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FANTASY ISLAND {1979}: SÉANCE / THE TREASURE (Season 2: Episode 14)

SUMMARY:                       RUNNING TIME: 45:00 Min.

ABC-TV first broadcast this mid-season episode on January 13, 1979.  Mr. Roarke and Tattoo host this week’s guests: a young heiress who wishes to contact her dead twin brother through a séance; and a blue-collar fisherman brings along his down-to-earth wife to explore life as an instant multi-millionaire. 

Meanwhile, Tattoo has inadvertently ‘stolen’ a pony from somewhere on the island.  Also briefly seen is another guest (a mild-mannered news reporter, no less) living out his dream as Superman – though the character’s name is never stated, presumably for copyright purposes. 

Mr. Roarke: Ricardo Montalbán

Tattoo: Hervé Villechaize

Clare Conti (“Séance”): Eve Plumb

Todd Conti (“Séance”): Uncredited (possibly Eve Plumb)

Victor Conti (“Séance”): Leslie Nielsen

Eddie Loomis (“Séance”): Ross Bickell

Denise Morot (“Séance”): Stepfanie Kramer

Claude Morot (“Séance”): Joseph Hacker

Eva Capos (“The Treasure”): Shelley Fabares

Joe Capos (“The Treasure”): George Maharis

Party Guests (“The Treasure”): Warren Munson, Doug Banks, & Dorit Renier

McCloud (“The Treasure”): Michael Fox

Rancher: Don Megowan

Island Dancers: Uncredited

Island Inhabitants: Uncredited

‘Clark Kent:’ Uncredited

REVIEW:

Though Montalbán and Villechaize are in reliably good form, their guest stars fail to bring their A-game or even their B-game.  “Séance’s” plot thread presents some dark turns, but this supernatural potboiler is mediocre to the hilt.  Still, the outlandish spectacle of two explosive séances solving a murder-mystery is better viewing than “The Treasure.” 

When one sees Fabares & Maharis’ casually-dressed couple actually go scuba diving without equipment (aside from a single mask), “The Treasure’s” quality control instantly sinks with them.  This get-rich-quick fable is so predictable and illogical that the entire cliché-fest becomes virtually unwatchable. 

In particular, there shouldn’t be viewer sympathy for Maharis’ self-absorbed and nasty Joe Capos, i.e. as to how monetary wealth can be corruptive and why a happy marriage offers far greater wealth.  The only sympathy that should be extended is to co-star Fabares for being stuck with a crummy script.

As for Tattoo’s pony, this minor side story is mildly charming, as are the Superman/Clark Kent sight gags eliciting a quick chuckle.  The insurmountable problem, however, is that two ridiculous storylines suffer from undeniably dreadful acting.  Ironically, it makes sense that Nielsen’s cynical uncle would be this episode’s most believable guest character.     

BRIAN’S ODD MOON RATING:                  3 Stars

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POIROT: THE ADVENTURE OF JOHNNIE WAVERLY (Season 1: Episode 3)

SUMMARY:                  RUNNING TIME: 51:00 Min.

First broadcast on January 22, 1989, Renny Rye directed this early episode that Clive Exton adapted from Agatha Christie’s 1923 short story.  Both Scotland Yard and Poirot are baited ahead of time daring them to prevent the abduction of a country squire’s young son from his own home.  Despite Poirot and the police’s best efforts, young Johnnie Waverly still mysteriously vanishes. 

It’s up to Poirot and Hastings to track down the enigmatic kidnapper (or, quite possibly, kidnappers) to save the young boy. 

Hercule Poirot: David Suchet

Capt. Arthur Hastings: Hugh Fraser

Chief Inspector James Japp: Philip Jackson

Felicity Lemon: Pauline Moran

Ada Waverly: Julia Chambers

Johnnie Waverly: Dominic Rougier

Marcus Waverly: Geoffrey Bateman

Jessie Withers: Carol Frazer

Tredwell: Patrick Jordan

Miss Collins: Sandra Freeman

Police Sergeant: Phillip Manikum

Policemen: Jonathan Magnanti & Jona Jones

Hughes: Patrick Connor

Rogers: Robert Putt

Barmaid: Samantha Beckinsale

REVIEW:

Remaining faithful to Agatha Christie’s weak source material invariably backs this TV adaptation into a corner.  In spite of an initially ominous premise, the plotting then deteriorates into a rather flimsy excuse for a mystery.  Still, Poirot’s production values are stellar, even if this particular storyline is easily forgettable.

BRIAN’S ODD MOON RATING:                   5½ Stars

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POIROT: THE DREAM (Season 1: Episode 10)

SUMMARY:         RUNNING TIME: 50:00 Min.

First broadcast on March 19, 1989, Edward Bennett directed this early episode that Clive Exton adapted from Agatha Christie’s 1937-38 short story.  Poirot is cryptically summoned by reclusive London manufacturing tycoon Benedict Farley as a consultant for a strange recurring dream Farley experiences.  Specifically, this ominous dream compels him to violently commit suicide in his locked office. 

Failing to appease an irritable Farley, Poirot is soon alerted that Farley’s dream was indeed a grim premonition.  Considering others in Farley’s proximity would gladly benefit from his sudden death, Poirot senses that all isn’t what it seems.    

Hercule Poirot: David Suchet

Capt. Arthur Hastings: Hugh Fraser

Chief Inspector James Japp: Philip Jackson

Felicity Lemon: Pauline Moran

Joanna Farley: Joely Richardson

Benedict Farley / Hugo Cornworthy: Alan Howard

Mrs. Farley: Mary Tamm

Dr. Stillingfleet: Paul Lacoux

Herbert Chudley: Martin Wenner

Mr. Tremlett: Christopher Saul

Newsreel Voice: Neville Phillips

Workmen: Fred Bryant & Tommy Wright

Bandmaster: Christopher Gunning

Mayor: Donald Bisset

Fencing Instructor: Arthur Howell

Note: Series composer Christopher Gunning makes a cameo appearance in an appropriate role. 

REVIEW:

Effectively expanding upon Christie’s source material, padding this adaptation of “The Dream” with a youthful romance proves well-played.  Like the original short stories, “The Dream” surpasses “Four and Twenty Blackbirds” (also adapted in this same season), in terms of relying upon the same plot device.  This episode is very watchable!   

BRIAN’S ODD MOON RATING:                7 Stars

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POIROT: PROBLEM AT SEA (Season 1: Episode 7)

SUMMARY:             RUNNING TIME: 51:00 Min.

First broadcast on February 19, 1989, Renny Rye directed this early episode that Clive Exton adapted from Agatha Christie’s 1936 short story.  On a Mediterranean cruise, Belgian sleuth Hercule Poirot and his best friend, Captain Arthur Hastings, are among the passengers uneasily witnessing turbulence in the Clapperton marriage. 

Having gone ashore with two sympathetic female companions, Col. Clapperton later returns to shockingly discover that his wealthy spouse has been murdered inside their locked cabin.  Poirot and Hastings realize that that something beyond a random jewel theft is the true motive precipitating Mrs. Clapperton’s homicide.  

Hercule Poirot: David Suchet

Capt. Arthur Hastings: Hugh Fraser

Col. John Clapperton: John Normington

General Forbes: Roger Hume

Capt. Fowler: Ben Aris

Mrs. Clapperton: Sheila Allen

Ellie Henderson: Ann Firbank

Nelly Morgan: Dorothea Phillips

Emily Morgan: Sheri Shepstone

Kitty Mooney: Melissa Greenwood

Ismene: Louise Jones

Pamela Cregan: Victoria Hasted

Mr. and Mrs. Tolliver: Geoffrey Beevers & Caroline John

Mr. Russell: James Ottaway

Skinner: Colin Higgins

Bates: Jack Chissick

Photographer: Giorgos Kotanidis

Note: For historical purposes, Christie’s plot, intentionally or not, resembles her middling 1933 Parker Pyne short story, “Death on the Nile,” which utilizes a similar premise and locale.  By comparison, Problem at Sea” is a more satisfying mystery.

REVIEW:

High-caliber production values (spot-on acting, terrific location filming, etc.) easily surpass an average mystery that resorts to an eye-rolling gimmick for the ‘big reveal’ sequence.  Still, none of this faithful episode’s storytelling flaws ought to be attributed to this otherwise well-played production.  It simply conveys a decent Poirot tale making the story look better than Christie’s source material actually is.

BRIAN’S ODD MOON RATING:                    6 Stars

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POIROT: TRIANGLE AT RHODES (Season 1: Episode 6)

SUMMARY:                RUNNING TIME: 50:00 Min.

First broadcast on February 19, 1989, Renny Rye directed this early episode that Stephen Wakelam adapted from Agatha Christie’s 1936 short story.  On holiday at the scenic Greek island of Rhodes, Belgian sleuth Hercule Poirot reluctantly observes marital troubles flaring up between two vacationing couples: the Chantrys and the Golds. 

Poirot’s stern effort at intervention to avert imminent tragedy fails once the glamorous Mrs. Chantry is fatally poisoned.  With Mrs. Chantry’s rumored lover, Douglas Gold, arrested for her murder, Poirot senses a more sinister outcome has now been set in motion.  

Hercule Poirot: David Suchet

Pamela Lyall: Frances Low

Douglas Gold: Peter Settelen

Marjorie Gold: Angela Down

Commander Chantry: Jon Cartwright

Valentine Chantry: Annie Lambert

Major Barnes: Timothy Kightley

Police Inspector: Al Fiorentini

Skelton: Anthony Benson

Hotel Manager: Patrick Monckton

Young Greek Girl: Georgia Davis

Older Greek Woman: Sofia Olympiou

Cashier: Dimitri Andreas

Policeman: Stephen Gressieux

Ship Purser: Giannis Hatzgiannis

Customs Officer: Tilemanos Emanuel

Note: For historical purposes, “Triangle at Rhodes” predates Christie’s similar Poirot novel, Evil Under the Sun, by five years.

REVIEW:

The Poirot TV series faithfully adapts “Triangle at Rhodes” with welcome precision (i.e. beautiful scenic locations, superb acting, etc.).  Even better is that the script smartly expands upon Christie’s source material in the right places.  For instance, David Suchet’s on-screen chemistry with Frances Low’s Pamela Lyall and Timothy Kightley’s Barnes as his temporary crime-solving partners is well-played. 

Though “Triangle at Rhodes” is a relatively obscure mystery, its TV adaptation certainly merits re-discovery. 

BRIAN’S ODD MOON RATING:               7½ Stars

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MASH: CARRY ON, HAWKEYE (Season 2: Episode 11)

SUMMARY:               RUNNING TIME: 25:00 Min.

First televised by CBS-TV on November 24, 1973, Jackie Cooper directed this mid-season episode.  A nasty flu bug has infiltrated the 4077th, leaving Hawkeye literally the last surgeon standing.  Despite Radar’s futile efforts to recruit temporary O.R. help, it’s up to an exhausted Hawkeye and the nurses to cover all incoming waves of casualties.  Even Father Mulcahy and Radar are called upon to serve as fill-in nurses, especially once Hawkeye, too, becomes ill. 

Meanwhile, Margaret and Hawkeye must settle who is in temporary command of the camp.

Capt. “Hawkeye” Pierce: Alan Alda                                                    

Capt. “Trapper” John McIntyre: Wayne Rogers

Lt. Col. Henry Blake: MacLean Stevenson            

Cpl. “Radar” O’Reilly: Gary Burghoff

Major Margaret “Hot Lips” Houlihan: Loretta Swit    

Major Frank Burns: Larry Linville

(Lt.) Father Francis Mulcahy: William Christopher                            

Lt. Kellye Yamato, R.N.: Kellye Nakahara

Nurses: Sheila Mettey; Gwen Farrell; & Marcia Gelman

P.A. Announcer: Todd Sussman

REVIEW:

“Carry On, Hawkeye,” exemplifies the notion of Alan Alda’s stature as MASH’s undisputed star.  Still, this plot wouldn’t have worked nearly as well had it centered around one of Alda’s co-stars. 

The good news is that, with terrific support from Loretta Swit, Gary Burghoff, & William Christopher, Alda ensures that this poignant episode remains re-watchable.  In particular, one of the best-ever Hawkeye/Margaret sequences occurs here when they hilariously trade off giving each other flu shots in Henry’s office. 

Suffice to say, Alda & Swit’s reliable chemistry in “Carry On, Hawkeye” makes for solid TV entertainment.       

BRIAN’S ODD MOON RATING:             6½ Stars

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MASH: KIM (Season 2, Episode 6)

SUMMARY:                    RUNNING TIME: 25:00 Min.

First televised by CBS-TV on October 20, 1973, William Wiard directed this early Season 2 episode.  Displaying a fatherly bond, Trapper becomes emotionally attached to a young Korean orphan.  Having convinced his family to adopt young Kim, Trapper must risk his life to rescue his surrogate son, who mistakenly plays in a live minefield outside the 4077th. 

Capt. “Hawkeye” Pierce: Alan Alda                                                    

Capt. “Trapper” John McIntyre: Wayne Rogers

Lt. Col. Henry Blake: MacLean Stevenson                                                      

Cpl. “Radar” O’Reilly: Gary Burghoff

Major Margaret “Hot Lips” Houlihan: Loretta Swit    

Major Frank Burns: Larry Linville

(Lt.) Father Francis Mulcahy: William Christopher                            

Cpl. Maxwell Klinger: Jamie Farr

Kim: Edgar Miller

Kim’s Mother: Momo Yashima

Lt. Kellye Yamato, R.N.: Kellye Nakahara

Nurse: Lesley Evans

Private Igor Straminsky: Jeff Maxwell

Note: The actress portraying Sister Theresa isn’t the same as the one who appears as her in, for instance, Season One’s “Tuttle.”  That actress is Mary-Robin Redd. 

REVIEW:

Exploring the welcome poignancy of Trapper’s paternal instinct to have a son, Wayne Rogers makes the most of this dramatic opportunity.  Considering that Rogers, as the show’s second-billed star, had so few chances (oddly enough) to escape Alan Alda’s considerable shadow, “Kim” delivers a minor gem for his acting resumé.  Yet, any genuine character growth boosting Trapper’s presence is conveniently wiped out at the last minute, which means Kim is completely forgotten by the next episode. 

“Kim,” at least, hints at what MASH scriptwriters might have done with Trapper to keep a disgruntled Rogers from abruptly departing between Seasons 3 and 4.  Specifically, writing episodes more like this one would have evolved Rogers’ Trapper to better contrast/mature his personality from Hawkeye’s, i.e. as later done with Mike Farrell’s BJ Honeycutt. 

As far as watchability, “Kim” isn’t one that will come to mind, but it represents Rogers’ finest MASH performance.

BRIAN’S ODD MOON RATING:              6½ Stars

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MASH: RADAR’S REPORT (Season 2: Episode 3)

SUMMARY:                  RUNNING TIME: 25:00  Min.

First televised by CBS-TV on September 29, 1973, Jackie Cooper directed this early Season 2 episode.  Evidently late at night, “Radar” O’Reilly is busily typing a summary of the week’s events at the 4077th

For instance, an embarrassing case of mistaken identity prompts an exasperated Margaret & Frank to demand that Henry have Klinger submit to a Section Eight exam to be discharged from the Army as a transvestite.  Conducting this psychiatric exam is Major Milton Freedman (later renamed in the series as Sidney Freedman).

Wounded in a tragic O.R. mishap with a Chinese prisoner is Nurse Erika Johnson, with whom Hawkeye shares a whirlwind romance.  That same surgical incident inadvertently kills a defenseless U.S. soldier, who is Trapper’s patient during an operation. 

Fuming over his patient’s death, Trapper darkly contemplates vengeance upon the now-isolated P.O.W.  Ultimately, all three matters are resolved prior to the camp’s weekly correspondence with Army HQ.

Capt. “Hawkeye” Pierce: Alan Alda                                                    

Capt. “Trapper” John McIntyre: Wayne Rogers

Lt. Col. Henry Blake: MacLean Stevenson                                                      

Cpl. “Radar” O’Reilly: Gary Burghoff

Major Margaret “Hot Lips” Houlihan: Loretta Swit    

Major Frank Burns: Larry Linville

(Lt.) Father Francis Mulcahy: William Christopher                            

Cpl. Maxwell Klinger: Jamie Farr

Major Sidney (Milton) Freedman: Allan Arbus

Lt. Erika Johnson, R.N.: Joan Van Ark

Lt. Kellye Yamato, R.N.: Kellye Nakahara

Chinese Prisoner: Derick Shimatsu

REVIEW:

At first glance, “Radar’s Report” is a routine MASH.  Yet, the script’s terrific content is underrated, as this installment is overshadowed by more hilarious shows in the same season.  Still, the Klinger vs. Frank & Margaret angle is spot-on, as Jamie Farr’s chemistry with Larry Linville, Loretta Swit, and guest star Allan Arbus ages exceptionally well.  The same applies to a brief scene between Arbus and MacLean Stevenson discussing ‘Klinger’ and his eye-rolling antics.  Speaking of chemistry, in her sole MASH appearance, Joan Van Ark works several delightful scenes with Alan Alda.

Yet, given a rare dramatic opportunity, Wayne Rogers’ ‘Trapper’ scores the episode’s MVP, as far as making the most of relatively minimal screen time.  If one is in search of a MASH episode effectively balancing humor and romance with a tragic sub-plot, “Radar’s Report” fits the bill.        

BRIAN’S ODD MOON RATING:                7 Stars

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THE ADDAMS FAMILY: HALLOWEEN WITH THE ADDAMS FAMILY (Season 1: Episode 7)

SUMMARY:          RUNNING TIME: 25:00 Min. (Black & White)

First broadcast on ABC-TV on October 30, 1964, Sidney Lanfield directed this episode.  On Halloween Night, two hapless crooks opt to hide out in the Addams mansion to evade the police.  They soon realize what a foolhardy mistake they’ve made accepting this invitation.   

Morticia Addams: Carolyn Jones

Gomez Addams: John Astin

Wednesday Addams: Lisa Loring

Pugsley Addams: Ken Weatherwax

Lurch: Ted Cassidy

Thing: ‘Itself’

Grandmama: Blossom Rock (aka Marie Blake)

Uncle Fester: Jackie Coogan

Claude: Don Rickles

Marty: Skip Homeier

Cop #1: George Barrows

Cop #2: Uncredited

REVIEW:

The clichéd premise, unsurprisingly, mirrors similar episodes of The Munsters.  Still, this episode delivers some welcome hilarity for a Halloween-themed sitcom binge-fest.  Suffice to say, it’s a spot-on Addams Family TV treat.      

BRIAN’S ODD MOON RATING:                  5½ Stars

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THE ADDAMS FAMILY: THE ADDAMS FAMILY GOES TO SCHOOL (Season 1: Episode 1)

SUMMARY:        RUNNING TIME: 25:00 Min. (Black & White)

ABC-TV first broadcast the series premiere (directed by Arthur Hiller) on September 18, 1964.  The local school district attempts to persuade Morticia & Gomez Addams to enroll their young children, Pugsley and Wednesday, in school.  Suffice to say, the truant officer’s two bewildering visits inside the Addams home is cause for second thoughts … especially when Morticia & Gomez offer suggestions to improve learning.

Morticia Addams: Carolyn Jones

Gomez Addams: John Astin

Wednesday Addams: Lisa Loring

Pugsley Addams: Ken Weatherwax

Lurch: Ted Cassidy

Thing: Jack Voglin

Grandmama: Blossom Rock (aka Marie Blake)

Uncle Fester: Jackie Coogan

Sam Hilliard: Allyn Joslyn

Miss Comstock: Madge Blake

Miss Morrison: Nydia Westman

Mailman: Rolfe Sedan

Trivia Notes: Two years later, Madge Blake acquired her best-known role: portraying Dick Grayson’s live-in Aunt Harriet on Batman. Speaking of Batman connections, Astin would briefly replace Frank Gorshin as Season 2’s Riddler.  After playing a Batman villainess, Jones was one of three actresses later cast as Wonder Woman’s mom, Queen Hippolyta, for Lynda Carter’s Wonder Woman TV series.  Not to be outdone, Cassidy served as the opening credits narrator (and the Hulk’s voice) on TV’s The Incredible Hulk.   

REVIEW:

With the regular cast in vintage form, the show’s macabre humor exudes not only in the terrific visual gags, but the nonchalant dialogue as well.  While there’s nothing remarkable about “The Addams Family Goes to School” (it’s just a standard episode), this installment still holds up well nearly sixty years later.  The only parental note is that the show’s quirky brand of comedy skews to slightly older children than The Munsters typically do.       

BRIAN’S ODD MOON RATING:                         6 Stars

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