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SUPERMAN & BATMAN: GENERATIONS 1 – AN IMAGINARY TALE (DC Comics)

Writer/Artist/Letterer: John Byrne & Colors by Trish Mulvihill

SUMMARY:

Released by DC Comics in 2000, this 192-page collection assembles the four-issue Elseworlds mini-series of 1999.  Aging the iconic characters in real time, writer-artist John Byrne depicts Superman and Batman’s lives at ten-year intervals starting in 1939. 

Over sixty years, the World’s Finest Duo pursue truth and justice before time’s inevitable tragedies impact them.  In a deliberately contradictory epilogue, Byrne brings this volume virtually full circle.  Byrne’s two subsequent sequels fill in unexplained gaps, including teases re: the mysterious Mrs. Wayne’s identity.    

1939 (The Vigilantes): Each approximately 28-30 years old, Batman & Superman seemingly meet for the first time at the World’s Fair in Metropolis.  Joining forces, they must rescue an abducted Lois Lane from the Ultra-Humanite’s clutches. Meanwhile, Bruce Wayne meets a future Boy Wonder.

1949 (Family Matters): Before Dick Grayson leaves for college, the original Dynamic Duo’s last case reunites them with the Man of Steel.  Facing a kryptonite death trap, it’s up to Batman & Robin to help rescue Superman’s pregnant wife from the combined forces of Lex Luthor and the Joker.

Note: Alluding to the Joker’s post-war return, this 1949 segment is a direct, if unacknowledged, sequel to Byrne’s mid-90’s Captain America & Batman one-shot.  Their Golden Age-inspired team-up appears in 1998’s DC-Marvel Crossover Classics II trade paperback. 

1959 (Strange Days): The World’s Finest tag-team contends with Bat-Mite & Mr. Mxyzptlk amidst a hostile alien threat.  While Luthor ominously makes his next move, Lois Lane-Kent makes a startling discovery re: young daughter Kara.

1969 (Changing Times): Multiple tragedies strike the Kents and a second-generation Dynamic Duo.  With the Joker’s son evidently on the loose, a new Batman must soon rise.

1979 (Twlight of the Gods): In the Himalayas, a seventy-year old Bruce Wayne seeks out Ra’s Al Ghul for a long-overdue confrontation.  Luthor and his secret accomplice unleash devastating vengeance upon Bruce Jr./Batman & Kara/Supergirl’s wedding day.

1989 (Crime and Punishment): U.S. President Hal Jordan reluctantly seeks to capture a fugitive Superman.  At the Fortress of Solitude, the current Batman has a showdown with the Man of Steel.

1999 (Beginnings and Endings): Bruce Wayne resurfaces to confront his own son and settle Batman’s future.  Superman reunites with an old friend, as they meet a third-generation hero who is linked to both of them.

2919 (1929): In the far, far future, the two legends recall their first costumed adventure together back in 1929 teaming up with fellow teen adventurer Lois Lane.  Superman has a surprise guest to greet the original Dark Knight. 

REVIEW:

From a visual standpoint (including collaborator Trish Mulvihill’s expert colors), Byrne’s work is flawless.  There’s no mistaking his mostly first-class manner handling these characters. 

As to his writing, Byrne’s uncomplicated storyline frequently scores the necessary points.  For instance, the terrific 1939 segment accurately nails even minute details from that era.  Whether it is utilizing Bob Kane’s original Bat-Man costume (not to mention, throwing in Bruce Wayne’s then-engagement to Julie Madison!) or, for that matter, Superman is seen leaping instead of flying, Byrne evidently knows his Golden Age history.  Byrne continues with a solidly entertaining 1949 segment that reflects plausible evolution in Clark and Bruce’s private lives. 

Readers then must endure an overdose of Mr. Mxyzptlk and Bat-Mite in a Silver Age homage, as this segment is probably best just to peruse.  However, the 1969 and 1979 segments will likely arouse controversy once their shock value and implied gore take effect.  While the aftermath scenes effectively convey an emotional impact upon Superman and Bruce Jr.’s Batman, the homicidal imagery is unsettling.  One could fault Byrne’s creative discretion during this stretch, as there were other less sensational means of achieving the same end results.  Nonetheless, his plot twists in the 1969 and 1979 segments should preclude younger readers as a potential audience.

The 1989 segment is a distinct improvement, as a tech-powered Batman’s efforts to bait an elusive Superman into a confrontation is well-played.  While the 1999 chapter is okay, it’s oddly disappointing.  Specifically, Bruce Wayne’s self-involved attitude doesn’t reflect a particularly noble look.  If it had been about a long-absent father relieving his weary, middle-aged son from Batman’s punishing mantle rather than merely desiring his cape and cowl back, the resolution would have then been a truly poignant moment.  Still, the last few pages of the 1999 segment are worth catching.

As for Byrne’s ambitious finale, it’s a take-it-or-leave-it proposition.  While it’s absurd to project the characters both surviving a millennium, Byrne knowingly counter-acts this notion with a whimsical Superboy-Lois Lane-Bruce Wayne tale that sports some fun surprises.  If not for some debatable scenes late in the game, this book would have definitely merited a higher rating.  As it stands, Superman & Batman: Generations is often a great adult read, but it could have been (and probably should have been) more kid-friendly.

ADDITIONAL CONTENT:

None.  It feels like a cheat that the covers aren’t provided.   

BRIAN’S ODD MOON RATING:                 7½ Stars

Note: Byrne’s Generations 2 sequel is also available in trade paperback form. As of this writing, his 12-part Generations III mini-series remains uncollected.    

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DC UNIVERSE REBIRTH: THE DELUXE EDITION (DC Comics)

Written by Geoff Johns

Art by Gary Frank; Ethan Van Sciver; Brad Anderson; Jason Wright; Ivan Reis; Joe Prado; Hi-Fi; Phil Jimenez; Matt Santorelli; Gabe Eltaeb; & Nick J. Napolitano

Cover by Gary Frank & Brad Anderson

SUMMARY:

Released by DC Comics, this 2016 hardcover reprints the one-shot Rebirth opener from the same year.  In the wake of the New 52 Superman’s death, the original Wally West desperately tries escaping captivity within the Speed Force.  He knows that the DC Universe has been mysteriously de-aged ten years by some unknown cosmic threat.  His efforts to reach Batman; an elderly Johnny Thunder; and a far younger Linda Park sadly fail, as Wally’s heroic past is revisited. 

Knowing his time is finally up, Wally reaches out to his last hope.  The unknown force ‘attacking’ the DC Universe is implied, as a crossover with Watchmen becomes ominously apparent. 

Among other developments teased: a jailed Saturn Girl’s insistence to speak with Superman; two unknown heroes who may answer Gotham City’s Bat-signal; the existence of Wonder Woman’s brother; the fate of Pandora; Aquaman & Mera’s reunion; Ray Palmer needing his student protégé Ryan Choi’s help; Doctor Fate confronting Ted Kord; and ‘Mr. Oz’ contacting the real Superman.  The one-shot story concludes with a Watchmen-style “The Clock is Ticking Across the DC Universe” two-page spread. 

REVIEW:

Considering its all-star arsenal of artists, this book’s glossy visuals deliver an obligatory knock-out.  Few times in recent years has DC Comics angled this kind of effort reaching out to traditional fans.  Credit must go to writer Geoff Johns for cleverly initiating a number of storylines still to come (even without any explanation).  Best of all, Johns satisfactorily re-assimilates the original Wally West into DC continuity, which is really the book’s most vital element.  Seeing Wally back-dated to an age where he is Kid Flash again is intriguing.  Though Johns doesn’t yet address the erasing of Wally & Linda’s two children, the poignancy between Wally and a Linda who doesn’t remember him is still well-played. 

As for the book’s best sequence, it’s most likely Wally’s reunion with Barry Allen for the first time since pre-Flashpoint.  Remembering Johns’ expertise re: these two characters, he ensures that a five-year wait is worth it.  As a hint of redemption, Johns handles this Rebirth opener far, far classier than his ludicrous Infinite Crisis mini-series in 2005-2006. 

However, Johns doesn’t alleviate New 52’s logistical gaffes: i.e. how can Batman still have a 13-year old son, if he is supposedly ten years younger?  Why does Kate Kane’s Batwoman exist in this reality, if she wasn’t even active a decade before?  Why are there now two Wally Wests/Kid Flashes?  Johns indicates that the New 52 Wally is conveniently the original Wally’s cousin (with the same name and powers).  It’s wholly implausible, but for now it’s an answer.  In fairness, Johns didn’t generate every tone-deaf mistake re: the New 52 Universe, so it makes sense that other writers will contribute further remedies.  Good luck to them trying to resolve these weird inconsistencies elsewhere. 

Re: this book’s ‘deluxe’ features, the final page count is still a skimpy 96 pages.  Keep that number in mind, as DC Comics could have easily padded this book with some insightful or at least nostalgic pre-New 52 reprints.  Instead, fans are imparted only with some pretty (thin) wrapping.  While a ‘deluxe’ special edition should offer more, DC Universe Rebirth: The Deluxe Edition, in little time, still accomplishes its primary goal.  It’s a great ‘stay tuned’ read that justifies optimism to patient fans that welcome changes lie ahead.

ADDITIONAL CONTENT:

DC Entertainment President Diane Nelson pens a two-page introduction, which swerves between hype and unabashed gushing re: Johns.  There’s a two-page spread each for the near-identical first printing and second printing covers by Gary Frank & Brad Anderson.  Also included is a two-page spread for the variant cover by Ivan Reis; Joe Prado; and Alex Sinclair.  Single-page covers depict the third printing (by Gary Frank & Alex Sinclair); the fourth (by Ethan Van Sciver & Gregory Wright), and a fifth (by Phil Jimenez & Alex Sinclair).  A two-page spread celebrates DC Universe: Rebirth’s heroes (many with revised costumes). 

Three pages are dedicated to the story’s artistic nods to WatchmenRebirth portraits of various characters (and reminders of their New 52 looks) are the remaining nine pages:

  • Batman (by Greg Capullo); Superman (by Patrick Gleason); Wonder Woman (by Tony S. Daniel);
  • Nightwing (by Javier Fernandez); Superboy / Jon Kent (by Jorge Jimenez); Donna Troy (by Brett Booth);
  • Wally West’s Flash (by Brett Booth), though this new costume isn’t actually revealed in the story;
  • Aquaman (by Brad Walker); and Green Arrow (by Otto Schmidt).

BRIAN’S ODD MOON RATING:                 7 Stars

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DC SUPER HERO GIRLS: FINALS CRISIS (DC Comics)

Written by Shea Fontana and Illustrated by Yancey Labat; Monica Kubina; & Janice Chiang

SUMMARY:

Published by DC Comics in 2016, this 128-page adventure is billed as the first DC Super Hero Girls graphic novel. 

The story appears in chapters, as Supergirl, Wonder Woman, Bumblebee, Batgirl, Katana, Poison Ivy, & Harley Quinn anticipate their first-term exams at Super Hero High in Metropolis.  Among the seven friends, a troubled Supergirl experiences test anxiety due to an unpleasant bullying experience in her past.  Meanwhile, a mysterious adversary captures the heroines, one by one, resulting in a true test of their developing powers.  It’s up to the girls to escape in time to get back to school.

REVIEW:

For its intended young audience, this undemanding paperback works just fine.  Writer Shea Fontana stays on point with simplistic dialogue and a nice storytelling flow to keep the franchise fans pleased.  The art team does their job well, as the end result is predictably bright and colorful.  There really isn’t anything remarkable about Finals Crisis, though the kiddie cameos by various DC super-heroes and villains are occasionally amusing.  It’s inevitable that early elementary schoolers will get a single good read out of Finals Crisis before moving on to something else.    

ADDITIONAL CONTENT:

The chapters are specified in a table of contents.  A two-page spread has brief bios re: the creative team, including DC Super Hero Girl-style visuals of Shea Fontana and Yancey Labat.

BRIAN’S ODD MOON RATING:                    5 Stars

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DC SUPER HERO GIRLS: AT METROPOLIS HIGH (DC Comics)

Written by Amy Wolfram

Illustrated by Yancey Labat; Monica Kubina & Janice Chiang

SUMMARY:

Published in 2019 by DC Comics’ DC Zoom imprint, this 144-page paperback is an original adventure inspired by the animated TV series: DC Super Hero Girls

Focusing on teenage versions of Diana Prince/Wonder Woman; Zatanna “Zee” Zatara; Karen Beecher/Bumblebee; Jessica Cruz/Green Lantern; Barbara Gordon/Batgirl; & Kara Danvers/Supergirl, the six girls’ extracurricular super-heroics have racked up far too many tardies at Metropolis High.  Ordered by Principal Chapin to each join an after-school activity club or face immediate suspension, the girls ironically experience disappointment in their preferred choices.

Given one last chance to comply, the six heroines find unexpected joy in hobbies they’re not familiar with.  Supergirl’s solo action may get her into trouble vs. Harley Quinn; Star Sapphire; Giganta; Catwoman (resembling Eartha Kitt); Live Wire; & Poison Ivy.  Worse yet is that Lex Luthor’s bratty little sister, Lena, schemes to prove her own brilliance.  

REVIEW:

The elementary school-level writing and cartoony artwork replicate the animated TV series, even the tomboyish Supergirl (she’s more like Power Girl in Supergirl’s costume).  While it’s odd that this ‘Metropolis High’ intermingles teen super-heroes and super-villains amongst civilian students (i.e. Lois Lane & Jimmy Olsen), readers can still easily follow the narrative. 

Teen cameos, such as Hal Jordan, Barry Allen, & a diminutive Garth/Aqualad, are fun to catch, but others seen in the background are left open to interpretation.  Yet, for anyone in double-digits, age-wise, the unremarkable plot is most likely an exercise in eye-rolling boredom.  Transforming these DC heroines into teen caricatures, writer Amy Wolfram at least does a decent job entertaining her intended audience.

Above all, Wolfram’s depiction of the girls’ supportive friendship is cute, including a sly homage to The Breakfast Club at the end.  Bolstered by excellent production values, the book’s art squad (Yancey Labat, Monica Kubina, and Janice Chiang) vividly conveys Wolfram’s tale.  For undemanding youngsters, DC Super Hero Girls: At Metropolis High is an inoffensive option (minus a few ‘butt-kicking’ taunts) enjoying high-energy super-heroes much closer to their own age.

ADDITIONAL CONTENT:

There are brief bios re: Amy Wolfram, Yancey Labat, and Monica Kubina.  Including a cover reveal, there’s a six-page preview of this book’s March 2020 sequel: DC Super Hero Girls – Powerless.   From co-authors Shannon Hale & Dean Hale and illustrator Victoria Ying, a second six-page preview (including its cover) is January 2020’s Diana: Princess of the Amazons – it’s a graphic novel depicting Wonder Woman’s first childhood adventure.  

BRIAN’S ODD MOON RATING:                   6 Stars

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DC COMICS: SUPER HERO SOCIETY # 5 – FIELD TRIP DISASTER

Written by Derek Fridolfs & Illustrated by Dave Bardin

SUMMARY:

Published by Scholastic Inc. and DC Comics in 2019, this 176-page adventure re-imagines Batman, Wonder Woman, and Superman as middle schoolers at Gotham City’s Hero Prep Academy.  Among the new participants this time is Diana’s new friend: classmate Etta Candy. 

Narrated by Diana Prince, the trio’s latest adventure involves 31st Century’s Irma Ardeen (aka Saturn Girl) introducing them to the Legion of Super-Heroes.  Diana is evidently targeted by a mysterious time traveler with a personal vendetta.  With Irma’s help, Diana, Bruce Wayne, and Clark Kent chase the culprit from the 31st Century to the past during a pivotal time in Diana’s young life.  In a deliberate nod to Back to the Future, the trio must discreetly revisit the events of the first book, Study Hall of Justice, to ensure that Diana’s destiny isn’t irreparably corrupted. 

Note: This title is available in both hardcover and paperback formats.

REVIEW:

Visually, Dave Bardin’s artwork holds its own with Super Hero Society’s original artist: Dustin Nguyen.  Besides the usual in-jokes, Bardin throws in sporadic comedy bits resembling Big Nate and Diary of a Wimpy Kid for good measure.  The complicated plot, however, isn’t as endearing as the first few books, but it logically assumes that fans will appreciate more of a challenge. 

The time-traveling hijinks later in the game muddle the series’ continuity (at least, temporarily).  Yet, writer Derek Fridolfs still does a wonderful job (pardon the expression) finally rotating Diana into the lead role.  Per Diana’s self-reflective journal entries, her opportunity is well-played.  The book’s concluding moral is also ideal, as far as developing empathy for others and unselfishly sharing spotlight opportunities.  The book’s best moment is Diana’s awe upon glimpsing the legend she will one day become.  The way Irma gently helps reverse Diana’s understandable mode of thinking is definitely a series highlight.  For that reason alone, DC Comics Super Hero Society # 5: Field Trip Disaster is worth the journey further exploring these young heroes-in-progress. 

ADDITIONAL CONTENT:

Like the previous books, the final page reprints brief bios on the creative team.

BRIAN’S ODD MOON RATING:                      8 Stars

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DC COMICS: SUPER HERO SOCIETY # 4 – SCIENCE FAIR CRISIS

Written by Derek Fridolfs & Illustrated by Pamela Lovas and Shane Clester

SUMMARY:

Published by Scholastic Inc. and DC Comics in 2019, this 176-page adventure re-imagines Batman, Wonder Woman, and Superman as middle schoolers at Gotham City’s new Hero Prep Academy. 

Clark Kent’s journal entries help narrate the storyline, which extends the first four months of the school year.  Re-launching their in-house detective club as ‘The Justice Squad,’ Bruce, Diana, & Clark add Barry Allen, Victor Stone, Oliver Queen, Zatanna Zatara, & Arthur Curry to their gang.  New faces include: student Lois Lane (as Clark’s cohort at the school newspaper); Principal James Gordon; and several teachers and students readily familiar to DC Comics fans.  A mysterious spying ‘Eye’ is generating paranoia at the school and evidently sabotaging projects for the annual Science Fair.  Yet, Diana, Clark, & Bruce can’t let growing rifts within their inner circle keep them from exposing the unexpected truth and saving the Science Fair in time.   

Note: This title is available in both hardcover and paperback formats.

REVIEW:

Spoofing Batman’s history of compiling surveillance files against his own friends, Science Fair Crisis continues Super Hero Society’s knack of assimilating DC’s super-characters into a middle school setting.  Noticeably, there isn’t much humor this time – i.e. some reliable banter between Bruce and a droll Alfred would have been appreciated.  By focusing his plot solely at school, writer Derek Fridolfs compensates with a well-played script, particularly neat surprises near the end. 

Fans will appreciate hints at the series’ ongoing continuity, such as Clark reminding Lois that they had secretly worked together on the Fort Solitude case, and a recap of young Bruce’s past Bat-sleuthing during a scolding in the principal’s office.  Overall, Fridolfs’ homage delivers plenty of charm — even the kids’ science fair projects make perfect sense. 

Visually, the characters aren’t as endearing as how Dustin Nguyen had depicted them, but co-illustrators Pamela Lovas & Shane Clester still do a solid job.  It’s easy to tell who’s who — their style re-imagines the kids as slightly older versions of Nguyen’s designs.  The bottom line is that fans won’t be disappointed with the Science Fair Crisis

ADDITIONAL CONTENT:

As with the previous books, the final page reprints brief bios on the creative team.

BRIAN’S ODD MOON RATING:                  8 Stars

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DC COMICS: SUPER HERO SOCIETY # 3 – DETENTION OF DOOM

Written by Derek Fridolfs & Illustrated by Dustin Nguyen

SUMMARY:

Published by Scholastic Inc. and DC Comics in 2016, this 176-page adventure re-imagines Batman, Wonder Woman, and Superman as pre-teen students in Gotham City. 

Primarily narrated by Bruce Wayne, the junior Justice League trio’s latest adventure involves sabotaged student trophies presented by the city’s mayor.  After Clark Kent goes missing, Bruce Wayne and Diana Prince call upon Victor “Cyborg” Stone, a hyperactive Barry “Flash” Allen (who is much more like Wally West), and Oliver “Green Arrow” Queen to help investigate trophy manufacturer LutherCorp’s young son: Lex.  Now trapped in an alternate dimension known as a ‘phantom detention zone,’ the future Justice Leaguers must find Clark and escape their dire predicament.  Chased by shadowy phantoms, these temporarily powerless heroes face another challenge once some unexpected company joins them.   

Note: This title is available in both hardcover and paperback formats.

REVIEW:

For the most part, collaborators Derek Fridolfs & Dustin Nguyen are on their game re: Detention of Doom.  The difference this time is that their wonky Phantom Zone storyline isn’t nearly as endearing as the premises for the first two books.  Still, elementary school super-hero fans should enjoy its kiddie Justice League showdown with a pre-teen Legion of Doom.  The spot-on banter amongst Bruce’s friends and their interaction with a likable Bizarro is very enjoyable. 

The only superfluous element applies to the inclusion of Joe Kerr and Harley Quinn, though their kiddie chicanery briefly adds a plot twist.  However, Fridolfs & Nguyen save the book’s best moment for last between Alfred and an appreciative Bruce.  This scene is an amusing gem that any parent can relate to.  While this cute series is losing some steam, DC Comics Super Hero Society # 3: Detention of Doom is worth the read.  At the very least, its plotting is more cohesive than the previous book’s summer camp caper: Fort Solitude.   

ADDITIONAL CONTENT:

As with the last two books, the final page reprints brief bios on the creative team.

BRIAN’S ODD MOON RATING:                     7½ Stars

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DC COMICS: SUPER HERO SOCIETY # 2 – FORT SOLITUDE

Written by Derek Fridolfs & Illustrated by Dustin Nguyen

SUMMARY:

Published by Scholastic Inc. and DC Comics in 2017, this 176-page adventure re-imagines Batman, Wonder Woman, and Superman as pre-teen students in Gotham City. 

Primarily narrated by Clark Kent, the trio reunites at Evergreen Summer Camp, along with eighteen other DC Comics pre-teens  — some of whom appeared in the first book: Study Hall of Justice.  As their fellow campers mysteriously vanish, one by one, Clark, Bruce, and Diana investigate the camp counselors’ indifference to the growing crisis.  Yet, an old foe may be awaiting the kids, as perhaps this case really is a job for Superman.   

Notes: This title is available in both hardcover and paperback formats.  Also, in a continuity shift, Poison Ivy/Pamela Isley is now one of the pre-teens rather than an adult teacher, as depicted in the first book.

REVIEW:

Like the first book (Study Hall of Justice), collaborators Derek Fridolfs & Dustin Nguyen conjure up an endearing premise for summer camp hijinks, DC Comics-style.  Tinged with the right dosage of humor, this storyline makes a fun read for elementary school super-hero fans.  Due to its large cast, an unfortunate detriment is that Nguyen’s black-and-white visuals makes it harder to distinguish the characters from one another.  More so, it isn’t spelled out until late in the book exactly who all these future DC heroes and villains actually are.  Unseen cameos by Lois Lane and Vic Sage/Question are also confusing, as to whether or not they are among the current campers or had previously been there. 

Confirming Lois as an ex-camper is made evident later on, but a ‘Sage Advice’ journal entry doesn’t make sense.  It implies that Vic Sage is a kid, but a later story reference confirms him as the adult private detective he is in Study Hall of Justice.  Another puzzlement is Zatanna Zatara’s unexplained fate.  Lastly, the Fort Solitude treehouse itself contributes too little.  It would have made an effective device, had it been incorporated as a sanctuary earlier into the story.  Despite these plotting hiccups, Fort Solitude still delivers another engaging look at DC’s future Justice League.

ADDITIONAL CONTENT:

As with the last two books, the final page reprints brief bios on the creative team.

BRIAN’S ODD MOON RATING:                  7 Stars

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DC COMICS: SUPER HERO SOCIETY # 1 – STUDY HALL OF JUSTICE

Written by Derek Fridolfs & Illustrated by Dustin Nguyen

SUMMARY:

Published by Scholastic Inc. and DC Comics in 2016, this 176-page adventure re-imagines Batman, Wonder Woman, and Superman as new ten-or-eleven year old students attending Gotham City’s private Ducard Academy. 

Primarily narrated by Bruce Wayne, his new friends/classmates/kindred spirits Clark Kent, and Diana Prince join him investigating sinister shenanigans afoot at the school.  In particular, their corrupt instructors encourage the students (especially Lex Luthor and a wacky Joe Kerr) to generally misbehave as they please.  Not only is their principal’s identity a well-kept secret, Bruce’s detective work indicates that the students are being primed for something called the mysterious ‘Nanda Parbat.’  Provided they can evade detention and still get their homework done, it’s up to future Justice Leaguers Bruce, Diana, and Clark to expose the mystery lurking within The Ducard Academy.  

Note: This title is available in both hardcover and paperback formats.

REVIEW:

For elementary school super-hero fans, this book is really a can’t-miss prospect.  Writer Derek Fridolfs delightfully packages DC’s three biggest names as precocious pre-teens without reducing them to caricatures.  Even more so, the clever little details and inside jokes Fridolfs throws in (i.e. the three idols Bruce has pictures of in his locker; P.E. Coach Zod insisting his students kneel before him, etc.) range from subtly insightful to LOL humor.  Though it won’t impede one’s reading, some DC references will appeal only to older fans, who, for instance, would recognize the academy’s unseen namesake (Henri Ducard) from Batman’s backstory.  Or, for that matter, recognize the civilian names of various DC super-villains.      

Yet, Fridolfs’ enjoyably spot-on text couldn’t succeed without illustrator Dustin Nguyen’s kiddie visuals (dialogue panels, diagrams, maps, etc).  While the cartoony black-and-white graphic novel approach is a genre standard, a lack of color does make it more difficult to decipher exactly which DC background characters are in some of Nguyen’s panels. 

Still, this book’s appeal is confirmed through glimpses poignantly reminding readers that, no matter his inner Batman,  this Bruce is still an orphaned and lonely little boy being raised by Alfred.  To a lesser degree, the same applies to a more temper-prone Diana coping with her heckling female classmates.  While Fridolfs & Nguyen’s depiction of Clark is the least surprising, they still likably imbue this Boy of Steel as the humblest and most optimistically naïve of the trio.  Balancing an endearing storyline and charming artwork (i.e. the cover image), DC Comics Super Hero Society # 1: Study Hall of Justice proves a gem to read.    

ADDITIONAL CONTENT:

The last page offers brief bios on the creative team.

BRIAN’S ODD MOON RATING:                 8½ Stars

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ZATANNA AND THE HOUSE OF SECRETS (DC Comics)

Written by Matthew Cody

Illustrated by Yoshi Yoshitani & Ariana Maher

SUMMARY:

This 2020 160-page paperback is published by DC Comics.  Thirteen-year old Zatanna “Zee” Zatara quietly lives with her widower father, Zatara, in an odd-looking suburban home.  Yet, to the magical world, it’s the enigmatic ‘House of Secrets,’ with Zee’s stage magician father as the caretaker.  On Halloween, after standing up to a bully at middle school on a friend’s behalf, Zatanna’s tough day worsens upon returning home.  Sneaking out that night for a school costume party, Zee can’t stop the creepy Klarion the Witch Boy from swiping a magical key out of her safekeeping. 

At the House of Secrets, Zatanna and her black-and-white bunny, Pocus, discover that their home has been invaded by the Witch Queen’s dark supernatural forces.  Searching the now-corrupted house, the future Justice Leaguer becomes desperate to find her missing father.  With a little help, Zee unlocks the truth of her own family’s practice of speaking magical spells backwards.  Even more so, she must find the magic hidden within herself to defy the Witch Queen.

REVIEW:

To writer Matthew Cody’s credit, he cleverly tweaks Zatanna’s established origin for a pre-teen audience.  In this storyline, these changes make sense, including the poignant fate of Zee’s mother.  Cody also devises an entertaining mystery for a young Zatanna’s coming-of-age as a new sorceress.  Supporting roles by Pocus, Zatara, Klarion, and a few of Zee’s previously-unseen childhood friends add some extra dimension to the supernatural fun.  Artist Yoshi Yoshitani’s watercolor visuals will look quite rudimentary to adults, but her fresh approach should appeal to an elementary school audience.  For Zatanna fans, this prequel graphic novel conjures up a delightful gem, even if the visuals could have been cranked up a notch or two for older readers.            

ADDITIONAL CONTENT:

A table of contents is provided re: the six chapters.  There are brief bios on Matthew Cody and Yoshi Yoshitani.  Lastly, readers get a ten-page preview of the graphic novel, Anti/Hero, by Kate Karyus Quinn, Demitria Lunetta, & Maca Gil.

BRIAN’S ODD MOON RATING:                    7 Stars