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Digital Songs & Albums Electronica & Epic Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital) STAR WARS-Related

THE ASTEROID FIELD/THE EMPIRE STRIKES BACK – FINALE {Cover – Disco Medley} (by Meco: Best of Meco)

SUMMARY:                            RUNNING TIME: 5:26 Min.

Sporting vintage sound effects, this disco medley exuberantly blends John Williams’ Asteroid Field theme and The Empire Strikes Back finale (including Meco’s take on the romantic “Han Solo and The Princess”).  Available for decades, its more recent sources include 1997’s The Best of Meco CD.

REVIEW:

Serving as his second Empire Strikes Back medley, Meco offers an upbeat rendering of the Millennium Falcon’s pursuit by the Imperial Fleet through a dangerous asteroid field.  Included for good measure is a brief sample of a grumbling Chewbacca’s commentary.  Williams’ menacing Imperial Theme and a chorus of laser blast sound effects segue into a funky romantic interlude that conveys the new Princess Leia-Han Solo romance before launching into the film’s finale.  Once more, Meco’s orchestral effort with some synthesizer input is flawless, as is the seamless incorporation of vintage sound effects (including reliable bits from Artoo-Detoo and Chewbacca). 

What’s more impressive is how Meco effectively segues from an ominously upbeat pursuit motif into an 80’s disco style-love theme before the launch of the track’s final leg.  Like his best Star Wars work, let’s deem this track as inspired entertainment.  Beyond its novelty value, this medley exudes a delightful aura of unpredictability for those hearing it for the first time.  As the conclusion of his two-part Empire homage, Meco’s genius is turned up an extra notch.  It’s a vintage musical treat for any Star Wars fan.   

BRIAN’S ODD MOON RATING:                 10 Stars

Note: In addition to Meco’s original Star Wars disco medley, his “Empire Strikes Back” disco medley is also available on the same Best of Meco album.

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Digital Songs & Albums Electronica & Epic Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital) STAR WARS-Related

THE EMPIRE STRIKES BACK THEME {Cover – Disco Medley} (by Meco: Best of Meco)

SUMMARY:                          RUNNING TIME: 4:05 Min.

Sporting vintage sound effects, this disco homage re-imagines a medley of John Williams’ ominous “Imperial March” and the main title theme from 1980’s The Empire Strikes Back.  Among this track’s sources is 1997’s The Best of Meco.

REVIEW:

Meco delivers another mini-masterpiece.  Beyond an awesome disco beat, Meco inserts an assortment of cool sound effects: i.e.   Artoo-Detoo’s beeping, Vader’s raspy breathing, Luke and Vader’s lightsaber duel, an interstellar dogfight (or presumably the Millennium Falcon being pursued by TIE Fighters), and a Chewbacca cameo.  Considering the flawless orchestral performance and spot-on synthesizer cues, Meco’s exuberance has never sounded better.  What remains remarkable about this galactic homage is its welcome aura of unpredictability for those hearing it for the first time.  For this track, Meco’s interpretation of John Williams’ stellar themes can’t be overstated.  As campy as the track is, this medley is a sheer delight! 

BRIAN’S ODD MOON RATING:                    10 Stars

Note: Meco’s “Asteroid Field / Empire Strikes Back (finale)” medley is also available on the same Best of Meco album.

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital) TV Series

THE BIONIC WOMAN TV SERIES THEME {Possible Cover} (by Music Factory: TV Series, Volume 2: Hits Collection)

SUMMARY:                           RUNNING TIME: 1:25 MIN.

Released by the generically-named Music Factory, this tune provides the opening credits theme to Lindsay Wagner’s vintage 1970’s TV series.  The track appears on Music Factory’s 1996 album: TV Series Vol. 2: Hits Collection

REVIEW:

If this track is a cover, then it’s simply flawless.  It may well be the official version, since the same album also has a complete rendition of “The Six Million Dollar Man” TV theme (including its original voice-overs and sound effects).  For those fans seeking an authentic rendition of The Bionic Woman’s hard-to-find theme, this track is highly recommended. 

BRIAN’S ODD MOON RATING:                10 Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital) TV Series

THE SIX MILLION DOLLAR MAN TV SERIES THEME {Possible Cover} (by Music Factory: TV Series, Volume 2: Hits Collection)

SUMMARY:                      RUNNING TIME: 1:01 Min.

Released by the generically-named Music Factory, this tune provides the opening credits theme to Lee Majors’ hit 1970’s TV series.  Both the voice-overs and the sound effects are faithfully included.  The track appears on Music Factory’s 1996 album: TV Series Vol. 2: Hits Collection

REVIEW:

If this track is a cover, then it’s simply flawless.  However, it’s probably the official version since the narratives by actor Richard Anderson (as OSI boss Oscar Goldman) and producer Harve Bennett (briefly introducing Steve Austin) are still intact.  Even the computerized background sound effects are exactly the same.  For those fans who seeking a hard-to-find rendition of The Six Million Dollar Man theme, this track is highly recommended. 

BRIAN’S ODD MOON RATING:                  10 Stars

Note: This same album also offers a pristine recording of The Bionic Woman’s TV theme.  

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DC-Related Digital Songs & Albums Individual Tracks (Digital Albums & Singles) MARVEL-Related Music & Radio Shows Soundtracks (Digital) TV Series

ADAM WEST’S TO THE RESCUE! (TV Super-Hero Medley) {Cover} (by John Morris Russell & The Cincinnati Pops Orchestra: Superheroes!)

SUMMARY:                            RUNNING TIME: 5:48 MIN.

As an exclusive to the 2013 album, “Superheroes!” by John Morris Russell and the Cincinnati Pops Orchestra, this cover medley’s gamut runs through three 1950’s-70’s live-action main credits tunes: The Adventures of Superman, Wonder Woman, and Batman.  The medley also has the themes of the original Super Friends cartoon series (with Wendy, Marvin, & Wonder Dog) and Spider-Man’s original cartoon series.  The legendary Adam West provides the transitional voice-overs. 

REVIEW:

The Cincinnati Pops Orchestra and its choral section should be commended for this well-produced medley seamlessly linking five classic superhero TV themes.  Still, its cheesy magic really belongs to Adam West, as his distinctive (and slightly raspy) voice is a treat to hear.  Whether it is a glowing narration of George Reeves’ Superman theme, introducing the Super-Friends, or  simply announcing, “To the Batmobile!” one last time, his tongue-in-cheek presence imbues this track with pure nostalgia.  As a novelty track, “To The Rescue!” is an all-ages gem!

BRIAN’S ODD MOON RATING:              8½ Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital)

ANDREW LLOYD WEBBER’S OVERTURE – PHANTOM OF THE OPERA {Cover} (by Erich Kunzel & The Cincinnati Pops Orchestra: Chiller)

SUMMARY:                          RUNNING TIME: 2:14 Min.

This cover rendition is performed by Erich Kunzel & The Cincinnati Pops Orchestra for its 1989 Chiller album.  A ghastly cackle from ‘The Phantom’ concludes this track. 

REVIEW:

Faithfully rendered (including the ominous pipe organ intro), this cover by Erich Kunzel & The Cincinnati Pops Orchestra is a classy rendition of Andrew Lloyd Webber’s original track.  In that sense, the instrumental quality is on a par with Nox Arcana and Midnight Syndicate, as far as conveying creepy mood music.  While the track itself isn’t necessarily a must-have, it’ll appeal to fans seeking a spot-on interpretation for Halloween-themed playlists.  The cackle is a nice touch, too.  If anything, this track is a tempting advertisement to seek out Chiller as a possible album download.

BRIAN’S ODD MOON RATING:               7 Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

7 DAY WEEKEND (by Grace Jones: Boomerang movie soundtrack)

SUMMARY:                             RUNNING TIME: 5:01 MIN.

In addition to appearing in a minor supporting role, Grace Jones contributes this upbeat cut to the soundtrack for 1992’s Eddie Murphy & Halle Berry-headlining romantic comedy, Boomerang. 

REVIEW:

Its main asset is a funky yet unremarkable melody consistent with the overblown style of the Late ‘80s-Early ‘90s.  However, despite a crew of good back-up singers, Grace Jones’ own vocal effort is strangely underwhelming.  Radiating a cool, almost menacing energy, her deep voice carries only a few sharp moments.  The problem can be attributed to the song’s potent chorus-driven melody drowning Jones out.  The middling“7 Day Weekend” is only worth checking out, if one purchases the complete soundtrack.    

BRIAN’S ODD MOON RATING:                     4 Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital) TV Series

SCARECROW & MRS. KING {Cover} (By The Gordon Lorenz Orchestra & Singers: Your 101 All Time Favourite TV Themes)

SUMMARY:                             RUNNING TIME: 1:13 MIN.

With a running time approximate to the original theme, this cover is performed by The Gordon Lorenz Orchestra & Singers for 2009’s Your 101 All-Time Favourite TV Themes album.  The track is available as a digital download purchase.

Note: There isn’t an official Scarecrow & Mrs. King soundtrack release for composer Arthur B. Rubenstein’s theme from the CBS TV series (1983-87).

REVIEW:

In spots, it’s merely a competent cover – mostly in the repetitive second half.  However, the track’s first half is as close to the original tune that one could reasonably expect.  Since Rubenstein’s version evidently is unavailable, this track offers a solid alternative for fans of Amanda King and Lee “Scarecrow” Stetson.

BRIAN’S ODD MOON RATING:                    7 Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Soundtracks (Digital) TV Series

SCARECROW & MRS. KING {Cover} (by The William Fairey Engineering Band: The Best of Brass)

SUMMARY:                           RUNNING TIME: 2:25 MIN.

This marching band cover was recorded by The William Fairey Engineering Band for 2010’s Best of Brass album.

Note: There isn’t an official Scarecrow & Mrs. King soundtrack release for composer Arthur B. Rubenstein’s theme from the CBS TV series (1983-87).

REVIEW:

Interpreting Rubenstein’s theme, this brass interpretation energetically nails every nuance.  Its second half draws notably closer to the original theme, though the extended running time/repetitiveness may hamper one’s enjoyment to some degree. Still, this patriotic cover serves up a nostalgic treat for the program’s fans. 

BRIAN’S ODD MOON RATING:            7 Stars

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Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital) TV Series

REMINGTON STEELE [LAURA’S THEME] {Cover} (by Dominik Hauser: single)

SUMMARY:                                   RUNNING TIME: 2:11 MIN.

Keeping in mind an official Remington Steele soundtrack doesn’t exist for NBC’s 1982-1987 TV series, musician Dominik Hauser recorded Henry Mancini’s ‘Laura Holt’ theme as a 2011 single.  While Mancini’s version initially accompanied actress Stephanie Zimbalist’s voice-over for the first season’s opening credits, it also surfaced as a background theme throughout the series.  With the onset of a streamlined Season 2, Mancini’s theme appears over each episode’s closing credits. 

REVIEW:

Few can replicate Henry Mancini’s jazzy instrumental magic so flawlessly, but TV theme cover specialist Dominik Hauser comes close.  This subdued yet somewhat sultry melody is near-identical to Mancini’s work.  Considering the improbability of a Remington Steele soundtrack ever being released, Hauser’s first-class effort is likely the next best thing.

BRIAN’S ODD MOON RATING:                    9 Stars

Note: Hauser also has available Mancini’s Remington Steele opening credits theme (at least, starting with Season 2) as a single.  It’s also an excellent facsimile.

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