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Individual Tracks (Digital Albums & Singles) Music & Radio Shows Sherlock Holmes-Related Soundtracks (Digital)

DISCOMBOBULATE (by Hans Zimmer: Sherlock Holmes movie soundtrack)

SUMMARY:                                  RUNNING TIME: 2:24 Min.

This up-tempo instrumental tune from composer-conductor Hans Zimmer is the pivotal mood-setting tune for Robert Downey’s Jr. Sherlock Holmes & Jude Law’s Dr. John H. Watson on 2010’s Sherlock Holmes film soundtrack.

REVIEW:

Within the context of the film, Zimmer’s ode to 19th Century British sleuthing works wonderfully.  To its credit, this upbeat orchestral tune enhances Robert Downey Jr.’s unconventional approach to Sherlock Holmes.  Only perhaps Benedict Cumberbatch’s TV Sherlock could also incorporate Zimmer’s tune as is — its contemporary catchiness would be a poor fit for faithful visual interpretations of Holmes (i.e. Jeremy Brett, Basil Rathbone, etc.).  As a digital single, “Discombobulate” serves up an instrumental treat, as its stylish British flavor is hard to miss.  If one enjoys mystery mood playlists, this tune is worth the download. 

BRIAN’S ODD MOON RATING:              8 Stars

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Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

CHANGE THE WORLD (by Eric Clapton: Complete Clapton)

SUMMARY:                                   RUNNING TIME: 3:54 Min.

Originally released in 1996, this low-key tune is the primary theme of the John Travolta sci-fi/fantasy film, Phenomenon.  Among other albums this song has appeared on is 2007’s Complete Clapton CD.  This version of the song is considered Eric Clapton’s “standard release” edition.       

REVIEW:

Imbued with a low-key Clapton performance, its leisurely-paced melody is blessed with thoughtful lyrics that any romantic daydreamer can relate to.  “Change the World”  is well-composed, as Clapton’s distinctive voice brings this love song to life with the right degree of poignancy.  The track is certainly worth re-discovery.         

BRIAN’S ODD MOON RATING:                              8 Stars

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Digital Songs & Albums Electronica & Epic Individual Tracks (Digital Albums & Singles) Soundtracks (Digital)

AIRWOLF: SUITE FOR ORCHESTRA (by Rick Patterson based upon Sylvester Levay’s original theme: Themes from Airwolf – Season Four)

SUMMARY:                                  RUNNING TIME: 7:52 Min.

Released in 2014, this track is an orchestral medley of original composer Sylvester Levay’s Airwolf themes (much of which is heard in the 1984 pilot episode, “Shadow of the Hawke,” during Airwolf’s fiery exit from Libya). Yet, Season Four’s composer Rick Patterson is credited for this suite, as it appears on the Airwolf: Themes From Season Four album. The performing orchestra isn’t identified.

REVIEW:

One might consider this track deceptive, as this classy suite’s secondary themes weren’t actually utilized for Season Four. Even if they were, their dramatic effect would have been neutralized by Season Four’s mostly low-grade production values. More so, this medley sounds like vintage Airwolf, as it magnificently covers Sylvester Levay’s 1984 work, not Rick Patterson’s in 1987. Even if this stellar orchestral homage (included a soaring pops sound) wasn’t generated by Levay himself, it’s highly recommended for Airwolf fans.       

BRIAN’S ODD MOON RATING:                  9 Stars

Note: As a recommendation, a full-length version of Patterson’s upbeat Airwolf: Season Four theme was released as a 2012 single. That particular track is easily Patterson’s best contribution to Airwolf; his other themes for Season Four aren’t in the same league as Levay.     

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Digital Songs & Albums Electronica & Epic Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital)

AIRWOLF SEASON 4 – MAIN TITLE THEME {full-length} (by Rick Patterson based upon Sylvester Levay’s original theme: single)

SUMMARY:                                      RUNNING TIME: 2:44 Min.

Accompanying the opening and closing credits of Airwolf’s final season in 1987, Sylvester Levay’s original theme is recalibrated by musician Rick Patterson.  As of 2012, this extended track became available as a digital single under the title of “Airwolf Season IV Main Title Theme.”    

Note: Please note that the opening credits version has an abbreviated minute-length running time.    

REVIEW:

Frankly, Rick Patterson’s upbeat reboot (including a rotating chopper blade sound effect intro) of Airwolf’s theme is the sole asset of the its last-gasp fourth season.  Patterson doesn’t match the caliber of Sylvester Levay’s original instrumental, but this catchy track is still really entertaining.  Hypothetically, Patterson’s energizing revamp would have been a cool update had it accompanied another season of Stringfellow Hawke (actor Jan-Michael Vincent) & Dominic Santini’s (actor Ernest Borgnine) high-flying adventures instead of the dubious quartet hired to replace them.       

BRIAN’S ODD MOON RATING:              8 Stars

Note: Additional themes from Airwolf: Season Four were released in 2014 as an album (including the opening credits version of this tune).    

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Digital Songs & Albums Electronica & Epic Individual Tracks (Digital Albums & Singles) Soundtracks (Digital)

AIRWOLF SEASON 4 LOVE THEME & VARIANTS A-C (by Rick Patterson: Airwolf – Themes from Season Four)

SUMMARY:                        RUNNING TIMES: SEE BELOW

For Airwolf’s final season in 1987, musician Rick Patterson recalibrated original composer Sylvester Levay’s instrumental score, as well as incorporated his own new themes. 

From the Airwolf: Themes From Season Four album released in 2014, Season Four’s ‘love theme’ is a separate track, as are each of its three variations.  As heard in the episode, “Blackjack,” the love theme’s primary version runs 1:41.  A slower rendition (call it Variation A) runs 1:54.  A slightly speedier version (Variation B) clocks in at 1:38.  The up-tempo rendition (Variation C) last only 1:30.  These four themes often circulated throughout the 1987 season’s twenty-four episodes on the USA Network.       

Note: On the album, these four themes are Tracks # 2-5.

REVIEW:

Rick Patterson’s primary version (1:41) easily prevails as the best of the four.  It’s actually something of an underrated gem, as the track should be easily recognizable to anyone who has seen Season Four’s transitional episode, “Blackjack.” Frankly, it merits mention as among the best non-Levay themes that the entire Airwolf series had. 

However, there’s a noticeable drop re: its dubious variants, at least how they are presented here. The audio quality of both Variations A (1:54) and B (1:38) is oddly compressed, as if they were spit out by somebody’s half-working synthesizer.  Between the two of them, Variation B is clearly better, in part since the lethargic Variation A makes for some dreadful listening.  As for the comparatively zippy Variation C (1:30), it sounds less compressed than Variation B.  However, Variation C’s ninety seconds are still forgettable.  Of these four tracks, only the love theme’s primary version (1:41) deserves any consideration as a worthwhile download.     

BRIAN’S ODD MOON RATING:        6 Stars (for the primary version) and 2-4 Stars (for the three variants)

Note: Instead, as a recommendation, a full-length version of Patterson’s upbeat Airwolf: Season Four theme was released as a 2012 single.    

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Digital Songs & Albums DISNEY/PIXAR-Related Individual Tracks (Digital Albums & Singles) Jazz, Blues, & New Age Music & Radio Shows Soundtracks (Digital)

AEON (by Nick Murray, Jeremiah Pena, & Juliet Lyons: single)

SUMMARY:                                RUNNING TIME: 3:18 MIN.

This New Age-style instrumental from Nick Murray and Jeremiah Pena (as well as a contribution from vocalist Juliet Lyons) was used for a trailer for Disney’s 2015 live-action Cinderella film starring Lily James.

REVIEW:

Capturing a timeless ‘fairy tale’ sense of awe and wonder, the soaring “Aeon” is beautiful.  Musicians Nick Murray and Jeremiah Pena construct each step of this serene theme with precision.  Further enhanced by Juliet Lyons’ enchanting vocals, this track is definitely worth the download for any potential New Age playlists or even just to complete one’s Cinderella soundtrack.  “Aeon” really is a musical gem.    

BRIAN’S ODD MOON RATING:                 10 Stars

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Digital Songs & Albums Gospel & Holidays Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital)

CHRISTMAS TIME TO ME (by Jordin Sparks: The Best Man Holiday movie soundtrack)

SUMMARY:                                RUNNING TIME: 2:53 Min.

Featured as its first track, American Idol alum Jordin Sparks recorded this tune for 2013’s The Best Man Holiday movie soundtrack.

REVIEW:

Jordin Sparks’ bubbly dance-pop effort suspiciously sounds a lot like Mariah Carey’s “All I Want For Christmas Is You.”  The copycat similarity might even fool some listeners into initially believing that it’s a Carey song. One difference is that “Christmas Time to Me” is actually over a minute shorter than Carey’s tune.  Still, Jordin Sparks’ vocals absolutely shimmer on this track. 

With that in mind, Sparks’ voice and the track’s upbeat classiness makes “Christmas Time to Me” a worthwhile download option.  The song, however, won’t score points for originality. 

BRIAN’S OOD MOON RATING:                    7 Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital)

BUNDLE OF JOY (by Michael Giacchino: Inside Out movie soundtrack)

SUMMARY:                                     RUNNING TIME: 2:48 Min.

This instrumental track by composer-conductor Michael Giacchino was released on 2015’s Inside Out animated film soundtrack.

REVIEW:

Michael Giacchino’s serene musical gem describing a child’s sense of awe and wonder starting at birth is nothing short of phenomenal.  For parents, this sentimental track make an ideal accompaniment for home movie montages. 

BRIAN’S ODD MOON RATING:                   10 Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

COUNT ON ME (by Whitney Houston & CeCe Winans: Waiting to Exhale movie soundtrack)

SUMMARY:                                      RUNNING TIME: 4:26 Min.

Performed by Whitney Houston & CeCe Winans, this track appears on 1995’s Waiting to Exhale film soundtrack.  It’s one of Houston’s three tracks on this album, but “Count On Me” is her only duet among them.       

REVIEW:

For an optimistic R&B ballad, Whitney Houston and CeCe Winans’ vocal harmony is splendid.  The song’s appealing melody and soothing lyrics reiterating sisterly friendship send “Count On Me” soaring at just the right moments.  This Houston-Winans team-up is an underrated gem worth re-discovery.

BRIAN’S ODD MOON RATING:                   8½ Stars

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Categories
Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

ONE FINE DAY {Cover} (by Natalie Merchant: One Fine Day movie soundtrack)

SUMMARY:                    RUNNING TIME: 2:44 Min.

This romantically upbeat Chiffons R&B classic dates back to 1963.  The tune was co-written by Carole King.  Natalie Merchant covers this song for the soundtrack for 1996’s same-named comedy, which stars Michelle Pfeiffer & George Clooney.

REVIEW:

Taking a self-reflective approach reminiscent of Norah Jones, Natalie Merchant’s low-key rendition would be ideal for an old school jazz nightclub.  While Merchant’s somber approach is the opposite of The Chiffons’ peppy energy, her take on “One Fine Day” possesses a poignant sound that makes for a wonderful download equal to the original tune.  Well-played!  

BRIAN’S ODD MOON RATING:                   8 Stars

Note: The Chiffons’ original version is also on the soundtrack.

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