Categories
Comic Books & Graphic Novels Fantasy, Horror, & Science Fiction Independent Hardcovers & Trade Paperbacks Independent Publishers (Comic Books & Graphic Novels)

THE HOLLOWS: BLOOD WORK (DEL REY Books)

Written by Kim Harrison.

Art by Pedro Maia; Gemma Magno; Emam Casallos; Jan Michael T. Aldeguer; Jezreel Rojales; P.C. Siqeira; Mae Hao; & Zach Matheny.

Cover Illustration by Juliana Kolesova. Flap & Back Jacket Illustration by Pedro Maia.

SUMMARY:

Released by Del Rey Books in 2011, this 170-page hardcover graphic novel is a seven-chapter prequel to Kim Harrison’s The Hollows urban fantasy-horror series.  In an alternate-reality Cincinnati, Inderland Security (I.S.) polices the decadent  supernatural community.  As the I.S. equivalent of a plainclothes street cop, jaded vampire Ivy Tamwood is begrudgingly assigned as the senior partner of free-spirited witch Rachel Morgan. 

The twenty-something duo instantly clash over basic methodology, as they probe a werewolf’s ominous homicide.  Ivy is gradually impressed by Rachel’s investigative instincts, as their teamwork draws them closer to the deceptive truth. Yet, Rachel’s rebellious, good-natured allure triggers an underlying sexual current/blood lust from Ivy. 

Ominously, having arranged the duo’s I.S. partnership, others may share Ivy’s ulterior agenda to someday control Rachel’s destiny.   

REVIEW:

Blood Work isn’t necessarily a huge disappointment, but it still falls far short of impressive.  Though the style is reminiscent of Marvel’s Anita Blake adaptations, neither Blood Work’s rudimentary visuals nor Kim Harrison’s inconclusive plotting deliver much of anything worthwhile.  A semi-naïve Rachel Morgan is marginally likable; otherwise, Harrison’s one-dimensional cast provides minimal incentive to finish reading this storyline. 

More suggestive than flat-out gross as several of Laurell K. Hamilton’s Anita Blake stories are, Blood Work’s premise occasionally presents glimmers of potential.  The problem is that this supernatural-cop murder-mystery concocts an utterly blah read. To give Blood Work the comparative benefit of the doubt, trying one of Harrison’s Hollows novels first makes the most sense. 

ADDITIONAL CONTENT:

Harrison presents a single-page introduction.  Brief bios on Harrison & artist Pedro Maia are provided.  Maia’s eleven-page project sketchbook explores the visual look he created for Blood Work’s pivotal characters (under Harrison’s supervision).  A three-page guide delves into Blood Work’s production.  Lastly, there’s a three-page Del Rey interview with Harrison.

BRIAN’S ODD MOON RATING:                           3½ Stars

Categories
Comic Books & Graphic Novels Fantasy, Horror, & Science Fiction Marvel Comics MARVEL's Hardcovers & Paperbacks

ANITA BLAKE: THE FIRST DEATH (MARVEL Comics)

Anita Blake: The First Death  Written by Laurell K. Hamilton & Jonathon Green.  Art by Wellington Alves; Color Dojo; & Bill Tortolini.

Anita Blake: Guilty Pleasures Handbook  Written by Stuart Vandal; Ronald Byrd; Michael Hoskin; Chris Biggs; & Ave Cullen.  Art by Brett Booth & Imaginary Friends.

Compilation Cover Art & Original Covers by Brett Booth & Ron Lim.

SUMMARY:

Released by Marvel Comics in 2008, this 128-page hardcover reprints the two-part First Death, which is supplemented by Anita Blake’s Guilty Pleasures Handbook (in the style of Official Handbooks of the Marvel Universe).  The original issues were first released in 2007-08.  Co-writing the franchise prequel with her husband, Laurell K. Hamilton’s First Death explores one of Anita Blake’s supernatural cases prior to the events occurring in Guilty Pleasures

Consulting for the St. Louis police on a vampire gang’s serial killing spree, Anita can barely stomach viewing the latest grisly corpse.  It’s confirmed that one ghastly culprit’s preference is preying upon pre-teen boys.  Probing a potential suspect’s alibi, she warily visits the Guilty Pleasures nightclub for the first time.  Several of the franchise’s initial supporting characters are ‘introduced,’ including homicide cop, Sgt. Dolph Storr. 

Meeting Jean-Claude, Anita must later team with the ruthless hitman, Edward, and her mentor, Manny, in a fateful showdown against possibly the most sickening adversaries she’s ever faced.  Come the end, Anita won’t be the same vampire hunter she was before. 

Extremely detailed, the Guilty Pleasures handbook consists of the following biographical profiles:

  • Anita’s World;
  • Vampire Murders;
  • Animators, Inc.;
  • Aubrey;
  • Anita Blake;
  • Burchard;
  • Church of Eternal Life;
  • Dead Dave’s;
  • Edward;
  • Freak Parties;
  • Ghouls;
  • Guilty Pleasures;
  • Jean-Claude;
  • Malcolm;
  • Willie McCoy;
  • Nikolaos;
  • Phillip;
  • Regional Preternatural Investigation Team;
  • Robert;
  • Ronnie Sims;
  • Theresa;
  • Valentine;
  • Vampires;
  • Bert Vaughn;
  • Wererats;
  • Winter;
  • Zachary;
  • Zombies;
  • Bruce;
  • Buzz;
  • Beverly Chin;
  • Circus of the Damned;
  • Jamison Clarke;
  • The District;
  • Irving Griswold;
  • Hav;
  • Luther;
  • Catherine Maison;
  • Rebecca Miles;
  • Edith Pringle;
  • Rafael;
  • Sigmund/Penguins;
  • Sgt, Dolph Storr;
  • Monica Vespucci; &
  • Other Dramatis Personae (three pages profiling minor characters).

Note: This title is also available in paperback.  The handbook readily acknowledges that pivotal details of Guilty Pleasures are revealed.

REVIEW:

Meant for hardcore Anita Blake fans, the unsavory First Death should satisfy them, but it won’t likely retain newcomers.  Impressively, the visuals live up to prior Marvel adaptations of Hamilton’s Anita Blake novels.  One still has to balance this consistent asset against a gross storyline posing as gothic horror/fantasy entertainment.  Details revealing a less cynical, inexperienced Anita present an intriguing prospect; yet, First Death’s icky plot doesn’t necessarily make this story a keeper. 

As for the Guilty Pleasures handbook, it’s impressively well-produced in terms of both text and artwork (lifted from Marvel’s faithful adaptation).  For readers seeking clarifications in Marvel’s version (let alone Hamilton’s erotic source novel), the handbook offers an ideal reference.  In particular, Anita Blake’s own profile is top-caliber.  The flip side, however, is that virtually everything from Guilty Pleasures is explained ad nauseum multiple times, leaving few mysteries to the reader’s imagination. 

For adults who covet Marvel’s Anita Blake adaptations, this First Death compilation should solidify their collection.  Still, other consumers perusing First Death may justifiably deem Hamilton’s blood-soaked plot (not to mention the handbook’s explicit details) as repulsive. 

ADDITIONAL CONTENT:

Including First Death # 2’s variant, all four covers appear in full-page format.  Accompanied by an image of Anita Blake, there’s a single-page glossary.  Lastly, Booth provides his cover pencil sketch for The First Death # 1.

BRIAN’S ODD MOON RATING:                    5½ Stars

Categories
Books & Novels Fantasy, Horror, & Science Fiction STAR WARS-Related

STAR WARS (LEGENDS): SCOUNDRELS

Written by Timothy Zahn

Cover Illustration by Paul Youll

SUMMARY:

Released by Del Rey Books in 2013, this 512-page paperback is set several weeks after Star Wars, Episode IV: A New Hope.  With their hard-earned reward recently stolen by pirates, Han Solo & Chewbacca are laying low from the Rebellion, not to mention Jabba the Hutt’s well-publicized bounty.  Desperate for a big score, their new gig is collecting an aggrieved client’s enormous stash of credits from a mobster’s impregnable vault

Solo & Chewbacca recruit a crew of eight other mercenaries: twin sisters Tavia & Bink Kitik (high-tech burglars aka ‘ghost thieves’); surly Dozer Creed (ship thief); Zerba Cher’dak (sleight-of-hand expert); super-efficient Rachele Ree (intel & acquisitions); Kell Tainer (explosives); Winter (surveillance & a perfect memory); and their agitated client, Eanjer Kunarazti, who is funding the job.  Joining them is Lando Calrissian, who still sports lingering doubts re: the brash Corellian smuggler’s judgment from their past team-ups.  Still, assuming all goes well, they’ll be equally splitting the take as if it’s a mega-millions lottery ticket. 

Complicating their seemingly impossible heist are the nefarious Black Sun crime syndicate, Imperial intelligence, and who- knows-who-else with their own covert stakes in this ruthless game.  As it’s revealed, another invaluable prize is sequestered in the same vault that others will gladly kill for.  Worse yet for Solo’s Scoundrels is that somebody close may really be a double-agent with an ulterior motive that Han & Chewbacca will never see coming.

REVIEW:

Timothy Zahn’s obvious arithmetic is adding Star Wars and Ocean’s Eleven together.  Hence, it’s no coincidence that Han Solo’s magic number is eleven ‘Scoundrels.’  Slowly building up this audacious heist, Zahn develops his cast with deliberate care, i.e. Solo is far more the cool Danny Ocean here than A New Hope’s impulsive hero-for-hire.  The same applies to exploring Lando & Han’s wary friendship, as subtle hints towards The Empire Strikes Back are winked.  For the most part, readers get a well-played Star Wars caper, complete with a jaw-dropping twist reminiscent of The Usual Suspects.  

The flip-side is Zahn’s overindulgence for depth.  For instance, there’s far too many sequences where Han’s cronies are holed up in their hotel suite updating various logistics.  This unnecessary slog becomes increasingly tiresome, especially after the fifth or sixth time this scenario happens.  Yet, for all the time Han’s crew spends in their suite, Zahn offers minimal insight re: the Corellian rogue’s savviness for devising such complex schemes and contingency plans. 

Even Zahn has Han acknowledge that he’s a smuggler and not some world-class burglar, which is at least consistent with the reckless character George Lucas created.  Hence, it’s difficult to reconcile Scoundrels’ ‘elite strategist’ take on Han with the improvised, not-so-bright bravado he displays in A New Hope and Return of the Jedi … that is, aside from an ultra-obvious homage to ‘who-shot-first?’ in a shady cantina early on.   

Further bogging down the storyline’s pace are multiple criminal underworld sub-plots where the Empire is ironically construed as the galaxy’s ‘law-and-order.’  Hence, Scoundrels’ surprising density plays far more to hardcore fans familiar with Star Wars’ galactic mob rivalries (the Empire, the Black Sun syndicate, the Hutts, etc.) than to casual readers.  Zahn, at least, inserts enough understandable heist lingo to help justify his plotting excesses.  For instance, it’s a welcome help when grasping his descriptions of various items of alien technology. 

In Scoundrels’ better moments, though, one can readily visualize this double-crossing and even triple-crossing storyline as a live-action series co-starring Harrison Ford, Billy Dee Williams, & Peter Mayhew.  Zahn certainly knows how to make Han & Chewbacca’s gang of thieves come off as likably greedy and fun to ride along with.  By this reckoning, for Han Solo fans, Scoundrels is an anything-goes, get-rich-quick scheme worthy of his legendary exploits.          

ADDITIONAL FEATURES:

A standard Star Wars novel chronology is included.  There’s a short list of characters, so readers will mostly know who’s who without a scorecard.  Included as another solid read is Zahn’s 2012 sixty-seven page prequel novella, Loser Takes All, starring Lando Calrissian.  During a high-stakes sabacc tournament, Lando partners with three other future Scoundrels (Tavia, Bink, & Zerba) on their own Mission: Impossible-like heist.      

BRIAN’S ODD MOON RATING:                 7 Stars

Note: Recommended is another fun Han Solo adventure: Empire and Rebellion – Honor Among Thieves, which follows after Scoundrels.  Its plot is about as close as one gets to ‘Indiana Solo.’   

Categories
Books & Novels Fantasy, Horror, & Science Fiction STAR WARS-Related

STAR WARS (LEGENDS): EMPIRE AND REBELLION – HONOR AMONG THIEVES

Written by James S.A. Corey

SUMMARY:

Released by Del Rey in April 2015, this 367-page mass market paperback was co-written by Daniel Abraham & Ty Franck (under the pen name of James S.A. Corey).  Set several months after A New Hope, the Rebellion is exploring its few options for a new secret base.  Han Solo & Chewbacca are once again desperately low on credits.  Hence, they’re willing to take the Millennium Falcon on a potential suicide run to retrieve a Rebel spy, Scarlet Hark, trapped deep within Imperial territory on the planet Cioran. 

Unbeknownst to Han & Chewbacca, an old crony, Baasen Rey, and his mercenary crew seek to ambush them for Jabba the Hutt’s sizable bounty.  Even if Han locates the elusive Scarlet, the odds of the Falcon’s crew escaping Cioran alive are dwindling fast.

Reuniting with Princess Leia at a hush-hush diplomatic conference on planet Kiamurr, Han discovers that the vital tech secret up for sale on the black market is a map to the galaxy’s greatest power: a means of controlling hyperspace.  With the Empire bent on obliterating anything in its way to seize this technology, Han & Leia lead a makeshift team into a dangerous jungle world in the Seymarti system.  An ancient alien temple laden with unpredictable booby traps awaits them. 

The Falcon must also locate Luke Skywalker’s short-handed X-Wing squadron, as it’s now the quarry of an Imperial Star Destroyer.  As two planets die around him, Han Solo has a million-to-one shot at potentially ending the Galactic War – will he take it?     

Note: This title was first published in hardcover in 2014.  It’s also part of the “Empire and Rebellion” trilogy in the Star Wars Legends series.

REVIEW:

For Han Solo aficionados, it’s a welcome return to a style reminiscent of Brian Daley’s Han Solo Adventures trilogy pitching the Corellian flyboy adventurer at his roguish best.  Not nearly the impulsive dolt he sometimes is in A New Hope, this savvy (and articulate) Han Solo conveys surprising depth.  Not always shooting first and saving questions for later, Han is shown conscientiously thinking and improvising more like a certain 1930’s archaeologist. 

Depicted as the Rebellion’s unlikely best option for high-risk jobs, ‘The Han Solo Show’ dominates this book’s screen time, including his Old West-like gunslinging feud with Baasen Rey.  Meanwhile, Chewbacca is conveniently sent off-screen multiple times guarding/repairing the battered Falcon while Han performs the ultra-dangerous fieldwork. 

All things considered, it can’t be a coincidence that, late in the game, Han is practically ‘Indiana Solo,’ as he deftly navigates a deadly alien jungle into Star Wars’ version of a ‘Temple of Doom.’  Giving Han some terrific support are Princess Leia, and guest stars Scarlet Hark & Baasen Rey, along with Chewbacca’s reliable contributions. 

Reduced to a minor role as Han’s surrogate little brother, Luke Skywalker is now a daring X-Wing rookie under Wedge Antilles’s command.  Curiously, The Force isn’t depicted (other than Han occasionally thanking his ever-so-lucky stars), so Luke doesn’t resort to any lightsaber heroics this time.  Instead, it’s mostly up to Captain Solo’s world-weary expertise, hotshot piloting, and trusty blaster to save the galaxy time and again. 

In that regard, despite the vastly outnumbered Rebels improbably thumping wave after wave of Imperial stormtroopers, the author ensures that Honor Among Thieves is a solidly-paced thriller.  It leaves one pondering, if Han’s commanding presence had been structured more like this in Episodes IV-VI, maybe Harrison Ford would have better appreciated his iconic role.             

ADDITIONAL FEATURES:

The usual Star Wars Legends chronology of book titles is provided.  The author offers an eleven-page Scarlet Hark short story entitled “Silver and Scarlet,” as another of her undercover capers is revealed.  The last supplement is an eighteen-page preview of Paul S. Kemp’s novel: Star Wars: Lords of the Sith, as Darth Vader personally leads an assault strike on a stolen Imperial freight carrier.    

BRIAN’S ODD MOON RATING:                     8 Stars

Note: Another terrific post-New Hope, Han Solo title is Timothy Zahn’s novel: Star Wars: Scoundrels, which chronologically occurs before Honor Among Thieves.  Think ‘Han Solo + Ocean’s 11,’ and you’ll get the idea.

Categories
Agatha Christie-Related Anthologies Books & Novels Fantasy, Horror, & Science Fiction Mystery & Suspense

THE LAST SÉANCE: TALES OF THE SUPERNATURAL

Written by Agatha Christie

SUMMARY:

Released in 2019 by William Morrow (a HarperCollins imprint), this 362-page paperback anthology compiles twenty Agatha Christie short stories mostly attuned to paranormal/horror themes.  Among them is the obscure “The Wife of the Kenite,” appearing in its first U.S. publication.  The specific stories (and their historical debuts) are:

  1. The Last Séance (magazine: (U.S.) 1926) and (U.K.) 1927)/anthology: (U.K.) 1933 and (U.S.) 1961). A frail French medium is pressured into initiating one final contact between an enigmatic client and her young child’s restless spirit.  
  2. In A Glass Darkly (magazine: (U.K.) 1934/anthology: (U.S.) 1939 and (U.K.) 1979).  A war veteran’s premonition of a woman’s brutal homicide has unsettling consequences.
  3. S.O.S.: (magazine: (U.K.) 1926 and (U.S.) 1947/anthology: (U.K.) 1933 and (U.S.) 1948).  Stranded in the remote English countryside, a motorist grows increasingly suspicious of  his overnight host family. 
  4. Hercule Poirot: The Adventure of the Egyptian Tomb (magazine: 1923 (U.K.) and 1924 (U.S.)/anthology: 1924 (U.K.) and 1925 (U.S.).  Poirot & Captain Hastings probe a series of deaths linked to an archaeological expedition in the Egyptian desert.   
  5. The Fourth Man (magazine: (U.K.) 1925 and (U.S.) 1947/anthology: (U.K.) 1925 and (U.S.) 1948).  Aboard an overnight British commuter train, four passengers discuss a bizarre split-personality case linked to two deaths. 
  6. Miss Marple: The Idol House of Astarte (magazine: (U.K.) 1928 and (U.S.) 1928/anthology: (U.K.) 1932 and (U.S.) 1933). Miss Marple contemplates an aristocrat’s mysterious death years ago during a costume party.     
  7. The Gipsy (anthology: (U.K.) 1933 (U.S.) 1971).  In a gothic love story, an alluring gypsy and her enigmatic warnings impact the romances of two sisters. 
  8. Philomel Cottage (magazine: (U.K.) 1924/anthology: (U.K.) 1934 and (U.S.) 1948).  In a quiet village, a newlywed British couple’s bliss is tainted by suspicions of the husband’s possibly dark past.
  9. The Lamp (anthology: (U.K.) 1933 and (U.S.) 1971). A family gradually realizes that their new home is haunted by the spirit of a lonely little boy.
  10. Hercule Poirot: The Dream (magazine: (U.K.) 1938 and (U.S.) 1937/anthology: (U.S.) 1939 and (U.K.) 1960).  An eccentric tycoon consults Poirot re: a recurring nightmarish premonition. 
  11. Wireless (magazine: (U.K. and U.S.) 1926/anthology: (U.K.) 1933 and (U.S.) 1948).  A frail, elderly widow becomes convinced that her late husband’s ghost is summoning her through the radio.
  12. The Wife of the Kenite (magazine: (Australia) 1922/anthology: (U.K.) 2018 and (U.S.) 2019).  Grim biblical irony catches up to a German war criminal hiding out in the farm country outside Johannesburg. 
  13. The Mystery of the Blue Jar (magazine: (U.K. and U.S.) 1924/anthology: (U.K.) 1933 and (U.S.) 1948).  A young golfer seeks professional help upon repeatedly hearing ghostly pleas for help.
  14. The Strange Case of Sir Arthur Carmichael (anthology: (U.K.) 1933 and (U.S.) 1971).  Two doctors are bewildered by a young man’s unexplained metamorphosis.
  15. Miss Marple: The Blue Geranium (magazine: (U.K.) 1929 and (U.S.) 1930/anthology: (U.K.) 1932 and (U.S.) 1933).  Miss Marple hears about a hypochondriac wife’s strange demise foretold months before by a gypsy fortune teller.
  16. The Call of Wings (anthology: (U.K.) 1933 and (U.S.) 1971).  A wealthy businessman experiences an odd epiphany through his dreams. 
  17. Hercule Poirot: The Flock of Geryon (magazine: (U.K.) 1940 and (U.S.) 1940/anthology: (U.K. and U.S.) 1947).  Among his ongoing Labours, Poirot relies upon an unlikely ally to go undercover probing a religious cult.
  18. The Red Signal (magazine: (U.K.) 1924 and (U.S.) 1947/anthology: (U.K.) 1933 and (U.S.) 1948).  A dinner party’s séance is the prelude to a vengeful homicide.
  19. The Dressmaker’s Doll (magazine: (Canada & U.K.) 1958 and (U.S.) 1959/anthology: (U.S.) 1961 and (U.K.) 1979). An upscale London dress shop’s proprietors are perplexed by a doll seemingly haunting their boutique.
  20. The Hound of Death (anthology: (U.K.) 1933 and (U.S.) 1971).  In a secluded English village, a visitor is leery of the local doctor’s interest in a Belgian refugee’s catastrophic psychic visions.      

Notes: Both Poirot tales were faithfully adapted for the David Suchet TV series.  The title of “The Blue Geranium” was used for (and partially inspired) a Marple 5th Season TV episode starring Julia McKenzie.  Also, “The Red Signal,” “The Fourth Man,” “In a Glass Darkly,” and “The Mystery of the Blue Jar” were filmed in 1982 for British TV’s short-lived Agatha Christie Hour.

REVIEW:

As one can surmise, there isn’t light-hearted relief exploring Christie’s interests in supernatural and/or macabre fare.  With few exceptions, this anthology is reminiscent of The Twilight Zone, The Outer Limits, and Tales from The Crypt

Of this assortment, only “The Strange Case of Sir Arthur Carmichael” is marred by racist stereotyping, which frankly ruins an otherwise intriguing story.  In terms of horror content, there’s more implied gore than expected – particularly, in the title story and the rare “Wife of the Kenite.”  Even long-time Christie fans shouldn’t be blamed for skipping a tale or two that could be construed as perhaps too grisly.    

The Last Séance’s line-up of familiar fare and far more obscure tales at least holds steady in a literary middle ground.  In that regard, there’s aren’t any indisputable masterpieces, but none are exceedingly awful, either.  What fluctuates is the quality of detail.  Case in point: “The Dressmaker’s Doll” and the much-shorter (and underrated)“Lamp” both effectively convey ghost stories with sufficient depth. 

In contrast, the characters inhabiting “The Last Séance” are so vaguely written that readers are left scratching to fill in the blanks (i.e. the identity of the black-veiled client — frankly, Christie could have tried a little harder).  There’s also a likelihood of contemporary audiences sensing imminent plot twists in, for instance, “The Red Signal” and “Wireless,” mostly because they’ve since become genre clichés.  Still, Christie’s storytelling tricks make up much of the difference.     

The one inexplicable aspect of this anthology pertains to what’s not included.  Shockingly, there are no Harley Quin tales  — i.e. reprinting “The Harlequin’s Tea Set” would have made perfect sense.  Poirot’s unremarkable “The Flock of Geryon” could have been easily replaced by the appropriately wicked Poirot tale: “Tragedy at Marsdon Manor.” The same applies to a different challenge amongst Poirot’s Labours of Hercules: “The Cretan Bull,” as it’s in a similar vein as the “Arthur Carmichael” tale. 

Among Christie’s lesser-known material, the only odd exclusion is “The House of Dreams,” as its morose, cerebral themes certainly fits this anthology’s vibe. Had the publisher sought a lightweight tale for more variety, “The Lonely God” would have worked. The only caveat with that tale is that Christie’s mushy dialogue diminishes a decent romantic premise.

If anything, this collection sports dual appeal: not only should most Christie fans appreciate it, The Last Séance is a solid prelude to the horror genre that Stephen King’s generation inherited decades later.  Though the bulk of these stories are innocuous by today’s standards, a few are definitely mature audience-only reads. 

ADDITIONAL FEATURES:

There is a table of contents.  The bibliography spells out each story’s source/historical debut(s).       

BRIAN’S ODD MOON RATING:             7½ Stars

Notes: Also available in this same anthology format is Midwinter Murder: Fireside Tales from the Queen of Mystery. For a full-length Christie novel pertaining to the supernatural, The Pale Horse is a worthwhile read.   

Categories
Comic Books & Graphic Novels Fantasy, Horror, & Science Fiction Marvel Comics

LAURELL K. HAMILTON’S ANITA BLAKE – VAMPIRE HUNTER: CIRCUS OF THE DAMNED – THE INGENUE # 1 (2011 MARVEL Comics)

Written by Laurell K. Hamilton & Adapted by Jess Ruffner

Art by Ron Lim; Laura Villari; Bill Tortolini; & Mayela Gutierrez

Cover Art by Brett Booth & Andrew Dalhouse

SUMMARY:

Published by Marvel Comics for March 2011, it’s the lead-off for a five-part mini-series adapting another portion of Laurell K. Hamilton’s novel, Circus of the Damned.  Examining a nude female corpse in an isolated park, Anita Blake and the St. Louis police realize they have found their vampire serial killer’s second victim.  Chillingly, Anita concludes that her prior determination re: the first victim was wrong — victim Calvin Rupert will rise as a vampire that very night. 

Racing to a heavily-secured St. Louis hospital morgue, Anita and the police carefully conduct an interior search that leads them to two ultra-grisly corpses and a trail of bloody footprints.  Joined by Anita’s associate, John Burke, Anita and the four cops face an assault from a seemingly unstoppable vampire.

REVIEW:

This issue certainly earns its ‘mature content’ label for profanity, suggestive content re: the second victim’s deviant manner of death, and plenty of gory visuals.  Despite the grisly artwork (including the cover image), this issue’s overall art content is an excellent effort. 

The writing, however, becomes a bit confusing and even monotonous. For instance, Anita must explain the different reasons why this newest vampire is more dangerous than her previous adversaries.  Beyond that, this issue doesn’t accomplish much, though the morgue sequence is generally suspenseful. 

For Anita Blake fans, this issue should make at least make a decent read.     

ADDITIONAL CONTENT:

The first page summarizes federal vampire hunter & police consultant Anita Blake and her current storyline (i.e. the prior installment, The Charmer).  There is a full-page cover reveal for the next issue.  Also, a six-page promo of the Age of X series includes some team portraits and a full-page interview with writer Mike Carey.    

BRIAN’S ODD MOON RATING:         6 Stars

Categories
Comic Books & Graphic Novels Fantasy, Horror, & Science Fiction Marvel Comics

LAURELL K. HAMILTON’S ANITA BLAKE – VAMPIRE HUNTER: CIRCUS OF THE DAMNED – THE CHARMER # 5 (2010 MARVEL Comics)

Written by Laurell K. Hamilton & Jess Ruffner

Art by Ron Lim; Laura Villari; & Bill Tortolini

Cover Art by Brett Booth & Andrew Dalhouse

SUMMARY:

Adapting Laurell K. Hamilton’s 1995 horror-fantasy novel as a trio of five-issue mini-series, Marvel Comics concluded the first one for December 2010.  Late at night, a weary Anita returns to her St. Louis apartment, only to be confronted by vampire eliminator Edward to reveal the identity of the city’s new master vampire.  Troubled by a nightmare tampered with by Jean-Claude, Anita and best friend Veronica (aka Ronnie) hit the gym and compare case notes re: a recent homicide.  Anita later reluctantly convinces her new boyfriend, Richard, to be her date at a friend’s Halloween costume party.          

Notes: The second and third portions of Marvel’s adaptation are entitled The Ingenue and The Scoundrel.  Including The Charmer, the adaptations were released separately as hardcovers and/or trade paperbacks.   

REVIEW:

This transitional issue mostly consists of three dialogue-laden sequences, and that’s it.  Aside from Marvel’s interpretation of a cynical Anita Blake visualizing Laurell K. Hamilton’s creation, the only other creative element worth mentioning is the solid, contemporary gothic artwork (including the cover image).  Otherwise, adult readers aren’t missing much by skipping over this less-than-pivotal finish to The Charmer.     

ADDITIONAL CONTENT:

The first page summarizes the plot to date.  At the end is a full-page (and gory) cover reveal for the Ingenue opener.

BRIAN’S ODD MOON RATING:         4 Stars

Categories
Comic Books & Graphic Novels Fantasy, Horror, & Science Fiction Independent Publishers (Comic Books & Graphic Novels)

DEAN KOONTZ’S FRANKENSTEIN: PRODIGAL SON # 2 (2008 DABEL BROTHERS Productions)

Written by Chuck Dixon (Adapted from Dean Koontz & Kevin J. Anderson’s Novel)

Art by Brett Booth; Color Dojo; & Bill Tortolini

‘Regular’ Cover Art by Brett Booth & Udon Studios

SUMMARY:

Published by Dabel Brothers for June 2008, this five-issue mini-series adaptation pertains to Dean Koontz’s first Frankenstein novel.  The untitled second issue has an isolated Randall Six in his ‘cell’ somewhere in New Orleans.  Evidently one of Victor Helios’ younger creations, he is fixated on local police detective Carson O’Connor autistic twelve-year old brother, Arnie.  At Jelly Biggs’ theater, a fuming Deucalion ruminates over the late Ben’s discovery that New Orleans philanthropist-CEO Victor Helios and the supposedly long-dead 19th Century scientist, Dr. Victor Frankenstein, are one and the same. 

New Orleans police detectives O’Connor and Maddison investigate the latest bizarre homicide by the serial killer they’ve dubbed as “The Surgeon,” who efficiently steals body parts from victims.  Searching victim Bobby Allwine’s freakish residence, the partners ponder if Allwine knew his murderer and willingly submitted to a gruesome death.  Preparing for an evening gala, Victor’s dominance over his present wife, Erica Four, is readily apparent.    

Note: The inside front cover hints that there may be a variant cover(s).  If so, neither the variant(s) nor the artist(s) are identified.

REVIEW:

Putting the gross elements of this sci-fi/horror storyline aside, writer Chuck Dixon does solid work conveying these characters in motion, even if the plot doesn’t progress much.  Instead, this intriguing issue helps readers familiarize themselves with the story’s major players.  Dixon is ably supported by artist Brett Booth’s team (including their spot-on cover image).  For fans of Dean Koontz’s re-imagining of Shelley’s Frankenstein novel, this macabre comic adaptation is well worth the read.  

ADDITIONAL CONTENT:

The inside front cover helpfully provides a summary of the storyline to date.  Thumbnail portraits of Detectives Carson O’Connor & Michael Maddison; Jelly Biggs; Deucalion (The Monster); Randall Six; and the “Unknown Killer” (aka “The Surgeon”) are also included.  A full page advertises the cover reveal for Dean Koontz’s Frankenstein: Prodigal Son # 3.    

BRIAN’S ODD MOON RATING:                                       7 Stars

Categories
Books & Novels Comic Books & Graphic Novels Fantasy, Horror, & Science Fiction Marvel Comics MARVEL-Related

FANTASTIC FOUR: TO FREE ATLANTIS (by Nancy A. Collins & Illustrated by Paul Ryan)

Written by Nancy A. Collins & Illustrated by Paul Ryan

SUMMARY:

This original 305-page paperback was published by Boulevard Books in 1995.  Once an insidious royal coup imperils Atlantis, a poisoned Namor the Sub-Mariner is forced to seek help from his trusted allies: the Fantastic Four.  Saving Namor from a synthetic virus, the team deduces that Doctor Doom has evidently orchestrated this attempted assassination.  It’s up to Mr. Fantastic (Reed Richards), the Invisible Woman (Sue Storm-Richards), the Human Torch (Johnny Storm), and the Thing (Ben Grimm) to reach Atlantis in time to help Namor thwart Doom’s scheme to seize an ancient undersea weapon capable of devastating Earth. 

REVIEW:

Author Nancy A. Collins’ continuity-faithful storyline is solid, as are her character depictions.  For instance, the Thing’s indignance early on being mistaken by onlookers for the Hulk is a nice touch.  Yet, with the exception of Ben Grimm and a regal Namor, the plot becomes bogged down in pure formula because the other characters aren’t compelling. 

Johnny Storm’s exuberant antics and Sue’s old feelings re: Namor merely play out as one might expect, as do Mr. Fantastic’s scientific deductions.  Though the Thing scores some fun underwater action in the climax, there isn’t anything new or some unexpected twists in To Free Atlantis to generate fresh interest.  If this story had existed in graphic novel form, perhaps it would make for a more compelling read (at least, visually).  Though artist Paul Ryan’s black-and-white chapter illustrations are an asset, they only stoke a casual reader’s imagination so much. 

Fantastic Four fans will likely enjoy this adventure, but anyone else may find it too bland to finish.

ADDITIONAL FEATURES:

Depicting an imminent scene, each chapter leads off with a Ryan illustration.  The author acknowledges that her storytelling is meant in the spirit of comic book legends Jack Kirby and Bill Everett.  She also indicates what three source books that she sought background material re: Atlantis.  Specifically, those works are Robert Graves’ Cladius the God; The Who’s Who of Ancient Greek and Roman Mythology; and Suetonius’  The Twelve Caesars. An excerpt from poet John Milton’s “A Mask Presented at Ludlow Castle [Comus]” leads off the story.  

BRIAN’S ODD MOON RATING:                    5 Stars

Categories
Books & Novels Children's Books Fantasy, Horror, & Science Fiction HARRY POTTER-Related

HARRY POTTER AND THE PRISONER OF AZKABAN {BOOK 3} (ILLUSTRATED EDITION)

Written by J.K. Rowling & Illustrated by Jim Kay

SUMMARY:

Released by Arthur Levine Books (a Scholastic imprint) for the U.S. in 2017, this 326-page deluxe hardcover reprints J.K. Rowling’s third Harry Potter novel (1999) as an illustrated storybook.  Returning to Hogwarts School of Witchcraft and Wizardry for their third year, thirteen-year-olds Harry Potter, Ron Weasley, and Hermione Granger find out that demented criminal Sirius Black has escaped from the formidable Azkaban prison.  For the moment, all they know is that Black is threatening Harry’s safety, as this renegade wizard was once a trusted friend of Harry’s murdered parents.  Further complications lead to Hagrid’s arrest and a time-traveling loop that Harry and his friends must navigate to avert a needless tragedy.    

REVIEW:

Including Harry’s latest despair living with the Dursleys, Rowling’s third Harry Potter novel remains a dynamite read.  Boasting high-caliber production values (including a sturdy binding and a very readable font), artist Jim Kay’s sumptuous paintings imagine Harry’s third magical caper in such a fresh way that the result doesn’t compete with the 2004 film adaptation.  Instead, it makes a vivid enhancement.  For Harry Potter fans of any age, this Harry Potter and The Prisoner of Azkaban is a treat to behold. 

 ADDITIONAL CONTENT:

An indigo ribbon is attached as a trusty bookmark.  The inside back cover jacket provides biographical synopses on Rowling and Kay.

BRIAN’S ODD MOON RATING:                             10 Stars