Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's) STAR TREK-Related

STAR TREK VI: THE UNDISCOVERED COUNTRY (END TITLE) {Cover} (by Erich Kunzel & The Cincinnati Pops Orchestra: Symphonic Star Trek)

SUMMARY:                          RUNNING TIME: 4:54 Min.

In 1991, composer-conductor Cliff Eidelman scored Star Trek VI: The Undiscovered Country, including this closing credits theme.  In 1996, Erich Kunzel & the Cincinnati Pops Orchestra covered this track for the Symphonic Star Trek instrumental album.   

REVIEW:

Overshadowed by earlier Star Trek themes by James Horner and Jerry Goldsmith, this Star Trek VI finale deserves a chance at re-discovery (pardon the expression).  Perfectly recapturing Cliff Eidelman’s mix of intergalactic suspense with a sinister edge and the right tinge of wistfulness, the cover performance by the Cincinnati Pops Orchestra is a gem.  This theme is certainly recommended for Star Trek fans and sci-fi playlist enthusiasts.   

BRIAN’S ODD MOON RATING:                    7½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's) STAR TREK-Related

STAR TREK V: THE FINAL FRONTIER – A BUSY MAN {Cover} (by Erich Kunzel & The Cincinnati Pops Orchestra: Symphonic Star Trek)

SUMMARY:                          RUNNING TIME: 4:14 Min.

Returning ten years after scoring 1979’s Star Trek: The Motion Picture, composer-conductor Jerry Goldsmith would provide the same services for Star Trek V: The Final Frontier.  This 1989 instrumental is a contemplative theme, as Captain James T. Kirk (William Shatner), Spock (Leonard Nimoy), Dr. Leonard McCoy (DeForest Kelley), and Spock’s half-brother, Sybok (Laurence Luckinbill) visit an isolated desert world to meet an unknown entity claiming to be ‘God.’  In 1996, Erich Kunzel & the Cincinnati Pops Orchestra included a cover of “A Busy Man” for the Symphonic Star Trek instrumental album.   

REVIEW:

Emanating a mostly subdued sense of curiosity, this low-key track might be hard to place, even by those who have seen Star Trek V: The Final Frontier.  There isn’t anything too exciting or even compelling about “A Busy Man,” in spite of Jerry Goldsmith’s classy work.  Still, this Lawrence of Arabia-like track may still prove appealing to instrumental enthusiasts, as Erich Kunzel & The Cincinnati Pops Orchestra execute a perfect replica of Goldsmith’s theme.     

BRIAN’S ODD MOON RATING:                 6½ Stars

Categories
Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Soundtracks (Digital) STAR WARS-Related

REY’S THEME (by John Williams: Star Wars – The Force Awakens movie soundtrack)

SUMMARY:                             RUNNING TIME: 3:11 Min.

From composer-conductor John Williams, this instrumental track introduces the pivotal character portrayed by actress Daisy Ridley in 2015’s Star Wars: The Force Awakens.

REVIEW:

Anchored by a youthful sense of adventure, this theme (with just the right tinges of New Age jazz) is a beautifully fresh supplement to John Williams’ Star Wars legacy.  While the melody isn’t instantly distinctive, its whimsical motifs are finely-tuned to reflect Rey’s years of self-reliance surviving on the desert planet, Jakku.  Williams ensures that this theme isn’t merely a retread of his work introducing Luke Skywalker nearly forty years before.  Recommended!   

BRIAN’S ODD MOON RATING:                           8 Stars

IMAGE NOT AVAILABLE

Categories
Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

OUR LAST SUMMER {Cover} (by Colin Firth, Stellan Skarsgard, Pierce Brosnan, & Amanda Seyfried: Mamma Mia! movie soundtrack)

SUMMARY:                           RUNNING TIME: 2:57 Min.

As a trio, in solo turns, and with back-up help, Colin Firth, Stellan Skarsgard, & Pierce Brosnan cover this ABBA tune for 2008’s Mamma Mia! soundtrack.  Amanda Seyfried makes a late contribution (including on the chorus), and evidently Meryl Streep does, too, on chorus.

REVIEW:

The amateurism of Stellan Skarsgard and Pierce Brosnan fits the song’s corny lyrics – keeping in mind that their characters waxing middle-age nostalgia aren’t supposed to be polished vocalists.  Colin Firth’s presence stands out more, as he imbues this tune’s storytelling with some welcome poignancy.  Even better is how Skarsgard, Brosnan, and Firth surprisingly mesh as a trio – the end result is good as it could have been hoped for. 

As for Amanda Seyfried’s contribution, her assigned lyrics are slightly silly, but she adds welcome energy late in the song.  “Our Last Summer” is among the soundtrack’s weakest efforts, but the tune is still likable enough.

BRIAN’S ODD MOON RATING:                           6 Stars

IMAGE NOT AVAILABLE

Categories
Digital Songs & Albums DISNEY/PIXAR-Related Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

REMEMBER ME (by Zendaya: Disney Channel Play It Loud)

SUMMARY:                                           RUNNING TIME: 3:03 Min.

Recorded by Zendaya Coleman, this tune is from the 2010-13 Disney Channel TV series, “Shake It Up.” The track appears on the 2014 compilation album, Disney Channel Play It Loud.

REVIEW:

Overcoming unremarkable lyrics in a Disney cookie-cutter tune, Zendaya’s nice R&B vocals are worthwhile.  The track further benefits from a solid back-up chorus and an appealing melody.  “Remember Me” presents a reliable option for any age 10-and under playlist.

BRIAN’S ODD MOON RATING:               6½ Stars

IMAGE NOT AVAILABLE

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

PRIDE & PASSION (by John Cafferty & The Beaver Brown Band: Eddie and The Cruisers II movie soundtrack)

SUMMARY:                                  RUNNING TIME: 3:29 Min.

This rock tune was recorded by John Cafferty & The Beaver Brown Band for 1989’s Eddie & The Cruisers II soundtrack.  For the film, Cafferty handles actor Michael Paré’s on-screen vocals.  The song itself is performed ‘in concert’ during the movie’s closing credits.    

REVIEW:

Coming alive with the fictional Eddie Wilson’s down-to-earth sense of stardom, this rollicking tune proves among the soundtrack’s better options.  It has a great sound that showcases John Cafferty’s teamwork with The Beaver Brown Band.  For those seeking a boost for a favorite rock or workout playlist, the upbeat “Pride & Passion” might well fit the bill.     

BRIAN’S ODD MOON RATING:                       7 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

RACE TO BIG BEN (by Paul Gemignani: Mary Poppins Returns movie soundtrack)

SUMMARY:                                 RUNNING TIME: 4:55 Min.

From the 2018 movie soundtrack, composer-conductor Paul Gemignani delivers this instrumental tune.    

REVIEW:

Narrating the film’s adventurously madcap sequence, “Race to Big Ben” conjures up the frenetic sense of the characters racing across London during the storyline’s climax.  Composer-conductor Paul Gemignani’s orchestral piece here has the film’s most vividly cinematic sound – it’s a treat for soundtrack and instrumental enthusiasts.   

BRIAN’S ODD MOON RATING:                8 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

QUEEN OF THE NIGHT (by Whitney Houston: The Bodyguard movie soundtrack)

SUMMARY:                               RUNNING TIME: 3:08 Min.

Performed by Whitney Houston (as singer-actress Rachel Marron), this track appears on 1992’s The Bodyguard film soundtrack.  It’s among her five tracks on the album.       

REVIEW:

Melding R&B with pop-rock, this up-tempo dance track is reminiscent of Tina Turner and Chaka Khan.  That isn’t surprising since Whitney Houston also exuberantly covers Khan’s “I’m Every Woman” on the same album.  Suffice to say, this uncharacteristic tune is a sharp contrast to Houston’s gentle Bodyguard ballads: “Jesus Loves Me;” “Run to You;” and obviously her immortal cover of “I Will Always Love You.”  Unlike those four other Bodyguard tunes, the disco-style funkiness of “Queen of the Night” wouldn’t likely appear on a standard Houston album.    

Taking an admirable creative risk, Houston’s rare flirtation with an edgy upbeat tempo isn’t as awkward as it might have been.  More specifically, the pulsating melody and Houston’s effervescent vocals (let alone hearing her throw in a mild profanity per the song lyrics) combine for an entertaining three minutes. 

Of her Bodyguard song contributions, “Queen of the Night” is the most unique, as its semi-suggestive lyrics fall outside her pop/R&B comfort zone.  Though it doesn’t merit placement on any ‘Best of Whitney Houston’ collections, this energetic tune is ideal for workout playlists. 

BRIAN’S ODD MOON RATING:                             7½ Stars

IMAGE NOT AVAILABLE

Categories
Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

SKYFALL {James Bond} (by Adele: single)

SUMMARY:                              RUNNING TIME: 4:46 Min.

Released as a single separate from the Skyfall soundtrack album, Adele performs the title tune for Daniel Craig’s 2012 James Bond film.  The song subsequently scored multiple accolades in the U.S. and the U.K., including the Academy Award for Best Original Song, the Golden Globe for Best Original Song, and a Grammy for Best Song Written for Visual Media.   

Adele co-wrote this song with Paul Epworth, with orchestration from J.A.C. Redford.

REVIEW:

Judging by its slew of top awards, “Skyfall” is presumably the best-ever James Bond theme song.  Including her songwriting talents, the classiness Adele exudes on this track can’t be overstated.  Her sultry vocals rival that of Shirley Bassey, who holds the record of generating three Bond title songs.  Yet, short of John Barry’s original Bond instrumental, is Adele’s song now the definitive Bond song?  Or is it overrated among other Bond themes?

During its initial release, this song wisely didn’t overstay its welcome unlike Celine Dion’s “My Heart Will Go On” from Titanic (i.e. hearing Dion’s pop ballad on the radio seemingly every five minutes for months on end).  Still, Adele’s “Skyfall” is borderline overrated.  This reality is mostly attributable to Adele’s vast star power.  Had any lesser performer rendered the song’s moody lyrics, this track wouldn’t likely have attracted nearly as much attention.  Suffice to say, Adele makes the song sound better than it really ought to — for instance, by deftly incorporating the movie’s title.

In terms of the last forty years, the short answer is that, yes, Adele’s “Skyfall” is indeed the best Bond tune.  The Bond movie franchise has enjoyed numerous big-name theme songs, but so few become a radio phenomenon, let alone claim awards. Going as far back as Sheena Easton’s “For Your Eyes Only” and Duran Duran’s “View to a Kill,” their 80’s airplay was considerable, but neither one resonates like Adele’s tune does. 

However, one could make persuasive claims for Bassey’s “Goldfinger,” and/or Carly Simon’s “Nobody Does It Better” besting Adele’s song in long-term staying power.  As dynamite of a download as “Skyfall” is, it isn’t yet necessarily the best-of-the-best among Bond themes.         

BRIAN’S ODD MOON RATING:                   8½ Stars

IMAGE NOT AVAILABLE

Categories
Comic Books & Graphic Novels Marvel Comics

OFFICIAL HANDBOOK OF THE MARVEL UNIVERSE: SPIDER-MAN 2004 (2004 MARVEL Comics)

Written by Jonathan Couper-Smartt

Art by (See Below)

Cover Art by Salvador Larrocca & Richard Isanove

SUMMARY:

Marvel Comics released this 48-page character guide in 2004.  In addition to individual power rating grids, the following characters are profiled (including physical descriptions, special skills, and paraphernalia/weapons):

  1. Black Cat (artist: Terry Dodson)
  2. Carnage (artist: Mark Bagley)
  3. Daily Bugle (artists: Mark Bagley & Mike Mayhew)
  4. Digger (artist: John Romita Jr.)
  5. Doctor Octopus (artists: Staz Johnson & Mark Bagley)
  6. Electro (artist: Steve Ditko)
  7. Ezekiel (J. Scott Campbell)
  8. Green Goblin (artists: John Romita Jr., Terry Dodson, & Alex Ross)
  9. Hobgoblin (artists: John Romita Jr. & Brett Breeding)
  10. Lizard (artists: Damion Scott & Gabriele Dell’Otto)
  11. Morlun (artist: John Romita Jr.)
  12. “Aunt” May Parker (artist: John Romita Jr.)
  13. Sandman (artist: Mark Bagley)
  14. Scorpion (artist: Mark Bagley)
  15. Shathra (artist: John Romita Jr.)
  16. Shocker (artist: Kyle Hotz)
  17. Spider-Man (artists: John Romita Jr.; Jae Lee; & Kaare Andrews)
  18. Spider-Man’s Costumes (artist(s): not identified)
  19. Gwen Stacy (artists: Tim Sale & Gil Kane)
  20. Supporting Cast: John “Kiwi Kid” Anderson; Betty Brant; Caryn Earle & Barker; Gloria “Glory” Grant; J. Jonah Jameson; John Jamseon; Liz Osborn; Joe “Robbie” Robertson; Randy Robertson; Jill Stacy; Eugene “Flash” Thompson; NYPD Det. Neil Garrett & NYPD Lt. William Lamont (artist(s): not identified)
  21. Venom  (artist: Mark Bagley)
  22. Vulture (artist: Mark Brooks)
  23. Mary Jane Watson (artist: J. Scott Campbell).

REVIEW:

For Spider-fans, this handbook’s production qualities are excellent.  Writer Jonathan Couper-Smartt provides concise, kid-friendly character biographies that well-anchored by high-caliber visuals.  Though the material will seem long outdated, the handbook is a solid addition to any comic book collection.     

ADDITIONAL CONTENT:

A bibliography specifies specific issue numbers for major events in a character’s history.  The power ratings (scale: 1-7) are specified.  

BRIAN’S ODD MOON RATING:                    8 Stars