Category: Soundtracks (Digital)

EPILOGUE/END CREDITS (by James Horner & Leonard Nimoy – from 1982’s Star Trek II: The Wrath of Khan movie soundtrack)

Post author By oddmoonmediareviews
Post date September 27, 2024

SUMMARY: RUNNING TIME: 8:47 Min.

From the closing moments and end credits of 1982’ Star Trek II: The Wrath of Khan movie soundtrack, composer James Horner performs the tune with an unidentified orchestra. Before shifting into the closing credits, as heard in the film, star Leonard Nimoy provides the Original Series opening “Space … The Final Frontier” voiceover that his co-star, William Shatner, had previously delivered.

REVIEW:

Long overshadowed by John Williams’ iconic Star Wars scores, James Horner’s own work from The Wrath of Khan is undeniably stellar.

Instead of mimicking Williams’ epic style, Horner opts for a more nautical though modern sound (i.e. occasional synthesizers) that echoes the Original Series’ theme at the right moments. More so, the low-key vibe Horner imbues this track makes wonderful use of poignant tinges to make the film’s storyline seem even more timeless. It’s a welcome deviation from composer Jerry Goldsmith’s excessively grandiose take on 1979’s Star Trek: The Motion Picture.

Still, what makes this original track frankly perfect is Leonard Nimoy’s brief presence. With his familiar voice slightly filtered to sound raspier, Nimoy’s contribution conveys a ghostly effect – appropriately, given the film’s somber yet still optimistic ending. More so, the teamwork between Horner and Nimoy ensures that “Epilogue/End Credits” saves the best for the last on arguably the franchise’s greatest soundtrack. Highly recommended!

BRIAN’S ODD MOON RATING: 10 Stars

Digital Songs & Albums Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

BEVERLY HILLS COP II (by Various Artists: 1987 film soundtrack)

Post author By oddmoonmediareviews
Post date September 27, 2024

SUMMARY: RUNNING TIME: 45:14 Min.

MCA Records released the movie soundtrack for 1987’s Beverly Hills Cop II. Notably, none of composer Harold Faltermeyer’s instrumental tracks are included – unlike the original film’s soundtrack. This 1987 album subsequently peaked at # 8 on U.S. Billboard charts. Bob Seger’s popular lead-off tune, “Shakedown,” would later earn nominations in 1988 for ‘Best Original Song’ at both the Academy Awards and the Golden Globes.

The eleven-track album consists of the following:

Shakedown (by Bob Seger) (4:01)
Be There (by The Pointer Sisters) (4:17)
In Deep (by Charlie Sexton) (3:34)
Hold On (by Corey Hart) (3:46)
I Want Your Sex (by George Michael) (4:47)
Better Way (by James Ingram) (4:10)
Love/Hate (by Pebbles) (4:02)
Cross My Broken Heart (by The Jets) (4:12)
36 Lovers (by Ready For The World) (4:19)
I Can’t Stand It (by Sue Ann Carwell) (4:04)
All Revved Up (by Jermaine Jackson) (4:02)

The album is currently available in vinyl, CD, and digital formats.

REVIEW:

Thirty-seven years later, Bob Seger’s “Shakedown” is still a dynamite tune to add to any rock or movie hits playlist. Still, one can obtain the track off a Seger’s greatest hits project, as opposed to locating it on this album misfire. Aside from solid entries from Seger, The Pointer Sisters, and James Ingram, this album would frankly pass as a bland mid-80’s R&B compilation.

When compared to the original Beverly Hills Cop soundtrack, there’s nothing remarkable about this sequel effort. Instead, it’s a precursor to a ‘90s film soundtrack trend utilizing forgettable rock/pop tunes (not actually used for the advertised movie) as glorified padding. Hence, the sales gimmick became the dubious ‘inspired by’ portion of soundtracks. The same applies to Beverly Hills Cop II where musical substance is hardly its top objective.

The total exclusion of Harold Faltermeyer’s score isn’t necessarily a deal-breaker. Still, given the album’s actual content, the producers’ intent was solely on potential radio play. Case in point: though apt for its scene at the Playboy Mansion estate, George Michael’s “I Want Your Sex” serves up bottom-of-the-barrel pop trash. Dragging down the rest of the album, Michael’s cringe-worthy track makes Beverly Hill Cop II’s playlist kid-unfriendly for no good reason.

The album’s most practical option for finding a physical copy is either at a garage sale or a discount retailer. Otherwise, hearing this soundtrack once digitally may prove more than sufficient.

Note: Pursuant to his song’s own radio popularity, George Michael (who also wrote “I Want Your Sex”) scored an award much deserved: a 1987 Razzie for ‘Worst Song.’

BRIAN’S ODD MOON RATING: 5 Stars

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DRAGNET ’88 (by The Art of Noise – inspired by 1987’s Dragnet movie soundtrack)

Post author By oddmoonmediareviews
Post date September 27, 2024

SUMMARY: RUNNING TIME: 2:59 Min.

From the 1987 Dragnet film soundtrack, British synthesizer-pop group (The) Art of Noise supplies this homage title tune.

Film dialogue clips from co-stars Dan Aykroyd, Tom Hanks, Dabney Coleman, and narrator Bill Wittman are included (and often repeated) to give the song a remix-style take on composer Ira Newborn’s instrumental opening credits track. The tune appears (in a different form) on the soundtrack as “Dragnet (Danger Ahead/Dragnet March).”

One might consider “Dragnet ‘88” a companion piece for another of the soundtrack’s inclusions, “City of Crime,” performed by Aykroyd and Hanks.

REVIEW:

For non-fans, this upbeat, synthesizer-heavy track will probably get old fast. Still, fans of Dan Aykroyd & Tom Hanks’ Dragnet film will likely find this playful Art of Noise tune a welcome treat. “Dragnet ’88,” suffice to say, makes for a fun throwaway on a road trip or movie hits playlist.

BRIAN’S ODD MOON RATING: 7 Stars

Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

MANHUNT (by Karen Kamon – from 1983’s Flashdance soundtrack)

Post author By oddmoonmediareviews
Post date September 27, 2024

SUMMARY: RUNNING TIME: 2:36 Min.

From 1983’s Flashdance movie soundtrack, Karen Kamon performs its fourth tune: “Manhunt.” Going a full year after the album’s initial release, “Manhunt” also subsequently became the soundtrack’s fourth released single. As of this writing, the Flashdance soundtrack (currently available in vinyl, CD, and digital formats) is the only source to find “Manhunt.”

REVIEW:

Superficially, this Early 80’s dance-pop tune isn’t all that remarkable. Given the same soundtrack’s multiple award-winning/nominated pop hits (i.e. Irene Cara’s “Flashdance … What A Feeling!,” and Michael Sembello’s “Maniac”), it isn’t surprising that Karen Kamon’s sexually assertive tune has been overshadowed for more than forty years. Still, when given a chance, this track’s catchy melody and Kamon’s appealing vocals make “Manhunt” a better song than one might assume.

Hence, the sultry charm of “Manhunt” merits consideration for any retro-dance, movie hits, or road trip playlist.

BRIAN’S ODD MOON RATING: 6½ Stars

Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Rock & Symphonic/Metal Soundtracks (Digital)

VOICE OF AMERICA’S SONS (by John Cafferty & The Beaver Brown Band: Tough All Over)

Post author By oddmoonmediareviews
Post date September 18, 2024

SUMMARY: RUNNING TIME: 4:35 Min.

Originally off John Cafferty and The Beaver Brown Band’s 1985 debut album, Tough All Over, this upbeat rock tune ultimately peaked at # 62 on the U.S. charts. Its release as a single, however, stemmed from the tune’s prominent appearance in the 1986 Sylvester Stallone action film, Cobra. Hence, “Voice of America’s Sons” appears as the first track for both albums.

Today, the song still occasionally resurfaces through radio airplay.

Note: “Voice of America’s Sons” is also available digitally.

REVIEW:

No matter how unremarkable it may sound, the rollicking “Voice of America’s Sons” is still undeniably catchy. Hence, saving it a spot somewhere on your road trip playlist makes good sense.

BRIAN’S ODD MOON RATING: 6 Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

NEVER SAY NEVER AGAIN (by Lani Hall & Michel Legrand: Never Say Never Again movie soundtrack)

Post author By oddmoonmediareviews
Post date September 18, 2024

SUMMARY: RUNNING TIME: 3:06 Min.

Off 1983’s Never Say Never Again movie soundtrack, the film’s title tune is performed by vocalist Lani Hall and its composer, Michael Legrand. The song’s lyrics were co-written by Alan & Marilyn Bergman.

Though “Never Say Never Again” may be hard to find on vinyl or CD, this track is available digitally. Also, one can watch online the song’s 1983 music video featuring a black tuxedo-clad Hall.

REVIEW:

Though the tune is reminiscent of a chintzy ‘80s lounge act, Lani Hall’s slyly effervescent vocals make up the difference. In that sense, this song works beautifully accompanying Sean Connery’s last on-screen adventure as James Bond.

Bolstered by Michel Legrand’s jazzy melody, Hall’s effort is catchier than her same year’s James Bond competition: Rita Coolidge’s “All Time High” from Roger Moore’s competing Octopussy. Though neither tune is a must-have (frankly, they rate about the same), there’s a worthwhile factor to consider.

While Coolidge conveys a breezy easy listening treat reminiscent of Carly Simon, “All-Time High” is instantly forgettable. Hall’s playful “Never Say Never Again” pop vocal performance, conversely, merits a chance for re-discovery.

BRIAN’S ODD MOON RATING: 6 Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Rock & Symphonic/Metal Soundtracks (Digital)

DOUBLEBACK (by ZZ Top: Recycler)

Post author By oddmoonmediareviews
Post date March 12, 2023

SUMMARY: RUNNING TIME: 3:53 Min.

From its 1990 album, Recycler, this ZZ Top rock tune would accompany the closing credits of Back to the Future, Part III that same year. In one of the film’s 1885 sequences, the band makes a cameo appearance performing an instrumental version of the song. Unsurprisingly, ZZ Top’s “Doubleback” music video is a commercial for the movie.

Note: “Doubleback” is not included with composer Alan Silvestri’s score on the 1990 soundtrack. Re-imagined with a country music twinge, the same-named acoustic rendition (as heard in ‘1885’) appears in its place. This track lasts under ninety seconds. The acoustic version’s extended 3:13 minute cut was subsequently added to the soundtrack’s 25^th Anniversary Edition.

REVIEW:

Appropriately enough, “Doubleback” is its own nostalgia time machine. Vividly conveying Marty McFly’s Old West adventure, ZZ Top sounds near the top of their game. Working off a rip-snorting melody, the catchiness of this pulsating tune remains undiminished. Even if “Doubleback” isn’t a priority download, adding it sometime to a favorite rock, soundtrack, or workout playlist makes good sense.

BRIAN’S ODD MOON RATING: 7 Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

NEVER FORGET {Cover} (by Jehramae Trangia: 2017 single)

Post author By oddmoonmediareviews
Post date December 1, 2022

SUMMARY: RUNNING TIME: 3:49 Min.

In 2017, Filipino singer Jehramae Trangia (then a teenager) covered Michelle Pfeiffer’s ballad, “Never Forget,” from the soundtrack of the same-year film, Murder on the Orient Express. From her ‘music video,’ it appears that Trangia is singing off a pre-recorded instrumental of “Never Forget” (possibly one from the film itself).

REVIEW:

It is inevitable that the youthful Trangia would fall short of Pfeiffer’s mellow sound imbuing the song’s haunting context. Still, Trangia’s likable vocals interprets “Never Forget” perhaps more as a tragically-fated young romance. If so, her version would be hypothetically ideal to accompany a teenage ghost story film.

Overall, with this cover as evidence, then Trangia’s potential suggests a bright future in the recording industry.

BRIAN’S ODD MOON RATING: 7 Stars

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