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STAR WARS (LEGENDS): EMPIRE AND REBELLION – HONOR AMONG THIEVES

Written by James S.A. Corey

SUMMARY:

Released by Del Rey in April 2015, this 367-page mass market paperback was co-written by Daniel Abraham & Ty Franck (under the pen name of James S.A. Corey).  Set several months after A New Hope, the Rebellion is exploring its few options for a new secret base.  Han Solo & Chewbacca are once again desperately low on credits.  Hence, they’re willing to take the Millennium Falcon on a potential suicide run to retrieve a Rebel spy, Scarlet Hark, trapped deep within Imperial territory on the planet Cioran. 

Unbeknownst to Han & Chewbacca, an old crony, Baasen Rey, and his mercenary crew seek to ambush them for Jabba the Hutt’s sizable bounty.  Even if Han locates the elusive Scarlet, the odds of the Falcon’s crew escaping Cioran alive are dwindling fast.

Reuniting with Princess Leia at a hush-hush diplomatic conference on planet Kiamurr, Han discovers that the vital tech secret up for sale on the black market is a map to the galaxy’s greatest power: a means of controlling hyperspace.  With the Empire bent on obliterating anything in its way to seize this technology, Han & Leia lead a makeshift team into a dangerous jungle world in the Seymarti system.  An ancient alien temple laden with unpredictable booby traps awaits them. 

The Falcon must also locate Luke Skywalker’s short-handed X-Wing squadron, as it’s now the quarry of an Imperial Star Destroyer.  As two planets die around him, Han Solo has a million-to-one shot at potentially ending the Galactic War – will he take it?     

Note: This title was first published in hardcover in 2014.  It’s also part of the “Empire and Rebellion” trilogy in the Star Wars Legends series.

REVIEW:

For Han Solo aficionados, it’s a welcome return to a style reminiscent of Brian Daley’s Han Solo Adventures trilogy pitching the Corellian flyboy adventurer at his roguish best.  Not nearly the impulsive dolt he sometimes is in A New Hope, this savvy (and articulate) Han Solo conveys surprising depth.  Not always shooting first and saving questions for later, Han is shown conscientiously thinking and improvising more like a certain 1930’s archaeologist. 

Depicted as the Rebellion’s unlikely best option for high-risk jobs, ‘The Han Solo Show’ dominates this book’s screen time, including his Old West-like gunslinging feud with Baasen Rey.  Meanwhile, Chewbacca is conveniently sent off-screen multiple times guarding/repairing the battered Falcon while Han performs the ultra-dangerous fieldwork. 

All things considered, it can’t be a coincidence that, late in the game, Han is practically ‘Indiana Solo,’ as he deftly navigates a deadly alien jungle into Star Wars’ version of a ‘Temple of Doom.’  Giving Han some terrific support are Princess Leia, and guest stars Scarlet Hark & Baasen Rey, along with Chewbacca’s reliable contributions. 

Reduced to a minor role as Han’s surrogate little brother, Luke Skywalker is now a daring X-Wing rookie under Wedge Antilles’s command.  Curiously, The Force isn’t depicted (other than Han occasionally thanking his ever-so-lucky stars), so Luke doesn’t resort to any lightsaber heroics this time.  Instead, it’s mostly up to Captain Solo’s world-weary expertise, hotshot piloting, and trusty blaster to save the galaxy time and again. 

In that regard, despite the vastly outnumbered Rebels improbably thumping wave after wave of Imperial stormtroopers, the author ensures that Honor Among Thieves is a solidly-paced thriller.  It leaves one pondering, if Han’s commanding presence had been structured more like this in Episodes IV-VI, maybe Harrison Ford would have better appreciated his iconic role.             

ADDITIONAL FEATURES:

The usual Star Wars Legends chronology of book titles is provided.  The author offers an eleven-page Scarlet Hark short story entitled “Silver and Scarlet,” as another of her undercover capers is revealed.  The last supplement is an eighteen-page preview of Paul S. Kemp’s novel: Star Wars: Lords of the Sith, as Darth Vader personally leads an assault strike on a stolen Imperial freight carrier.    

BRIAN’S ODD MOON RATING:                     8 Stars

Note: Another terrific post-New Hope, Han Solo title is Timothy Zahn’s novel: Star Wars: Scoundrels, which chronologically occurs before Honor Among Thieves.  Think ‘Han Solo + Ocean’s 11,’ and you’ll get the idea.

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REY’S THEME (by John Williams: Star Wars – The Force Awakens movie soundtrack)

SUMMARY:                             RUNNING TIME: 3:11 Min.

From composer-conductor John Williams, this instrumental track introduces the pivotal character portrayed by actress Daisy Ridley in 2015’s Star Wars: The Force Awakens.

REVIEW:

Anchored by a youthful sense of adventure, this theme (with just the right tinges of New Age jazz) is a beautifully fresh supplement to John Williams’ Star Wars legacy.  While the melody isn’t instantly distinctive, its whimsical motifs are finely-tuned to reflect Rey’s years of self-reliance surviving on the desert planet, Jakku.  Williams ensures that this theme isn’t merely a retread of his work introducing Luke Skywalker nearly forty years before.  Recommended!   

BRIAN’S ODD MOON RATING:                           8 Stars

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YODA (by “Weird Al” Yankovic : Dare to Be Stupid)

SUMMARY:                                            RUNNING TIME: 3:58 Min.

Off his 1985 comedy album, Dare to Be Stupid, “Weird Al” Yankovic parodies The Empire Strikes Back’s Yoda and his mentorship of Jedi Knights.  For this faux soft rock tune, Yankovic lifts the melody from The Kinks’ 1970 song, “Lola.”    

REVIEW:

To Yankovic’s credit, his vocals make good on the wacky lyrics, as best as one could expect.  During a first listening, the melody may be hard to place, no matter how vaguely familiar it sounds.  Even so, it should mildly amuse Star Wars fans of any age.  This overly repetitive novelty tune would make ideal cover material for The Big Bang Theory’s Howard & Raj in their two-man band: Footprints on the Moon.

BRIAN’S ODD MOON RATING:                        6 Stars

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MECO EWOK CELEBRATION (LP)

SUMMARY:                                RUNNING TIME: Not Provided

Released by Arista Records in 1983 in LP and cassette formats, this hodge-podge Meco album is mostly inspired by Return of the Jedi.  Side A consists of a medley of Jedi’s “Lapti Nek,” Ewok-themed music from Jedi, an exclusive Ewok rap, and more Meco-style instrumentals in a disco homage to Jedi and Star Wars

Side B further celebrates 1983 with the following: “Nights Are Forever” (from Twilight Zone: The Movie); an extended Simon & Simon TV theme; Flashdance’s “Maniac;” Giorgio Moroder’s rare Superman III love theme; and a Meco-style homage to Matthew Broderick’s War Games film.

REVIEW:

Nearly forty years later, this album remains a hoot!  The Star Wars side of this LP revives memories of a time when loyal fans could gleefully enjoy Ewoks as a childish pleasure.  In addition to the familiar “Lapti Nek” fresh from Jabba’s palace (whether it’s a cover or not), Meco’s instrumental tunes retain a funky novelty sound.  Suffice to say, it’s reliably goofy fun for kids of all ages — i.e. the exclusive “Ewok Rap” is a delight.      

Despite its oddball track selection, Side B definitely has its moments.  The tricky part, however, is: are these five songs covers or not?  First off, female vocals for tracks 1 and 5 are credited to someone referred to as ‘Garbo.’  It’s known that Jennifer Warnes & Jerry Goldsmith collaborated on the official “Nights Are Forever,” so, presumably, Track 1 is a cover.  As for Track 5, it’s most likely a Meco effort — this reviewer doesn’t recall this song even being in the actual movie.  Still, the tune’s computerized sound effects are playfully 80’s-cool. 

Track 2’s rollicking rock tribute to TV’s Simon & Simon is terrific.  This track isn’t credited, but, yes, a young Kenny G performs its sax solo.  His sax work is also heard on Track 3: “Maniac.” Re: this song, it sounds like original vocalist Michael Sembello; yet, the credited singer is ‘Michael Falcon.’  One wonders if it’s a Sembello alias (possibly for copyright purposes), or possibly Arista Records found a sound-alike impersonator. 

That leaves Track 4; does anyone even remember a lush, piano-driven Superman III love theme?  Whether this tune appeared in the film or not, Giorgio Moroder’s ultra-rare instrumental can evidently only be found on the out-of-print Superman III LP.  Hence, this track’s performer could well be Meco (or maybe it’s really Moroder) – the musician is left anonymous.  What can be ascertained is that Track 4’s initially mellow charm expands into an extravagant, over-the-top epic piano/synthesizer piece … consistent with Moroder’s flamboyance. Even so, this theme seems totally incompatible with what viewers see on screen in Superman III

In all fairness, Meco Ewok Celebration doesn’t age well for contemporary audiences.  However, give credit where it’s due: this obscure album is loaded with good-natured movie nostalgia.

PACKAGING:

The credits (including musicians) are listed on the backside.  Yet, some of these credits resemble gibberish — maybe it’s an in-joke?.  Case in point: the credited talent allegedly ‘from the CORMAR GALAXY’ makes little, if any, sense.

BRIAN’S ODD MOON RATING:                   7½ Stars

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THEME FROM STAR WARS: THE FORCE AWAKENS {Cover} (by Traxburner: single)

SUMMARY:                              RUNNING TIME: 3:28 Min.

Attributed to Traxburner, this 2015 instrumental remix was released to coincide with the release of the film “Star Wars: The Force Awakens.” 

REVIEW:

Meant for workout playlists, this upbeat tune starts as a dance synthesizer remix of John Williams’ vintage Star Wars theme.  Roughly halfway through, listeners get a brief cover of Williams’ actual theme before again igniting the remix.  While this unremarkable version doesn’t incorporate anything funky like Meco’s sound effects, Traxburner still provides a reasonably effective take on Star Wars.

BRIAN’S ODD MOON RATING:                  6 Stars

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STAR WARS – EPISODE III: REVENGE OF THE SITH

SUMMARY:                                RUNNING TIME: Approx. 140 Min.

Released in 2005, this prequel (written, produced,& directed by George Lucas) occurs approximately three years after Attack of the Clones.

With The Clone Wars near its end, the intergalactic Senate has imploded.  The Sith’s dark forces and the Jedi’s patience are at a fateful crossroads, as the time to execute Order 66 is now.  Palpatine, the self-appointed dictator of the galaxy’s ‘new democracy,’ has transformed the once-loyal Clone Troopers into the Jedi’s worst nightmare.  Palpatine orders the Clones to purge all Jedi in existence on the grounds of treason as a threat against the newly established Empire.  Once Jedi Master and trusted protégé, Obi-Wan Kenobi and Anakin Skywalker now represent two sides of the galaxy’s pendulum between good and evil. 

The primary cast is:   

(General) Obi-Wan Kenobi: Ewan McGregor

(General) Anakin Skywalker: Hayden Christensen

Queen Padmé Amidala: Natalie Portman

Mace Windu: Samuel L. Jackson

C-3PO: Anthony Daniels

R2-D2: Kenny Baker

Senator Bail Organa: Jimmy Smits

Yoda: Frank Oz

Count Dooku: Christopher Lee

Senator Palpatine: Ian McDiarmid

General Grievous: Matthew Wood

Owen Lars: Joel Edgerton

Beru Lars: Bonnie Piesse

Chewbacca: Peter Mayhew

REVIEW:              

If there’s any way to sum up Revenge of the Sith, then it’s the Star Wars equivalent of the collapse of the Roman Empire – the mythic fable of a mighty democratic republic being overthrown by corruption and tyranny. Palpatine pulls this intergalactic coup off by spreading the Jedi so thin that he can knock off their central base on Coruscant.  Hence, by continuing plot points from Attack of the Clones,  there are five lightsaber duels in this film alone. Key sub-plots, like Anakin & Padmé’s romance, are de-emphasized for long stretches.  Pivotal supporting players from Episodes I-II, like Jango Fett and Jar Jar Binks are near-forgotten, but that may be for the best.

There is more to this movie than reckless sci-fi/fantasy-action.  Anakin Skywalker’s character arc is actually handled quite well considering how putrid it was in Episode II.  This can be attributed to Hayden Christensen stepping his performance as the Force’s destined savior, who is now on the fringe of snapping.  Ian McDiarmid, as the opportunistic Emperor, also does a good job slowly shifting Anakin into his gullible pawn.  Let’s not overlook Ewan McGregor’s efforts conveying a weary Obi-Wan Kenobi, as he senses the Jedi are on the verge of sudden extinction.  Considering that he contributes to defeating three Sith Lords in a single film, Kenobi/McGregor comes off as the prequels’ undisputed MVP.

To do so, however, means blowing away the previously-known Sith (figuratively, that is).  Count Dooku, the menacing Separatist leader, is now nothing more than a B-grade, beginning-of-the-movie expendable.  Another big-time baddie, General Grievous, is somehow dispatched by a single Jedi!  Despite looking formidable in Clone Wars animated series, comics, and video games, Grievous falls far short of the Sith’s grand expectations.  No wonder Darth Vader answers their ‘help wanted’ sign. 

If Grievous and his droid army are so wimpy, why do the Jedi need three whole years between Episode II to Episode III to finally defeat them? That aside, the fight scenes are more of a Rocky montage than memorable for their own dazzling merits– this aspect is disappointing in some sense. Then again, imaging being a little kid seeing this many lightsaber duels in a single movie!

With all of this swordplay, you’d expect the team to go lazy on the SFX, right?  In a way, yes, it’s all green-screen again, but there are major upgrades from Episodes I-II.  Even so, any fan who is above the age of five, will see through Lucas’ transparent plotting. The climax of this prequel trilogy is unoriginal, plain and simple, as the outcome is such a foregone conclusion.  Luke and Leia are born — Anakin turning evil – Kenobi’s self-exile —  and Palpatine & Vader taking over the galaxy aren’t shockers for older viewers. As cool as lightsaber fights are, how much value do they really hold, if ones needs five of them in a single movie?

Episode III looks to take fans on an epic adventure through its visuals instead of actual, but grim visuals will only carry viewers so far. It’s hard to look at this movie without making anyone upset because of how polar the reception it has from the fans. Are there things that seem wildly unrealistic or in bad taste, more so than usual?  Yes – case in point: parents should be aware that even the young Jedi children are clearly implied to have been massacred. 

Is this movie hard for anyone born before the 1990’s to enjoy as a legitimate Star Wars experience? Yep!  Still, Revenge is either the best or second-best in the franchise for many young adult fans.  Blame it on nostalgia; blame it on the lightsabers; but this film is either a hit or misfire, depending on demographics. With that, it’s hard to give Revenge of the Sith a definitive rating due to its mixed reception.  Ultimately, it’s is something that you need to check out for yourself. 

BONUS FEATURES:

None.

ROSCOE’S ODD MOON RATING:             6½ Stars

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STAR WARS – EPISODE II: ATTACK OF THE CLONES

SUMMARY:                           RUNNING TIME: Approx. 142 Min.

Released in 2002, this prequel (written, produced,& directed by George Lucas) occurs approximately a decade after The Phantom Menace

A series of increasingly brazen attacks by Separatist forces have weakened the Republic. After a bounty is placed upon the head of Naboo’s Queen Padmé Amidala, the Jedi defenders are spread even thinner.  Jedi Master Obi-Wan Kenobi and his 20-year old protégé (or padawan), Anakin Skywalker, are tasked with keeping their friend, Padmé, safe.  Yet, a related investigation pits Kenobi vs. mercenary Jango Fett (the father of the legendary Boba Fett).  Meanwhile, the evolution of Anakin & Padmé’s relationship continues.  With the Galactic Republic resorting to a clone army to help the Jedi keep peace, the nefarious Sith push closer to their own covert agenda. 

The primary cast is:      

Obi-Wan Kenobi: Ewan McGregor

Anakin Skywalker: Hayden Christensen

Queen Padmé Amidala: Natalie Portman

Mace Windu: Samuel L. Jackson

C-3PO: Anthony Daniels

R2-D2: Kenny Baker

Senator Bail Organa: Jimmy Smits

Yoda: Frank Oz

Jango Fett: Temuera Morrison

Count Dooku: Christopher Lee

Senator Palpatine: Ian McDiarmid

Dormé: Rose Byrne

Owen Lars: Joel Edgerton

Beru Lars: Bonnie Piesse

REVIEW:              

If there was a movie that manages to jam-pack action, sci-fi, romance, drama, and stupidity all into one movie, it’s this one. As harsh as it sounds, George Lucas dropped the ball by making Episode II everything that Star Wars isn’t meant to be.

For example, the original trilogy delivered organic, relatable characters who grow as people. In this prequel saga, particularly this movie, the contrived romance of Anakin Skywalker and Padmé Amidala feels straight out of some awful romantic melodrama, not Star Wars.  ‘Romantic’ lines such as, “I don’t like sand” and “I’m haunted by the kiss you should never have given me” will torment a viewer’s ears for days to come. As for Natalie Portman, despite her resemblance to a certain future Princess, she looks disinterested and would rather be anywhere else than on the set of Star Wars.  Unsurprisingly, the on-screen chemistry between Natalie Portman and Hayden Christensen comes in at a whopping 0%!

All is not lost, however, because a swashbuckling Ewan McGregor comes to the rescue! He does, by far, the best of any main character in this movie. Temuera Morrison and Christopher Lee also provide great supplementary roles and it’s a shame that they don’t have bigger roles. Even with some good performances, the movie still underperforms. Considering that there’s a fight scene involving seemingly the entire Jedi order, how come it only racks up about 10 minutes of time? When discussing the production of a Clone army, most of it goes unanswered, leaving it up to viewers to decipher. 

Getting back to the point that there is too much in the 140+ minutes of film, far too many doors are left wide open. Geonosians, Count Dooku, Jango Fett, Mace Windu, and other peripheral characters, who had not shown up in prior media, now appear without any backstory. Granted, there are far more films and comics now than in 2002, but imagine watching Attack of the Clones in 2002 and being expected to grasp what’s all going on. There are lightsabers, blasters, and droids, but that doesn’t make this movie feel like Star Wars. Instead, Episode II ends up coming off as a tone-deaf Star Wars wannabe and is arguably the worst in the franchise.

When looking at the graphics, Episode II is a step up from all of its predecessors. In fact, virtually every scene is shot in front of a blue/green screen. Keeping this in mind, it might be assumed that Attack of the Clones is a Star Wars video game instead of a mega-million dollar budget, live-action movie. With this, you’d think that would be enough cash to create either some believable sets or utilize a real outdoor location. Alas, neither happened, and it gives the film an overly-glossy, totally artificial look.

If this timeline occurs before Episode’s 4-6, why exactly does it have the most modernized look?  These glaring continuity errors are evident throughout the movie’s exhausting run time. Still, as mentioned, bright performances by McGregor and some background characters offer viewers some compensation.  In short, if Episode I relies on snooze control, then Episode II is a sped-up version.  Attack of the Clones moves at a clip too fast to allow anyone to take it all in – yet, the film somehow drags on seemingly forever.  Just imagine yourself watching someone else play a Star Wars video game for nearly 2½ hours straight. 

Considering it was released within two weeks of Sam Raimi’s first Spider-Man, Attack of the Clones couldn’t even steal the thunder of the Spring of 2002 — much less be something worth watching years later. 

BONUS FEATURES:

None.

ROSCOE’S ODD MOON RATING:              4 Stars

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STAR WARS – EPISODE I: THE PHANTOM MENACE

SUMMARY:                          RUNNING TIME: Approx. 136 Min.

Released in 1999, this prequel (written, produced, & directed by George Lucas) is set approximately 30-35 years before A New Hope

Amidst wide-reaching trade negotiations, intergalactic turmoil is brewing, despite the best efforts of the mystical Jedi.  Among them are Qui-Gon Jinn and his protégé, Obi-Wan Kenobi.  In protecting influential young senator and Queen of planet Naboo, Padmé Amidala, the trio encounters an extraordinary child, Anakin Skywalker, during their brief stay on Tatooine.  The Sith’s rising dark forces send its most formidable assassin, Darth Maul, to eliminate them.  Ultimately, the epic Battle of Naboo determines whether or Padmé’s peaceful world falls to hostile invasion. 

The primary cast is:

Qui-Gon Jinn: Liam Neeson

Obi-Wan Kenobi: Ewan McGregor

Queen Padmé Amidala: Natalie Portman

Anakin Skywalker: Jake Lloyd

C-3PO: Anthony Daniels

R2-D2: Kenny Baker

Yoda: Frank Oz

Jar Binks: Ahmed Best

Senator Palpatine: Ian McDiarmid

Finis Valorum: Terence Stamp

Sabé: Keira Knightley

Darth Maul: Ray Park

Mace Windu: Samuel L. Jackson

Shmi Skywalker: Pernilla August

REVIEW:

Make no mistake: the prequel trilogy isn’t meant for the casual viewer. To put this into proper perspective, Qui-Gon Jinn [Liam Neeson], who leads the film with 35 minutes and 30 seconds of screen time, has his name first brought up around the 45-minute mark. To be fair, the movie benefited from a lot of pre-release hype re: the prequel’s general arc.  Yet, for anyone not grasping Lucas’ new approach to Star Wars in 1999, the convoluted Phantom Menace is sure to leave them in the dust.

Another aspect of the film’s poor direction is evident re: the time frame for which it is set to take place. After a fair amount of guesswork, this movie takes place thirty-plus years before the last time Star Wars fans had been sent into a galaxy far, far, away. This necessitates the plot occurring roughly a decade before Attack of the Clones, making it something of an anomaly within the Star Wars timeline.

Without any prior movies or TV shows set in this timeline, fans are now discovering Padmé Amidala, Qui-Gon Jinn, Jar Jar Binks, and Darth Maul for the first time (per Lucas’ grand intent).  Yet, none of these main characters have any prior backstory, leaving casual fans wondering who exactly they all are. To many, they could well assume that Ewan McGregor’s athletic Obi-Wan Kenobi is more like a young Anakin Skywalker – or that maybe Jinn is Luke & Leia’s grandfather.

With that aside, other parts of the film seem rushed. Considering how many plot holes this movie creates, the phrase “What exactly is the story again?” should almost be plastered as an advisory prior to viewing.  The Jedi are supposed to protect trade talks, but what for? How exactly is a nine-year old kid constructing his own protocol droids, let alone an instant starship pilot? Many things about Menace are a stretch, but just like everything Star Wars, it becomes natural after a while. There are way too many unanswered questions to make this this film enjoyable without prior research. 

The effects aren’t spectacular-looking now, but that could be more a case of ironic timing.  Let’s keep in mind that Lucas chose to wait until modern SFX made his preferred vision of Star Wars possible – hence, his late 90’s re-release of the original (and supposedly improved) trilogy before producing Menace.     

Looking at Menace’s SFX through the lenses of 1999, they are actually phenomenal — even with some modernization by Lucas.  If judging the film purely on look, it’s state-of-the-art. While the excessive CGI may get old after a while, it’s still great to see a stellar lightsaber duel and many new alien species being introduced into the Star Wars universe. In that sense, however, Menace is too visually ambitious. Far too much attention fixates on the film’s glossy look vs. making the actual storyline compelling.

The dialogue isn’t as bad as others might complain, but Lucas doesn’t convey any sense of actual direction to his cast.  In other words, the dialogue resembles more a stilted school play than a Hollywood blockbuster.  Worse yet, there isn’t a Harrison Ford or Alec Guinness hiding the reality that Lucas deems the actors as more SFX instead of live human beings.  Evidently, no one improvised or bothered to deviate from Lucas’ muddled script.

To the more avid Star Wars audience, Phantom Menace is a stepping stone to the other two prequels, Attack of the Clones and Revenge of the Sith instead of a key piece to the franchise. For anyone opting to watch each Star Wars film in order, Episode I: The Phantom Menace shouldn’t be a priority.

BONUS FEATURES:

None.

ROSCOE’S ODD MOON RATING:                  3 Stars

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THE ASTEROID FIELD/THE EMPIRE STRIKES BACK – FINALE {Cover – Disco Medley} (by Meco: Best of Meco)

SUMMARY:                            RUNNING TIME: 5:26 Min.

Sporting vintage sound effects, this disco medley exuberantly blends John Williams’ Asteroid Field theme and The Empire Strikes Back finale (including Meco’s take on the romantic “Han Solo and The Princess”).  Available for decades, its more recent sources include 1997’s The Best of Meco CD.

REVIEW:

Serving as his second Empire Strikes Back medley, Meco offers an upbeat rendering of the Millennium Falcon’s pursuit by the Imperial Fleet through a dangerous asteroid field.  Included for good measure is a brief sample of a grumbling Chewbacca’s commentary.  Williams’ menacing Imperial Theme and a chorus of laser blast sound effects segue into a funky romantic interlude that conveys the new Princess Leia-Han Solo romance before launching into the film’s finale.  Once more, Meco’s orchestral effort with some synthesizer input is flawless, as is the seamless incorporation of vintage sound effects (including reliable bits from Artoo-Detoo and Chewbacca). 

What’s more impressive is how Meco effectively segues from an ominously upbeat pursuit motif into an 80’s disco style-love theme before the launch of the track’s final leg.  Like his best Star Wars work, let’s deem this track as inspired entertainment.  Beyond its novelty value, this medley exudes a delightful aura of unpredictability for those hearing it for the first time.  As the conclusion of his two-part Empire homage, Meco’s genius is turned up an extra notch.  It’s a vintage musical treat for any Star Wars fan.   

BRIAN’S ODD MOON RATING:                 10 Stars

Note: In addition to Meco’s original Star Wars disco medley, his “Empire Strikes Back” disco medley is also available on the same Best of Meco album.

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THE EMPIRE STRIKES BACK THEME {Cover – Disco Medley} (by Meco: Best of Meco)

SUMMARY:                          RUNNING TIME: 4:05 Min.

Sporting vintage sound effects, this disco homage re-imagines a medley of John Williams’ ominous “Imperial March” and the main title theme from 1980’s The Empire Strikes Back.  Among this track’s sources is 1997’s The Best of Meco.

REVIEW:

Meco delivers another mini-masterpiece.  Beyond an awesome disco beat, Meco inserts an assortment of cool sound effects: i.e.   Artoo-Detoo’s beeping, Vader’s raspy breathing, Luke and Vader’s lightsaber duel, an interstellar dogfight (or presumably the Millennium Falcon being pursued by TIE Fighters), and a Chewbacca cameo.  Considering the flawless orchestral performance and spot-on synthesizer cues, Meco’s exuberance has never sounded better.  What remains remarkable about this galactic homage is its welcome aura of unpredictability for those hearing it for the first time.  For this track, Meco’s interpretation of John Williams’ stellar themes can’t be overstated.  As campy as the track is, this medley is a sheer delight! 

BRIAN’S ODD MOON RATING:                    10 Stars

Note: Meco’s “Asteroid Field / Empire Strikes Back (finale)” medley is also available on the same Best of Meco album.

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