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DC-Related Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

FLASH 1990 TV SERIES THEME (by Danny Elfman: Music of DC Comics, Volume 2)

SUMMARY:                           RUNNING TIME: 1:33 Min.

This track appears on 2016’s Music of DC Comics, Volume 2.  Courtesy of composer-conductor Danny Elfman, this opening credits instrumental accompanied the single-season CBS live-action Flash TV series starring John Wesley Shipp.    

Notes: This theme is also a bonus TV track on Elfman’s 1996 double-disc compilation album: Music for a Darkened Theatre, Vol. 2.

REVIEW:

Is this theme derivative of Elfman’s own 1989 Batman theme?  Definitely, yes! — but one suspects that’s most likely by Warner Bros./DC’s corporate design.  Case in point: Elfman’s originality is more evident distinguishing his two Batman film scores from his Spider-Man movie work a decade later.  However, that’s not the case here — his Flash TV theme merely plays off his cinematic Batman style.  While Elfman doesn’t imbue Shipp’s Flash with his own unique theme, this rare instrumental is still a cool ninety seconds.    

BRIAN’S ODD MOON RATING:                    7 Stars

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

DEATH THEME (By Ennio Morricone: The Untouchables movie soundtrack)

SUMMARY:                                  RUNNING TIME: 2:43 Min.

As Track # 4, this low-key Ennio Morricone instrumental narrates a pivotal character’s demise late in the film.  The orchestra, however, isn’t identified. 

REVIEW:

Though this track isn’t likely recognizable to non-fans, the poignancy that Ennio Morricone imbues this old school noir-ish instrumental can’t be overstated.  Simultaneously conveying a routine evening at a home and a ruthless homicide, its dual purpose is quite effective.  While killing a nosy cop comes off as just another ‘day at the office’ for Al Capone’s hitmen, the reverse effect has Kevin Costner’s Eliot Ness grieving over the most personal casualty yet in this ongoing war.  Well-played!  

BRIAN’S ODD MOON RATING:                    8 Stars

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

EMOTIONAL STORM (by John Cafferty & The Beaver Brown Band: Eddie and The Cruisers II movie soundtrack)

SUMMARY:                                   RUNNING TIME: 5:26 Min.

Performed by John Cafferty and The Beaver Brown Band, this upbeat R&B tune helps narrate an early ‘60s flashback sequence in the 1989 film, Eddie & The Cruisers II: Eddie Lives!  While actor Michael Paré is the on-screen ‘Eddie Wilson,’ Cafferty provides the fictional Eddie’s singing voice.   

REVIEW:

In a homage to exuberant R&B, John Cafferty and the Beaver Brown Band demonstrate terrific versatility by incorporating their own contemporary rock spin.  For instance, the upbeat saxophone work from Michael ‘Tunes’ Antunes (aka the fictional ‘Wendell Newton’ from Eddie’s band) is dazzling.  For this change-of-pace tune, Cafferty reliably delivers his vocals in conjunction with classy R&B support by the female back-up singers. 

In terms of overall originality, “Emotional Storm” is arguably the soundtrack’s best individual option.  Even one isn’t an Eddie & The Cruisers fan, this song certainly merits a chance for re-discovery.

BRIAN’S ODD MOON RATING:                8 Stars

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

FLASHBACK (by Jan Hammer: Miami Vice, Volume 1 TV Soundtrack)

SUMMARY:                                   RUNNING TIME: 3:20 Min.

The instrumental “Flashback” was recorded by Jan Hammer for Miami Vice’s first soundtrack, which was released in 1985.  This track was frequently re-used throughout the 1985-89 NBC TV series.

REVIEW:

Arched by its slightly haunting sound, “Flashback” is a solid effort from Jan Hammer.  For Miami Vice fans, it’s definitely a familiar addition to the soundtrack. 

BRIAN’S ODD MOON RATING:                   6 Stars

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

FRIENDS WILL BE FRIENDS {1986’s Highlander} (by Queen: A Kind of Magic, 1991 re-release)

SUMMARY:                                          RUNNING TIME: 4:03 Min.

This tune recorded by Queen is among the background songs heard during the 1986 Highlander film. “Friends Will Be Friends” appears on both A Kind of Magic’s original 1986 release and its 1991 re-issuing.

REVIEW:

It’s another solid Queen hit from the Highlander film, even if it isn’t remarkable.  Smartly, it’s utilized in the background in one scene vs. a more high-profile placement in the movie.  If anything, Freddie Mercury’s endearing vocals still make this tune worth four minutes of your time.

BRIAN’S ODD MOON RATING:                   6½ Stars

Note: There’s a digitally-remastered rendition of this song also available on Queen’s 2002 Platinum Collection.

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

GET OUTTA MY DREAMS, GET INTO MY CAR (by Billy Ocean: Billboard Top Hits – 1988)

SUMMARY:                                 RUNNING TIME: 4:46 Min.

Initially released as the theme song for 1988’s License to Drive film starring Corey Haim & Corey Feldman, it has resurfaced as one of Billy Ocean’s greatest hits/best-of tunes.  As a familiar Late-80’s radio hit, the song appears on the Billboard Top Hits: 1988 album.  Of note is that Ocean and fellow hit-maker Robert John “Mutt” Lange co-wrote the song.     

REVIEW:

Much like he did a few years earlier with the catchy “When the Going Gets Tough, The Tough Get Going,” Ocean strikes again with more up-tempo soundtrack magic.  Though the lyrics treat women as glorified eye candy, this exuberant pop tune still thrives by surfing off Ocean’s charisma and flawless background instrumentals.  For soundtrack and road trip playlists, this engaging tune earns its consideration as a potential download.

BRIAN’S ODD MOON RATING:                      7 Stars

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

GIMME THE PRIZE – KURGAN’S THEME {1986’s Highlander} (by Queen – A Kind of Magic, 1991 re-release)

SUMMARY:                                      RUNNING TIME: 4:32 Min.

Recorded by Queen as a background song for the 1986 Highlander film, this ominous rock track later made its CD debut in 1991 upon A Kind of Magic’s re-release.  Notably, this song is heavy on dialogue clips taken from the movie.  The song’s intro has a female journalist reporting the discovery of a decapitated man’s corpse – after which, actor Clancy Brown’s Kurgan chillingly snickers, “I know his name.” Brown’s Kurgan, amidst the movie’s sword-fighting sound effects, later adds a few extra dialogue clips. 

Besides a brief cameo by actress Roxanne Hart’s Brenda Wyatt, Christopher Lambert’s Connor MacLeod gets a final say amidst the film’s climatic Quickening sound effects.    

REVIEW:

Relying upon the formula Queen previously used for its 1980 Flash Gordon movie soundtrack, at a minimum, this inspired track is unique.  Interspersing dialogue clips and sound effects, “Gimme the Prize” delivers a definitive Kurgan experience for Highlander fans.  For what it is — defining Kurgan’s goth punk villainy, the creative combination of the rock melody, Freddie Mercury’s spot-on vocals, and, most certainly, Clancy Brown’s surly presence — this track is, at a minimum, unique.

BRIAN’S ODD MOON RATING:                   7 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

BOARDWALK ANGEL (by John Cafferty & The Beaver Brown Band: Eddie and The Cruisers movie soundtrack)

SUMMARY:                                    RUNNING TIME: 4:32 Min.

Recorded for the 1983 Eddie and the Cruisers film soundtrack, John Cafferty (as Eddie Wilson’s singing voice) and the Beaver Brown Band (as the fictional Cruisers) perform this ballad.

REVIEW:

It’s not the film’s best ballad (that would be “Tender Years”), but “Boardwalk Angel” delivers an old school sense of romantic poignancy that is hard to capture.  The saxophone work of Michael “Tunes” Antunes adds an extra element of depth that helps makes this song a quiet gem.  For ‘60s-style soft rock enthusiasts, this track is worth adding to a favorite playlist.  

BRIAN’S ODD MOON RATING:                      8 Stars

Note: From 1989’s Eddie and the Cruisers II soundtrack album, “NYC Song” is very similar.  It might even be construed as a ‘sequel’ to “Boardwalk Angel.” 

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

BLACK EYED DOG (by Nick Drake: Practical Magic movie soundtrack)

SUMMARY:                                     RUNNING TIME: 3:25 Min.

This Nick Drake song appears as Track # 5 on 1998’s Practical Magic movie soundtrack.  Drake also composed the song.

REVIEW:

This wistful folk rock tune makes good use of Nick Drake’s low-key vocals alongside a gentle melody.  There’s no disputing that “Black Eyed Dog” has a curious poignancy, but it’s frankly not remarkable enough to justify a download.  However, as part of the Practical Magic album, this track is certainly worth hearing every once in a while.  

BRIAN’S ODD MOON RATING:                          6 Stars

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CD's Classical, Electronica, & New Age Music & Radio Shows Soundtracks (CD's)

MICHAEL KAMEN’S OPUS {Cover Album} (by The Seattle Symphony Orchestra)

SUMMARY:                        RUNNING TIME: 48 Min.

Released by Decca Record Company in 1998, this instrumental album by Kamen and the Seattle Symphony Orchestra offers a playlist collecting some of Kamen’s best-known hits with some of his more obscure works.  Partial proceeds of this project is distributed to ‘The Mr. Holland’s Opus Foundation.’ 

Michael Kamen’s Opus consists of these twelve tracks: 

  1. Robin Hood: Prince of Thieves (1991):  Overture   2:45

Horn: John Cerminaro.

2. Robin Hood: Prince of Thieves (1991): 

Maid Marian at the Waterfall (Everything I Do, I Do It for You)   4:30

Flute: Scott Goff

3. Mr. Holland’s Opus (1995): Rowena    4:58

Harp: Gillian Tingay & John Marson; Harpsichord: Maggie Cole; and English horn solo: Michael Kamen.

4. Don Juan DeMarco (1995):

Dona Ana (Have You Ever Really Loved a Woman?)   6:01

Cello solo: Caroline Dale & Violin solos: Ilka Tavi and Christopher Warren.

5. Circle of Friends (1995): You’re the One  3:50

Piano: Michael Kamen

6. Crusoe (1988): Marooned  6:04

Cello solo: Caroline Dale.

7. Highlander (1986): There Can Be Only One   3:31

Trumpet: Charles Butler.

8. The Next Man (1976): Magic City  2:58

Harp: Gillian Tingay.

9. The Winter Guest (1997): Stromness    4:07

Horn solo: Hugh Seenan.

10. Die Hard (1988): Tagaki Dies    1:57

11. Edge of Darkness (BBC – 1985): Nuclear Train     6:02

Co-Composer: Eric Clapton; Unspecified Performance Contribution from: Tomoyasu Hotei; and Guitar Solos: Scott Rockenfeld, Eddie Jackson, & Chris DeGarmo of Queensryche.

12. Brazil (1985): Brazil     2:02

Co-Composer: Ary Baroso; and Vocals: Kate Bush.

REVIEW:

Its intelligent sound so elegantly blends together that one might construe Opus as a single film soundtrack vs. a sampler.  Courtesy of the Seattle Symphony Orchestra, the underrated Kamen (who passed away in 2003) hits upon many essential moods of classical-style movie magic. 

The epic Tracks 1 and 7 confirm how he made vital contributions to Robin Hood: Prince of Thieves and the original Highlander.  Track 8 is far more obscure, but it, too, is intriguing in its own subdued way.  The track becomes much easier to visualize once Kamen notes that the music echoes Sean Connery’s character on a nighttime New York City helicopter ride.  Then again, it could just as easily apply to some medieval adventure.    

If one wants romantic charm, the low-key Tracks 2-5 will most definitely fit the bill.  Far more unique is the eerie Track 12 from Brazil, which offers the album’s sole vocals.  British songstress Kate Bush imbues this brief title tune with a haunting aura that will likely arouse curiosity re: this particular film.  Kamen also handles ominously suspenseful works (Tracks 10-11) with aplomb.  The subdued nature of Tracks 6 and 9 helps anchors this album’s effort to satisfy listeners through sheer eloquence.  Clearly, Kamen’s Opus combines his originality with a classical sound, making it a tough combination to beat.   

Considering his lengthy resume, it would have been a blast, had this album been a double-disc compilation instead of one.  This first-rate highlight album makes a tantalizing case to seek out more of Kamen’s work, including his acclaimed effort for Mr. Holland’s Opus.

PACKAGING:

The tracks are listed on the case’s back cover.  The classy fold-out booklet includes a track listing; running times; musician credits; technical credits; film stills, and Kamen’s brief commentary re: each track.     

BRIAN’S ODD MOON RATING:                    8½ Stars