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BATMAN: HUSH – UNWRAPPED (DC Comics)

Written by Jeph Loeb. 

Credited Art & Cover Art by Jim Lee.

Lettering by Richard Starkings.

Collection Cover Art by Jim Lee.

SUMMARY:

Released in 2011 by DC Comics in hardcover only, this 320-page compilation reprints 2002-2003’s Batman # 608-619, with the complete “Hush” arc in all black-and-white.   Unlike various other releases of the same title, the Unwrapped edition imbues the storyline with a more noir-like vibe without inker Scott Williams’ colorizations. 

With an abducted Gotham City child’s life at stake, Batman races the midnight clock to save both the young boy and thwart a ten-million-dollar ransom drop.  Encountering Killer Croc and then a fleeing Catwoman, Batman’s relentless pursuit is targeted by an unknown saboteur. 

Though the Huntress comes to his rescue, a critically injured Dark Knight ends up with a fractured skull.  Thanks to his childhood best friend-turned-Philadelphia surgeon, Dr. Tommy Elliot, Bruce Wayne somehow makes a speedy recovery – despite subsequently risking further injury as Batman.  Prior to the deaths of Bruce’s parents, Tommy’s own tragic childhood is revealed.

Tracking the stolen ten-million-dollar ransom, Batman realizes that Poison Ivy is involved, but she isn’t his elusive saboteur.  Having deduced Batman’s secret identity, this shadowy foe, “Hush,” is deploying vengeful mind games against the Dark Knight.  Now romantically involved, Batman & Catwoman subsequently confront Ivy and a mind-controlled Superman in Metropolis.  Having shared his secret identity with Selina Kyle, Bruce faces a mixed reaction from those closest in his inner circle, including Nightwing, Alfred Pennyworth, and, most critically, Tim Drake’s disapproving Robin.

With Barbara “Oracle” Gordon’s help, Batman and others (i.e. an injured Catwoman, Nightwing, Huntress, Superman, & Tim Drake’s Robin) confront a gauntlet of Gotham’s worst rogues. Hush’s nefarious insights and covert assistance from afar make these enemies even more formidable than before. As the Dark Knight slowly closes in, Hush’s arsenal of dirty tricks concocts one roadblock after another.

Aside from Ivy, Killer Croc, and frenemy Talia al Ghul, the line-up of Bat-foes also includes: the Joker & Harley Quinn; Scarecrow; Ra’s al Ghul; Clayface; Two-Face; the Riddler; and possibly even a supposedly dead Jason Todd.  Among those caught up in the crossfire are James Gordon, Dr. Leslie Tompkins, and even Tommy Elliot, as Batman is becoming gradually unhinged with paranoid rage. 

With Hush preying upon painful secrets deep in his past, Batman realizes his foe isn’t all he seems.  More so, the Dark Knight senses he really can’t trust anyone – perhaps not even his true soulmate.  Additional guest stars include Lois Lane; Krypto; U.S. President Lex Luthor; and Alan Scott’s Green Lantern.

REVIEW:

Batman: Hush is surely among the Dark Knight’s seminal arcs.  There’s no dispute that writer Jeph Loeb and that art team’s visuals converged at the top of their creative games for this lengthy arc.  With this Unwrapped special edition, readers are supposed to gaze in awe at 300+ pages of Jim Lee’s stellar Bat-penciling – apart from Loeb’s guiding narrative. 

Unwrapped’s stylish presence on glossy paper, in that sense, readily surpasses industry-standard black-and-white reprint compendiums.  Rough spots in Lee’s sketches, fortunately, are minimal, but they surface during the climax.  Specifically, some pages of Lee’s work appear noticeably darker and less fine-tuned – as if they were possibly rushed. 

The omission of Scott Williams’ high-caliber inking, however, makes this Unwrapped experience not as intriguing as it ought to be.  Case in point: for readers mostly unfamiliar with the Batman: Hush storyline, identifying all who’s who in the cast (or even lurking in the background) without color may be something of a challenge.  Such novelty is akin to watching, for instance, The Empire Strikes Back in a rough-cut form without special effects and/or John Williams’ accompanying instrumentals. 

Frankly, it’s eye-rolling to count up how many times DC Comics has milked its Batman: Hush cash cow these past two decades.  In this instance, though, the iconic storyline’s magic is inevitably diminished by its absence of color (and, by extension, DC’s greed).  Even if Scott Williams is evidently okay with DC Comics removing his vital contribution, the outcome speaks for itself. 

Batman: Hush – Unwrapped, therefore, is more a curiosity than something revolutionary for die-hard fans.      

ADDITIONAL CONTENT:

Scott Williams supplies an untitled, single-page foreword from March 2011.  Lee’s full-page sketched cover precedes each issue.  Lee also supplies an eight-page project sketchbook.  The last page provides Loeb and Lee’s mini-biographies, which are duplicated on the front inside jacket cover.      

BRIAN’S OOD MOON RATING:                       7 Stars

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Comic Books & Graphic Novels DC Comics DC's Hardcovers & Trade Paperbacks Fantasy, Horror, & Science Fiction

GREEN LANTERN (SOJOURNER “JO” MULLEIN): FAR SECTOR (DC Comics)

Written by N.K. Jemisin.

Art & Cover Art by Jamal Campbell.

Lettering by Deron Bennett.

SUMMARY:

Released in 2021 by DC Comics, this 312-page trade paperback compiles 2019-2020’s complete Green Lantern: Far Sector # 1-12 series.  Subsequently re-released as a compact (digest-sized) trade paperback, this title is also now available in deluxe hardcover and digital formats.  Previously an U.S. combat soldier, a down-on-her-luck New York street cop, Sojourner “Jo” Mullein, is introduced as a new Green Lantern recruit deployed on extended solo duty for a year. 

The rookie Mullein possesses neither a lantern power battery nor a traditional power ring’s full capability.  Now a few months inro her assignment, all she can do is compensate through her compassion, an unwavering conscience, and natural Brooklyn-born tenacity as a detective.  Including her struggles learning to fly, Mullein must often resort to taxis, if only to conserve her ring’s power supply – which takes nearly a week to self-recharge once fully depleted. 

Assigned as a special law enforcement officer to a diverse domed city-world of twenty billion alien inhabitants, Mullein regularly updates readers at the start of each issue.  Such updates include Mullein’s confidential correspondences to the Green Lantern Corps’ Guardians or perhaps an imaginative analysis of her present predicament. 

Meanwhile, sporadic moments of Mullein’s life as an African American – her pre-9/11 childhood up through a stress-inducing incident ending her police career – are revealed throughout the series. 

Inside the domed City Enduring, which exists outside the Green Lantern Corps’ known universal boundaries, Mullein is its sole inhabitant openly exhibiting emotions.  For a society intermingling three vastly different alien races, emotion has been purged for centuries – ‘The Emotion Exploit,’ as it’s called.  Dubbed ‘Switchoff,’ a banned means of releasing/experiencing one’s suppressed emotions is now circulating in the city’s underworld, as if it’s an illicit drug.  Following half a millennium of virtually zero violence, two grisly homicides in rapid succession rock the City Enduring. 

Working with her best friend, local police officer Szyn, Mullein (along with her AI-assistant, CanHaz) links these ugly deaths and additional crimes to the City’s own supervising Council.  Including her potential romance with a suave prime suspect, Mullein’s probe confirms that the spreading effect of emotions has the City Enduring descending into political/social chaos. 

Determined to protect the defenseless and uphold basic justice, Mullein’s efforts are undermined by some unexpected adversaries pursuing various ulterior motives.  Such conflict might even sever Mullein’s unfulfilled relationship with her one true soulmate. A final assault is launched to penetrate the domed city and forcibly reduce its inhabitants back to their prior subservience. 

With her power ring coasting on fumes, Mullein makes a climatic stand protecting the denizens of her temporary home world. 

REVIEW:

Far Sector delivers an intriguing sci-fi political/urban whodunnit, which just happens to feature the Green Lantern Corps’ newest recruit.  Written as one might expect from an acclaimed novelist, N.K. Jemisin’s intricate plotting takes its time unfolding.  Occasional lags happen, but Jemisin’s admirable originality makes up the difference.  Her savvy sci-fi storytelling is sparked by artist Jamal Campbell’s stellar visuals.  Jemisin and Campbell, in that sense, concoct a welcome deep dive into the genesis of their creation: a very down-to-earth Green Lantern.    

Though John Stewart and Guy Gardner are briefly mentioned, Jemisin smartly depicts Sojourner “Jo” Mullein as a solo heroine unsure of her own destiny.  Given how Mullein is this storyline’s sole human (aside from glimpses into her troubled past), a near-constant emphasis on her struggles adapting to alien culture becomes a mirror for readers.  Grasping the City Enduring’s futuristic concepts surely isn’t an easy read.  At least, Jemisin and Campbell effectively acknowledge this fish-out-of-water handicap through their protagonist’s own recurring bewilderment.

Recognizing some kid-unfriendly elements (i.e. multiple ‘f-bombs;’ briefly implied nudity/sexual intercourse), Far Sector is geared for college-age audiences and up.  More so, unlike standard comic book storylines merely reprinted as graphic novels, Jemisin and Campbell’s Far Sector fulfills the concept.  Readers are literally getting a visual sci-fi novel with cinematic flair. 

Perusing this complex storyline first through the library might make the best practical sense for casual readers.  For patient adult fans, at least, Green Lantern: Far Sector may well hook them into adding it to a favorite bookshelf – it’s worth the ride.  

ADDITIONAL CONTENT:

Entitled “A New Green Lantern,” DC’s ‘Young Animal’ imprint supervisor Gerard Way (rock band My Chemical Romance lead vocalist) supplies a two-page foreword on N.K. Jemisin’s behalf.  Each full-page Jamal Campbell cover precedes its issue.  Provided in a full-page format is Sojourner “Jo” Mullein’s variant cover gallery consisting of these artists:

  • Issue # 1 (1. Jamie McKelvie and 2. Shawn Martinbrough);
  • Issue # 4 (Ejikure);
  • Issue # 5 (Warren Louw);
  • Issue # 6 (Sanford Greene);
  • Issue # 7 (Stjepan Šejić);
  • Issue # 8 (InHyuk Lee);
  • Issue # 9 (Meghan Hetrick);
  • Issue # 10 (Yasmine Putri);
  • Issue # 11 (Mirka Andolfo); and
  • Issue # 12 (Jen Bartel).

Campbell supplies four full pages of character designs and concept artwork.  The last page is a brief interview of collaborators Jemisin and Campbell.

BRIAN’S OOD MOON RATING:                         8½ Stars

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Comic Books & Graphic Novels DC Comics DC's Hardcovers & Trade Paperbacks

THE FLASH (WALLY WEST): BY MARK WAID, BOOK EIGHT (DC Comics)

Written by Mark Waid; Brian Augustyn; Pat McGreal; & Joe Casey.

Art by Paul Pelletier; Doug Braithwaite; Scott Kolins; Duncan Rouleau; Ron Lim; Tom Morgan; José Marzan Jr.; Doug Hazlewood; Robin Riggs; Jon Holdredge; Dennis Janke; Vince Russell; Aaron Sowd; Denis Rodier; Tom McCraw; Gaspar Saladino; Steve Dutro; Bill Oakley; & Ken Lopez.

Collection Cover Art by Steve Lightle.

SUMMARY:

Released in 2021 by DC Comics, this 400-page trade paperback concludes Mark Waid’s first shift writing Wally West’s adventures by compiling 1999-2000’s The Flash # 151-163, plus Annual # 12 and Secret Files # 2.  This compilation is also available digitally.    

Note: Waid briefly resumed writing this series with Issues # 231-236 during DC’s 2007-2008 post-Infinite Crisis era.

Wally West’s Flash has vanished, as he is searching for his beloved fiancé, Linda Park.  Other than Wally’s teenage protégé, Bart “Impulse” Allen, no one else (i.e. Jay Garrick, Jesse Quick, & Max Mercury) has caught on that someone has erased an abducted Linda seemingly from existence. 

Meanwhile, an older/brusque Flash from an alternate reality emerges to assume Wally’s responsibilities protecting Keystone/Central City.  As this Flash acclimates to a new status quo (having lost his own Linda to tragedy years before), he finds himself drawn to police chemist, Angela Margolin.  Among the Flash Family’s first adventures with this new Flash is a Gorilla City caper. 

The Rogues’ Gallery find that their powers have been duplicated by a new villain: Replicant.  Other formidable threats include Abra Kadabra, the Folded Man, Kobra, and possibly a new Reverse-Flash, as Wally finally reunites with Linda.  In addition to his own savvy disguise, Wally needs the Flash Family’s firepower to thwart Kadabra’s nefarious time-warping scheme.

In the present-day, two versions of Wally West must uneasily co-exist.  With his super-friends’ help, the true Wally at last marries Linda before they embark on a literally whirlwind honeymoon.  To prevent Hypertime (a recent Waid invention) from eroding reality, the other Wally realizes he must return to his own rightful point within the multiverse.  That means a potentially heartbreaking end to this new Flash’s romance with Angela.

As an old foe seeks long-awaited vengeance, Wally and Linda’s globetrotting honeymoon is jeopardized.  Elsewhere, Jay Garrick recalls for his fellow Flash Family members his own post-war honeymoon with Joan in 1947 Las Vegas.  It’s revealed that more than just Jay’s Justice Society belated-bachelor-party buddies have tracked the Garricks down. 

Settling into married life, Wally and Linda (back as a journalist) team with Billy Batson’s Captain Marvel against Felix Faust’s worldwide Y2K-inspired scheme.  Lastly, Barry Allen’s dubious foe, the Turtle, resurfaces to eliminate the newlywed Wests.  As Wally soon discovers, the Turtle’s explosive ‘shopping’ list also includes Batman, Superman, Aquaman, and Kyle Rayner’s Green Lantern.          

Additional guest appearances and cameos include: Wonder Woman; Plastic Man; Martian Manhunter; Beast Boy; the Titans/Silver Age Teen Titans: Nightwing, Donna Troy, Tempest, & Arsenal; the Golden Age Justice Society (Alan Scott’s Green Lantern; Al Pratt’s Atom; Wildcat; Dr. Charles McNider’s Dr. Mid-Nite; & Rex Tyler’s Hourman); and Jay Garrick’s dubious trio of sidekicks.        

REVIEW:

Volume 8 mostly focuses on the Walter West/Flash arc, plus an unremarkable stretch finally delivering Wally and Linda’s long-teased wedding/honeymoon. Working with writers Mark Waid and Brian Augustyn, the various art teams deliver consistently good visuals for that era that mesh well with the routine plotting.  This compilation’s contents make for an overall decent read, given Waid deploys his cast of characters well – as far as entertaining an all-ages audience. 

Waid, in that sense, is just as invaluable to constructing Wally West’s Flash universe, as his more acclaimed successor, Geoff Johns, would become. Both writers consistently scripted an energetic Wally and a high-caliber supporting cast – as opposed to how stale Barry Allen’s previous 350-issue series had gradually become by the mid-80’s.      

Closing with fun self-contained tales (specifically, Issues # 161-162: Jay Garrick’s Golden Age JSA honeymoon caper in Las Vegas; and Wally’s team-up with Captain Marvel/Shazam surpass # 163’s Justice League crossover), a vibe of ‘business as usual’ is unmistakable.  More so, an abundant page count doesn’t mask how average this collection’s stories otherwise are. 

Still, their creative appeal holds up – if only because Waid’s 100-issue stint (including the seven prior volumes) predates DC’s excessively convoluted rebooting for the past two decades.  Flash By Mark Waid, Book Eight, in terms of an innocent nostalgia run, makes a welcome find at the library.    

ADDITIONAL CONTENT:

For starters, the necessary table-of-contents proves helpful.  Each full-page cover precedes its issue.  The cover artists are:

  • Steve Lightle: Issues # 151-154, Secret Files & Origins # 2 (1999), and # 155-163; plus 
  • Arthur Adams: Annual # 12 (1999).

A single-page “Gorilla City: Secret City of Simian Super Science” map is produced by writer/artist Eliot Brown.  Brown is assisted by colorist Tom McCraw and Digital Chameleon’s color separations.    

In a spoofy Silver Age homage to Barry Allen’s Flash, there’s the four-page Lost-Pages Adventure: The Stunning Secret of the Scarlet Speedster’s Super Slow-Down!”  Stopped literally in his tracks, the Flash witnesses Turtle Man’s gang commit a brazen Central City bank heist utilizing his stolen super-speed.  The joke, of course, is that the convenient pseudo-science reversing the Flash’s predicament really makes no sense.  Writer: Brian Augustyn.  Art by: Tom Morgan; Denis Rodier; Tom McCraw; Digital Chameleon; and Gaspar Saladino. 

Next is a cartoony four page fashion industry parody featuring the Rogues’ Gallery entitled “Gambi: Middle of The Rogue.”  Writer: Tom Peyer.  Art by: Stephen DeStefano; Tom McCraw; and Digital Chameleon.

Full-page Secret Files profiles are supplied for: 1. Walter West’s alternate-reality Flash (Writer: Mark Waid.  Art by: Paul Pelletier; Vince Russell; Tom McCraw; & Digital Chameleon); 2. Cobalt Blue (Writer: Mark Waid.  Art by: Steve Lightle; Tom McCraw; & Digital Chameleon); 3. Angela Margolin (Writer: Mark Waid.  Art by: Phil Jimenez; Tom McCraw; & Digital Chameleon); 4. The Folded Man (Writer: Mark Waid.  Art by: Hilary Barta; Tom McCraw; & Digital Chameleon); 5. Replicant (Writer: Mark Waid.  Art by: Hilary Barta; Tom McCraw; & Digital Chameleon); and 6. Sela Allen (Writer: Mark Waid.  Art by: Humberto Ramos; Wayne Faucher; Tom McCraw; & Digital Chameleon).

Barry Allen’s iconic Flash ring is briefly explained in a single page.  Writer/Artist: Eliot Brown, with assistance from colorist Tom McCraw and Digital Chameleon’s color separations. 

This compilation concludes with Waid’s insightful two-page “Afterword,” reflecting upon his contributions to the Flash franchise. 

BRIAN’S OOD MOON RATING:                          6 Stars

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Comic Books & Graphic Novels DC Comics DC's Hardcovers & Trade Paperbacks

BATMAN/SUPERMAN – WORLD’S FINEST, VOLUME 3: ELEMENTARY (DC Comics)

Written by Mark Waid.

Art by Dan Mora; Emanuela Lupacchino; Wade Von Grawbadger; Norm Rapmund; Tamara Bonvillain; & Steve Wands.

Collection Cover Art by Dan Mora.

SUMMARY:

Released in 2024 by DC Comics, this 168-page trade paperback compiles 2023’s Batman/Superman – World’s Finest # 12-17.  This title’s other formats are hardcover and digitally.

On their first (and surely last) date night, teenagers Kara/Supergirl and Dick Grayson’s Robin suffer an awkward evening getting to know one another.  Come the next day, a mortified Robin even sketches a glimpse at his future change of identity to shake off their shared humiliation.  Kara confides in her sympathetic cousin a mature perspective indicating she and Robin are really just better off as friendly colleagues. 

Meanwhile, belligerent Metropolis industrialist Simon Stagg is found murdered in a baffling locked-room mystery.  The most obvious prime suspect is his own resentful bodyguard/potential son-in-law, a now-fugitive Rex “Metamorpho” Mason – ‘The Element Man.’  Mason’s bizarre origin in becoming Metamorpho is reprised, as Clark Kent explains his friend’s history to Jimmy Olsen. 

Jimmy’s journalistic sleuthing precipitates another Stagg enemy’s shocking arrest by the Gotham City police – Bruce Wayne, no less.  Facing a first-degree homicide charge (and irked with Clark Kent), Wayne’s Batman cedes their Stagg investigation to Robin and Superman, with tracking down an infuriated Metamorpho’s whereabouts as their first priority.   

Realizing that wealthy high-tech tycoons (i.e. Oliver Queen and Terd Kord) have evidently been replaced by android duplicates, the World’s Finest team probe this nefarious conspiracy.  With DC’s high-tech geniuses (i.e. Dr. Will Magnus) now missing, clues ominously converge on a worldwide threat never before seen. 

Controlling the world’s most formidable A.I.-related weapons, a new incarnation of Amazo has been unleashed.  Even Batman’s ingenuity may not be enough to thwart a technological menace capable of overwhelming even the Justice League’s considerable might.  Perhaps their fate belongs to an unexpected ally to make the pivotal difference.         

Additional guest stars and cameos include: the Justice League (Hal Jordan’s Green Lantern; Barry Allen’s Flash; Wonder Woman; Martian Manhunter; Plastic Man; Hawkman; Black Canary; Green Arrow; Red Tornado; Blue Beetle; & the Ronnie Raymond/Professor Stein Firestorm); The Metal Men; the original Doom Patrol; the Silver Age’s Teen Titans (Donna Troy’s Wonder Girl; Roy Harper’s Speedy; Aqualad; & Wally West’s Kid Flash); Shazam/Captain Marvel; G.I. Robot; Barbara Gordon’s Batgirl; Sapphire Stagg; and the Challengers of The Unknown.   

REVIEW:

Working off a simple continuity (set sometime in the not-so-distant past), writer Mark Waid’s coherent plotting nails a grand slam with Volume 3.  Deftly intertwining multiple story threads, Waid is absolutely on his game by not piling on too many plot twists.  Hence, he ensures this vintage DC team-up supplies a wide array of guest stars moments to shine in varying degrees of screen time.  Equal to this task is this art team’s impressive visuals that are spot-on appealing without resorting to unnecessary flash.             

Try as one might, there’s virtually nothing to knock on Volume 3: Elementary – aside from its eye-rolling number of variant covers used as padding.  While an archived Justice League or Batman and The Outsiders reprint showcasing Metamorpho (or maybe something from his own short-lived mid-1960’s solo series – better yet, his 1965 debut in The Brave and The Bold # 57) would have made sense for nostalgic inclusion, this compilation’s page count is already excellent.

Inviting both hardcore DC buffs and casual fans, Batman/Superman – World’s  Finest, Volume 3: Elementary is a most welcome read.  Definitely recommended!    

ADDITIONAL CONTENT:

Mora’s full-page primary cover precedes each issue.  A single-page tease of the franchise’s next storyline is teased.  Starting with Issue # 13, occasionally a full-page variant cover follows Mora’s cover before proceeding with the story.  These variant cover artists are: 

  • Issue # 13: Christian Ward, who pits Superman & Batman vs. Darkseid.
  • Issue # 15: Daniel Sampere & Bruno Redondo.
  • Issue # 17: Cliff Chiang, in a homage to Late 1970’s/Early 80’s DC styling (Batman, Superman, Green Arrow, and Hal Jordan’s Green Lantern).

In conclusion, a whopping 19-page variant cover gallery (all in a full- page format) consists of these artists:

  • Issue # 12 (1. Max Dunbar & Tamara Bonvillain; 2. Sweeny Boo {includes the Silver Age Teen Titans}; and 3. Dave Johnson).
  • Issue # 13 (1. Fico Ossio {includes Supergirl & Robin}; 2.Baldemar Rivas {includes The Crime Syndicate’s Ultraman & Owlman} and 3. Jesús Merino & Adriano Lucas {DC New 52’s The Shazam Family}.
  • Issue # 14 (1. Hayden Sherman {includes Parasite}; 2. Nikola Čižmešija {includes Cosmic Boy, Saturn Girl, Lightning Lad; Katana, Black Lightning (Bronze Age), & Metamorpho}; 3. Serg Acuña; and 4. Simone Di Meo).
  • Issue # 15 (1. Walter Simonson & Michael Atiyeh; and 2. Nikolas Draper-Ivey {Batman Beyond homage}).   
  • Issue # 16 (1. Ben Oliver; 2. Kaare Andrews; 3. Lee Bermejo; 4. Doug Braithwaite {The Flash movie homage}; and 5. Babs Tarr). 
  • Issue # 17 (1. Jamie McKelvie {including Magpie}; and 2. Dike Ruan). 

BRIAN’S ODD MOON RATING:                            10 Stars

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AUDREY HEPBURN (NBM Graphic Novels)

Written by Michele Botton.   

Art & Cover Art by Dorilys Giacchetto.

English Translation by Nanette McGuinness.  

SUMMARY:

Released in the U.S. in 2024 by NBM Graphic Novels, this 176-page biographical comic book was evidently first released in Italy before being translated for an English-speaking audience.  In addition to its hardcover format, this book is also available digitally as an e-book. 

Though undated, the prologue occurs in 1988 Ethiopia, as a nearly 60-year-old Hepburn confides in her companion, Robert Wolders, the heartbreaking reality of the challenge she has now accepted as an UNICEF global ambassador. 

In recalling her life, Chapter 1 flashes back to Hepburn’s transition from ballet student to a struggling Dutch model/actress.  Personally recruited by the elderly French writer, Colette, Hepburn accepts the title role in the Broadway play, Gigi.  Her rising stardom would set Hepburn up for Hollywood in her Oscar-winning performance in 1953’s Roman Holiday.  In spite of her inexperience, director William Wyler and co-star Gregory Peck soon adore Hepburn and become her lifelong friends. 

Per Chapter 2, while filming 1954’s Sabrina, Hepburn meets her first famous love, William Holden, though their romance later ends mostly over the issue of having children.  On the same film, she meets costume designer Hubert de Givenchy, who ultimately created her most iconic looks throughout her Hollywood career.  Through Gregory Peck, Hepburn would meet her future husband, actor/director Mel Ferrer.         

Chapter 3 explores Hepburn and Ferrer’s romance and subsequent marriage. Also seen are Hepburn’s experiences filming 1957’s Funny Face.  A further flashback revisits Hepburn’s troubled childhood with her mother and long-absent father before moving to England.  There she becomes an aspiring ballerina at age 19. 

In Chapter 4, an adult Hepburn’s confidence grows, as she next stars in 1957’s Love In The Afternoon.  Hepburn reconciles abandonment by her distant father by bonding with co-star Maurice Chevalier, who views her as a surrogate daughter.  Further childhood flashbacks depict her parents’ turbulent marriage and her own loneliness.  Joining Ferrer in the Caribbean, the couple celebrates her newfound self-assurance. 

Chapter 5 foretells Hepburn’s UNICEF participation three decades after the filming of 1959’s The Nun’s Story.  Also seen are glimpses of Hepburn’s wartime life as a child and teenager in Holland.  Chapter 6 depicts Hepburn, with Ferrer as her director, filming 1959’s unsuccessful Green Mansions.  Elated over her pregnancy, Hepburn’s horseback riding injuries while filming 1960’s The Unforgiven would ultimately cause a miscarriage.  Hepburn’s subsequent depression would impact her physical health, including severe weight loss and a smoking addiction.    

With strain developing in their marriage, Chapter 7 has Hepburn and Ferrer’s subsequent pregnancy joyfully welcome their first child: Sean Ferrer.  A now-rejuvenated Hepburn returns to work in 1961’s Breakfast At Tiffany’s and then The Children’s Hour.  She gains an unexpected new friend in her co-star, Shirley MacLaine.  Hepburn’s exasperation over Hollywood’s sexist expectations and the media’s judgmental invasion of one’s privacy gnaws at her. 

Balancing a troubled marriage and motherhood, Chapter 8 depicts Hepburn’s experiences and professional disappointment filming 1964’s My Fair Lady.  Hepburn is emotionally devastated by the assassination of U.S. President John F. Kennedy. 

Chapter 9 depicts Hepburn’s preparation as a blind woman for 1967’s Wait Until Dark.  Often overshadowed by Hepburn’s celebrity status, her fourteen-year marriage to Ferrer ends in 1968.   A subsequent rebound marriage to an Italian psychiatrist-neurologist, Dr. Andrea Dotti, also later fails, though they would share a son: Luca Dotti.  In her early fifties, Hepburn would meet Dutch actor Robert Wolders, who would then accompany her for the rest of Hepburn’s life. 

The epilogue shows a frail Hepburn’s determination to make a difference for UNICEF, including a heartfelt press conference.  The concluding page spells out Hepburn’s ardent belief in giving more love back to the world to make it a better place for all.  

Note: Neither Hepburn’s 1929 birth nor her cancer-related passing in early 1993 are depicted.

REVIEW:

It’s a biographical masterpiece both elegant and undeniably eloquent.  Writer Michele Botton’s historically accurate text – despite its semi-vague timeline, and Dorilys Giacchetto’s consistent visuals – especially, Hepburn’s endearing likeness, mesh in a first-class tribute to the iconic actress. 

Still, given the mature subject matter (i.e. an inference of sexual intercourse, implied partial nudity, and a few profanities), one shouldn’t dismiss this comic book as mere kiddie literature. More so, it would be helpful to readers going in to already identify Hepburn’s various co-stars and directors – per Giacchetto, their likenesses tend to be storybook-style generic. Using the included filmography as one’s general timeline is suggested since Botton’s narrative doesn’t reference specific years.

Intended for an adult audience, this classy Audrey Hepburn homage is a welcome treat to explore.      

ADDITIONAL CONTENT:

Entitled “Everyone Has Their Own Audrey,” Hepburn’s younger son, Luca Dotti, provides an insightful two-page foreword.  A brief biographical summary on him is also provided.  Chapter pages are adorned with standing Hepburn poses created by Giacchetto.  Including some thank-you’s, Botton supplies a two-page postscript entitled “My Audrey.”  Hepburn’s essential filmography is included, though highlights are addressed in Botton’s text. 

Similarly, Botton and Giacchetto supply a bibliography, as to which books and a 2020 Italian documentary (translated as Audrey – Beyond The Icon) they consulted for the project.  Brief biographical summaries are provided for both Botton and Giacchetto, as they offer personal thank-you’s.               

BRIAN’S ODD MOON RATING:                                9 Stars

Categories
Comic Books & Graphic Novels Marvel Comics MARVEL's Hardcovers & Paperbacks

DAREDEVIL (ELEKTRA NATCHIOS): WOMAN WITHOUT FEAR (MARVEL Comics)

Daredevil: Woman Without Fear # 1-3 Written by Chip Zdarsky.

Daredevil: Woman Without Fear # 1-3 Art by Rafael De Latorre; Federico Blee; & VC’s Clayton Cowles. 

Daredevil: Woman Without Fear # 1-3 Primary Covers by Chris Bachalo. 

Elektra # 100 – “Twisters” Written by Ann Nocenti.

Elektra # 100 – “Twisters” Art by Sid Kotian; Edgar Delgado; & VC’s Clayton Cowles. 

Elektra # 100 Primary Cover Art by Dan Panosian.

Elektra # 100 – “Waltz” Written by Declan Shalvey.

Elektra # 100 – “Waltz” Art by Stefano Raffaele; Rachelle Rosenberg; &VC’s Clayton Cowles.

Collection Cover Art by Chris Bachalo.

SUMMARY:

Released by 2022 by Marvel Comics, this 120-page trade paperback reprints Daredevil: Woman Without Fear # 1-3 and Elektra # 100 (both from that same year), along with assorted bonus features.  This compilation is also available digitally.   

Now tag-teaming with her beloved Matt Murdock as dual Daredevils, Elektra Natchios confronts New York City Mayor Wilson “The Kingpin” Fisk alone in his office.  Elektra is startled that Fisk has farmed out a private file he has kept on her to an unknown third party deep within Elektra’s murky past.  Returning to Matt for a night of lovemaking, Elektra confides a dark secret she has long kept from him. 

Interspersed flashbacks from Elektra’s turbulent past depict her brutal training with Stick and later her eventual recruitment by The Hand’s AKA.  The catch is that young Elektra is expected to seductively recruit her college boyfriend, Matt, into The Hand’s clutches to be corrupted.

Chasing down a lead at her would-be alma mater, Columbia University, Elektra is reunited with her former classmate, Deputy District Attorney Robert “Goldy” Goldman.  Baited by her ex-mentor-turned-adversary, AKA, Elektra finds herself isolated for a face-to-face showdown against Kraven The Hunter on a wintry battlefield. 

Improvising her escape, a wounded Elektra is then forced into a near-immediate rematch, as an abducted Goldy and Fisk’s Thunderbolt thugs are watching from the sidelines.  To thwart AKA, Elektra faces a now-deputized Kraven (by Fisk) inside Columbia University’s halls. Even if she prevails, devastating news about Matt awaits Elektra, as the game-changing “Devil’s Reign” is about to begin.

Entitled “Twisters,” Elektra # 100’s primary tale has New York City imperiled by multiple tornadoes.  Amidst their one-on-one skirmishes, Elektra recalls a shared childhood link to Typhoid Mary.  Though the unhinged villainess remains under Mayor Fisk’s sway, Elektra tries battling her way through multiple personalities to access the real Mary.  The two women ultimately concur that a far worse threat takes precedence over their feud.  Storm, Thor, and Brother Voodoo make cameos.

Also taken from Elektra # 100, as narrated by Matt Murdock, is the back-up tale, “Waltz.”  Per Elektra’s enigmatic invitation, the off-and-on couple dresses up for a gala night out.  Atop an adjacent building, a nocturnal ballroom dancing lesson then unfolds between Daredevil and his greatest yet most elusive love.        

REVIEW:

Elektra Natchios’ redemption-seeking Daredevil should be an intriguing notion.  The same applies to her wintry one-on-one showdown versus Kraven the Hunter.  Unfortunately, Daredevil: Woman Without Fear, as a whole, falls short of such potential. 

Not living up to this art team’s excellent interior visuals (especially, in the flashbacks), writer Chip Zdarsky delivers a merely good entry exploring Elektra Natchios’ run as Daredevil.  Her clashes versus Kraven the Hunter are at least inspired.  Yer, Zdarsky’s plotting is dragged down by a lackluster scheme involving The Hand’s AKA that accomplishes too little beyond taunting Elektra. 

Specifically, this three-issue mini-series concocts only an extended tease setting up Elektra for the imminent “Devil’s Reign” storyline.  There’s even a two-page tease hyping the corrupted Punisher’s role leading The Hand thrown in for good measure.  As no definitive answers are supplied, Elektra’s ‘stay tuned’ arc is meant for hardcore fans rather than an average reader. 

Note: The first issue’s primary cover doubles as this compilation’s cover.  It’s clearly the best of artist Chris Bachalo’s three efforts.  In retrospect, artist Jen Bartel’s Issue # 1 variant would have been a much better choice.

Elektra # 100’s twenty-page lead story, “Twisters,” pitting Elektra vs. Typhoid Mary as frenemies is okay – but hardly milestone-worthy.  Neither this story’ plotting nor at the (at best) average visuals makes for a must-read.  Artist Dan Panosian’s terrific primary cover easily surpasses such a routine effort from this particular creative team. 

The elegant seven-page back-up tale, “Waltz,” however, delivers top-caliber artwork visualizing a private ‘date night’ for Daredevil and Elektra.  Given the duo involved, it’s easy to see this tale mirroring Batman & Catwoman’s nocturnal ‘catch-me-if-you-can’ romance.  Despite resorting to a violent twist finish, writer Declan Shalvey’s concept is otherwise well-played.  In just seven pages, “Waltz” conveys more welcome depth than either of this compilation’s other storylines.  

As for this compilation’s hodge-podge padding (spelled out below), again none are must-have reads.  That frankly defines Daredevil: Woman Without Fear.  Overall, despite its commendable production values, this collection is a far more practical library find for adults than a purchase.      

ADDITIONAL CONTENT:

Including Elektra # 100, each issue is preceded by a full-page reprint of its cover. 

Writer/artist Ty Templeton supplies two pages of goofy comic strips billed as ‘The Daily Bugle Funny Pages.’  Page-length, the first one parodies Marvel’s involvement in the 1970’s PBS kid’s educational TV series, The Electric Company.  Templeton’s strip co-stars Elektra and Mr. Fantastic in “The Elektra Company Presents Ninja Super Stories Featuring ‘Fantastic Reader’ Richards.”

Templeton’s second page is split between “Matty & Stick” (where youngster Matty Murdock’s training includes sidewalk ambushes by Stick) and “Dagger The Horrible” co-starring Elektra and the Punisher.  Though somewhat clever, none of Templeton’s three comic strips aren’t really worth a chuckle.

Chris Giarrusso’s single-page, “Mini-Marvels,” by comparison, actually is.  In this instance, he spoofs Daredevil’s history impersonators (aka ‘DareDoubles’), as Elektra joins Spider-Man, Black Panther, Iron Fist, and Bullseye.

A four-page, thumbnail photo gallery celebrates an accumulative 100 issues of Elektra titles dating back to her 1986 solo Elektra: Assassin eight-issue mini-series.  This gallery, for nostalgia’s sake, is likely the best of the book’s bonus features. 

Presented in a full-page format there’s a ten-page cover variant gallery consisting of these artists: Daredevil: Woman Without Fear Issue # 1 (1. John Ronita Jr., John Dell, & Matthew Wilson; 2. Jen Bartel; 3. Nicoletta Baldari; 4. Bryan Hitch & Alex Sinclair; and 5. Todd Nauck & Rachelle Rosenberg); Issue # 2 (1. Jorge Fornés; 2. Mark Bagley & Edgar Delgado); and Issue # 3 (Carmen Carnero).  Then, there are two variants for Elektra # 100 (1. Dike Ruan; and 2. David Lopez). 

To varying degrees, all these alternate covers readily surpass the rudimentary artwork devised for Daredevil: Woman Without Fear # 1-3’s primary covers. 

BRIAN’S OOD MOON RATING:                       5 Stars

Categories
Comic Books & Graphic Novels Marvel Comics MARVEL's Hardcovers & Paperbacks

CAPTAIN AMERICA (STEVE ROGERS): MAN OUT OF TIME (MARVEL Comics)

Written by Mark Waid.  

Art by Jorge Molina; Karl Kessel; Scott Hanna; Frank D’Amata; & VC’s Joe Sabino.

Avengers # 4 Written by Stan Lee.

Avengers # 4 Art & Cover Art by Jack Kirby.

Avengers # 4 Lettering by Art Simek.

Collection Cover Art by Bryan Hitch; Paul Neary; & Anson Mounts.

SUMMARY:

Reprinting the same-named 2010 five-issue mini-series, Marvel Comics released this 144-page trade paperback in 2011.  Its other formats include hardcover and digital.  

Beginning in April 1945, along with other U.S. soldiers, a low-key Steve Rogers and a youthfully cocky “Bucky” Barnes enjoy some needed downtime in Leipzig, Germany. Whisked away for a counter-espionage mission guarding an experimental spy plane, the patriotic duo soon meets a catastrophic fate high above the North Sea.  Note: The original Baron Zemo’s involvement in the plane’s theft isn’t referenced – writer Mark Waid attributes it only as a Nazi scheme. 

Mirroring Avengers # 4, the original Avengers (Thor; Iron Man; Wasp; and Giant-Man) incredulously find and revive Steve Rogers – the original Captain America – aboard their submarine at least a half-century later. With his rescuers suddenly neutralized by an unknown assailant, a bewildered Steve Rogers wanders present-day New York City, only to be shot by a terrified teenage girl. 

Tracked down by young Rick Jones, a recuperating Captain America probes the Avengers’ fate and deduces the possibly alien threat befalling them.  Having reluctantly joined the Avengers, Cap is obsessed with both saving Bucky from his grisly destiny and ultimately returning to his own appropriate point in time.  Tenacious efforts to find Steve’s surviving friends (including his beloved Peggy Carter) turn up far too little. 

Thor and Tony Stark’s efforts to convince a displaced Steve how to best cope with acclimating to the present-day isn’t enough for him. Subsequent orders from the current U.S. President, however, are.  Unlike Stark’s glorious optimism, a reunion with Steve’s terminally ill commanding officer provides a sobering reality check on today’s world. 

The Avengers’ first encounter with Kang is a disaster, as Captain America finds himself stranded in post-war 1945 – months after his disappearance.  Still, along with Rick Jones, he may be their team’s only remaining chance to thwart Kang.  It’s up to them to find a means of contacting the other genius hero with technology capable of traversing time itself.                      

Also included is an equally glossy reprint of 1964’s Avengers # 4.   In the frigid North Sea, the fledging Avengers (Iron Man; Wasp; Giant-Man; & Thor) fend off an outnumbered Namor the Sub-Mariner.  Fuming over his forced retreat, Namor’s rage subsequently pitches an icy totem worshipped by Eskimos into gradually warmer waters of the Gulf Stream.  By chance, the Avengers rescue the frozen figure previously trapped inside this ice block for two decades.  Now revived, the original Captain America is bewildered by his rescuers and his present-day predicament. 

With the Avengers neutralized by an unknown adversary, it’s up to teenager Rick Jones to convince the World War II legend to forcibly intervene.  Even should Steve Rogers save the Avengers, a rematch with a vengeful Namor and his Atlantean reinforcements still awaits them. 

Notes: Stan Lee’s Avengers # 4 plotting curiously implies that Captain America and Namor had never met before.  At the time, Lee’s creative reasoning made sense.  To enhance his 1964 story’s impact, Lee deliberately ignored Captain America’s controversial post-war exploits (in favor of a seemingly mythical Steve Rogers).  It wasn’t until the 1970’s that Cap & Sub-Mariner’s wartime co-existence as The Invaders was established by Roy Thomas and other writers. 

As for Cap & Bucky’s dubious post-wartime era, Marvel years later devised multiple impersonators to explain their presence in these Timely Comics stories.  

Lastly, 1985’s Avengers # 262 depicts a poignant private conversation between Captain America and the Sub-Mariner.  Of interest is that Namor finally learns of his inadvertent role in thawing Cap out of his decades-long hibernation. 

REVIEW:

In spite of some climatic time traveling conveniences, this storyline’s likable plotting presents writer Mark Waid on his game. 

For instance, Waid effectively mirrors Avengers # 4 over the first two issues without replicating Stan Lee’s sillier plot machinations too much.  More impressive is how Waid’s storytelling makes an idealistic, mid-twentysomething Steve Rogers seem relatable to all ages.  When combined with the project’s likable artwork, the outcome surpasses any stigma of an unnecessary rehash of the Captain’s Silver Age incarnation. 

Including its high-caliber production values, Captain America: Man Out Of Time makes for a welcome read for any Marvel fan.  For others, though this book isn’t a must-have, perusing it at the library is certainly worthwhile.   

ADDITIONAL CONTENT:

Each full-page Hitch/Neary/Mounts cover precedes its story (as does Jack Kirby’s iconic Avengers # 4 cover).  A full-page reprint of Issue # 1’s variant cover (artists: Arthur Adams & Frank D’ Amata) immediately precedes the concluding Issue # 5’s cover.

BRIAN’S OOD MOON RATING:                          7 Stars

Categories
Comic Books & Graphic Novels DC Comics DC's Hardcovers & Trade Paperbacks

GREEN LANTERN (HAL JORDAN): BRIGHTEST DAY (DC Comics)

Written by Geoff Johns.

Art by Doug Mahnke; Christian Alamy; Keith Champagne; Mark Irwin; Tom Nguyen; Shawn Moll; Randy Mayor; Gabe Eltaeb; Carrie Strachan; & Rod Reis.

‘Tales of the Red Lantern Corps: Dex-Starr’ Art by Shawn Davis; Jamie Grant; Nick J. Napolitano; & Steve Wands.

Collection Cover Art by Doug Mahnke & Randy Mayor.

SUMMARY:

First released by DC Comics in 2011, this 288-page hardcover compiles 2010-2011’s Green Lantern (Hal Jordan) # 53-62

In the wake of Blackest Night, Green Lantern’s sequel is the ten-part “New Guardians” from the Brightest Day storyline. Rudely interrupting Carol Ferris & Hal Jordan’s latest wary flirtation on Earth, Sinestro convinces them to a tentative truce investigating the mysterious ‘White Lantern.’  They soon discover that none of them can move it, though their combined effort unleashes an ominous plea.  It’s up to them (along with a reluctant Larfleeze and Atrocitus) to locate six Entities roaming Earth.  Each of these emotional spectrum-based entities are seeking to channel themselves in human form.

Meanwhile, an unknown third party seeks to intercede by manipulating an imprisoned Hector Hammond’s long-standing lust for Carol Ferris.  Also, in a tease towards “War of the Green Lanterns,” An off-planet Guy Gardner evidently picks his side in an upcoming conflict that will include Hal Jordan among his adversaries.  On Oa, the Guardians grow increasingly concerned about Hal’s rebellious nature; specifically, he is hiding his current mission from them.              

Mortal casualties mount, as Hal, Carol, Sinestro, Larfleeze, Sinestro, and Atrocitus seek out these elusive Entities in multiple locales on Earth and in deep space.  Having dispatched the Predator in Las Vegas, Carol finds her potential destiny now resides on planet Zamaron.  Facing off against Atrocitus, Lobo, and even a Parallax-possessed Flash, among others, an exhausted Hal pushes his willpower to the limits.  Yet, the cosmic foe awaiting him may prove unstoppable. 

Defying both the Green Lantern Corps and the Justice League, Hal’s choice of allies: Saint Walker, Larfleeze, Atrocitus, & Iroque (Indigo-1), conveys that he is evidently sparing his closest friends from certain death.  To rescue the Entities and their captive human channels, representatives of at least five different Lantern Corps must invade the bleak ‘Lost Sector.’     

Guest stars include Crispus Allen’s Spectre; Lobo; Barry Allen’s Flash; Renee Montoya’s Question; Lex Luthor; Dex-Starr; Batman; & Superman.  A six-page Tales of the Red Lanterns Corps back-up tale depicts feline Dex-Starr’s tragic origin becoming a Red Lantern.

Notes: This title is also available digitally and in a trade paperback format.  Guy Gardner makes a cameo appearance, but Kyle Rayner doesn’t appear in this volume.

REVIEW:

This seemingly endless arc evokes grim irony given its Brightest Day banner.  Its actual substance seems far more in tone with Blackest Night than anything one might construe as bright and cheery.  While writer Geoff Johns keeps his ongoing story twists percolating in a coherent manner, it’s an ambitious read meant for the franchise’s hardcore fans.  Casual readers, however, may find the plotting too convoluted to keep up with Johns for the long haul. 

Johns’ multiple sub-plots supply ample depth to Larfleeze (note: a little Larfleeze goes a long way), Sinestro, Atrocitus, and especially Carol Ferris/Star Sapphire.  Hal Jordan, at the plot’s center, is in vintage form, particularly in a showdown against a Parallax-infected Flash.  The same applies to Hal’s interactions with Carol Ferris.  Carol’s own insightful heroism is another promising element.  It makes sense why DC would finally elevate her to the Justice League in 2024. 

Amplifying Johns’ storyline with high-quality visuals is this reliable art team.  Led by Doug Mahnke’s solid penciling, this art squad surpasses the challenge of bringing Johns’ vivid imagination to life.  Assuredly, it’s no easy task.      

Still, given its surplus of disturbing inferences (i.e. a child abduction; multiple grisly deaths), the content of Green Lantern: Brightest Day should be restricted to older teens and up.  In spite of neglecting an appropriate parental advisory, DC Comics compensates with a fantastic page count.  Though Green Lantern: Brightest Day isn’t a must-have purchase, curious fans should at least consider seeking out this Geoff Johns epic at the library.  For Hal Jordan’s fans, it’s definitely worth the read.  

Still, for any purchase of this Brightest Day tie-in, it makes practical sense to also acquire Green Lantern’s Blackest Night.  That way, this full twenty-issue saga can be read together. 

ADDITIONAL CONTENT:

Each full-page cover precedes its story.  These primary cover artists are:

  • Issue # 53 (artists: Doug Mahnke & Randy Mayor) – Note: It’s the collection cover.
  • Issue # 54 (artist: Shane Davis; Sandra Hope; & Barbara Ciardo) – image: Atrocitus in the New York City subway.
  • Issue # 55 (artists: Mahnke; Christian Alamy; & Mayor) – image: Hal Jordan, Lobo, & Atrocitus.
  • Issue # 56 (artists: Mahnke & Hi-Fi) – image: Hal Jordan & Sinestro.
  • Issue # 57 (artists: Mahnke & Hi-Fi) – image: Carol Ferris’ Star Sapphire vs. Predator.
  • Issue # 58 (artists: Mahnke, Alamy, & Mayor) – image: the lead characters kneel to Adara.
  • Issue # 59 (artists: Mahnke, Alamy & Mayor) – image: Hal Jordan & the Flash in battle.
  • Issue # 60 (artists: Gary Frank & Nathan Eyring) – image: Hal Jordan vs. a Parallax-possessed Flash.
  • Issue # 61 (artists: Frank & Mayor) – image: Hal Jordan vs. Atrocitus & the ‘Red Lantern’ Butcher.
  • Issue # 62 (artists: Ardian Syaf; Vicente Cifuentes; & Mayor) – image: The Justice League (including Hal Jordan), Atrocitus, Sinestro, & Larfleeze.

Full-page variant covers are collected as a gallery.  Specifically, they consist of:

  • Issue # 53 (artist: Ryan Sook) – image: shared possession of the White Lantern.
  • Issue # 54 (artist Alex Garner) – image: Hal Jordan, the Entities, and the White Lantern.
  • Issue # 55 (artists: Mahnke & Mayor) – image: Lobo.
  • Issue # 56 (artist: Art Germ) – image: Blue Walker.
  • Issue # 57 (artists: Ryan Sook; Fernando Pasarin; Joel Gomez; Mayor; & Carrie Strachan) – image: White Lantern Deadman.
  • Issue # 58 (artist: Gene Ha) – image: Hal Jordan.
  • Issue # 59 (artist: Ha) – image: Hal Jordan, Black Hand, & Iroque (Indigo-1).
  • Issue # 60 (artist: Frank Quitely) – image: Hal Jordan vs. Sinestro.
  • Issue # 61 (artist: Garner) – image: Spectre & Hal Jordan team up vs. the Red Lantern ‘Butcher.’
  • Issue # 62 (artists: Mahnke; Alamy; Mayor; & Alex Sinclair) – image: Hal Jordan.

A five-page preview teases Hal Jordan’s next arc: “War of the Green Lanterns,” as the Green Lantern Corps seemingly implode into civil war.  The last page presents multi-paragraph Johns and Mahnke biographies, which are then duplicated on the back inside cover.

BRIAN’S ODD MOON RATING:                      7½ Stars

Categories
Comic Books & Graphic Novels DC Comics DC's Hardcovers & Trade Paperbacks

GREEN LANTERN (HAL JORDAN): BLACKEST NIGHT (DC Comics)

Written by Geoff Johns.

Art by Doug Mahnke; Ed Benes; Marcos Marz; Christian Alamy; Tom Nguyen; Rodney Ramos; Mark Irwin; Luciana Del Negro; Rebecca Buchman; Keith Champagne; Randy Mayor; Gabe Eltaeb; Hi-Fi; Carrie Strachan; & Rob Leigh.

Collection Cover Art by Ivan Reis & Rodolfo Migliari.

SUMMARY:

First released in hardcover by DC Comics in 2011, this 256-page trade paperback compiles 2010-2011’s Green Lantern (Hal Jordan) # 43-52

The Green Lantern Corps/Sinestro Corps feud has seemingly ended, as the universe’s emotional spectrum has split into multiple color Corps factions across the universe:  Green (willpower – i.e. Hal Jordan, John Stewart, and the Green Lantern Corps), Violet (love – i.e. Carol Ferris and the Star Sapphires), Orange (avarice – i.e. Larfleeze); Red (rage – i.e. Atrocitus); Yellow (fear – i.e. Sinestro’s Corps); Blue (hope – i.e. Saint Walker); and the enigmatic Indigo (compassion – i.e. The Indigo Tribe). 

As ominously prophesied by Oa’s Guardians of the Universe, this emotional rivalry of seven colors opens the rise of the evil Black Lantern Corps to swarm and destroy life across the universe.  Though its leader isn’t yet revealed, the Black Lanterns is fronted by now-corrupted Guardians.  Subsequently comprised by an army of the vengeful dead, this faction’s first recruit is Hal Jordan’s old nemesis: Black Hand. 

Hal Jordan’s Green Lantern and Barry Allen’s Flash are bewildered to face the Black Lantern Black Hand, along with one of his new soldiers: the Black Lantern J’onn J’onzz – The Martian Manhunter.  Elsewhere, deep-space battles continue on planets Ysmault, Okaara, Zamaron, and, in the offing, a lone John Stewart on Xanshi.

On battle-ravaged planet Zamaron, Carol Ferris faces off against Sinestro before they must unite against common foes.  Hal Jordan and two Indigo Tribe reinforcements join them as reinforcements.   Forced to abandon Zamaron, Hal, Carol, Sinestro, and others shift to Sinestro’s home planet, Korugar. 

Once there, Mongul challenges Sinestro for command of his self-named Corps.  A Black Lantern from Hal and Sinestro’s shared past haunts them.  More so, Sinestro must fend off another Black Lantern, whose was once the love of his life.  On planet Ysmault, under Hal and Sinestro’s joint command, their team recruits Atrocitus, as they build towards uniting all seven Corps against the Black Lanterns.             

John Stewart’s past war experiences haunt him in his solo showdown against Black Lanterns on planet Xanshi. Elsewhere, Hal and Sinestro’s team further recruits Larfleeze and Saint Walker’s Blue Lantern Corps. 

Shifting back to Earth, Hal’s team expands to include Barry Allen’s Blue Lantern Flash; Yellow Lantern Scarecrow; Red Lantern Mera; Star Sapphire Wonder Woman; Orange Lantern Lex Luthor; Ray Palmer’s Indigo Atom; and the Guardian: Ganthet.  Confiding her love, Carol pleads with Hal not to make a brash decision in battle against the Black Lantern Spectre.  Even Sinestro implores Hal not to take such a risk given its worst possible outcome.     

To thwart a Black Lantern-corrupted Spectre, Hal desperately reunites with the Parallax entity in hopes of rescuing Crispus Allen’s Spectre.  Under Nekron’s command, more Black Lanterns are revealed, including Superman; Green Arrow; Firestorm; Aquaman; Hawkgirl; Hawkman; and the Martian Manhunter.  Hal’s temporary gambit works, as a means of thwarting Nekron’s Black Lanterns evidently becomes possible.      

Converging on Earth, the Black Lantern Corps and the force of planet Xanshi seek to destroy the planet.  Emerging from deep space, John Stewart’s recruited allies (among them: Kilowog and Star Sapphire Fatality) coordinate with Hal’s team for their last stand.  With Earth’s fate at stake, the planet’s defenders must look to the being now possessed by the enigmatic White Lantern. 

Readers are then told a definitive finish awaits them at the end of the primary Blackest Night title.             

Notes: This title is also available digitally.  Neither Kyle Rayner nor Guy Gardner appears in this volume.

REVIEW:

This complicated Blackest Night tie-in conveys varying shades of horrific sci-fi/horror to match the saga’s zombie premise.

Beginning with Issue # 43, Black Hand’s macabre origin (including his Black Lantern recruitment) is one of the most reprehensible tales that Geoff Johns and, by extension, DC Comics, has ever concocted.  Squandering high-quality artwork, this issue shouldn’t be accessible to the under-age 16 crowd.  DC Comics ought to be ashamed for not issuing a parental advisory for the issue’s icky content.  Further, it’s a shocking instance where DC evidently allowed Johns carte blanche on Blackest Night.

Moving past this glaring complaint, Johns subsequently constructs a vast Green Lantern saga meant for the franchise’s then-current fanbase.  Johns, in terms of creative expertise, juggles multiple sub-plots at regular intervals with plentiful depth.  To his credit, he makes such a formidable plotting challenge appear easy – with only occasional flaws. 

For instance, despite Hal, Carol, Sinestro, and various deputy Lanterns expending maximum firepower, Johns doesn’t depict anybody ever needing to recharge.  It’s a significant oversight in logic, but Johns’ ongoing plot twists more than make up the difference.  Even more so, the artistic talents supplying this book’s imaginative visuals appear at the top of their game.

While Green Lantern (Hal Jordan): Blackest Night isn’t a kid-friendly read, it makes an worthwhile argument to consider purchase.  If anything, purchasing it along with Hal Jordan’s subsequent Brightest Day tie-in, makes the most practical sense to grasp a Green Lantern epic spanning twenty issues.  Aside from the gross Issue # 43, this Blackest Night tie-in makes an intriguing read for adult Green Lantern fans.         

ADDITIONAL CONTENT:

Brief ongoing summaries of the Green Lantern cast’s involvement in the Blackest Night saga are provided between issues.  Each full-page cover precedes its story.  The primary cover artists are:

  • Issue # 43 (artists: Doug Mahnke; Christian Alamy; & Alex Sinclair) – image: Black Hand.
  • Issue # 44 (artists: Mahnke; Alamy; & Sinclair) – image: Hal Jordan & Barry Allen’s Flash vs. Black Lantern Martian Manhunter.
  • Issue # 45 (artists: Mahnke; Alamy; & Hi-Fi) – image: Carol Ferris/Star Sapphire vs. Sinestro.
  • Issue # 46 (artists: Mahnke; Alamy; & Hi-Fi) – image: Carol Ferris/Star Sapphire, Hal Jordan, & Sinestro.
  • Issue # 47 (artists: Mahnke; Alamy; & Hi-Fi) – image: Hal Jordan & Sinestro vs. Black Lantern Abin Sur.
  • Issue # 48 (artists: Mahnke; Alamy; & Hi-Fi) – image: Saint Walker & the Blue Lantern Corps vs. Yellow Lanterns.
  • Issue # 49 (artists: Ed Benes & Hi-Fi) – image: John Stewart escaping a mound of skeletons.
  • Issue # 50 (artists: Mahnke; Alamy; & Pete Pantazis) – image: Hal Jordan’s Parallax.
  • Issue # 51 (artists: Mahnke; Alamy; & Hi-Fi) – image: Seven different Lanterns’ team-up vs. a Black Lantern.
  • Issue # 52 (artists: Mahnke; Alamy; & Randy Mayor) – image: White Lantern Sinestro.

With each variant cover in a full-page, format, the gallery consists of:

  • Issue # 43 (artists: Eddy Barrows & Nei Ruffino) – image: Hal Jordan vs. Black Hand.
  • Issue # 44 (artists: Phillip Tan; Jonathan Glapion; & Ruffino) – image: the Guardians under attack. 
  • Issue # 45 (artists: Francis Manapul & Brian Buccellato) – image: Carol Ferris/Star Sapphire.
  • Issue # 46 (artists: Andy Kubert & Sinclair) – image: Hal Jordan & Sinestro vs. Yellow Lantern Mongul.
  • Issue # 47 (artists: Benes & Ruffino) – image: Iroque (Indigo-1).
  • Issue # 48 (artists: Rags Morales & Ruffino) – image: Saint Walker.
  • Issue # 49 (artists: Rodolfo Migliari) – image: sniper John Stewart vs. Black Lanterns.
  • Issue # 50 (artists: Jim Lee; Scott Williams; & Sinclair) – image: Seven Lanterns recharge.
  • Issue # 51 (artist: Greg Horn) – image: Yellow Lantern Scarecrow.
  • Issue # 52 (artists: Shane Davis; Sandra Hope & Barbara Ciardo) – image: White Lantern Sinestro.

With art by Joe Prado, a gallery of Deputy Lantern profiles consist of:

  • Red Lantern Mera (1/2 page).
  • Orange Lantern Lex Luthor (1/2 page).
  • Sinestro Corps Scarecrow (1/2 page).
  • Barry Allen’s Blue Lantern Flash (1/2 page).
  • Ray Palmer’s Indigo Lantern Flash (1/2 page).
  • Wonder Woman’s Star Saphhire (1/2 page).

Shifting to full-page portraits, the profile gallery also includes

  • Black Lantern Aquaman (artists: Ethan Van Sciver & Sinclair).
  • Black Lantern Batman (artist: Prado).
  • Black Lantern Firestorm (artists: Van Sciver & Sinclair).
  • Black Lantern Hal Jordan (artist: Prado).
  • Black Lantern Martian Manhunter (artists: Van Sciver & Sinclair).
  • Black Lantern Superman (artist: Prado).

The last page presents multi-paragraph biographies for Geoff Johns and Doug Mahnke.   

BRIAN’S ODD MOON RATING:                      8 Stars

Categories
Comic Books & Graphic Novels Marvel Comics MARVEL's Hardcovers & Paperbacks

A-FORCE, VOLUME 0: WAR ZONES! (MARVEL Comics)

Written by Marguerite Bennett & G. Willow Wilson.

Art by Jorge Molina; Craig Yeung; Walden Wong; Laura Martin; Matt Milla; & VC’s Cory Petit.

Collection Cover Art by Jim Cheung & Laura Martin.

SUMMARY:

Released by Marvel Comics in 2015, this 112-page trade paperback compiles the original A-Force # 1-5 mini-series from that same year. 

Per an opening Star Wars-like crawl, Marvel’s brief Secret Wars introduction specifies that, in this reality, the multiverse was destroyed, leaving remnants of various Earths transformed into the makeshift Battleworld.  Now divided into secluded domains/kingdoms, Battleworld is under Doctor Doom’s supreme rule. Among these turfs is the idyllic island of Arcadia where Marvel’s heroines reside.  Their chosen leader is She-Hulk, who is both Baroness of Arcadia and A-Force’s commander. 

A seemingly routine patrol pits A-Force against a prehistoric shark-like Megalodon.  America Chavez’s angry dispatching of this aquatic predator violates Battleworld law and forces She-Hulk to permanently exile her.  Though comforted by a female Loki, Sister Grimm is devastated at losing her best friend. 

At She-Hulk’s behest, a trio of Sub-Mariners: Namor, Namora, and Namorita investigate an underwater extradimensional portal that then vanishes.  Meanwhile, Sister Grimm meets and hides a mysterious new friend – who later reveals her name as Singularity. 

Overriding Medusa’s criticisms, She-Hulk insists the team continue probing these extradimensional breaches.  One of them brings a Sentinel to Arcadia to battle its defenders.  Due to Singularity’s powers, She-Hulk subsequently lands in a decimated New York City where she faces multiple Sentinels and three female Thors: Valkyrie, Sif, and Gamora. 

She-Hulk is now convinced that a traitor exists on Arcadia and is responsible for these extradimensional intrusions.  More so, she believes that Singularity is being framed for the subsequently dangerous repercussions.  Following She-Hulk home to Arcadia, the three Thors ensure that one defiant A-Force member meets death. 

Grieving, She-Hulk and her team at last confront A-Force’s power-hungry traitor.  In retribution, the culprit disables Battleworld’s impenetrable shielding, which allows a mass invasion of dead male villains (now zombies) to attack Arcadia.  Despite A-Force’s vast firepower, they are forced to mount a desperate counterattack.  Still, it’s up to perhaps Arcadia’s most emotionally innocent resident to make an ultimate sacrifice. 

Assuming Arcadia survives, She-Hulk must determine the futures of both A-Force and Arcadia itself.      

Note: This title is also available digitally.

REVIEW:

It’s a great premise that falls far short of a potentially fun read.  Between this art squad’s generally above-average visuals (there are some mediocre panels) and Marvel’s female star power, neither can salvage a nonsensical plot lacking surprises.  Let’s just concede that the traitorous culprit’s identity isn’t a shocker whatsoever.

Still, seeing She-Hulk in command conveys intriguing potential.  Her lead role, unfortunately, is sabotaged by a contrived storyline evidently taking a round-trip to nowhere.  Case in point: exactly how She-Hulk gains insight in deducing an Arcadian traitor and, soon afterward, that culprit’s identity isn’t revealed.  Co-writers Marguerite Bennett and G. Willow Wilson eventually have She-Hulk disclose one ‘gotcha’ clue later on, but, by then, it’s a few too many eyerolls late. 

Among such eyerolls is why no one (not even stalwart X-Men like Dazzler, Jean Grey, or Storm) recognizes a vintage Sentinel – such continuity (or lack thereof) doesn’t make sense.  Even more so is why ‘A-Force,’ in most scenes, consists of She-Hulk, Captain Marvel, Jessica Drew’s Spider-Woman, Sister Grimm, Dazzler, and only a few others.  Seemingly dozens of other members (essentially, all the Marvel heroines and some men: i.e. Bucky Barnes, Luke Cage, Black Bolt, Commander Steve Rogers, and a white-haired Hulk), otherwise, conveniently vanish for long stretches without explanation until needed. 

This enormous plot hole alone clinches why A-Force, Volume 0 can’t muster a worthwhile storyline. Exacerbating the matter is that Marvel skimps on readers by not supplying any reprints to compensate for such mediocre storytelling.  Adding a reprint of 1982’s original Avengers # 221 (where She-Hulk is first recruited in an A-Force-like plot), for instance, would have surely boosted this book’s flimsy page count towards a more respectable number. 

That said, due to its flawed gimmickry, the weak A-Force, Volume 0: War Zones! should be deemed at best as a library find. 

ADDITIONAL CONTENT:

Each full-page primary cover precedes its story.  The primary cover artists include Issue # 1 (Jim Cheung & Laura Martin); and then Issues # 2-5 (Jorge Molina).  Make no mistake: these primary covers make for some dynamite visuals.

The cover variants consist of: Issue # 1 (artists: 1. Russell Dauterman & Matthew Wilson – full page; 2. Skottie Young – full page; 3. Jorge Molina – 1/3 page; 4. Adam Hughes – 1/3 page; & 5. Stephanie Hans – 1/3 page); Issue # 2 (artist: Kris Anka – 1/3 page); Issue # 3 (artist: Kevin Wada – 1/3 page); and Issue # 4 (artist: Toshirou Chiba – 1/3 page).  The Samnee Kirby ‘monster’ variant cover for Issue # 5 isn’t included. 

BRIAN’S ODD MOON RATING:                             4 Stars