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DC-Related Humor (CD's) Individual Tracks (CD's) Music & Radio Shows

THEME OF THE JUSTICE LEAGUE OF AMERICA (by Arthur Korb: Music of DC Comics, Volume 2)

SUMMARY:                                     RUNNING TIME: 3:11 Min.

Credited to Arthur Korb, this 1966 novelty tune appears on the 2016 compilation album, Music of DC Comics, Volume 2.  It’s performed in a groovy 60’s lounge/barbershop act style.  Sung in character as if it’s the Justice League roll call time, the line-up supposedly consists of Superman, Wonder Woman, Aquaman, Batman, Flash, Plastic Man, and Metamorpho.  Dialogue setting up a Justice League mission is also included.

Note: The same album also offers Korb’s other brief 1966 odes to Metamorpho and Wonder Woman.

REVIEW:

Directed at the most undemanding of kiddie fans, this tune could well be the most dreadful three minutes in super-hero recording history.  Amazingly, Arthur Korb’s tribute to Wonder Woman is possibly even worse – its sole asset is that dreck is only half the length of this JLA parody.  Like the other two Korb ‘hits’ on this album, this cringe-worthy JLA role call is a moldy slice of pop culture cheese.

BRIAN’S 10-STAR RATING:                     3 Stars

Categories
DC-Related Humor (CD's) Individual Tracks (CD's) Music & Radio Shows

WONDER WOMAN (by Arthur Korb: Music of DC Comics, Volume 2)

SUMMARY:                               RUNNING TIME: 1:25 Min.

Credited to Arthur Korb, this 1966 novelty tune appears on the 2016 compilation album, Music of DC Comics, Volume 2.  It’s performed in a groovy 60’s lounge/barbershop act style.

Note: The same album also offers Korb’s other brief 1966 odes to the Justice League and Metamorpho.

REVIEW:

Laughably, yikes!  If meant as a parody of gooey 60’s love songs, then Korb’s cheesy serenade of the Amazon Princess is a hoot.  Otherwise, listeners will be mighty grateful how brief this awful tune really is. 

BRIAN’S ODD MOON RATING:                    2 Stars

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DC-Related Humor (CD's) Individual Tracks (CD's) Music & Radio Shows

METAMORPHO (by Arthur Korb: Music of DC Comics, Volume 2)

SUMMARY:                                RUNNING TIME: 2:13 Min.

Credited to Arthur Korb, this 1966 novelty tune appears on the 2016 compilation album, Music of DC Comics, Volume 2.  It’s performed in a groovy 60’s lounge/barbershop act style.

Note: The same album also offers Korb’s other brief 1966 odes to the Justice League and Wonder Woman.

REVIEW:

The good news is this campy track is actually better than his dubious tributes to Wonder Woman and the JLA. Listeners should deem this tune as nothing more than a slice of moldy 60’s cheese.

BRIAN’S ODD MOON RATING:                            3½ Stars

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DISNEY/PIXAR-Related Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

CANDLE ON THE WATER (by Helen Reddy: Classic Disney, Volume 2) {Pete’s Dragon}

SUMMARY:                                      RUNNING TIME: 2:58 Min.

Recorded by singer-actress Helen Reddy, she performs the live-action tune in character as “Nora” for 1977’s Pete’s Dragon.  Tis track was co-created by Al Kasha and Joel Hirschhorn.  Reddy’s effort subsequently earned an Academy Award nod in 1977 for Best Original Song.  This tune would later appear on 1995’s Classic Disney, Volume 2 album. 

REVIEW:

One could readily argue that this finely-tuned song is the most enduring asset of the original Pete’s Dragon.  This reviewer won’t dispute such an assessment.  Impressively, Helen Reddy’s classy vocal performance soars at all the right moments, conveying a hopeful exuberance that few others could match.  What’s particularly endearing re: this song is that Reddy’s voice doesn’t exhibit any smug self-satisfaction some performers with a similar octave range would be prone to do.  Between its poignant piano-driven melody and Reddy’s show-stopping vocals, “Candle on the Water” delivers Disney musical magic.  Highly recommended!      

BRIAN’S ODD MOON RATING:                  10 Stars

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CD's Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows

ANGELES (by Enya: Shepherd Moons)

SUMMARY:                                RUNNING TIME: 4:01 Min.

It’s the fifth track of Enya’s 1992 Shepherd Moons album. 

REVIEW:

Everything works on this classy track, as Enya’s vocals are ideal for the soothing melody.  For any meditative-relaxation playlists, the tranquility of “Angeles” is a can’t-miss prospect.

BRIAN’S ODD MOON RATING:                     8 Stars

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Individual Tracks (CD's) Movies & Television (Videos) Music & Radio Shows Soundtracks (CD's)

AXEL F. (by Harold Faltermeyer: Beverly Hills Cop movie soundtrack)

SUMMARY:                            RUNNING TIME: 3:04 Min.

Performed by composer-conductor Harold Faltermeyer, this instrumental appears on 1984’s Beverly Hills Cop film soundtrack.  The recurring theme narrates Eddie Murphy’s Detroit police detective ‘Axel Foley,’ as he searches for illicit evidence proving who killed a childhood friend.   

REVIEW:

It’s likely one of the most enduring movie instrumentals of the 80’s.  Harold Faltermeyer designed this catchy theme to be synonymous with Axel Foley’s sneaky ingenuity/improvisations, not to mention his team-up antics with fellow cops Taggart & Rosewood (John Ashton & Judge Reinhold).  Faltermeyer’s spot-on instrumental work here remains a gem.  For soundtrack playlists or just simply ‘80s nostalgia, “Axel F.” is a can’t- miss download option. 

BRIAN’S ODD MOON RATING:                    8 Stars

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CD's Individual Tracks (CD's) Movies & Television (Videos) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

ALMOST PARADISE (by Ann Wilson & Mike Reno: Footloose {1984} movie soundtrack, 15th Anniversary Edition)

SUMMARY:                                      RUNNING TIME: 3:49 Min.

Recorded for 1984’s Footloose film soundtrack, Heart’s Ann Wilson duets with Loverboy’s Mike Reno.  Including the soundtrack’s 1998 15th Anniversary Edition, this radio-friendly love song has subsequently appeared on a number of ‘80s pop compilation albums.   

REVIEW:

Pairing Ann Wilson and Mike Reno in a romantic duet was an inspired choice, given the gorgeous melody.  There’s no mistaking that their polished vocals are electric, as both of them are at the top of their game.  The song’s weakness clearly isn’t Wilson and Reno; rather, it’s more the overly sentimental lyrics.  Suffice to say, “Almost Paradise” risks soaring into romantic pop drivel. 

Even so, as long as the lyrics are more of an afterthought, the song makes a good choice for ‘80s pop and road trip playlists.  The only other caveat, ironically enough, stems from Footloose itself.   Whether it’s interpreted as adult lust and/or loneliness, this song’s yearning context seems, at best, awkward, if applied to the film’s love-struck (and underage) teenagers portrayed by Kevin Bacon and Lori Singer.     

BRIAN’S ODD MOON RATING:                     6 Stars

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CD's Individual Tracks (CD's) Movies & Television (Videos) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

ALL TIME HIGH {from Octopussy} (by Rita Coolidge: Best of Bond … James Bond, 2008 edition)

SUMMARY:                                     RUNNING TIME: 3:03 Min.

Originally for 1983’s Octopussy starring Roger Moore, this James Bond tune was recorded by Rita Coolidge.  This song has since been re-released on various compilation albums, primarily multiple updates of the Best of Bond … James Bond (which assembles the franchise’s theme songs to date).   

Note: The Best of Bond … James Bond series includes a 40th anniversary edition in 2002 and a subsequent update in 2008 for Chris Cornell’s “You Know My Name” from Casino Royale.

REVIEW:

Reminiscent (or perhaps too imitative) of Carly Simon, Rita Coolidge’s breezy vocals are this tune’s best asset.  Otherwise, “All Time High” would likely fade into easy-listening obscurity, as even casual fans might not recognize this classy Early ‘80s love song as a James Bond theme.  Its chief claim to fame, otherwise, is that “All Time High” is the first Bond title song to exclude the movie’s title from its lyrics (1969’s On Her Majesty’s Secret Service’s instrumental theme, notwithstanding).  

In an intriguing, yet perhaps not coincidental, twist, “All Time High” sounds vaguely similar to Lani Hall & Michel Legrand’s “Never Say Never Again,” — which was also released in 1983 for Sean Connery’s same-named Bond film competing against Roger Moore.  While the sly Hall/Legrand tune is closer to a lounge act performance, Coolidge’s “All Time High” has a more polished melody.  Frankly, it makes too little difference, as both of these 1983 Bond tunes are at best average.

If given a choice, though, one might prefer finding Hall’s “Never Say Never Again” over Coolidge’s “All Time High,” as Hall’s jazzy tune is catchier.

 BRIAN’S ODD MOON RATING:                   5½ Stars

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Categories
Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

ROWENA {Cover: from Mr. Holland’s Opus} (by The Seattle Symphony Orchestra: Michael Kamen’s Opus)

SUMMARY:                                     RUNNING TIME: 4:57 Min.

Composer-conductor Michael Kamen devised the instrumental, “Rowena,” for the soundtrack of the acclaimed 1995 Richard Dreyfuss drama, Mr. Holland’s Opus.  A few years later, the Seattle Symphony Orchestra performed the track for the 1998 Michael Kamen’s Opus retrospective album. 

REVIEW:

It isn’t distinctive, but composer Michael Kamen imbues “Rowena” with an intriguing sense of melancholy.  This somber track conveys a down-to-earth narrative with appropriately poignant touches at the right moments.  Though the theme perhaps overstays its welcome, “Rowena” should blend in well with instrumental and classical music playlists.   

BRIAN’S ODD MOON RATING:                             7½ Stars

Categories
CD's Individual Tracks (CD's) Jazz & Blues Music & Radio Shows

ALWAYS A USE (by Madeleine Peyroux: Dreamland)

SUMMARY:                             RUNNING TIME: 2:41 Min.

It’s the sixth track of Madeleine Peyroux’s 1996 jazz-blues album, Dreamland.  Peyroux also wrote this song.  

REVIEW:

Harkening back to old school-style blues, Madeleine Peyroux does terrific work with this tune.  With a strumming guitar as her acoustic backdrop, Peyroux’s appealing vocals makes “Always a Use” a real treat.  The song probably isn’t worth a single download, but it serves as a wonderful advertisement for Peyroux’s Dreamland.  

BRIAN’S ODD MOON RATING:                  7 Stars

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