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CD's Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

THE ESSENTIAL BRUCE SPRINGSTEEN {3-Disc Limited Edition Set} (by Bruce Springsteen)

SUMMARY:                   COMBINED RUNNING TIME: 199 Min.

The Essential Bruce Springsteen three-disc set was released on November 11, 2003, by Sony BMG.  The tracks were recorded from 1972-2002. This anthology includes studio recordings, outtakes, live show performances, and covers.

Disc 1 (running time: 76 Min.)

  1. Blinded By the Light Greetings from Asbury Park, N.J. 5:04
  2. For You Greetings from Asbury Park, N.J. 4:40
  3. Spirit in the Night Greetings from Asbury Park, N.J. 5:00
  4. 4th of July, Asbury Park (Sandy) The Wild, the Innocent, & the E Street Shuffle 5:37
  5. Rosalita (Come Out Tonight) The Wild, the Innocent, & the E Street Shuffle 7:04
  6. Thunder Road Born to Run 4:51
  7. Born to Run Born to Run 4:33
  8. Jungleland Born to Run 9:36
  9. Badlands Darkness on the Edge of Town 4:05
  10. Darkness on the Edge of Town Darkness on the Edge of Town 4:31
  11. The Promised Land Darkness on the Edge of Town 4:31
  12. The River The River 5:01
  13. Hungry Heart The River 3:21
  14. Nebraska  – Nebraska 4:30
  15. Atlantic CityNebraska 3:57

Disc 2 (running time: 76 Min.)

  1. Born in the U.S.A. Born in the U.S.A. 4:42
  2. Glory Days Born in the U.S.A. 4:17
  3. Dancing in the Dark Born in the U.S.A. 4:04
  4. Tunnel of Love Tunnel of Love 5:13
  5. Brilliant Disguise Tunnel of Love 4:16
  6. Human Touch Human Touch 6:31
  7. Living Proof Lucky Town 4:48
  8. Lucky Town Lucky Town 3:29
  9. Streets of Philadelphia ‘Philadelphia’ film soundtrack — Greatest Hits (1995) 3:18
  10. The Ghost of Tom Joad The Ghost of Tom Joad 4:24
  11. The Rising The Rising 4:47
  12. Mary’s Place The Rising 6:01
  13. Lonesome Day The Rising 4:05
  14. American Skin (41 Shots) Bruce Springsteen & The E Street Band: Live in New York City 7:53
  15. Land of Hope and Dreams Bruce Springsteen & The E Street Band: Live in New York City 9:22

Limited Edition Disc 3 (running time: 47 Min.)

  1. From Small Things (Big Things One Day Come) 2:42
  2. The Big Paycheck 1:59
  3. Held Up Without a Gun (Live, December 31st, 1980) 1:21
  4. Trapped (Live, August 6th, 1984) We Are the World 5:10
  5. None But The Brave 5:35
  6. Missing ‘The Crossing Guard’ film soundtrack 5:04
  7. Lift Me Up ‘Limbo’ film soundtrack 5:16
  8. Viva Las Vegas The Last Temptation of Elvis 3:10
  9. County Fair 4:51
  10. Code of Silence (Live, June 29th, 2000) 4:33
  11. Dead Man Walkin’ ‘Dead Man Walking’ film soundtrack 2:44
  12. Countin’ on a Miracle: (acoustic) original – The Rising (note: acoustic version is not 5:01)

The set’s booklet includes lyrics to each song; photos from Springsteen’s career; credits; and an opening message for the listener.

Note: This set was re-released in 2015 with two discs and a new set of songs, but it retains the same title and packaging.

REVIEW:

Disc 1

Disc 1 has almost everything 70s and early-80s Springsteen fans could ask for. Of the fifteen songs chosen for Disc 1, it’s hard to argue that any of them should be taken off.  There are songs about being young and bold like “Born to Run;” in contrast, there’s the despair of the 1970s American landscape heard in Badlands and The Promised Land.   Songs of triumph, songs of letdown — this first disc is what makes Bruce Springsteen “The Boss.”

Disc 2

Disc 2 picks up from where Disc 1 left off, chronicling Springsteen’s career, from his most recognizable work, Born in the U.S.A., through the 1990s, to his reunion with the E Street Band. Much like Disc 1, it’s difficult to argue that any of these songs aren’t among Springsteen’s greatest hits. There’s great variety, too, including songs about growing old to hits like The Rising and Born in the U.S.A. that address American turmoil.  This disc finds an excellent balance between Springsteen’s up-beat 80s tempo to his later, more ominous tone.

Limited Edition Disc 3

Disc 3 is a mix of studio outtakes, covers, and live show performances. Few, if any of these tracks, should be considered part of an “essential” Bruce Springsteen set.  None of the songs are bad.  However, nothing about them is memorable, nor did this anthology need a third disc.

If those involved felt a third disc was necessary, there are notable songs that didn’t make the cut. On the first page of the booklet included in this set, Springsteen remarks, “In any body of work there are obvious high points. The rest depends on who’s doing the listening.”  He then goes on to mention “Grown’ Up,” “Racing in the Street,” “Backstreets,” and “My City of Ruins,” implying that they were considered for the album, but they weren’t some of Springsteen’s personal favorites. Even so, those four tracks and many more could have easily made up a third track worth of greatest hits. 

Ultimately, the first two discs are a Springsteen fan’s dream, but the third disc could be viewed as a letdown.

PACKAGING:

There isn’t anything significantly special with the packaging. Fortunately, the discs aren’t stacked, which may help prevent long-term damage.

ROSCOE’S ODD MOON RATING:                   8 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

WAITING AT THE GATE (by Carly Simon: Have You Seen Me Lately?)

SUMMARY:                                  RUNNING TIME: 6:16 Min.

From her 1990 album, Have You Seen Me Lately?, Carly Simon wrote and performs this track.  As for the ‘gate’ in question, Simon’s tune contemplates a long-missed lover’s release from prison.     

REVIEW:

“Waiting at the Gate” melds Carly Simon’s wistful vocals with an upbeat melody.  Suffice to say, it’s impressive storytelling, as Simon brings this easy-listening tune to life.  Brimming with hope, it’s a thoughtful and intriguing track worth re-discovery. 

BRIAN’S ODD MOON RATING:                       8 Stars

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Categories
Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows

SMAOINTE… (by Enya: Shepherd Moons)

SUMMARY:                                    RUNNING TIME: 6:07 Min.

It’s the last track off Enya’s 1992 Shepherd Moons album. 

REVIEW:

Its ethereal, almost nautical sound brings to mind both “Amazing Grace” and James Horner’s “Hymn to the Sea” from 1997’s Titanic film soundtrack.  Enya’s vocals imbue this contemplative tune with a somber elegance.  In that sense, the poignancy of “Smaointe …”  would be well-suited for use at a memorial service.    

BRIAN’S ODD MOON RATING:                    9 Stars

Categories
Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows

ORINOCO FLOW (SAIL AWAY) (by Enya: Watermark)

SUMMARY:                               RUNNING TIME: 4:26 Min.

It’s the seventh track off Enya’s 1988 Watermark album. 

REVIEW:

Beautifully realizing the album’s water-inspired theme, “Orinoco Flow (Sail Away)” is one of Enya’s best-known tracks and for good reason.  Sporting a slightly faster-paced, upbeat melody, this tune is an ideal showcase for Enya’s elegant Celtic vocals.  This song makes a terrific addition to any office, home, or relaxation playlist, particularly as a sample of Enya’s artistic style.  

BRIAN’S ODD MOON RATING:                8½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

MEMORIES (by Harold Faltermeyer: Top Gun movie soundtrack, expanded 1999 re-release)

SUMMARY:                                    RUNNING TIME: 2:56 Min.

This instrumental track is performed by Harold Faltermeyer for the 1986 Top Gun film.  Though it isn’t included with the original soundtrack, “Memories” appears on the album’s 1999 expanded re-release.

REVIEW:

Heard as Tom Cruise’s ‘Maverick’ grieves over his best friend’s accidental mid-air death, the song’s ruminating tempo still packs a wallop even today.  As much acclaim as the soundtrack’s surplus of pop hits deserved, hearing the poignant “Memories” reminds one of Top Gun’s emotional backbone.  Definitely well-played! 

BRIAN’S ODD MOON RATING:                        8 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

RED HILL MINING TOWN (by U2: The Joshua Tree)

SUMMARY:                               RUNNING TIME: 4:53 Min.

It’s the sixth track off U2’s seminal 1987 album, The Joshua Tree.

REVIEW:

Overshadowed by the album’s hit tracks: “Where the Streets Have No Name,” “Without Or Without You,” and “I Still Haven’t Found What I’m Looking For,” this tune is possibly The Joshua Tree’s best filler track.  At a minimum, even if the song isn’t radio-friendly, it possesses that distinctive U2 sound to enhance an intriguing set of lyrics.  For those listeners downloading The Joshua Tree, “Red Hill Mining Town” is a track worth checking out.    

BRIAN’S ODD MOON RATING:                      7 Stars

Categories
Digital Songs & Albums Music & Radio Shows Rock & Symphonic/Metal

TUNNEL OF LOVE (by Bruce Springsteen)

SUMMARY:                                 RUNNING TIME: 46:00 Min.

Tunnel of Love is Bruce Springsteen’s eighth studio album released on October 9, 1987, by Columbia Records.  This twelve-track album was recorded from January through July of 1987.

Note: Despite the insert’s first paragraph claiming Tunnel of Love as Springsteen’s fourth album, it’s actually his eighth!

Track Number:                                                          Run Time:

  1. Ain’t Got You                                                                2:11
  2. Tougher Than The Rest                                                    4:35
  3. All That Heaven Will Allow                                           2:39
  4. Spare Parts                                                                    3:44
  5. Cautious Man                                                                3:58
  6. Walk Like a Man                                                          3:45
  7. Tunnel of Love                                                                5:12
  8. Two Faces                                                                       3:03
  9. Brilliant Disguise                                                             4:17
  10. One Step Up                                                                   4:22
  11. When You’re Alone                                                          3:24
  12. Valentine’s Day                                                               5:10

REVIEW:

Tunnel of Love had the difficult task of following up Springsteen’s prior album, Born in the U.S.A.In hopes to be original, Tunnel of Love has an almost entirely different sound.  Every track is a love song of some sort — some with a bitter tone and others with a more lighthearted one.  Ain’t Got You is a failed attempt at R&B, and no one would blame you for hitting the skip button.

In Tougher Than The Rest, Springsteen sings about two lovers who have a lot of baggage from their prior relationships. It’s simplistic yet sweet getting its point across to the listener.  The same could be said for the third track on the album, All That Heaven Will Allow.  It’s an upbeat, run-of-the-mill love song, but it does its job.  Spare Parts shows the first signs of Springsteen’s storytelling ability.  The title and chorus are forgettable, but the other verses aren’t so bad.  Even so, other songs like The River have similar messages and are vastly superior to this one.

The fifth song, Cautious Man, is a mellow, Nebraska-esque track that again tells the story of a failing relationship.  The song is pretty good, but it once again feels like already-charted territory with The River’s Stolen Car.  Regardless, it’s worth a listen.  Walk Like A Man describes someone trying to follow in his father’s footsteps by being a caring father and husband. It’s fine but nothing great.

The title track, Tunnel of Love, is where this album really takes off.  Tunnel of Love distances itself from the stripped-down and explicit lyrics of the other six tracks that came before it.  Springsteen compares a tunnel of love to a marriage, and it works beautifully.  Springsteen also fully utilizes synthesizers, Patti Scialfa’s back-up vocals, and Max Weinberg’s drums. The title track is one of the best from Tunnel of Love as it feels more complete than many of the other songs.

Two Faces reverts back to the other five songs’ slow pace and raw tone.  The main character in the song loves his partner yet mistreats her at the same time.  It’s an interesting theme, but there are better songs on the album that do a better job of sending this message.  Brilliant Disguise is arguably Springsteen’s best song from the post-Born in the U.S.A. era.  Like Tunnel of Love, the use of drums, piano, and an electric organ work very well with Springsteen’s vocals and guitar.  Brilliant Disguise is truly one of the best songs of Springsteen’s career.

One Step Up uses multiple analogies to describe a relationship that can’t be salvaged.  It’s more complete than many of the other songs on Tunnel of Love, but it isn’t quite as good as Brilliant Disguise or the title track.  The eleventh track, When You’re Alone, is what it sounds like.  The character is lonely and reminiscing on his past relationship with someone.   Nothing elaborate but it works fine.  The final song, Valentine’s Day, shows a man who is ready to finally settle down.  It’s an okay song but nothing more than that.

The only major flaw with Tunnel of Love is the lack of diversity between its themes.  Many of the songs tell similar stories to others on the album. The majority feel incomplete or come off as filler tracks.  None of them are particularly bad; however, only a few on this album could be considered highlights of Springsteen’s career.

ROSCOE’S ODD MOON RATING:                 7 Stars

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Categories
Individual Tracks (CD's) Jazz & Blues Music & Radio Shows

MARY RUTH (by The Harry Connick, Jr. Trio: Lofty’s Roach Soufflé)

SUMMARY:                                    RUNNING TIME: 5:53 Min.

It’s the sixth track off The Harry Connick, Jr. Trio’s 1990 instrumental album, Lofty’s Roach Soufflé.  With Connick, Jr. on piano, the trio consists of Benjamin Wolfe (bass) and Shannon Powell (drums).  Connick, Jr. composed this tune. 

REVIEW:

Gentle and low-key, “Mary Ruth” conveys less of a melancholic vibe than this same album’s “Little Dancing Girl.”  Unlike the latter track, “Mary Ruth” is audible the entire time and doesn’t overstay its welcome.  As a best guess, the track’s sound wistfully suggests youthful romance.  Even in its downbeat turns, “Mary Ruth” is a classy delight for jazz enthusiasts.  

BRIAN’S ODD MOON RATING:                  7 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

MARY POPPINS RETURNS – OVERTURE (by Paul Gemignani: Mary Poppins Returns movie soundtrack)

SUMMARY:                                    RUNNING TIME: 2:28 Min.

From the 2018 movie soundtrack, composer-conductor Paul Gemignani presents this instrumental tune. 

REVIEW:

This overture boasts a playfully grand (and even, at times, cartoony) orchestral sound that suggests Broadway or a West End production than a film.  If anything, composer-conductor Paul Gemignani does a terrific job compiling a mini-greatest hits medley from Mary Poppins Returns.  Though only half as long as the end title suite, this overture understands well not to overplay its hand.

BRIAN’S ODD MOON RATING:                  8 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

MARY POPPINS RETURNS – END TITLE SUITE (by Paul Gemignani: Mary Poppins Returns movie soundtrack)

SUMMARY:                                    RUNNING TIME: 5:12 Min.

Concluding the 2018 movie soundtrack, composer-conductor Paul Gemignani delivers this instrumental tune.

REVIEW:

As a whimsical (and occasionally pompous) orchestral piece, “Mary Poppins Returns (End Title Suite)” delivers the necessary goods.  Yet, despite its grand showstopping sound, there isn’t anything distinctive to make one instantly think Mary Poppins Returns — at least, until a large Broadway-esque chorus rendition of “Nowhere to Go But Up” briefly kicks in.  For kid-friendly soundtrack enthusiasts, this ‘greatest hits’ medley from the film still makes a nice playlist addition. 

BRIAN’S ODD MOON RATING:                    6½ Stars