. “Kite”                                                           4:26
  6. “In a Little While”                                         3:38
  7. “Wild Honey”                                                3:46
  8. “Peace on Earth”                                            4:47
  9. “When I Look at the World”                            4:17
  10. “New York”                                                   5:29
  11. “Grace”                                                          5:29

All That You Can’t Leave Behind subsequently scored seven Grammys over the next two years.  At 2001’s 43rd Annual Grammys, Track 1 (“Beautiful Day”) won Song of the Year, Best Rock Performance by a Duo or Group With Vocal, and Record of the Year. 

In 2002, in addition to a nomination for Album of the Year, three separate tracks won: specifically, Track 2 (“Stuck in a Moment You Can’t Get Out of”) won Best Pop Performance by a Duo or Group With Vocal; Track 3 (“Elevation”) won Best Rock Performance by a Duo or Group with Vocal; and Track 4 (“Walk On”) won Record of the Year.  The album concluded with 2002’s Grammy for Best Rock Album.   

Note: This album made Grammy history as the first and only effort to win Record of the Year two consecutive years.

REVIEW:

Given its slew of accolades, the album’s projection of a mature, self-reflective vibe should seem impressive.  Yet, All That You Can’t Leave Behind, from a production standpoint, comes off as both overdone and dated.  Competing against U2’s vintage sound, the album clearly can’t escape the era from which it was released. 

Listening to these songs years after the fact only highlight the album’s sonic limitations. The biggest offender would likely be Track 4: “Elevation;” still, others like the simplistic Track 11: “Grace,” age much better. For the most part, this assortment of tunes presents a reverse sort of anachronism. 

Specifically, the album resembles less traditional U2 and more so the bands it subsequently influenced, such as Coldplay.  All That You Can’t Leave Behind tries too hard to emulate classic U2 that that it becomes a sanitized, rock-influenced pop record lifting their 80’s run.  Unfortunately, this album falls short of the edgy, alternative rock that the U2 of the ‘90s and their contemporaries were putting out a decade prior.

The band goes too far backwards into their thought-provoking roots vs. pushing forward a new and more unique experience.  This creative strategy can largely be attributed to the underwhelming reception to their two prior records; hence, returning to their original sound made sense purely from a commercial standpoint.

The result is deliberately superficial, and, therefore, more accessible than other U2 works; yet, to deeper music fans, this bland effort could play like shallow U2 fluff seeking mainstream relevancy.  While there’s some solid hits and decent deep cuts, All That You Can’t Leave Behind represents a step down from The Joshua Tree and other ground-breaking U2 albums.

PACKAGING:

Including a solid casing, the standard CD accessories are all here.  The CD’s contents are accurately listed.

ROSCOE & BRIAN’S ODD MOON RATING:       5 Stars

Categories
CD's Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

ONE LOVE (by Kimberley Locke)

SUMMARY:                             RUNNING TIME: 45:00 Min.

Released by Curb Records in 2004, One Love is the debut album of American Idol alum Kimberley Locke.  Besides covering a familiar pop standard, Locke delivers eleven original tunes – one of which is a duet with fellow Idol contestant Clay Aiken.  The songs are:

                                              Running Time:

  1. 8th World Wonder                        3:59
  2. Have You Ever Been in Love      4:17
  3. Wrong                                       3:17
  4. I Could                                      4:20
  5. Without You (with Clay Aiken)    4:31
  6. It’s Alright                                 3:19
  7. Coulda Been                               3:45
  8. Before                                        3:54
  9. You’ve Changed                         3:23  * Locke is a credited co-writer
  10. Now I Can Fly                           3:47
  11. I Can’t Make You Love Me         3:22
  12. Over the Rainbow                       3:45

REVIEW:

Simultaneously exuding charm and radiant vocals, Locke’s first album proves a welcome treat.  In entertaining fashion, her songwriting team and musicians conjure up sufficient variety shifting between R&B/soul and mainstream pop.  Unsurprisingly, though, both Locke’s vocal style and her songs tend to resemble original American Idol winner Kelly Clarkson. 

That isn’t a detriment so much, as her material seems almost factory-made by Curb Records.  Still, Locke’s considerable talents shine on One Love, as this classy album merits a chance at re-discovery.  

PACKAGING:

Including a sturdy casing, it’s all standard-issue materials.  The CD’s contents are accurately advertised.

BRIAN’S ODD MOON RATING:                     7½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

NOW I CAN FLY (by Kimberley Locke: One Love)

SUMMARY:                         RUNNING TIME: 3:47 Min.

As Track # 10 off her 2004 debut album, One Love, American Idol alum Kimberley Locke performs this tune.

REVIEW:

Locke’s classy vocals are welcome on this slice of contemporary Soul/R&B.  Despite Locke’s obvious talents, “Now I Can Fly” is still an average song.  Though there isn’t anything making it a solo must-download, the tune is worth hearing on the complete One Love album.

BRIAN’S ODD MOON RATING:                          6 Stars

Categories
CD's Jazz & Blues Music & Radio Shows

THE GRAND ENCOUNTER (by Dianne Reeves)

SUMMARY:                             RUNNING TIME: 50:00 Min.

In 1996, Capitol Records’ Blue Note imprint released jazz vocalist Dianne Reeves’ ninth studio album.  The ten tracks are:

                               Running Time:  

  1. “Old Country”             5:01
  2. “Cherokee”                 3:22
  3. “Besame Mucho”        8:12
  4. “Let Me Love You”     3:46
  5. “Tenderly”                  4:54
  6. “After Hours”             6:06
  7. “Ha!”                        3:27
  8. “Some Other Spring”   5:24
  9. “Side By Side”            5:08
  10. “I’m Okay”                4:59.

REVIEW:

Revisiting old school-style jazz (i.e. the Mel Tormé-like Track # 7 and Track # 9’s standard cover), Dianne Reeves infuses the genre with vibrant energy, along with several new tunes.  Among them, “After Hours” is a welcome lounge-style track that spells out the album’s timeless ambiance.  With her band’s reliable support, Reeves ensures that the classy Grand Encounter delivers a gem for jazz enthusiasts.

PACKAGING:

The CD has a sturdy casing.  Including some neat black-and-white backstage photos, the insert booklet has the standard credits and thank-you’s. 

BRIAN’S ODD MOON RATING:                     8½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

RETURN TO THE PRESENT (by John Barry: Somewhere in Time movie soundtrack)

SUMMARY:                                  RUNNING TIME: 4:10 Min.

From 1980’s Somewhere in Time film soundtrack, composer-conductor John Barry delivers this instrumental tune (Track # 8).  “Return to the Present” depicts playwright Richard Collier’s (Christopher Reeve) romantic journey back in time coming to an unexpected end.    

REVIEW:

Reprising the main theme’s romanticism once more, John Barry’s symphonic work succeeds in gently shifting the film’s storyline towards its pivotal last stretch.  Poignantly well-played! 

BRIAN’S ODD MOON RATING:                               8 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

THE JOURNEY BACK IN TIME (by John Barry: Somewhere in Time movie soundtrack)

SUMMARY:                                RUNNING TIME: 4:29 Min.

From 1980’s Somewhere in Time film soundtrack, composer-conductor John Barry delivers this instrumental tune (Track # 3).  “The Journey Back in Time” depicts obsessed playwright Richard Collier’s (Christopher Reeve) efforts to desperately will himself back through time from 1980 to 1912 via self-hypnosis.    

REVIEW:

Its melancholy is an ideal mirror narrating Richard Collier’s increasing frustrations until his peculiar time-traveling method finally succeeds.  As a suspenseful storytelling mechanism, John Barry’s symphonic work is stellar. 

BRIAN’S ODD MOON RATING:                            8½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

THE OLD WOMAN (by John Barry: Somewhere in Time movie soundtrack)

SUMMARY:                              RUNNING TIME: 2:50 Min.

From 1980’s Somewhere in Time film soundtrack, composer-conductor John Barry delivers this instrumental tune (Track # 2).  The track occurs early in the movie, as student playwright Richard Collier’s (Christopher Reeve) encounters an elderly recluse (Susan French) in a seemingly random manner.  Yet, she gifts him a vintage pocket watch for some enigmatic reason.  Eight years later, this tantalizing mystery awakens a romantic obsession in Collier.

REVIEW:

Consistently reiterating elements from his poignant main title theme, John Barry’s symphonic work here is exquisite.  Definitely recommended!

BRIAN’S ODD MOON RATING:                   8½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

WRONG (by Kimberley Locke: One Love)

SUMMARY:                                  RUNNING TIME: 3:17 Min.

As Track # 3 off her 2004 debut album, One Love, Kimberley Locke performs this tune.

REVIEW:

Assertive and sassy, Locke’s empowered vocals deliver the goods on this up-tempo pop/R&B hybrid reminiscent of Kelly Clarkson’s radio style.  Holding up nearly twenty years later, this tune deserves a chance for re-discovery.  Well-played!  

BRIAN’S ODD MOON RATING:             7½ Stars