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BACK TO THE FUTURE (by Alan Silvestri & The Outatime Orchestra: Back to the Future movie soundtrack)

SUMMARY:                                  RUNNING TIME: 3:20 Min.

Composed and conducted by Alan Silvestri, ‘The Outatime Orchestra’ performs this instrumental track for 1985’s Back to the Future.  In the film’s chase scenes, it narrates Marty McFly’s (Michael J. Fox) harrowing escape from Libyan terrorists in a mall parking lot.  It later resurfaces for a 1955 sequence where a skateboarding Marty flees from a car driven by vengeful Biff Tannen and his cronies.

REVIEW:

Even now, this Alan Silvestri instrumental is an exhilarating ride.  For soundtrack enthusiasts, this track instantly synonymous with Back to the Future is highly recommended!   

BRIAN’S ODD MOON RATING:                   8½ Stars

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THE DEVIL WEARS PRADA (SUITE) (by Theodore Shapiro: The Devil Wears Prada movie soundtrack)

SUMMARY:                                 RUNNINNG TIME: 6:24 Min.

For the 2006 film soundtrack, musician Theodore Shapiro delivers a jazzy instrumental montage. 

REVIEW:

The first portion delivers a zippy jazz piece with some well-played electronica thrown in for good measure.  The second leg is a tranquil romantic theme that seems more personalized.  Similarly, the suite’s third stretch is low-key, but again it’s indicative of how Anne Hathaway’s Andrea Sachs is trying to meet the pressing demands in her life, both personally and professionally.  Remarkably contemporary, it’s a well-played medley from Theodore Shapiro.

BRIAN’S ODD MOON RATING:                           8 Stars

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STROMNESS {Cover from: 1997’s The Winter Guest} (by The Seattle Symphony Orchestra: Michael Kamen’s Opus)

SUMMARY:                                             RUNNING TIME: 4:07 Min.

Composer-conductor Michael Kamen devised this instrumental theme for a 1997 Emma Thompson film, The Winter Guest, that Alan Rickman directedThe following year, the Seattle Symphony Orchestra covered the track for the 1998 Michael Kamen’s Opus retrospective album.      

REVIEW:

Even if “Stromness” is indistinctive, it sure has a classy sound.  This mildly melancholic theme could apply to most any type of dramatic film, i.e. a medieval adventure.  At a minimum, it’s worth adding to instrumental and/or classical playlists. 

BRIAN’S ODD MOON RATING:                              8 Stars

Note: “Stromness” doesn’t actually appear on Kamen’s The Winter Guest soundtrack.

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's) STAR TREK-Related

STAR TREK: THE NEXT GENERATION TV THEME {Cover} (by Erich Kunzel & The Cincinnati Pops Orchestra: Symphonic Star Trek)

SUMMARY:                                      RUNNING TIME: 1:43 Min.

Covering composer Jerry Goldsmith’s 1987-1994 TV theme, it’s the second track for conductor Erich Kunzel & The Cincinnati Pops Orchestra on their 1996 Symphonic Star Trek instrumental album.

REVIEW:

This perfectly-executed cover is recommended, not for only long-time Star Trek fans, but for any sci-fi playlist.   

BRIAN’S ODD MOON RATING:                        8 Stars

Note: Goldsmith’s original version, for instance, appears on 1996’s Television’s Greatest Hits, Vol. 7: Cable Ready album.  It was  released in CD and cassette formats.

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THE EQUALIZER BUSY EQUALIZING (by Stewart Copeland: Tube Tunes, Volume 3 – The ’80s)

SUMMARY:                                  RUNNING TIME: 3:19 Min.

From composer (and The Police’s drummer) Stewart Copeland, it’s the extended instrumental theme for the opening credits from the CBS 1985-89 crime drama, The Equalizer, starring Edward Woodward.  The track appears as  # 13 on Rhino Records’ 1995 compilation album: Tube Tunes, Volume 3 – The 80’s

REVIEW:

Copeland’s ominously pulsating Equalizer theme still sounds terrific today.  Among TV crime drama instrumentals, this one (right up there with Mike Post’s themes for Wiseguy and Law & Order) is timeless.  Recommended! 

BRIAN’S ODD MOON RATING:                                 7 Stars

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's) STAR TREK-Related

STAR TREK: THE MOTION PICTURE (MAIN TITLE) {Cover} (by Erich Kunzel & The Cincinnati Pops Orchestra: Symphonic Star Trek)

SUMMARY:                                         RUNNING TIME: 3:51 Min.

Composed and conducted by Jerry Goldsmith for 1979’s Star Trek: The Motion Picture, this instrumental celebrated Star Trek’s long-awaited film debut.  Versions of Goldsmith’s 1979 theme have regularly appeared on compilation projects over the years.  Among them is this cover by The Cincinnati Pops Orchestra for its 1996’s Symphonic Star Trek album.   

REVIEW:

Impressively, this cover is a virtual replica of Goldsmith’s work. Suffering from an excessive sense of majesty (including its initial electronica twist), this theme tries too hard to live up to Star Trek: TMP’s would-be epic tone.  Unsurprisingly, the tune sounds outdated some four decades later. 

One also can’t help comparing Goldsmith’s work to John Williams’ iconic Star Wars theme, not to mention  James Horner’s nautical-flavored Star Trek II: The Wrath of Khan themes.  In either instance, Goldsmith’s grandiose instrumental would surely lose out, though it possessed an unique sound for that time.  That is … until Goldsmith twice plundered TMP: first, in 1987, as Star Trek: The Next Generation’s TV theme, and then, regrettably, for 1989’s Star Trek V: The Final Frontier.  Of Goldsmith’s ‘three’ versions, The Next Generation frankly holds up best. 

Even so, along with the movie’s equally overblown FX, Goldsmith’s anthem is among the few enjoyable elements arising from Star Trek: TMP.  Admirably executed by Erich Kunzel & the Cincinnati Pops Orchestra, this particular cover is a nostalgic keepsake for any Star Trek fan’s playlist. 

BRIAN’S ODD MOON RATING:                          6 Stars

Note: There’s a rendition of Goldsmith’s Star Trek: The Next Generation tune on this same album.

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's) STAR TREK-Related

STAR TREK III : THE SEARCH FOR SPOCK (MAIN TITLE) {Cover} (by Erich Kunzel & The Cincinnati Pops Orchestra: Symphonic Star Trek)

SUMMARY:                                RUNNING TIME: 6:09 Min.

As Track # 25, Erich Kunzel & The Cincinnati Pops Orchestra revisit James Horner’s theme for their 1996 Symphonic Star Trek instrumental album.

REVIEW:

It’s a virtual replica of the original 1984 theme.  The drawback is Horner’s own unimaginative recycling.  Though Star Trek III’s primary theme is still good, too often it sounds like a lukewarm suite left over from his Star Trek II: The Wrath of Khan score.  Including elements of Alexander Courage’s signature Trek theme, this track offers some welcome nostalgia for Trekkers.    

BRIAN’S ODD MOON RATING:                        6½ Stars

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INDEPENDENT-Related (Comic Books & Graphic Novels) Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

THE SHADOW: MAIN TITLE {Cover: 1994 Movie} (by The City of Prague Philharmonic Orchestra: Comic Strip Heroes – Music from Gotham City and Beyond)

SUMMARY:                              RUNNING TIME: 2:37 Min.

For its 2006 instrumental cover album, Comic Strip Heroes, The City of Prague Philharmonic Orchestra performs Jerry Goldsmith’s main title piece from 1994’s The Shadow film starring Alec Baldwin.  

Note: It’s the album’s shortest track.

REVIEW:

This cover is just as good, if not better than Jerry Goldsmith’s pulpy, old-fashioned original.  Certainly well-played! 

BRIAN’S ODD MOON RATING:                     7½ Stars

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DC-Related Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

DC LEGENDS OF TOMORROW TV THEME (by Blake Neely: Music of DC Comics, Volume 2)

SUMMARY:                              RUNNING TIME: 0:50 Min.

This track appears on 2016’s Music of DC Comics, Volume 2.  Courtesy of composer-conductor Blake Neely, this opening credits instrumental accompanies the DC Legends of Tomorrow live-action TV series.      

REVIEW:

Given a duly epic sound, this DC Legends of Tomorrow theme is terrific for what little listeners get.  The disappointment is that the tune seems several seconds too short, even for a contemporary TV instrumental.  One could also readily argue that there’s nothing distinctive to clue in non-fans, especially re: which DC heroes this track is meant for.  Even so, for Legends fans, this instrumental is worth adding to a favorite playlist. 

BRIAN’S ODD MOON RATING:                         6 Stars

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

PRINCES OF THE UNIVERSE {1986’s Highlander} (by Queen: A Kind of Magic, 1991 re-release)

SUMMARY:                                 RUNNING TIME: 3:31 Min.

Recorded by Queen, it’s the main anthem for the 1986 Highlander film starring Christopher Lambert & Sean Connery.  In 1991, this upbeat pop-rock track made its CD debut upon A Kind of Magic’s re-release.  A shortened version would be utilized as both the opening and closing theme for Adrian Paul’s Highlander TV series. 

REVIEW:

Queen’s exuberance is hard to surpass, especially with Freddie Mercury’s charismatic vocals cranking out the song’s mantra.   Along with “A Kind of Magic” and “Who Wants to Live Forever,” this song ideally defines Highlander“Princes of the Universe” is recommended for any number of playlists, i.e. soundtracks, workouts, & ‘80s rock.   

BRIAN’S ODD MOON RATING:                             8 Stars

Note: There’s a digitally-remastered rendition of this song on Queen’s 2002 Platinum Collection.