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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

THE UNTOUCHABLES – END TITLE (by Ennio Morricone: The Untouchables movie soundtrack)

SUMMARY:                              RUNNING TIME: 3:12 Min.

Oddly appearing as Track # 1, the film’s send-off theme is an instrumental by composer-conductor Ennio Morricone.  The orchestra isn’t identified. 

Note: As clarification, this track is essentially a full-length reprise of the same-named Track # 11, which narrates the mob-busting heroics of Elliot Ness and his squad earlier in the film.  

REVIEW:

The magic of this instrumental endures.  Bringing Eliot Ness and his squad’s virtuous quest soaring to life, Ennio Morricone is at the peak of his storytelling powers.  Courtesy of Morricone, “Al Capone” (Track # 2) and Track # 11 define both sides of the movie’s battlefront.  The ominous main title: “Strength of the Righteous” (Track # 8) then pits them against one other. 

Ultimately, this reprise spells out which side prevails, no matter the personal cost.  For instrumental and soundtrack enthusiasts, this one (and/or as Track # 11) is absolutely worth adding to a favorite playlist.  

BRIAN’S ODD MOON RATING:                    9 Stars

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Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows

THE LONGSHIPS (by Enya: Watermark)

SUMMARY:                              RUNNING TIME: 3:39 Min.

It’s the tenth track off Enya’s 1988 Watermark album. 

REVIEW:

The track’s best asset is undoubtedly Enya’s classy Celtic vocals.  Yet, as compared to other Watermark tracks, there isn’t anything special re: “The Longships” that makes it worth purchasing as a solo download. 

BRIAN’S ODD MOON RATING:                6 Stars

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

NESS & HIS FAMILY (by Ennio Morricone: The Untouchables movie soundtrack)

SUMMARY:                             RUNNING TIME: 2:45 Min.

As Track # 9, this Ennio Morricone instrumental portrays Kevin Costner’s Eliot Ness as a soft-spoken and happily-married family man with a young daughter.  The orchestra isn’t identified. 

Note: For the film’s dramatic purposes, both Patricia Clarkson’s Catherine Ness and the daughter (portrayed by Kaitlin Montgomery) are fictional.    

REVIEW:

Presenting the soundtrack’s only blissful piece, the track works exactly as it’s supposed to.  “Ness and His Family” doesn’t necessarily merit a solo download so much, but it’s vital to the film’s narrative backbone.  With a classical-like lilt, this thoughtfully low-key and poignant track should appeal to instrumental enthusiasts – it’s a kindred spirit reminiscent of 1980’s Somewhere in Time.   

BRIAN’S ODD MOON RATING:                    7 Stars

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

MACHINE GUN LULLABY (by Ennio Morricone: The Untouchables movie soundtrack)

SUMMARY:                                   RUNNING TIME: 7:01 Min.

As the concluding Track # 13, this music box-like Ennio Morricone instrumental narrates a pivotal, slow-motion train depot shootout late in the film.  The orchestra isn’t identified. 

REVIEW:

As macabre as it is, one must credit some brilliant storytelling to Ennio Morricone.  Juxtaposing a children’s music box lullaby to rising dramatic tension, “Machine Gun Lullaby” is pitch perfect for this near-silent sequence late in the film. 

BRIAN’S ODD MOON RATING:                  9 Stars

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

BACK TO THE FUTURE OVERTURE (by Alan Silvestri & The Outatime Orchestra: Back to the Future movie soundtrack)

SUMMARY:                               RUNNING TIME: 8:19 Min.

Composed and conducted by Alan Silvestri, ‘The Outatime Orchestra’ performs this instrumental track for 1985’s Back to the Future.  In the film’s climatic 1955 sequence, it narrates “Doc” Brown (Christopher Lloyd) coordinating Marty McFly’s (Michael J. Fox) climatic time-traveling ride back home to 1985.

REVIEW:

Considering that this track narrates the movie’s most pivotal sequence, composer-conductor Alan Silvestri absolutely delivers the goods.  Much like John Williams, without a single word, Silvestri impressively conveys a storyline’s emotional impact on its characters.  This track is proof of orchestral magic.  For soundtrack and instrumental enthusiasts, the overture synonymous with Marty McFly’s time-traveling adventures is a Hollywood gem.   

BRIAN’S ODD MOON RATING:                      9 Stars

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Individual Tracks (CD's) Music & Radio Shows STAR TREK-Related

STAR TREK IV: THE VOYAGE HOME (MAIN TITLE) {Cover} (by Erich Kunzel & The Cincinnati Pops Orchestra: Symphonic Star Trek)

SUMMARY:                                        RUNNING TIME: 2:44 Min.

Composer-conductor Leonard Rosenman scored 1986’s Star Trek IV: The Voyage Home.  This instrumental theme is prominently heard narrating the movie’s opening and closing credits.  In 1996, Erich Kunzel & the Cincinnati Pops Orchestra performed this track for its Symphonic Star Trek cover album.   

REVIEW:

It’s an ideal cover of Rosenman’s theme.  For Star Trek enthusiasts, it’s likely the best option out there if the actual soundtrack isn’t available for purchase. 

BRIAN’S ODD MOON RATING:                      7 Stars

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

THE MAN WITH THE MATCHES (by Ennio Morricone: The Untouchables movie soundtrack)

SUMMARY:                               RUNNING TIME: 2:47 Min.

Appearing as Track # 7, this Ennio Morricone instrumental precipitates a fateful showdown between Sean Connery’s Jimmy Malone and an assassination squad – among them, Billy Drago’s Frank Nitti (aka Al Capone’s chief henchman).  The orchestra isn’t identified.    

REVIEW:

Playing off shades of the main title (“Strength of the Righteous” – Track # 8), Ennio Morricone masterfully sets up one of the film’s most suspenseful sequences.  While this quietly sinister track itself isn’t a must-have, it’s ideal for enhancing the film’s sense of operatic-like violence.     

BRIAN’S ODD MOON RATING:                    7 Stars

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

THE STRENGTH OF THE RIGHTEOUS – MAIN TITLE (by Ennio Morricone: The Untouchables movie soundtrack)

SUMMARY:                                RUNNING TIME: 2:26 Min.

Despite appearing out of order as Track # 8, this ominous Ennio Morricone instrumental foreshadows the showdown between Elliot Ness’ intrepid squad vs. Al Capone’s horde of Chicago mobsters.  The orchestra isn’t identified.    

REVIEW:

This superb track inflicts maximum impact in only two and a half minutes.  Ennio Morricone delivers an ideally sinister preview of the dangers the Untouchables face, with Al Capone’s forces seemingly lurking at every corner.  As a signature piece of cinematic scoring, “The Strength of the Righteous” deserves its place among the best-ever main titles.    

BRIAN’S ODD MOON RATING:                    9 Stars

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

WHO WANTS TO LIVE FOREVER {1986’s Highlander} (by Queen: A Kind of Magic – 1991 re-release)

SUMMARY:                                 RUNNING TIME: 5:15 Min.

Recorded by Queen as a pivotal theme narrating the 1986 Highlander film, this epic ballad later made its CD debut in 1991 upon A Kind of Magic’s re-release.  The same album sports an instrumental remix entitled “Forever,” though it runs two minutes shorter.    

REVIEW:

Other than “Princes of the Universe,” no other Queen track is more closely associated with Highlander.  Wistfully defining Connor McLeod’s immortality, the ethereal “Who Wants to Live Forever” merits recognition as among Queen’s finest works.  Freddie Mercury’s haunting vocals resonate long after the song ends.  Even for non-Highlander fans, this poignant track is highly recommended.     

BRIAN’S ODD MOON RATING:                     10 Stars

Note: There’s a digitally-remastered rendition of this song on Queen’s 2002 Platinum Collection — it’s about twenty seconds shorter.

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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

WEIRD SCIENCE {from 1985’s Weird Science} (by Oingo Boingo: VH1 – The Big 80’s — The Big Movies)

SUMMARY:                              RUNNING TIME: 4:17 Min.

Before re-inventing himself as a film composer, Danny Elfman was the heart of 80s New Wave group, Oingo Boingo.  Written by Elfman, this Oingo Boingo tune is the title track for the same-named 1985 sci-fi/comedy film starring Anthony Michael Hall & Kelly LeBrock. 

Elfman’s song was later utilized for the USA Network TV series adaptation from 1994-98.  Since the movie soundtrack’s release, “Weird Science” occasionally resurfaces on pop or soundtrack compilations, including 1998’s VH1: The Big 80’s – The Big Movies.

REVIEW:

Including a homage to Universal’s original Frankenstein film, this wacky New Wave tune accomplishes exactly what it’s supposed to do.  Not only inspiring enthusiasm to see the movie, Danny Elfman’s band is the 80’s radio-friendly answer to Bobby Pickett’s “Monster Mash.”  Paired with Pickett’s cult classic, “Weird Science” is a wacky add-on for any Halloween party-themed playlist.         

BRIAN’S ODD MOON RATING:                    7 Stars

Note: Worth catching is another Elfman movie tune featuring his vocals: “The Little Things,” from 2008’s Wanted soundtrack.

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