Categories
Comic Books & Graphic Novels DC Comics

FIRESTORM, THE NUCLEAR MAN # 1 (1978 DC Comics)

SUMMARY:

Entitled “Make Way for Firestorm!,” DC Comics published this debut issue for March 1978.  Doubling as the character’s origin, in flashback, transfer student Ronnie Raymond’s rough first day at a new high school endears him to a new friend, Doreen.  It also sets off a perpetual rivalry with a classmate jerk named Cliff Carmichael. 

Seeking inspiration to prove he isn’t merely a dumb jock, Ronnie inadvertently crosses paths with nuclear physicist Dr. Martin Stein that night.  With both Raymond and Stein rendered unconscious, New York City terrorist Eddie Earhart and his flunkies intend to sabotage Stein’s Hudson Nuclear Power Plant before it opens. 

In a fluke explosion, Raymond and Stein merge as a composite nuclear being: Firestorm.  First up is finding Earhart’s gang before they attempt knocking off another nuclear plant.  Meanwhile, the origin of an imminent arch-enemy occurs in the same blast that creates Firestorm. 

Note: This first series was short-lived.  Kept relevant by occasional guest spots and joining the Justice League, Firestorm’s second series was launched in the early 80’s  as The Fury of Firestorm, The Nuclear Man.

REVIEW:

Aside from the contrivance re: Ronnie naively joining Earhart’s protest group as a new volunteer, writer Gerry Conway devises a neat beginning for Firestorm.  Not only are the core cast members plausibly introduced, Conway makes Ronnie a likable lead (essentially, a well-intentioned Flash Thompson), with Martin Stein as his curmudgeonly new mentor. 

While the visuals don’t age too well, what’s most remarkable is how Firestorm’s co-creators: Conway and artist Al Milgrom make him a fun instant star in the DC Universe.  Reading Firestorm # 1 is something of a revelation, as its hip potential is evident – particularly, as DC’s possible answer to Marvel’s success with teenage phenoms (i.e. Spider-Man). 

Hence, it’s no surprise why this burst of fresh energy transformed into a popular mid-80’s Justice Leaguer, including a memorable stint revitalizing TV’s animated Super-Friends.  For old school fans, this issue proves a raw gem worth finding.

ADDITIONAL CONTENT:

There is a single-page “Daily Planet” news-and-notes column.  

BRIAN’S ODD MOON RATING:              7 Stars

Categories
Comic Books & Graphic Novels

BIRDS OF PREY # 106 (2007 DC Comics)

Written by Gail Simone

Art by Nicola Scott; Doug Hazlewood; & Travis Lanham

Cover Art by Stephane Roux

SUMMARY:

Published by DC Comics for July 2007, this issue is entitled “Whitewater, Part Three: Storm Front.”  With Spy Smasher & the Birds (Big Barda, Manhunter, Huntress & Hawkgirl) surrounded by the mercenary Secret Six in frozen Azerbaijani, Oracle & teen recruit Misfit must improvise a long-distance save.  Defending an unconscious Tora/Ice, the Birds engage the Six in a bloody snowstorm slugfest. 

Ordered by Oracle to retreat, Creote desperately awakens Tora/Ice.  With a squadron of Rocket Reds coming to obliterate them all, the Birds and the Six are deemed expendable pawns by the scheming General Kerimov and his henchmen.                               

REVIEW:

Well-played across the board, Birds of Prey # 106 is a dynamite crossover with Secret Six.  Even without the reliable Black Canary, writer Gail Simone delivers a high-caliber rumble, as both teams are plausibly battered.  In a deviation from Simone’s classy brand of dialogue, this issue’s battlefield is littered with a few profanities and, more significantly, overtly  sexual innuendoes (for taunting purposes).   Including a spot-on cover image, the art team’s visuals contribute another asset to the mayhem.  Leaving off with an appropriate cliffhanger, Simone makes this issue a definite keeper for adult fans.

ADDITIONAL CONTENT:

Dan DiDio’s DC Nation column plugs new projects re: Booster Gold, Black Adam, and The Four Horsemen.  Thumbnail cover peeks are for Birds of Prey # 107; Shadowpact # 13; and Superman/Batman # 35.

BRIAN’S ODD MOON RATING:               8½ Stars

Categories
Comic Books & Graphic Novels DC Comics

BIRDS OF PREY # 66 (2004 DC Comics)

Written by Gail Simone

Art by Michael Golden; Mike Manley; Scott Hanna; Hi-Fi Design; & Rob Leigh

Cover Art by Dan Brereton

SUMMARY:

Published by DC Comics for June 2004, this fifth installment of the “Sensei & Student” storyline stars both Black Canaries in “Murder & Mystery.”  In the present-day, Dinah Laurel Lance reviews her late mother’s confidential files in hopes of finding evidence to track down an elusive serial killer.  A flashback depicts a Gotham City luncheon fund-raiser where Dinah’s future parents, Larry & Dinah, mingle with undercover cop James Gordon and a hodge-podge of high-society mobsters.  On the dance floor, the Lances tease their imminent plans to start a family until the discovery of a server’s ritualistic homicide disrupts the event.   

Before changing into costume, the semi-retired Golden Age Black Canary researches the culprit’s ominous crime scene clue (the word, ‘Preda,’ scrawled in blood) at a downtown library.  It’s also implied that she is also contemplating baby names.  Another grisly homicide sends the Black Canary desperately full circle to the library to thwart the night’s third slaying.  The sadistic culprit escapes, but the inspiration for the modern Black Canary’s middle name is revealed.  In the present-day, Dinah reads the killer’s taunting letter to her mother, realizing that the psychotic culprit isn’t who she thought it was.      

REVIEW:

As this noir-like homage to the Golden Age Black Canary, writer Gail Simone and the art team deliver a spot-on murder mystery.  Wisely, Simone focuses the ritualistic serial killer concept (a fixation on blondes and/or fake blondes) more on the masked culprit’s chauvinist and sexually-suggestive dialogue instead of resorting to gory visual details.  To the art team’s credit, much can be construed from what little carnage is actually seen. 

Including a terrific cover image, this issue’s artwork perfectly matches it dark ambiance.  Also, the flashback works well, as do its book-ends where the modern-day Dinah searching her mother’s copious case notes.  Perhaps its best ambiguous element is whether or not Dinah’s mother is perhaps newly pregnant in this flashback.  In addition to the series’ fanbase, Birds of Prey # 66 also makes a solid read for adult mystery buffs.          

ADDITIONAL CONTENT:

The single-page “DC in Demand” column hypes various DC projects (including Identity Crisis # 1) and offers a cover reveal for Birds of Prey # 67.

BRIAN’S ODD MOON RATING:                    7½ Stars

Categories
Books & Novels General Non-Fiction History & Biographies (Books) Reference & Science

UNSOLVED MYSTERIES: Bizarre Events That Have Puzzled the Greatest Minds

Written by Joel Levy

SUMMARY:

Published by Metro Books in 2016, this 224-page softcover examines a cross-section of thirty-nine historical enigmas from around the globe.  Some of these mysteries are well-documented; others are comparatively obscure to the mainstream public.  With updated information likely culled from the internet, author/researcher Joel Levy reviews each peculiar incident.  He supplements each chapter with color and/or black-and-white photos and illustrations.  Divided into four sections, the chapters are:

SECTION 1: MYSTERIOUS PLACES

Atlantis; Stonehenge; The Nasca Lines; Easter Island; Rosslyn Chapel. El Dorado; The Oak Island Money Pit; The Winchester Mystery House; and Rennes-le-Château.

SECTION 2: UNSOLVED EVENTS

The Missing Army of Cambyses; The Lost Colony of Roanoke; The Amber Room; (Life and Death of) Kaspar Hauser; The Mary Celeste; The Eilean Mor lighthouse keepers; The Tunguska Event; Amelia Earhart; The Bermuda Triangle; the Tamam Shud murder; D.B. Cooper; and the disappearance of Malaysia Airlines Flight M370.

SECTION 3: STRANGE SIGHTINGS

Spring-Heeled Jack; The Devil’s Footprints; the Third Secret of Fatima; The Loch Ness Monster; UFO’s and Area 51; Bigfoot, Sasquatch, and The Yeti; the Wow! signal from outer space; Weeping and Bleeding Statues; Phantom Big Cats; Crop Circles; and Ghost and Spirit Orbs.

SECTION 4:

The Fuente Magna Bowl; The Phaistos Disk; The Ark of the Covenant; The Baghdad Battery; The Antikythera Mechanism; The Turin Shroud; and The Voynich Manuscript.

REVIEW:

To the author’s credit, he doesn’t sensationalize his subject matter as tabloid fodder.  The book is part history lesson; part analysis; and a welcome helping of common sense/deductive reasoning, when applicable.  As with the Bermuda Triangle chapter, purported suspicions of supernatural phenomenon give way to reasonable guesswork re: why some planes and sea vessels fell victim decades ago to bad luck in this Caribbean section of the Atlantic Ocean. 

Levy relays other instances of published fiction and/or confirmed/suspected fraud co-mingling with historical fact that helped perpetuate some of these pop culture mysteries (i.e. the lighthouse keepers and The Loch Ness Monster). In addition to summarizing a case’s scientific aspects (as applicable), he also offers a fair degree of skeptical conjecture. Case in point: Levy acknowledges that Plato might well have been invented mythical Atlantis as a fable of sorts vs. actually learning of its ancient existence. 

For the most part, Levy’s conversational text is a easy single read (i.e. for an airport layover) for adults.  Its fair amount of depth makes his book appropriate for as young as middle schoolers – it’d make a good reference for potential research projects.  The bottom line is that Levy isn’t hawking sci-fi/fantasy pulp or controversial angles re: religious theory.  His Unsolved Mysteries is a decent option for curious armchair detectives, who should likely find these topics of varying interest.

ADDITIONAL FEATURES:

Levy provides a brief introduction.  With each chapter, he briefly describes some of the more outlandish theories circulating on these topics.  Also, there’s a further reading list, index, and a photo credits page.

BRIAN’S ODD MOON RATING:               6½ Stars

Categories
Digital Movies & TV Movies & Television (Videos) STAR WARS-Related

STAR WARS – EPISODE III: REVENGE OF THE SITH

SUMMARY:                                RUNNING TIME: Approx. 140 Min.

Released in 2005, this prequel (written, produced,& directed by George Lucas) occurs approximately three years after Attack of the Clones.

With The Clone Wars near its end, the intergalactic Senate has imploded.  The Sith’s dark forces and the Jedi’s patience are at a fateful crossroads, as the time to execute Order 66 is now.  Palpatine, the self-appointed dictator of the galaxy’s ‘new democracy,’ has transformed the once-loyal Clone Troopers into the Jedi’s worst nightmare.  Palpatine orders the Clones to purge all Jedi in existence on the grounds of treason as a threat against the newly established Empire.  Once Jedi Master and trusted protégé, Obi-Wan Kenobi and Anakin Skywalker now represent two sides of the galaxy’s pendulum between good and evil. 

The primary cast is:   

(General) Obi-Wan Kenobi: Ewan McGregor

(General) Anakin Skywalker: Hayden Christensen

Queen Padmé Amidala: Natalie Portman

Mace Windu: Samuel L. Jackson

C-3PO: Anthony Daniels

R2-D2: Kenny Baker

Senator Bail Organa: Jimmy Smits

Yoda: Frank Oz

Count Dooku: Christopher Lee

Senator Palpatine: Ian McDiarmid

General Grievous: Matthew Wood

Owen Lars: Joel Edgerton

Beru Lars: Bonnie Piesse

Chewbacca: Peter Mayhew

REVIEW:              

If there’s any way to sum up Revenge of the Sith, then it’s the Star Wars equivalent of the collapse of the Roman Empire – the mythic fable of a mighty democratic republic being overthrown by corruption and tyranny. Palpatine pulls this intergalactic coup off by spreading the Jedi so thin that he can knock off their central base on Coruscant.  Hence, by continuing plot points from Attack of the Clones,  there are five lightsaber duels in this film alone. Key sub-plots, like Anakin & Padmé’s romance, are de-emphasized for long stretches.  Pivotal supporting players from Episodes I-II, like Jango Fett and Jar Jar Binks are near-forgotten, but that may be for the best.

There is more to this movie than reckless sci-fi/fantasy-action.  Anakin Skywalker’s character arc is actually handled quite well considering how putrid it was in Episode II.  This can be attributed to Hayden Christensen stepping his performance as the Force’s destined savior, who is now on the fringe of snapping.  Ian McDiarmid, as the opportunistic Emperor, also does a good job slowly shifting Anakin into his gullible pawn.  Let’s not overlook Ewan McGregor’s efforts conveying a weary Obi-Wan Kenobi, as he senses the Jedi are on the verge of sudden extinction.  Considering that he contributes to defeating three Sith Lords in a single film, Kenobi/McGregor comes off as the prequels’ undisputed MVP.

To do so, however, means blowing away the previously-known Sith (figuratively, that is).  Count Dooku, the menacing Separatist leader, is now nothing more than a B-grade, beginning-of-the-movie expendable.  Another big-time baddie, General Grievous, is somehow dispatched by a single Jedi!  Despite looking formidable in Clone Wars animated series, comics, and video games, Grievous falls far short of the Sith’s grand expectations.  No wonder Darth Vader answers their ‘help wanted’ sign. 

If Grievous and his droid army are so wimpy, why do the Jedi need three whole years between Episode II to Episode III to finally defeat them? That aside, the fight scenes are more of a Rocky montage than memorable for their own dazzling merits– this aspect is disappointing in some sense. Then again, imaging being a little kid seeing this many lightsaber duels in a single movie!

With all of this swordplay, you’d expect the team to go lazy on the SFX, right?  In a way, yes, it’s all green-screen again, but there are major upgrades from Episodes I-II.  Even so, any fan who is above the age of five, will see through Lucas’ transparent plotting. The climax of this prequel trilogy is unoriginal, plain and simple, as the outcome is such a foregone conclusion.  Luke and Leia are born — Anakin turning evil – Kenobi’s self-exile —  and Palpatine & Vader taking over the galaxy aren’t shockers for older viewers. As cool as lightsaber fights are, how much value do they really hold, if ones needs five of them in a single movie?

Episode III looks to take fans on an epic adventure through its visuals instead of actual, but grim visuals will only carry viewers so far. It’s hard to look at this movie without making anyone upset because of how polar the reception it has from the fans. Are there things that seem wildly unrealistic or in bad taste, more so than usual?  Yes – case in point: parents should be aware that even the young Jedi children are clearly implied to have been massacred. 

Is this movie hard for anyone born before the 1990’s to enjoy as a legitimate Star Wars experience? Yep!  Still, Revenge is either the best or second-best in the franchise for many young adult fans.  Blame it on nostalgia; blame it on the lightsabers; but this film is either a hit or misfire, depending on demographics. With that, it’s hard to give Revenge of the Sith a definitive rating due to its mixed reception.  Ultimately, it’s is something that you need to check out for yourself. 

BONUS FEATURES:

None.

ROSCOE’S ODD MOON RATING:             6½ Stars

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Categories
Digital Movies & TV Movies & Television (Videos) STAR WARS-Related

STAR WARS – EPISODE II: ATTACK OF THE CLONES

SUMMARY:                           RUNNING TIME: Approx. 142 Min.

Released in 2002, this prequel (written, produced,& directed by George Lucas) occurs approximately a decade after The Phantom Menace

A series of increasingly brazen attacks by Separatist forces have weakened the Republic. After a bounty is placed upon the head of Naboo’s Queen Padmé Amidala, the Jedi defenders are spread even thinner.  Jedi Master Obi-Wan Kenobi and his 20-year old protégé (or padawan), Anakin Skywalker, are tasked with keeping their friend, Padmé, safe.  Yet, a related investigation pits Kenobi vs. mercenary Jango Fett (the father of the legendary Boba Fett).  Meanwhile, the evolution of Anakin & Padmé’s relationship continues.  With the Galactic Republic resorting to a clone army to help the Jedi keep peace, the nefarious Sith push closer to their own covert agenda. 

The primary cast is:      

Obi-Wan Kenobi: Ewan McGregor

Anakin Skywalker: Hayden Christensen

Queen Padmé Amidala: Natalie Portman

Mace Windu: Samuel L. Jackson

C-3PO: Anthony Daniels

R2-D2: Kenny Baker

Senator Bail Organa: Jimmy Smits

Yoda: Frank Oz

Jango Fett: Temuera Morrison

Count Dooku: Christopher Lee

Senator Palpatine: Ian McDiarmid

Dormé: Rose Byrne

Owen Lars: Joel Edgerton

Beru Lars: Bonnie Piesse

REVIEW:              

If there was a movie that manages to jam-pack action, sci-fi, romance, drama, and stupidity all into one movie, it’s this one. As harsh as it sounds, George Lucas dropped the ball by making Episode II everything that Star Wars isn’t meant to be.

For example, the original trilogy delivered organic, relatable characters who grow as people. In this prequel saga, particularly this movie, the contrived romance of Anakin Skywalker and Padmé Amidala feels straight out of some awful romantic melodrama, not Star Wars.  ‘Romantic’ lines such as, “I don’t like sand” and “I’m haunted by the kiss you should never have given me” will torment a viewer’s ears for days to come. As for Natalie Portman, despite her resemblance to a certain future Princess, she looks disinterested and would rather be anywhere else than on the set of Star Wars.  Unsurprisingly, the on-screen chemistry between Natalie Portman and Hayden Christensen comes in at a whopping 0%!

All is not lost, however, because a swashbuckling Ewan McGregor comes to the rescue! He does, by far, the best of any main character in this movie. Temuera Morrison and Christopher Lee also provide great supplementary roles and it’s a shame that they don’t have bigger roles. Even with some good performances, the movie still underperforms. Considering that there’s a fight scene involving seemingly the entire Jedi order, how come it only racks up about 10 minutes of time? When discussing the production of a Clone army, most of it goes unanswered, leaving it up to viewers to decipher. 

Getting back to the point that there is too much in the 140+ minutes of film, far too many doors are left wide open. Geonosians, Count Dooku, Jango Fett, Mace Windu, and other peripheral characters, who had not shown up in prior media, now appear without any backstory. Granted, there are far more films and comics now than in 2002, but imagine watching Attack of the Clones in 2002 and being expected to grasp what’s all going on. There are lightsabers, blasters, and droids, but that doesn’t make this movie feel like Star Wars. Instead, Episode II ends up coming off as a tone-deaf Star Wars wannabe and is arguably the worst in the franchise.

When looking at the graphics, Episode II is a step up from all of its predecessors. In fact, virtually every scene is shot in front of a blue/green screen. Keeping this in mind, it might be assumed that Attack of the Clones is a Star Wars video game instead of a mega-million dollar budget, live-action movie. With this, you’d think that would be enough cash to create either some believable sets or utilize a real outdoor location. Alas, neither happened, and it gives the film an overly-glossy, totally artificial look.

If this timeline occurs before Episode’s 4-6, why exactly does it have the most modernized look?  These glaring continuity errors are evident throughout the movie’s exhausting run time. Still, as mentioned, bright performances by McGregor and some background characters offer viewers some compensation.  In short, if Episode I relies on snooze control, then Episode II is a sped-up version.  Attack of the Clones moves at a clip too fast to allow anyone to take it all in – yet, the film somehow drags on seemingly forever.  Just imagine yourself watching someone else play a Star Wars video game for nearly 2½ hours straight. 

Considering it was released within two weeks of Sam Raimi’s first Spider-Man, Attack of the Clones couldn’t even steal the thunder of the Spring of 2002 — much less be something worth watching years later. 

BONUS FEATURES:

None.

ROSCOE’S ODD MOON RATING:              4 Stars

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Categories
Digital Movies & TV Movies & Television (Videos) STAR WARS-Related

STAR WARS – EPISODE I: THE PHANTOM MENACE

SUMMARY:                          RUNNING TIME: Approx. 136 Min.

Released in 1999, this prequel (written, produced, & directed by George Lucas) is set approximately 30-35 years before A New Hope

Amidst wide-reaching trade negotiations, intergalactic turmoil is brewing, despite the best efforts of the mystical Jedi.  Among them are Qui-Gon Jinn and his protégé, Obi-Wan Kenobi.  In protecting influential young senator and Queen of planet Naboo, Padmé Amidala, the trio encounters an extraordinary child, Anakin Skywalker, during their brief stay on Tatooine.  The Sith’s rising dark forces send its most formidable assassin, Darth Maul, to eliminate them.  Ultimately, the epic Battle of Naboo determines whether or Padmé’s peaceful world falls to hostile invasion. 

The primary cast is:

Qui-Gon Jinn: Liam Neeson

Obi-Wan Kenobi: Ewan McGregor

Queen Padmé Amidala: Natalie Portman

Anakin Skywalker: Jake Lloyd

C-3PO: Anthony Daniels

R2-D2: Kenny Baker

Yoda: Frank Oz

Jar Binks: Ahmed Best

Senator Palpatine: Ian McDiarmid

Finis Valorum: Terence Stamp

Sabé: Keira Knightley

Darth Maul: Ray Park

Mace Windu: Samuel L. Jackson

Shmi Skywalker: Pernilla August

REVIEW:

Make no mistake: the prequel trilogy isn’t meant for the casual viewer. To put this into proper perspective, Qui-Gon Jinn [Liam Neeson], who leads the film with 35 minutes and 30 seconds of screen time, has his name first brought up around the 45-minute mark. To be fair, the movie benefited from a lot of pre-release hype re: the prequel’s general arc.  Yet, for anyone not grasping Lucas’ new approach to Star Wars in 1999, the convoluted Phantom Menace is sure to leave them in the dust.

Another aspect of the film’s poor direction is evident re: the time frame for which it is set to take place. After a fair amount of guesswork, this movie takes place thirty-plus years before the last time Star Wars fans had been sent into a galaxy far, far, away. This necessitates the plot occurring roughly a decade before Attack of the Clones, making it something of an anomaly within the Star Wars timeline.

Without any prior movies or TV shows set in this timeline, fans are now discovering Padmé Amidala, Qui-Gon Jinn, Jar Jar Binks, and Darth Maul for the first time (per Lucas’ grand intent).  Yet, none of these main characters have any prior backstory, leaving casual fans wondering who exactly they all are. To many, they could well assume that Ewan McGregor’s athletic Obi-Wan Kenobi is more like a young Anakin Skywalker – or that maybe Jinn is Luke & Leia’s grandfather.

With that aside, other parts of the film seem rushed. Considering how many plot holes this movie creates, the phrase “What exactly is the story again?” should almost be plastered as an advisory prior to viewing.  The Jedi are supposed to protect trade talks, but what for? How exactly is a nine-year old kid constructing his own protocol droids, let alone an instant starship pilot? Many things about Menace are a stretch, but just like everything Star Wars, it becomes natural after a while. There are way too many unanswered questions to make this this film enjoyable without prior research. 

The effects aren’t spectacular-looking now, but that could be more a case of ironic timing.  Let’s keep in mind that Lucas chose to wait until modern SFX made his preferred vision of Star Wars possible – hence, his late 90’s re-release of the original (and supposedly improved) trilogy before producing Menace.     

Looking at Menace’s SFX through the lenses of 1999, they are actually phenomenal — even with some modernization by Lucas.  If judging the film purely on look, it’s state-of-the-art. While the excessive CGI may get old after a while, it’s still great to see a stellar lightsaber duel and many new alien species being introduced into the Star Wars universe. In that sense, however, Menace is too visually ambitious. Far too much attention fixates on the film’s glossy look vs. making the actual storyline compelling.

The dialogue isn’t as bad as others might complain, but Lucas doesn’t convey any sense of actual direction to his cast.  In other words, the dialogue resembles more a stilted school play than a Hollywood blockbuster.  Worse yet, there isn’t a Harrison Ford or Alec Guinness hiding the reality that Lucas deems the actors as more SFX instead of live human beings.  Evidently, no one improvised or bothered to deviate from Lucas’ muddled script.

To the more avid Star Wars audience, Phantom Menace is a stepping stone to the other two prequels, Attack of the Clones and Revenge of the Sith instead of a key piece to the franchise. For anyone opting to watch each Star Wars film in order, Episode I: The Phantom Menace shouldn’t be a priority.

BONUS FEATURES:

None.

ROSCOE’S ODD MOON RATING:                  3 Stars

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Categories
Comic Books & Graphic Novels Marvel Comics MARVEL's Hardcovers & Paperbacks

THE MIGHTY THOR: LORD OF ASGARD (MARVEL Comics)

Written by Dan Jurgens & Jose H.P. Armenta

Art by Tom Raney; Joe Bennett; Deon Nuckols; Scott Hanna; Jack Jadson; Tom Palmer; Scott Koblish; ‘RS;’ & Comicraft’s Wes Abbott; ‘Saida!;’ & Avalon Studio’s Dave Kemp

Compilation Cover Art (Issue # 50) by Tom Raney; Scott Hanna; & Dave Kemp

SUMMARY:

Released by Marvel Comics in 2002, this 208-page compilation consists of Mighty Thor (Volume 2) # 45-50, which were initially published earlier that year.  The stories are “To Reach Beyond;” “By Fire Born, Parts I-V;” and “Forever Divided.”  In the wake of Odin’s seemingly permanent sacrifice, Thor has ascended to the throne of Asgard.  Yet, Balder and Sif  (among others) worry that, despite glimpses of wisdom, Thor’s restlessness (i.e. a penchant for seeking needless battle) doesn’t bode well for Asgard’s future. 

Furthermore, they realize their new king’s rival affection for Earth is now a far greater distraction than ever before.  Loki opportunistically plays himself as a concerned voice of reason.  Sensing his people’s unrest, Thor looks to Zeus for guidance. 

On Earth, teenage Tarene (aka the rookie Thor Girl) falls victim to the Gray Gargoyle’s new bid for immortality.  As hints of her own possible destiny unfold, Tarene’s fate may lie with EMT Jake Olsen (the mortal portion of Thor’s soul, who possesses the Thunder God’s sense of humility).  Against both the Gargoyle and Desak – The Destroyer of Gods (Thor’s equivalent of Superman’s Doomsday), Jake is far outmatched, even if he can somehow become Thor.

While waging war in Asgard upon the Frost Giants, a reckless Thor traces his inexplicable power loss to Earth.  Yet, only the Enchantress may realize what legendary weapon can finally vanquish Desak.  Thor must further resolve his split allegiance between Asgard and Earth (aka Midgard).  In a back-up fable entitled “Children of the Gods,” a teenage Thunder God learns a tragic lesson in hero worship, no matter his initially good intentions.  

Note: This particular Thor series ends in 2004 at Issue # 85, where Asgard faces Ragnarok once more amidst the Avengers Disassembled storyline.

REVIEW:

Unquestionably, this trade paperback possesses extraordinary visuals – the artwork alone is worth the price of admission.  Concocting a storyline worthy of this art team, writer Dan Jurgens succeeds in making Thor more god-like than ever  – that is, until late in the game. 

There’s zero logic re: how the almighty Desak easily dispatches both the Gray Gargoyle and Jake Olsen without actually killing them.  Jurgens makes it clear that this Destroyer of Gods has cosmic-caliber power; yet, some of his best shots leave them only temporarily stunned.  If Desak is merely toying with them, then Jurgens should have spelled it out. 

The same standard applies to a climatic showdown vs. Thor himself.  Other than agonized screaming breaking through mystical barriers, how the Thunder God easily withstands a fatal blow isn’t explained.  According to Jurgens’ reasoning, Thor’s Odinforce access is infinite, so the inference is physical invincibility.  It’s just not convincing the way Jurgens plays out this sequence, as if Desak’s dramatic kill shot is at most a paper cut.  Similarly, Tarene’s Supergirl-like sub-plot is disappointingly resolved with more of a shrug than anything poignantly worth catching.   

For Thor’s fans, Lord of Asgard (which, by the way, inspired a Marvel Legend action figure of this Thor) is a high-caliber read.  In that sense, it’s far more Thunder God than avenging super-hero (i.e. Thor in his Donald Blake incarnation).  Yet, for casual readers, this storyline may be closer to a verdict of one-and-done.  This particular Thor compilation is serves an intriguing revelation re: the Thunder God’s true nature close in spirit to Chris Hemsworth’s first live-action film.  That is – the Asgard portion before Odin prescribes his swaggering, battle-happy son to some humility therapy down on Earth.

ADDITIONAL CONTENT:

The full-page covers precede installments.  According to research, the trio of Raney, Hanna, & Kemp created all the covers.  Like bookends, three full-page Thor portraits (possibly meant as variants) end two stories, while the third appears during Issue # 50.  Presumably, the same artistic trio produced them.  Raney also includes his black-and-white design for Thor’s new ‘Lord of Asgard’ costume.  

BRIAN’S ODD MOON RATING:                       8 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

EXIT (by U2: The Joshua Tree)

SUMMARY:                             RUNNING TIME: 4:53 Min.

It’s the tenth track on U2’s seminal 1987 album, The Joshua Tree.

REVIEW:

The song starts off beautifully as an ode to the sea before inexplicably going silent for several long seconds.  Finally returning in a whisper, “Exit” has Bono’s faint vocals slowly build towards a low-key yet pulsating melody.  This intriguing rock tune, during the song’s second half, reverberates to life in a few spurts before fading out again.  Perhaps U2 meant “Exit” as an experiment of sorts, but, for casual listening, this track isn’t close to satisfying.      

BRIAN’S ODD MOON RATING:              3½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

DOUBLE OR NOTHING (by Gladys Knight & Kenny Loggins: Rocky IV movie soundtrack)

SUMMARY:                                 RUNNING TIME: 3:45 Min.

Performed by Gladys Knight & Kenny Loggins, their duet appears on 1985’s Rocky IV film soundtrack.

REVIEW:

Considering the big names involved, “Double or Nothing” should be an appealing collaboration.  In terms of their vocal chemistry, Knight & Loggins readily live up to their fame.  Yet, the feel-good pop lyrics they’re stuck pitching are by no means special, let alone make sense, if applied to Rocky IV’s Rocky & Adrian Balboa.  Despite the album being packed with testosterone-charged tunes, the classy sound of “Double or Nothing” blends into Rocky IV’s playlist well enough.  Yet, the tune comes off as nothing more than a paycheck song.     

BRIAN’S ODD MOON RATING:                   6½ Stars

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