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CD's Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows

YELLOW SUBMARINE {Cover} (Vanessa-Mae: The Classical Collection, Part 1)

SUMMARY:                                 RUNNING TIME: 1:43 Min.

Covering The Beatles’ 1966 song, this instrumental track appears on Disc 3 on Vanessa-Mae’s 2000 Classical Collection, Part 1 album.

REVIEW:

There is no mistaking the song’s distinctive melody.  Featuring her violin work, Vanessa-Mae’s orchestral interpretation of this quirky Beatles hit is both whimsical and flat-out charming.  Due to its brief length, however, this playful track may not be a solo download option so much, as this effort instead offers a grand little teaser for her three-disc album.    

BRIAN’S ODD MOON RATING:                         8 Stars

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CD's Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows

THE PINK PANTHER {Cover} (Vanessa-Mae: The Classical Collection, Part 1)

SUMMARY:                                        RUNNING TIME: 2:27 Min.

Vanessa-Mae’s cover of Henry Mancini’s classic 1963 Pink Panther film theme appears as the fifth track off Disc 3 for her 2000 Classical Collection, Part 1 album.

REVIEW:

Vanessa-Mae playfully brings one of Henry Mancini’s best-loved themes to life.  No matter how short this whimsical track is, it’s a true gem, particularly hearing Mancini’s work interpreted through her classical violin.  If anything, should someone walk by, he/she may well give you an amused, if not quizzical, ‘is that what I think it is?’ look upon hearing Vanessa-Mae’s homage.

BRIAN’S ODD MOON RATING:                 9 Stars

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CD's Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows

ONE MOMENT IN TIME {Cover} (Vanessa-Mae: The Classical Collection, Part 1)

SUMMARY:                                      RUNNING TIME: 4:36 Min.

Covering Whitney Houston’s 1988 ballad, this instrumental track appears off Disc 3 for Vanessa-Mae’s 2000 Classical Collection, Part 1 album.

REVIEW:

Though it takes a few seconds before becoming recognizable, this gentle cover delivers an impressive homage to Whitney Houston.  Rendered in full-blown orchestral fashion, Vanessa-Mae’s low-key violin work is exquisite.  For classical enthusiasts, this interpretation of one of Houston’s best-ever efforts makes a solid case to consider exploring Vanessa-Mae’s complete three-disc album.    

BRIAN’S ODD MOON RATING:                8 Stars

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CD's Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows

MY FAVORITE THINGS {Cover} (Vanessa-Mae: The Classical Collection, Part 1)

SUMMARY:                                       RUNNING TIME: 1:16 Min.

Vanessa-Mae’s cover of Rodgers & Hammerstein’s 1959 Broadway tune from The Sound of Music is the fourth track off Disc 3 for her 2000 Classical Collection, Part 1 album.

REVIEW:

No matter how brief this orchestral track really is, Vanessa-Mae’s top-caliber work is a nice treat for classical fans.  The track makes a charming teaser for her complete three-disc album.    

BRIAN’S ODD MOON RATING:                      8 Stars

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DC-Related Digital Movies & TV Movies & Television (Videos) TV Episodes & Movies

ADVENTURES OF SUPERBOY (Unaired 1961 Live-Action TV Pilot)

SUMMARY:                    Running Time: 26 Min. (Black & White)

Directed by George Blair, this unaired half-hour episode entitled “Rajah’s Ransom” long pre-dates the 1988-1992 syndicated Superboy TV series.  Meant as a prequel of sorts, it’s a homage to the late George Reeves’ The Adventures of Superman TV series. 

Smallville high school students Clark Kent and Lana Lang express compassion for classmate Jimmy Drake’s embarrassment that his blue-collar dad is a movie theater doorman.  A subsequent jewel heist at the theater by three armed crooks sets up Jimmy’s father as the crime’s pivotal eyewitness.  Of course, it’s up to Superboy to save Mr. Drake from retribution from these ruthless thugs. 

Clark Kent / Superboy: John “Johnny” Rockwell     Mr. Drake: Ross Elliott

Lana Lang: Bunny Henning                                 Shifty: Richard Reeves

Martha Kent: Monty Margetts                                Miss Gibson: Yvonne White

Police Chief Parker: Robert Williams                     Jimmy Drake: Jimmy Bates

Theater Manager: Ray Walker                              Donna: Trudy “True” Ellison

Jake: Stacy Harris                                            Gunner Ferde: Charles Maxwell

Notes: Supposedly, a dozen additional scripts were created – just in case.  A live-action Superboy and Lana Lang make their first on-screen appearances — five years before their animated counterparts debuted on television in 1966 with Filmation’s same-named cartoon series.

REVIEW:

Decades before Superboy and Smallville, this Superboy’s sole flight wobbles on the cheap.  Lacking any semblance of a dazzling opener, “Rajah’s Ransom” is evidently an ordinary episode of what might have been.  Inexplicably, this teenage Clark Kent (despite star John Rockwell’s twenty-something looks) is repackaged as the adoptive son of a suburban grocery store manager and a housewife.  As Superboy, he easily makes time for crime-fighting, including the use of an underground Super-cave, no less.  There’s no point even comparing this loose adaptation to the Silver Age Superboy and the rural Smallville already established in DC Comics.  Relying on TV clichés (i.e. stolen jewels), this plot is strictly paint-by-the-numbers.   

Evidently set in present-day 1961, this super-mundane adventure deliberately tries to evoke Reeves’ TV series by deploying the same primitive flying effects.  It’s no coincidence that the same producer (Whitney Ellsworth) spearheaded this project.  Adapting an actual comic book script, the wholesome “Rajah’s Ransom” admirably retains its mid-1950’s Boy Scout-style charm to no end.  In that sense, its low-budget production values are at least forgivable. 

Ironically, Rockwell’s bland Clark Kent/Superboy persona is a precursor to actor Gerard Christopher, who thirty years later displayed similar mannerisms in the role.  Yet, by making this future Superman so milquetoast, it should have been imperative for Rockwell to enjoy repartee with likable actors — like Noel Neill & Jack Larson did with George Reeves.  Christopher’s own starched portrayal benefited from that kind of chemistry with Stacy Haiduk and Ilan Mitchell-Smith.  That’s really the detriment of this dud pilot: Rockwell’s supporting cast evidently wasn’t encouraged to express an iota of charisma playing off his decent imitation of Reeves. 

For Superman fans, this historical curiosity is solely worth perusing to see the first live-action Boy of Steel.

BRIAN’S ODD MOON RATING:                             3 Stars

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Agatha Christie-Related Digital Movies & TV Movies & Television (Videos) Mystery & Suspense TV Episodes & Movies

TEN LITTLE INDIANS (1959 NBC Television Movie)

SUMMARY:                     Running Time: 52 Min. (Black & White)

Directed by Paul Bogart, this 1959 NBC mystery presents its own take on the stage play Agatha Christie adapted from her suspense novel, “And Then There Were None.”  In part, due to a short running time, sections of the play and its dialogue have been altered. 

Case in point: the novel’s youngest characters, Vera Claythorne and Anthony Marston (he’s renamed Frederick Marston here), are re-imagined as forty-somethings to accommodate this particular cast.  Oddly enough, some ridiculous character-building scenes are also inserted into the script that Christie’s story never implied.

Transported by boat, six strangers arrive on a foggy Friday night at a manor home on secluded Indian Island off England’s Devon coast, seemingly for a weekend house party.  They are greeted by their unseen host’s secretary, Vera Claythorne, and by amiable Philip Lombard — another guest who arrived early.  Briefly entertaining themselves, the houseguests and a married servant couple are mortified by accusations of ghastly homicides from the ominous voice of their enigmatic host, ‘U.N. Owen.’ 

Adhering to the “Ten Little Indians” nursery rhyme decorating the mansion’s lounge, the ten captives are rapidly executed, one by one.  Alliances are made, but can anyone escape this unseen predator’s wrath?    

Note: This production scores some points, if only for keeping virtually intact the novel/play’s character names.  An exception, of course, is substituting in ‘General Mackenzie’ for ‘General MacArthur,’ though changing Marston’s first name from ‘Anthony’ to ‘Frederick’ makes zero sense. Up until the recent BBC mini-series, none of the other filmed adaptations retained the character names exactly as Christie had devised them.

Vera Claythorne: Nina Foch                  Frederick Marston: Chandler Cowles  

William Henry Blore: James Berwick    Dr. Edward Armstrong: Romney Brent

Emily Brent: Victoria French              Justice Lawrence Wargrave: Barry Jones

Thomas Rogers: George Turner    General John Gordon Mackenzie Peter Bathurst

Ethel Rogers: Caroline Brenner      Narrator / U.N. Owen’s Voice: Uncredited

Philip Lombard: Kenneth Haigh       Boatman: Jeremiah Morris

REVIEW:

Unsurprisingly, this low-budget NBC effort is obscure for several reasons.  It doesn’t help that its charming 1945 big-screen predecessor, “And Then There Were None,” which adapts the same Christie stage play, actually comes off as more contemporary by comparison.  Populated by such a bland stock theater-style cast, only headliner Nina Foch makes a faint impression here … because of her character’s repetitive hysterics. 

Crass efforts by NBC to spice up Christie’s play fail miserably.  In one instance, a boorish Marston suggests to the younger Lombard that they play swinging singles ‘trading off’ on the two female guests. Indulging her condescending spinster persona, Emily Brent, meanwhile, disparages Vera Claythorne’s demure black dress as being somehow offensively provocative.  Instead of adding some intended depth, such eye-rolling scenes only contribute to reducing Christie’s enigmatic cast of scoundrels to mere caricatures.     

However, there’s a curious surprise early on.  During the spooky U.N. Owen monologue, NBC stays mostly faithful to the novel.  Why the era’s broadcast censors didn’t object to mention of such cold-blooded crimes is anyone’s guess.  Conversely, despite its initial creepiness, this film’s ‘suspenseful’ climax is laughably awful by any generation’s standards. 

Worsening this experience is the primitive cinematography, which looks more reminiscent of hazy 1940’s TV standards than any technological refinements available in 1959.  Best left a historical curiosity, this “Ten Little Indians” is a sub-par TV experiment translating one of Christie’s darkest tales for mass viewing.    

BRIAN’S ODD MOON RATING:                    3 Stars

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Blu-Ray Digital Movies & TV DVD Sports (TV & Videos) WWF/WWE (Pro Wrestling)

THE ROCK VS. “STONE COLD” STEVE AUSTIN (WWE WRESTLEMANIA 19: Taped March 30, 2003)

SUMMARY:                               RUNNING TIME: 18 Min. +

Memorably, these legendary frenemies had twice before clashed at WrestleMania – 1999 and 2001 – with the WWE World Heavyweight Championship at stake.  Now, with Austin on the verge of forced retirement due to a lingering neck injury, completing their trilogy meant a final showdown at Seattle’s Safeco Field on March 30, 2003.  Motivating The Rock’s pride were two bitter World Title losses, as Austin, healthy or not, evidently had his WrestleMania number.  The match commentators are Michael Cole and Tazz, with Carlos Cabrera & Hugo Savinovich as the WWE’s Spanish language announcers.    

Note: As of this date, it would be Austin’s last match.

REVIEW:

It’s all about the star power.  Stealing WrestleMania 19’s glow more through nostalgia than actual substance, this match’s run time is deceptive.  Less than eight minutes of finishers and stealing the other guy’s crowd-pleasing finishers makes this expedited slugfest more of a greatest-hits highlight reel.  Frankly, it resembles a Monday Night RAW street fight where the unremarkable action escalates into an in-ring slugfest and a ringside beatdown.  To the surprise of no one, there are few, if any, technical wrestling displays – more disappointingly (no doubt due to Austin’s physical condition), no major choreography spots commemorate his retirement.    

In the end, what might have been a legendary finale to The Rock vs. “Stone Cold” is a strictly run-of-the-mill brawl.  This match offers historic context only by watching their two prior WrestleMania battles first.  

ROSCOE’S ODD MOON RATING:                        6½ Stars

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Blu-Ray Digital Movies & TV DVD Sports (TV & Videos) WWF/WWE (Pro Wrestling)

THE ROCK VS. “HOLLYWOOD” HULK HOGAN (WWE WRESTLEMANIA 18: Taped March 17, 2002)

SUMMARY:                                       RUNNING TIME: 17 Min. +

A full year had lapsed since the demise of World Championship Wrestling (WCW).  The triumphant WWE gradually incorporated the WCW on-screen personnel it wanted, including the original New World Order (NWO): “Hollywood” Hulk Hogan, Kevin Nash, and Scott Hall.  For WrestleMania 18 at Toronto’s SkyDome, on March 17, 2002, the WWE’s ‘Icon vs. Icon’ match pitted The Rock vs. the legendary Hogan.  Amidst all the back-and-forth trash talking with The Rock, Hogan and his cronies were depicted as ultra-nefarious baddies out to put the WWE’s most charismatic star down permanently.  

Yet, as for the climatic showdown itself, even Hogan was humbled that SkyDome fans were loudly cheering his first WrestleMania in nine years.  The Rock’s own reaction proves stunning, particularly after Hogan is greeted with a post-match beatdown by superior numbers – a dubious WCW tradition. 

The commentators are Jim Ross and Jerry “The King” Lawler, with Carlos Cabrera and Hugo Savinovich as the WWE’s Spanish language announcers.    

REVIEW:

Suffice to say, this clash is much better than expected.  Evidently inspired by SkyDome (after 1990’s WrestleMania VI), the 48-year old Hogan cranks up his performance quality enough to share the same ring as The Rock.  While both adversaries are wildly cheered, what’s perplexing is whose side is the majority of SkyDome fans on.  Then again, does it really matter?  Packing this ego-driven showcase with flexing, finisher stealing, and egging on the crowd’s reaction, it’s an instance where the not-quite-wrestling is far more about sparking pure nostalgic emotion than any technical know-how.  Even so, Rock vs. Hogan is remarkably generous with its People’s Elbows and Running Leg Drops bringing the audience to their feet.  Above all, The Rock’s professionalism hiding an aging Hogan’s limited mobility is admirable.  The fact that their match doesn’t resort to cheap interference ploys, just for drama’s sake, says plenty.  

In the best possible way, however, the aftermath (improvised or not) surpasses their crowd-popping in-ring work.  Despite an eternity spent on the traditional ‘Hulk-A-Mania’ pose-down, fans ultimately score the finale they didn’t realize they wanted.  Not to mention, this showdown’s genuine magic easily overshadows the all-too-predictable Chris Jericho/Triple H Unified World Championship title match.  Courtesy of the mutual admiration society established between these two wrestling legends, the turbulent pro wrestling universe for the moment, finally rights itself. 

ROSCOE’S ODD MOON RATING:                    8½ Stars

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Digital Movies & TV Sports (TV & Videos) TV Series (Specific Episodes) WWF/WWE (Pro Wrestling)

SHAWN MICHAELS VS. ROB VAN DAM — WORLD HEAVYWEIGHT TITLE MATCH (WWE Monday Night RAW: Taped November 25, 2002)

SUMMARY:                               RUNNING TIME: 8:55 MIN.

As Monday Night RAW’s main event on November 25, 2002, this championship showdown pitting Van Dam, aka ‘RVD,’ vs. new titleholder Michaels, aka “The Heartbreak Kid,” occurs in Charleston, North Carolina.  According to Jim Ross, in the aftermath of Survivor Series 2002, the match is Michaels’ third match back after an extended in-ring hiatus dating back to 1998.  Still, it should be noted that Michaels sporadically appeared between 1999-2001 on WWE programming, along with hosting his own Texas Wrestling Academy. 

REVIEW:

At first glance, this title bout implies a potential classic in the making.  Yet, it’s on free TV, so there’s always the possibility that it could prove disappointing even before hitting the remote’s play button.  Their title showdown is actually very good at times.  It even hints at Pay-Per-View (PPV) caliber, had it been extended for another ten minutes or so.  Still, the match acts more as a momentum builder for Michaels rather than a realistic shot for RVD to win it all.  Interference by Triple H only exacerbates this point, leading to a cheap DQ win for Van Dam and a post-match beatdown of “The Heartbreak Kid,” via a steel chair.  Overall, viewers end up underwhelmed, as this bout is meant to propel the recent Michaels/Triple H rivalry.  RVD, unsurprisingly, is left as the odd man out. 

ROSCOE’S ODD MOON RATING:                      6 Stars

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Blu-Ray Digital Movies & TV DVD Sports (TV & Videos) WWF/WWE (Pro Wrestling)

SHAWN MICHAELS VS. RAZOR RAMON — WWE Intercontinental Title Match {Ladder Match} (WWE SummerSlam 1995: Taped August 27, 1995)

SUMMARY:                       RUNNING TIME: 25:04 MIN.

In a Pay-Per-View (PPV) rematch from 1994’s WrestleMania X, Shawn Michaels and Razor Ramon again face off in a ladder match for the WWE’s second most prestigious title.  Held at Pittsburgh’s Civic Arena, on August 27, 1995, more than 18,000 fans would witness live this high-profile I-C Championship clash on SummerSlam 1995’s undercard.

REVIEW:

Despite recycling almost every trick from their last encounter, this match still entertains and has its fair share of surprises – even for a match that is 25+ years old.  Re: the I-C Champ, “The Heartbreak Kid” gives a good performance.  However, inconsistency with his ‘injured’ leg, blatantly scripted spots, and two botched finishes makes this one a bit of a dud for Michaels.  As for Razor Ramon (aka Scott Hall), he puts on a clinic with good selling and a brutal beatdown of Michaels early on.  Ramon probably has the best performance out of any wrestler at this PPV, which helps this match feel fresh.

Plus, watch for the new ladder moves!  Moonsaults and mooning from atop the ladder by Michaels exhibits originality, as well as considerable risk, to ensure the big rematch equals their original WrestleMania X showdown. The only real issue with this bout, for better or worse, is that both Michaels and Ramon appear out of breath early.  It’s most likely due to their choreography being more brutally structured as a match involving a ladder rather than an actual ladder match.

For fans of either HBK, Scott Hall, or ladder matches, this one is definitely worth checking out, even if the stunts feel outdated by today’s standards.  Easily, this was one of Scott Hall’s best matches.  Michaels, too, gets great pops from the crowd, even when Ramon carries most of the match.

ROSCOE’S ODD MOON RATING:                 8 Stars

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