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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's) Soundtracks (Digital)

IT’S RAINING MEN {Cover} (by Geri Halliwell: Bridget Jones’s Diary movie soundtrack)

SUMMARY:                                 RUNNING TIME: 4:14 Min.

Covering The Weather Girls’ 1982 disco hit, Spice Girl Geri Halliwell performed this tune for 2001’s Bridget Jones’ s Diary movie soundtrack.

REVIEW:

While The Weather Girls’ vibrant original version is bright and sunny – Geri Halliwell, though faithful to the song’s melody, opts for something closer to scorching.  Her performance impressively kicks this exuberant dance song up a few notches.  Whether it’s for workouts or dance playlists, this guilty pleasure song is simply dynamite.

BRIAN’S ODD MOON RATING:               8 Stars

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's) Soundtracks (Digital)

HAVE YOU MET MISS JONES? {Cover} (by Robbie Williams: Bridget Jones’s Diary movie soundtrack)

SUMMARY:                              RUNNING TIME: 2:33 Min.

The original Richard Rodgers & Lorenz Hart relic dates clear back to 1937.  British performer Robbie Williams covers this romantic show tune for 2001’s Bridget Jones’s Diary movie soundtrack.

REVIEW:

Going into full-on, old-school Sinatra mode, Robbie Williams delivers a swing jazz-pop show-stopper.  With ideal big band support, Williams transforms this song into an exuberant gem. 

BRIAN’S ODD MOON RATING:        8 Stars

Note: Williams goes two-for-two with the wonderful “Not of This Earth” (which he co-wrote) for the same soundtrack.

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

ONE OF US {Cover} (by Amanda Seyfried & Dominic Cooper: Mamma Mia! Here We Go Again movie soundtrack)

SUMMARY:                            RUNNING TIME: 3:45 Min.

For the 2018 sequel, Mamma Mia! Here We Go Again, Amanda Seyfried duets with co-star Dominic Cooper on this cover of the vintage ABBA hit.

REVIEW:

Benefiting from a sparkling melody, Amanda Seyfried and Dominic Cooper demonstrate great vocal chemistry on this tune.  To some degree, this track is unfairly overshadowed by other tunes off the same album.  As heard on “One of Us,”  there’s no question that Amanda Seyfried’s voice sounds just as stellar as co-star Lily James.  To Dominic Cooper’s credit, he holds his own with Seyfried.  This underrated duet is definitely worth consideration as a download. 

BRIAN’S ODD MOON RATING:               8 Stars

Note: This tune benefits from a better pop melody than Seyfried & Cooper’s “Lay All Your Love on Me” duet on 2008’s Mamma Mia! soundtrack.

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Jazz, Blues, & New Age Soundtracks (Digital)

HARLEM NOCTURNE: THE MIKE HAMMER TV THEME {Cover} (by The London Starlight Orchestra: 16 Famous TV Themes)

SUMMARY:                             RUNNING TIME: 3:28 Min.

Dating back to 1939, this instrumental jazz classic co-written by Earle Hagen and Dick Rogers was a frequent cover for decades.  Perhaps most memorably, the tune was became the lead theme of Stacy Keach’s hard-boiled Mike Hammer TV franchise in the ‘80s (and its brief reboot in the ’90s). The London Starlight Orchestra covered the Hagen-Rogers tune for its 1989 album, 16 Famous TV Themes

REVIEW:

Given its ultra-obscure source, one might have low standard-issue expectations for a nondescript orchestra covering “Harlem Nocturne.”  Impressively, this up-tempo rendition offers terrific entertainment.  Lightening the tune’s gritty noir-style spirit, The London Starlight Orchestra makes this jazz standard sound surprisingly fresh.  It’s worth checking out as a possible download addition to any instrumental jazz or relaxing TV tunes playlists.       

BRIAN’S ODD MOON RATING:                7½ Stars

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

SOMEWHERE OVER THE RAINBOW {Cover} (by Kimberley Locke: One Love)

SUMMARY:                         RUNNING TIME: 4:31 Min.

As the finale of her 2003 One Love album, American Idol alum Kimberley Locke covers this pop standard dating back to Judy Garland in 1939’s The Wizard of Oz.      

REVIEW:

Re-imagined with a contemporary R&B beat, the magic of “Somewhere Over the Rainbow” works for Kimberley Locke.  Supported by a spot-on choir, the underrated Locke sounds terrific.  Though it isn’t surprising this track is reminiscent of an American Idol semi-finals/finals-style performance, Locke still imbues this overdone standard with a classy update.  It’s well worth considering as a download option for jazzy R&B playlists.   

BRIAN’S ODD MOON RATING:         8 Stars

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DC-Related Digital Songs & Albums Electronica & Epic Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital)

WONDER WOMAN: MAIN THEME {2017 movie} (by Tina Guo: single)

SUMMARY:                        RUNNING TIME: 3:43 Min.

In conjunction with composer Hans Zimmer, cellist/electric cellist Tina Guo released her own single showcasing her contribution to the live-action Gal Gadot movie.  The track evidently doesn’t appear in solo form on the official Wonder Woman soundtrack.  Under the title of “Is She With You?,” this track’s origin dates back to the Zimmer and Junkie XL version for the 2016 Batman vs. Superman: Dawn of Justice film. 

REVIEW:

Tina Guo’s stellar rendition of Wonder Woman’s most pivotal theme hints at how awesome the movie itself actually is.  Bringing the Amazon icon’s sense of noble, hard-charging heroism to life, this pulsating instrumental makes for some dynamite listening.  For soundtrack and epic instrumental enthusiasts, Guo’s work is definitely recommended as a can’t-miss prospect for a favorite playlist.   

BRIAN’S ODD MOON RATING:           10 Stars

Note: The original, somewhat darker Zimmer/Junkie XL “Is She With You?” is also an excellent download option.  In terms of a supplemental download option, one might like Guo’s 2014 collaboration with her then-husband, R. Armando Morabito and German-based vocalist Julie Elven on “Sea of Atlas.”  Though otherwise unrelated, it’s a neat retro-fit for Gadot’s Wonder Woman film.     

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Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's) STAR TREK-Related

STAR TREK: THE CAGE {Cover – Suite} (by Erich Kunzel & The Cincinnati Pops Orchestra: Symphonic Star Trek)

SUMMARY:                            RUNNING TIME: 7:33 Min.

First recorded for Star Trek’s unsold first pilot, “The Cage,” in 1965, the Alexander Courage themes contained in this suite can be heard in Star Trek’s first-season two-parter, “The Menagerie, Parts I & II” in 1966.  Specifically, the suite helps narrate U.S.S. Enterprise Captain Christopher Pike’s (Jeffery Hunter) illusionary ordeal on the planet, Talos IV.  This specific suite was recorded by the Cincinnati Pops Orchestra for 1996’s Symphonic Star Trek instrumental album.   

REVIEW:

The rejected “Cage” was reportedly deemed far too ‘cerebral’ by NBC television executives.  Listening to this somewhat haunting suite, one can grasp why its unusual sound would have been far ahead of its time for 1965 American television.  This “Cage” blends Star Trek’s original theme with classy instrumental flavors shifting from exotic to mysterious while still anchored to a sense of sci-fi/fantasy.  Ethereally replicated by Erich Kunzel & the Cincinnati Pops Orchestra, this rare track is a keepsake, not for only long-time Star Trek fans, but for any sci-fi playlist.   

BRIAN’S ODD MOON RATING:            8½ Stars

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DC-Related Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital)

WONDER WOMAN TV SERIES THEME {Cover} (by The Allen Toussaint Orchestra: 15 Superhero Themes)

SUMMARY:                               RUNNING TIME: 2:56 Min.

The original 1975-1979 ABC/CBS TV opening theme is credited to Norman Gimbel and Charles Fox, as it clocks a 1:41 running time.  For this extended cover rendition (including both lead and back-up vocals), the tune is provided by The Allen Toussaint Orchestra for its 2013 15 Superhero Themes album.    

REVIEW:

At most, it’s serviceable.  This well-intentioned cover is a decent mix of glorified karaoke and synthesizer-like sound.  Thankfully, there are better renditions out there.

BRIAN’S ODD MOON RATING:            5 Stars

Note: The vintage Norman Gimbel-Charles Fox TV tune (including the vocals and sound effects) appears on 2010’s DC Comics: The 75th Anniversary album.  

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DC-Related Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital)

BATMAN 1966-68 TV SERIES THEME {Cover} (by The Allen Toussaint Orchestra: 15 Superhero Themes)

SUMMARY:                            RUNNING TIME: 2:00 Min.

The 1966-1968 ABC TV opening credits theme credited to Neal Hefti runs approximately forty-five seconds.  For this extended cover (including vocals), the tune is from The Allen Toussaint Orchestra and uncredited chorus singers on its 2013 15 Superhero Themes album.    

REVIEW:

Sporting a catchy disco riff (including an electric guitar solo), this energetic rendition of Neal Hefti’s original theme proves better than expected.  At certain moments, it actually almost sounds like the original TV tune.  For Batman music aficionados, this endearing, if not particularly memorable, take is worth the two minutes to enjoy it. 

BRIAN’S ODD MOON RATING:            6 Stars

Note: The vintage Neal Hefti TV tune (including the vocals and campy fisticuffs sound effects) appears on 2016’s Music of DC Comics, Vol. 2 album.  Similar to Toussaint’s version, 2010’s DC Comics: 75th Anniversary album has its own campy 2:19 rendition that is closer to the original version than Toussaint’s.    

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Digital Songs & Albums Electronica & Epic Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital)

AIRWOLF RETURNS {Cover} (by Kevin F. Montague: Airwolf – The Movie: Music from the Original Film Score)

SUMMARY:                         RUNNING TIME: 5:01 Min.

The original 1984 TV score for Airwolf’s feature-length pilot episode (aka “Shadow of the Hawke”) was produced by composer-conductor Sylvester Levay.  For a subsequent overseas release, the pilot film and a later TV episode, “Mad Over Miami,” were subsequently melded together to what has since been dubbed Airwolf: The Movie

Approximately thirty years later, musician Kevin F. Montague recreated Levay’s orchestral work to produce Airwolf: The Movie’s pseudo-soundtrack.  This particular track evidently occurs at the onset, as nefarious Dr. Charles Henry Moffett and his henchmen turn a test flight into a killing spree before absconding with Airwolf to hide out in Libya.  The track is further bracketed by sound effects, i.e. blowing desert winds and multiple instances of Airwolf’s engines blasting into turbo mode.   

REVIEW:

Kevin F. Montague comes close to reviving the instrumental panache of Sylvester Levay’s work, not to mention the inclusion of the spot-on sound effects.  What Montague doesn’t overcome is this track’s oddly compressed audio quality.  Too often this track sounds as if it’s merely regurgitated as a synthesizer cover.  One might also notice that the ending sound effects (specifically, variations of Airwolf’s acceleration) merely pad the running time. 

At most, listeners receive a fun five-minute homage.  Still, “Airwolf Returns” is indicative of how cool Levay’s futuristic-sounding instrumentals were for the mid-80’s.      

BRIAN’S ODD MOON RATING:                    Stars

Note: Levay’s opening credits version appears on 1996’s Television’s Greatest Hits, Vol. 6: Remote Control album.

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