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THREE STOOGES: “OF CASH AND HASH” (1955)

SUMMARY:      RUNNING TIME: 16:00 Min. (Black & White)

Director/Producer Jules White collaborated with his brother, screenwriter Jack White, on one of Shemp Howard’s last capers with the Stooges.  Purely by accident, the Stooges (employees of The Elite Café) are eyewitnesses to a brazen armored car heist.  As bad luck would further have it, both the two guards and the police deem Larry, Moe, & Shemp the prime suspects. 

Forced to clear their names, the Stooges and their boss, Gladys, chase after the crooks to find the necessary proof.  With a virtually identical plot, much of this Stooges episode is actually recycled footage from 1948’s “Shivering Sherlocks.”      

Moe: Moe Howard

Larry: Larry Fine

Shemp: Shemp Howard

Gladys Harmon: Christine McIntyre (both new and archived footage)

Police Capt. Mullins: Vernon Dent (archived footage)

Jackson: Cy Schindell (archived footage)

Cop – Lie Detector Technician: Joe Palma (archived footage)

Lefty Loomis: Kenneth MacDonald (archived footage)

Red Watkins: Frank Lackteen (archived footage)

Angel: Duke York (archived footage)

Armored Car Guards:  Joe Palma & Tom Kingston

Café Customer: Stanley Blystone (archived footage)

Various Cops: Uncredited

Note: This film was McIntyre’s last new appearance in a Stooges comedy.  Specifically, she briefly reprises her same role from “Shivering Sherlocks.”

REVIEW:

Like so many Stooge cut-and-paste retreads of the mid-1950’s, “Of Cash and Hash” is new solely in name only.  For such a lazy rip-off, the two sequences worth viewing are the rudimentary polygraph gags and a bright finish for Shemp & retiring co-star Christine McIntyre.  It’s decent compensation against yet another Stooges caper where Duke York plays a monstrous thug chasing the trio through a ‘haunted house.’ 

Otherwise, “Of Cash and Hash” is unnecessary déjà vu, especially if “Shivering Sherlocks” is readily available.

BRIAN’S ODD MOON RATING:                      3 Stars

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THREE STOOGES: “HE COOKED HIS GOOSE” (1952)

SUMMARY:         RUNNING TIME: 15:48 Min. (Black & White)

Produced and directed by Jules White off Felix Adler’s script, this Three Stooges comedy is a series rarity — specifically, Moe, Larry, & Shemp are enemies.  Lecherous pet shop owner Larry schemes to pit a married Moe against Shemp, so he can make romantic advances upon both Moe’s less-than-adoring wife, Belle, and Shemp’s patient fiancée, Millie. 

To advance his philandering, Larry concocts a ruse where Shemp is hired to sell (and even model) undergarments to Belle, and then tips off a jealous, gun-packing Moe.  The same applies to Millie, who shows up to confront Belle for stealing Shemp from her.  The question becomes: does Larry’s sleazy conniving succeed?     

Moe: Moe Howard

Larry: Larry Fine

Shemp: Shemp Howard

Belle: Mary Ainslee

Millie: Angela Stevens

Miss Lapdale (Larry’s Secretary): Theila Darin

Waiter: Johnny Kascier

Stooge Stand-Ins/Stunt Doubles: Harold Breen, Charlie Cross, & Johnny Kascier

Note: The Joe Besser-era Stooges remade this storyline as 1959’s “Triple Crossed.”

REVIEW:

Aside from the intriguing notion of Larry playing a villain, “He Cooked His Goose” deserves credit for trying something more sophisticated with the Stooges.  Somewhat reminiscent of their ‘Niagara Falls’ routine (with Curly), the Stooges come off well, as Larry gleefully manipulates his romantic competition.  Seeing Larry finally get the spotlight role while Moe plays a pathetically naïve husband is indeed a treat. 

The only detriment is this farce’s shortened running time, as more gags could have been added to screenwriter Felix Adler’s terrific premise.     

BRIAN’S ODD MOON RATING:                5½ Stars

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THREE STOOGES: “THE THREE TROUBLEDOERS” (1946)

SUMMARY:      RUNNING TIME: 17:00 Min. (Black & White)

Directed by Edward Bernds off Jack White’s script, this Three Stooges comedy gleefully spoofs Grade-B Westerns.  Arriving in sparse Dead Man’s Gulch, prospectors Larry, Moe, and Curly discover that the town is sore need of another new sheriff.  That year alone, local outlaw Badlands Blackie and his baddies have offed several town sheriffs (they’re not even counting deputies, anymore). 

Blackie is now demanding that local blacksmith Nell marry him by sundown, or she’ll never see her abducted father again. Stepping in, Curly becomes the town’s new lawman and even Nell’s fiancé, provided he can save her father.  With Moe and Larry & Moe as his deputies, Curly first practices his sharpshooting skills. 

Meanwhile, Blackie & Co. proceed with his insistence that Nell marry him immediately.  The Stooges manage to thwart the shotgun wedding the first time.  Yet, it’s up to the Stooges to intervene at Blackie’s saloon hideout by sundown to save Nell from forced nuptials and the town itself from his reign of terror.

Moe: Moe Howard

Larry: Larry Fine

Curly: Jerry “Curly” Howard

Nell: Christine McIntyre

Badlands Blackie: Dick Curtis

Trigger: Ethan Laidlaw

Quirt: Blackie Whiteford

Judge Blake: Victor Travers

Young Boy (Judge Blake’s Son): Uncredited

Justice of the Peace: Si Jenks

Town Elder: Hank Bell

Nell’s Father: Elmo Lincoln (cameo)

Bartender: Joe Garcio

Townsmen: Steve Clark, Slim Gaut, Budd Fine, & George Morrell

Saloon Patrons: Uncredited

Saloon Maids: Uncredited

Note: Lincoln was the first cinematic Tarzan, having appearing as the character in 1918’s Tarzan of the Apes.

REVIEW:

Practically a live-action cartoon, “The Three Troubledoers” does relatively well blending B-Western gunplay with Looney Tunes and Dudley Do-Right-style antics.  Though there are some slow spots in the script, Curly’s bungled training and the shootout gags prove solid fun (including a makeshift bazooka).  Curly gets the bulk of the laughs, but Moe & Larry still make a few worthwhile contributions, i.e. the sped-up bicycle-for-three sequence prior to the big rescue. 

Even if this episode isn’t the best of the Stooges’ Westerns, there’s sufficient laughs to make it worth sitting through.     

BRIAN’S ODD MOON RATING:                 6 Stars

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THREE STOOGES: “IDIOTS DELUXE” (1945)

SUMMARY:         RUNNING TIME: 17:30 Min. (Black & White)

Produced and directed by Jules White off Elwood Ullman’s script, this Stooges comedy is told in flashback by defendant Moe, who is on the witness stand facing assault charges.  Already a nervous wreck, a convalescing Moe is convinced by his musician roommates, Larry & Curly, to go on a camping trip for fresh air and relaxation. 

Yet, a nosy bear cub keeps poking around their cabin, so the trio decides to go bear hunting.  More specifically, Moe sends his pals after the bear while he stresses over stressing out.  As it’s revealed, Curly & Larry are the ones pressing charges against an ax-wielding Moe. 

Moe: Moe Howard

Larry: Larry Fine

Curly: Jerry “Curly” Howard

Judge: Vernon Dent

Bailiff: Paul Kruger

Courtroom Spectators: Al Thompson, Johnny Kascier, & Eddie Laughton

Additional Courtroom Spectators: Uncredited

Bear: Uncredited

REVIEW:

While Larry and Curly share scenes tag-teaming gags, a low-key Moe holds up his end, too.  Still, the bear swipes the best “Idiots Deluxe” material away from the Stooges.  Aside from the dubious visual of Moe chasing after his friends with an axe, “Idiots Deluxe” supplies watchable Stooge entertainment. 

BRIAN’S ODD MOON RATING:                  5 Stars

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THREE STOOGES: “EVEN AS I.O.U.” (1942)

SUMMARY:       RUNNING TIME: 16:00 Min. (Black & White)

Directed by Del Lord, Columbia Pictures staff writer Felix Adler scripted this 1942 horseracing comedy.  Third-rate horseracing form scalpers Moe, Larry, & Curly are chased off by a cop into a vacant lot where a homeless Mrs. Blake and her young daughter now live among their displaced household possessions. Evidently, the Stooges invite themselves to move in with them. 

Sympathetic to their new friends, Curly swipes the little girl’s piggy bank and convinces the Stooges they can help by making a big score at the racetrack.  Naively conned into believing a ‘talking horse,’ Curly’s unlikely bet draws some big money at an upcoming race. 

Yet, upon being conned yet again, the Stooges now possess another ‘talking’ horse and evidently move into the horse’s stable.  Attempting to feed their new pet through a makeshift blowgun (don’t ask), Curly suffers a bizarre medical mishap.  A surprise twist occurs at a veterinarian’s office just before this episode ends.   

Moe: Moe Howard

Larry: Larry Fine

Curly: Jerry “Curly” Howard

Mrs. Blake: Ruth Skinner

Mrs. Blake’s Daughter: Sharyn Moffett

Joe the Crooked Ventriloquist: Stanley Blystone

Joe’s Confederate: Jack Gardner

Street Cop: Bud Jamison

Irate Motorist: Vernon Dent

Racetrack Gate Attendant: Heinie Conklin

Racetrack Announcer: Lew Davis

Racetrack Pay Window Clerk: Bert Young

Racetrack Customer: Suzanne Ridgeway

Veterinarian Wheaton Chambers

Veterinarian’s Aide: Joe Garcio

Seabasket (Voice): Billy Bletcher

2nd Horse (Voice): Uncredited

Motorists: Uncredited

Racetrack Attendees: Uncredited

Note: Again impersonating journalists, the Stooges re-use a gag previously used in 1935’s “Three Little Beers.”

REVIEW:

“Even as I.O.U.,” ironically, isn’t, as one fragmented sub-plot is left bookended and unresolved by another.  With reliable help from Bud Jamison and Vernon Dent, the Stooges initially deliver the goods making their escape from the police.  Yet, once the awkward makeshift family subplot kicks in (i.e. a meal together), only some vintage Curly-isms keeps this episode afloat. 

Moe & Larry are curiously given so little to do, as Felix Adler’s script makes it ‘The Curly Show,’ mostly fending for himself.   Conveniently enough, the mother and daughter are forgotten (and not even referenced again) once the Stooges have stolen the little girl’s piggy bank.

Reverting back to a racetrack caper, “Even As I.O.U.” predictably resorts to somehow watchable Mr. Ed-style humor (predating that TV show by nearly twenty years).  The unfixable problem, however, comes with an utterly surreal finale.  Nutty, off-the-wall humor can be terrific when it’s smartly played, but Adler’s twist finish is so ridiculous that viewers will likely feel their time has just been squandered. 

As far as terrific Curly gags go, “Even as I.O.U.” enjoys its moments, but there’s not nearly enough of them to justify the ultra-stupid ending.     

BRIAN’S ODD MOON RATING:               5 Stars

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STAR TREK – THE ORIGINAL SERIES: SPECTRE OF THE GUN (Season 3, Episode 6)

SUMMARY:                      RUNNING TIME: 51:00 Min.

First airing on NBC-TV on October 25, 1968, Vincent McEveety directed this episode penned by Gene L. Coon (per his pseudonym, Lee Cronin).  Disregarding Melkotian insistence not to beam down, Captain Kirk leads an U.S.S. Enterprise landing party down to their misty world to intrude and stubbornly push Federation diplomacy. 

As fitting retaliation, the offended Melkots transplant Kirk’s team into a partial replica inspired by Earth’s deadly history: October 26, 1881, at Tombstone, Arizona.  Hence, the Enterprise’s stranded landing party are forced into the roles of the hapless Clanton/McLaury gang awaiting the showdown vs. the coldly belligerent Earp Brothers and “Doc” Holliday at the ‘Gunfight at the O.K. Corral.’

With time running on their destined ‘fate,’ Kirk’s team must uncover a means to alter established ‘history.’  In essence, their alien captors intend to pit the crew’s sense of virtue against humanity’s worst impulses resorting to lethal violence.    

Captain James T. Kirk (Ike Clanton): William Shatner

Commander Spock (Frank McLaury): Leonard Nimoy

Dr. Leonard H. McCoy (Tom McLaury): DeForest Kelley

Commander Montgomery Scott (Billy Clanton): James Doohan

Ensign Pavel Chekov (Billy Claiborne): Walter Keonig

Sylvia: Bonnie Beecher

Wyatt Earp: Ron Soble

Morgan Earp: Rex Holman

Virgil Earp: Charles Maxwell

“Doc” Holliday: Sam Gilliman

Melkotian (voice): Abraham Sofaer

Tombstone barber: Ed McCready

Ed: Charles Seel

Cowboys: Paul Baxley & Richard Anthony

Lt. Hadley: Bill Blackburn

Note: Kelley had previously portrayed Morgan Earp in 1957’s Gunfight at the O.K. Corral co-starring Burt Lancaster & Kirk Douglas. Holman would later play a supporting role as one of Sybok’s recruits in 1989’s Star Trek V: The Final Frontier.   

REVIEW:

Though the premise isn’t half-bad, suffice to say, Trek’s first Western doesn’t age well.  Given the production’s glaring budgetary limitations, at least a plausible excuse is conjured up justifying the flimsy Tombstone set (i.e. the aliens possess an incomplete knowledge of Old West historical detail).  Still, the episode itself invariably looks and feels cheap. 

Distorting even rudimentary historical facts, this Trek, unfortunately, conveys that the Clantons and McLaurys weren’t sleazy outlaws facing frontier justice they deserved.  Ironically, by replacing their historical criminality with the heroism of Kirk, Spock, etc., the Clanton/McLaury faction is sympathetically depicted as being bullied and gunned down by the vindictive, trigger-happy Earps. 

As crudely produced as this episode is, “Spectre of the Gun” is still more re-watchable than some of the viewer-insulting dreck Season 3 dubiously peddled (“Spock’s Brain,” anyone?).    

Note: A 1987 Real Ghostbusters animated episode (“Ghost Fight at the O.K. Corral”) recycles this same concept and actually does a much better job.

BRIAN’S ODD MOON RATING:                  4 Stars

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STAR TREK – THE ORIGINAL SERIES: METAMORPHOSIS (Season 2: Episode 9)

SUMMARY:                        RUNNING TIME: 50:00 Min.

First airing on NBC-TV, on November 10, 1967, Ralph Senesky directed this episode penned by Gene L. Coon.  An U.S.S. Enterprise shuttlecraft is abducted by a mysterious energy cloud, which then strands Captain Kirk, Spock, Dr. McCoy, and terminally ill Federation diplomat Nancy Hedford on the remote Gamma Canaris N planetoid.  Effectively marooned, the shuttle’s crew are stunned to discover that their fellow inhabitant is engineer Zefram Cochrane: the legendary inventor of warp drive. 

According to Earth history, an elderly Cochrane had vanished some 150 years prior, leaving an unsolved mystery.  Yet, he has resided alone on this planet — somehow restored to his physical prime.  It’s revealed that the ethereal ‘Companion,’ in an act of compassion, has brought the quartet there to befriend a lonely and evidently now-immortal Cochrane. 

With Cochrane’s reluctant help, Kirk, Spock, and McCoy desperately try escaping The Companion’s captivity, in part to seek Hedford’s emergency medical care.   

Captain James T. Kirk: William Shatner

Commander Spock: Leonard Nimoy

Dr. Leonard H. McCoy: DeForest Kelley

Lt. Commander Montgomery Scott: James Doohan

Lt. Uhura: Nichelle Nichols

Lt. Sulu: George Takei

Zefram Cochrane: Glenn Corbett

Commissioner Nancy Hedford: Elinor Donahue

The Companion (voice): Elizabeth Rogers

Lt. Leslie: Eddie Paskey

Lt. Hadley: Bill Blackburn

REVIEW:

Suffice to say, it’s Star Trek’s most underrated love story.  Instead of a slam-bang Trek adventure, writer Gene L. Coon ensures that the mature romanticism powering “Metamorphosis” caters to a wider adult audience than stalwart Trekkers.  Enjoying solid chemistry with guest stars Glenn Corbett and Elinor Donahue, the trio of Shatner, Nimoy, and Kelley reliably carry this episode’s poignant themes to a satisfying finish. 

Though Cochrane’s tale isn’t among the most re-watchable Original Series episodes that spring to mind, “Metamorphosis” remains a classy and genuinely welcome Trek-or-treat.

BRIAN’S ODD MOON RATING:                   8 Stars

Note:  Co-written by Judith and Garfield Reeves-Stevens, the 1994 Original Series/Next Generation crossover novel, Federation, serves as a direct sequel to this episode (and, to a much lesser degree, “Journey to Babel”).

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FANTASY ISLAND {1984}: ETERNAL FLAME / A DATE WITH BURT (Season 6: Episode 16)

SUMMARY:                RUNNING TIME: 51:00 Min.

First airing on ABC-TV on March 5, 1983, Don Weis directed this episode.  Concurrently depicted, a newlywed couple (Oakes & Boomer) blissfully seeks out romantic immortality while a middle-aged spinster lands a dream date with her favorite Hollywood celebrity. 

Specifically, the young Westons find a magical lagoon is a portal into an alternate reality where an ancient civilization still exists on a remote island.  As it ominously proves for one of them, supposed immortality is indeed sold for a steep price. 

Meanwhile, at risk of losing his iconic James Bond-like role to a teenager, aging action-film icon Burt Hunter (Ely) resorts to manipulating his biggest fan, Margaret Winslow (Dee), to persuade the franchise’s disinterested producer (Landsberg) into saving his career.  Tattoo and a young girl (Spelling) contribute to an adoring Ms. Winslow’s unlikely romance with her self-involved heartthrob.

Mr. Roarke: Ricardo Montalbán

Tattoo: Hervé Villechaize

Diana Weston (“Eternal Flame”): Randi Oakes

Alex Weston (“Eternal Flame”): Linwood Boomer

Maatira (“Eternal Flame”): Stella Stevens

Ra-Mas (“Eternal Flame”): Alex Cord

Vaal (“Eternal Flame”): Nicholas Worth

Soldiers (“Eternal Flame”): Uncredited

Maidens (“Eternal Flame”): Uncredited

Margaret Winslow (“A Date With Burt”): Sandra Dee

Burt Hunter (“A Date With Burt”): Ron Ely

Various Party Guests (“A Date With Burt”): Uncredited

John Pike (“A Date With Burt”): David Landsberg

Christy (“A Date With Burt”): Tori Spelling

Yvonne (“A Date With Burt”): Terri Lynn

Stuntmen as ‘Pretend Thugs’ (“A Date With Burt”: David Cass Jr. & John Tuell

Additional ‘Thug’ Stuntmen (“A Date With Burt”): Uncredited

Island Dancers: Uncredited

Island Inhabitants: Uncredited

Note: Worth later played one of Montalbán’s evil henchmen in 1988’s The Naked Gun: From the Files of Police Squad.

REVIEW:

Reminiscent of a seven-layer dip, melted cheese oozes throughout this inane episode.  Aside from producer Aaron Spelling’s glaring nepotism casting his young, pig-tailed daughter, one is left with a middling pair of love stories struggling to remain watchable. 

Both storylines serve up laughably clichéd pap, including a long-lost Egyptian/Greek/Roman civilization appearing freshly-minted from some second-rate Hollywood costume-and-prop department.  Most likely, viewers are lucky to tolerate a single viewing.

BRIAN’S ODD MOON RATING:                       3 Stars

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SLIMER AND THE REAL GHOSTBUSTERS: ELEMENTARY, MY DEAR WINSTON (Season 5, Episode 4)

SUMMARY:                 RUNNING TIME: 22:00 Min.

First aired on ABC-TV on September 16, 1989, this early Season 5 episode was directed by Will Meugniot.  With New York City readily emanating evil, the apparitions of Professor James Moriarty and a monstrous (dragon-like) Hound of the Baskervilles arise to collect enough evil supernatural power to bring Moriarty back to ‘life.’   Courtesy of a primitive-looking automobile, the ghostly duo of Sherlock Holmes and Dr. John H. Watson subsequently chase their foes across the city. 

Aiding Holmes in his rescue of an abducted Watson, only Winston Zeddemore initially senses the Ghostsbusters’ true foes in this odd skirmish.  Worse yet, upon invading the Ghostbusters’ HQ, Moriarty intends to feed off the captured ghosts held in their containment chamber to make himself unstoppable.    

Note: Egon speculates that, though Arthur Conan Doyle’s characters are indeed fictional, their ‘ghosts’ somehow manifest themselves because mass audiences firmly believe in them.  Hence, Doyle’s characters exist in their own ‘quasi-reality.’ 

Dr. Peter Venkman: Dave Coulier

Dr. Raymond Stantz, Slimer, Hound, & Miscellaneous Voices: Frank Welker

Winston Zeddemore: Buster Jones

Janine Melnitz: Kath Soucie

Dr. Egon Spengler & Dr. John H. Watson: Maurice LaMarche

Sherlock Holmes: Alan Shearman

Louis Tully & Professor James Moriarty: Rodger Bumpass

REVIEW:

Aside from a nice homage referencing the original film’s library sequence, this episode doesn’t age well.  Courtesy of a blah script geared towards first-graders with, at most, a rudimentary idea who Sherlock Holmes is, adults expecting little won’t be surprised.  While it is fun seeing Winston essentially take command of the team, the flimsy plotting (much like the animation) won’t likely impress anyone.

More so, Dave Coulier’s annoying take on Venkman makes the show’s lead character sound as dim-witted as John Travolta’s Vinnie Barbarino on Welcome Back, Kotter.  Let’s just say Venkman’s dubious contributions to this episode become an unwelcome distraction.  Despite entertaining its undemanding target audience for twenty minutes, the content of “Elementary, My Dear Winston,” clearly falls short of its intriguing premise. 

BRIAN’S ODD MOON RATING:                     3½ Stars

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(SLIMER AND) THE REAL GHOSTBUSTERS: GHOST FIGHT AT THE O.K. CORRAL (Season 2: Episode 47)

SUMMARY:                 RUNNING TIME: 22:00 Min.

First aired in syndication on November 17, 1987, this episode was directed by Masakzu Higuchi.  At Tombstone, Arizona, celebrated Western novelist Dewey LaMort (spoofing Louis L’Amour) is the guest of honor for a press conference announcing a new Old West theme park.  Yet, the restless ghost of Wyatt Earp interrupts … appropriately enough, at Boot Hill cemetery.  Earp’s fast-shooting ghost has no intention of giving up Tombstone to anyone.  It’s time to call in the Ghostbusters!

Upon their arrival in present-day Tombstone, the team (including a stowaway Slimer) splits up and faces ambushes from a spectral Earp and his re-materialized allies (brother Virgil & Morgan, along with “Doc” Holliday).  Ultimately, the Ghostbusters reckon that the trigger-happy Earp faction intends to replay the ‘Gunfight at the O.K. Corral.’  Yet, what can the team do in self-defense standing in for the hapless Clanton Gang outlaws?

Dr. Peter Venkman (and either Morgan or Virgil Earp): Lorenzo Music

Winston Zeddemore (and either Virgil or Morgan Earp): Arsenio Hall

Dr. Egon Spengler, “Doc” Holliday, & Mayor of Tombstone: Maurice LaMarche

Dr. Raymond Stantz, Dewey LaMort, & Slimer: Frank Welker

Wyatt Earp & Boris Mealey: Jonathan Schmock

Janine Melnitz: Laura Summer

Note: Although a gun is seen in Earp’s holster, the Earps & Holiday use their hands to simulate guns for their rapid-fire ‘ghost bullets.’

REVIEW:

On its surface, the premise practically duplicates a lesser Star Trek: The Original Series episode: “Spectre of the Gun.”  Like that Star Trek episode, again Wyatt Earp and his faction are conveniently the cold-hearted bad guys, regardless of actual American history.  Yet, upon a comparison of entertainment value, “Ghost Fight at the O.K. Corral” ages far better. 

Specifically, this Tombstone-themed episode sports more accurate historical research (including appropriate visuals for Wyatt’s squad) and, most obviously, a far-superior script where the Ghostbusters are forced into a defensive mode.  With the voice cast in terrific form, the much-better-than-expected “Ghost Fight at the O.K. Corral” merits a chance for re-discovery.    

BRIAN’S ODD MOON RATING:        6½ Stars

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