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Books & Novels Fantasy, Horror, & Science Fiction STAR WARS-Related

STAR WARS (LEGENDS): EMPIRE AND REBELLION – HONOR AMONG THIEVES

Written by James S.A. Corey

SUMMARY:

Released by Del Rey in April 2015, this 367-page mass market paperback was co-written by Daniel Abraham & Ty Franck (under the pen name of James S.A. Corey).  Set several months after A New Hope, the Rebellion is exploring its few options for a new secret base.  Han Solo & Chewbacca are once again desperately low on credits.  Hence, they’re willing to take the Millennium Falcon on a potential suicide run to retrieve a Rebel spy, Scarlet Hark, trapped deep within Imperial territory on the planet Cioran. 

Unbeknownst to Han & Chewbacca, an old crony, Baasen Rey, and his mercenary crew seek to ambush them for Jabba the Hutt’s sizable bounty.  Even if Han locates the elusive Scarlet, the odds of the Falcon’s crew escaping Cioran alive are dwindling fast.

Reuniting with Princess Leia at a hush-hush diplomatic conference on planet Kiamurr, Han discovers that the vital tech secret up for sale on the black market is a map to the galaxy’s greatest power: a means of controlling hyperspace.  With the Empire bent on obliterating anything in its way to seize this technology, Han & Leia lead a makeshift team into a dangerous jungle world in the Seymarti system.  An ancient alien temple laden with unpredictable booby traps awaits them. 

The Falcon must also locate Luke Skywalker’s short-handed X-Wing squadron, as it’s now the quarry of an Imperial Star Destroyer.  As two planets die around him, Han Solo has a million-to-one shot at potentially ending the Galactic War – will he take it?     

Note: This title was first published in hardcover in 2014.  It’s also part of the “Empire and Rebellion” trilogy in the Star Wars Legends series.

REVIEW:

For Han Solo aficionados, it’s a welcome return to a style reminiscent of Brian Daley’s Han Solo Adventures trilogy pitching the Corellian flyboy adventurer at his roguish best.  Not nearly the impulsive dolt he sometimes is in A New Hope, this savvy (and articulate) Han Solo conveys surprising depth.  Not always shooting first and saving questions for later, Han is shown conscientiously thinking and improvising more like a certain 1930’s archaeologist. 

Depicted as the Rebellion’s unlikely best option for high-risk jobs, ‘The Han Solo Show’ dominates this book’s screen time, including his Old West-like gunslinging feud with Baasen Rey.  Meanwhile, Chewbacca is conveniently sent off-screen multiple times guarding/repairing the battered Falcon while Han performs the ultra-dangerous fieldwork. 

All things considered, it can’t be a coincidence that, late in the game, Han is practically ‘Indiana Solo,’ as he deftly navigates a deadly alien jungle into Star Wars’ version of a ‘Temple of Doom.’  Giving Han some terrific support are Princess Leia, and guest stars Scarlet Hark & Baasen Rey, along with Chewbacca’s reliable contributions. 

Reduced to a minor role as Han’s surrogate little brother, Luke Skywalker is now a daring X-Wing rookie under Wedge Antilles’s command.  Curiously, The Force isn’t depicted (other than Han occasionally thanking his ever-so-lucky stars), so Luke doesn’t resort to any lightsaber heroics this time.  Instead, it’s mostly up to Captain Solo’s world-weary expertise, hotshot piloting, and trusty blaster to save the galaxy time and again. 

In that regard, despite the vastly outnumbered Rebels improbably thumping wave after wave of Imperial stormtroopers, the author ensures that Honor Among Thieves is a solidly-paced thriller.  It leaves one pondering, if Han’s commanding presence had been structured more like this in Episodes IV-VI, maybe Harrison Ford would have better appreciated his iconic role.             

ADDITIONAL FEATURES:

The usual Star Wars Legends chronology of book titles is provided.  The author offers an eleven-page Scarlet Hark short story entitled “Silver and Scarlet,” as another of her undercover capers is revealed.  The last supplement is an eighteen-page preview of Paul S. Kemp’s novel: Star Wars: Lords of the Sith, as Darth Vader personally leads an assault strike on a stolen Imperial freight carrier.    

BRIAN’S ODD MOON RATING:                     8 Stars

Note: Another terrific post-New Hope, Han Solo title is Timothy Zahn’s novel: Star Wars: Scoundrels, which chronologically occurs before Honor Among Thieves.  Think ‘Han Solo + Ocean’s 11,’ and you’ll get the idea.

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

HOLDING OUT FOR A HERO (by Bonnie Tyler: Footloose {1984} movie soundtrack, 15th Anniversary Edition)

SUMMARY:                                     RUNNING TIME: 5:50 Min.

Performed by Bonnie Tyler, this glittery dance track appears on 1984’s Footloose movie soundtrack, as well as on its 15th Anniversary edition released in 1998.  The song was composed by Jim Steinman & Dean Pitchford.         

REVIEW:

Bonnie Tyler’s vocals still sound great, but this relentlessly up-tempo (and overproduced) tune overstays its welcome by at least ninety seconds.  Still, listeners get their money’s worth, especially with the multiple instrumental choruses.  There’s no doubt that the track’s distinctive dance melody is one of the most memorable of the mid-80’s.  “Holding Out for a Hero” is at least a fun choice for any mid-80s playlists and/or for workouts.    

BRIAN’S ODD MOON RATING:                            6½ Stars

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Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

PRACTICAL MAGIC (by Alan Silvestri: Practical Magic movie soundtrack)

SUMMARY:                                 RUNNING TIME: 3:57 Min.

As the 1998 film’s score composer, Alan Silvestri provides Practical Magic’s main instrumental theme. 

REVIEW:

“Practical Magic” is wistful optimism in musical form, courtesy of Alan Silvestri.  Much like he does for his Forrest Gump and Back to the Future scores, Silvestri’s own brand of ‘practical magic’ is stellar here.  In that sense, this theme is reminiscent of his poignantly low-key work on Forrest Gump.  Yet, with a magical wand-like twinkling sound effect, Silvestri reverses course and infuses “Practical Magic” with refreshing zest. 

Suffice to say, this Silvestri gem definitely merits a reservation on instrumental and/or classical-themed playlists.   

BRIAN’S ODD MOON RATING:                        8½ Stars

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Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

TOP GUN ANTHEM (by Harold Faltermeyer & Steve Stevens: Top Gun movie soundtrack, expanded 1999 re-release)

SUMMARY:                                      RUNNING TIME: 4:13 Min.

This instrumental track is performed by Harold Faltermeyer & Steve Stevens for the 1986 Top Gun movie soundtrack.  It is included in the 1999 expanded re-release.  Faltermeyer also composed this tune.

REVIEW:

If anything, this instrumental (particularly its rock synthesizer elements) makes an ideal advertisement for the film’s patriotic fervor.  Teaming up with Steve Stevens, Harold Faltermeyer is at the top of his game.  Definitely well-played! 

BRIAN’S ODD MOON RATING:                          8 Stars

Categories
Comic Books & Graphic Novels Marvel Comics

MARVEL TALES # 289 (1994 MARVEL Comics)

Written by Tom DeFalco

Art by Ron Frenz; Brett Breeding; Jose Rosen; & Nelson Yomtov

Cover Art by Scott Kolins & Jon Holdredge

SUMMARY:

Released by Marvel Comics for September 1994, “When Warriors Clash..!” is a reprinting of 1986’s The Amazing Spider-Man # 281.  Several intertwined plot points are in play.  At Coney Island Park, a mercenary Spider-Man & his tag-team partner, Silver Sable, are both already injured in their showdown vs. The Sinister Syndicate (Beetle, Speed Demon, Rhino, Boomerang & Hydro Man).  Their only hope is the Sandman’s intervention, especially as he despises the dim-witted Hydro Man. 

Meanwhile, in an effort to drum up business for his hoodlum squad, Jack O’Lantern abducts the suspected Hobgoblin, Flash Thompson, from the New York City jail.  The real Hobgoblin & the Rose smell an opportunity to divert the authorities even further away from their criminal schemes.

As the Hobgoblin battles Jack O’Lantern over the latter’s unwanted interference, Flash makes a fast break to go on the lam.  The Daily Bugle’s Robbie Robertson spots possible proof of a fugitive Flash’s innocence. 

At Coney Island, Sandman is a formidable ally, but the 5-on-3 odds inevitably work against Spidey & Silver Sable’s injuries.  A battered Spider-Man makes a desperate last charge against the Syndicate, including a fistfight with Rhino at point-blank range.      

REVIEW:

One should consider the cover image this issue’s ideal money shot.  Writer Tom DeFalco’s plotting impressively zips back and forth between Spidey’s battle royale and three related sub-plots without missing any beats.  Supported by the art squad’s solid visuals, DeFalco coherently packs plenty into a single issue.  As a satisfying mid-80’s Spider-caper, Marvel Tales # 289 is a worthwhile read in any comics collection.  

ADDITIONAL CONTENT:

A full-page “Bullpen Bulletins” column is included.  Created by artist Mike Harris & Tom Morgan, the original cover for The Amazing Spider-Man # 281 appears last in a full-page format.   

BRIAN’S ODD MOON RATING:                            7½ Stars

Categories
Comic Books & Graphic Novels Marvel Comics

MARVEL AGE: SPIDER-MAN TEAM-UP # 5 (2005 MARVEL Comics)

Written by Todd Dezago

Art by Valentine De Landro; Pat Davison; Wade von Grawbadger; Derek Fridolfs; Sotocolor’s James Brown; & Dave Sharpe

Cover Art by Randall Green; ‘Rick;’ & ‘iSoto!’

SUMMARY:

Released by Marvel Comics for April 2005, Spider-Man’s first encounter with Storm & Rogue is entitled “Change the Weather.”  Seeking some downtime, the X-Men’s Storm rescues in mid-air a malfunctioning helicopter outside New York City.  Meanwhile, Spider-Man intervenes to help a mysterious young girl (who’s probably in her early teens) from a brewing altercation in a city park.  Courtesy of her baseball cap, Spidey nicknames the mostly non-talkative kid ‘St. Louis.’ 

Inadvertently discovering the transient girl’s power-siphoning mutant abilities, Spider-Man & Storm are temporarily affected.  It’s then up to the two heroes to find the future Rogue before she uses their stolen powers for some payback against the bullies harassing her.   

REVIEW:

Meant for the early elementary school crowd, this simplistic tale is harmless fun.  The art team’s visuals are surprisingly well-produced, particularly the likable cover image.  Marvel Age: Spider-Man Team-Up # 5 makes a reliable option for younger Spider-fans.        

ADDITIONAL CONTENT:

None.  

BRIAN’S ODD MOON RATING:                     6 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

OPEN ROAD (by John Cafferty & The Beaver Brown Band: Eddie and The Cruisers II movie soundtrack)

SUMMARY:                            RUNNING TIME: 5:05 Min.

This upbeat rock tune was recorded by John Cafferty & The Beaver Brown Band for 1989’s Eddie and The Cruisers II soundtrack.  For the film, Cafferty handles actor Michael Paré’s on-screen vocals. 

REVIEW:

“Open Road” isn’t spectacular, but it resonates with an entertaining, wide-open sound.  If one obtains the complete Eddie II album, this catchy track won’t disappoint listeners.    

BRIAN’S ODD MOON RATING:                         6½ Stars

Categories
Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

MUSIC OF THE NIGHT {Instrumental Cover} (by NatureQuest: Andrew Lloyd Webber Naturally)

SUMMARY:                                            RUNNING TIME: 5:09 Min.

From Andrew Lloyd Webber’s Phantom of the Opera, “Music of the Night” is an instrumental cover for NatureQuest’s 1995 album, Andrew Lloyd Webber Naturally.

REVIEW:

Enhanced by background nature sounds of birds, NatureQuest’s piano rendition of “Music of the Night” is exquisite.  This low-key tune is definitely recommended for relaxation and/or sleeping aid playlists. 

BRIAN’S ODD MOON RATING:                             8 Stars

Categories
Country, Folk, & Bluegrass Individual Tracks (CD's) Music & Radio Shows

THE LOVE THAT WE LOST (by Chely Wright: Right in the Middle of It)

SUMMARY:                                          RUNNING TIME: 3:50 Min.

This ballad is the second track off Chely Wright’s 1996 contemporary country album, Right in the Middle of It.

REVIEW:

It’s an instance where a downbeat song title says it all.  While its poignant country lyrics are standard for the genre, the melody meshes well with Chely Wright’s performance style.  Unsurprisingly, her vocals on “The Love That We Lost” are excellent.  The back-up instrumentals are also solid.   As a sample of Wright’s talents, this classy song makes an ideal download for country-western playlists. 

BRIAN’S ODD MOON RATING:                        8 Stars

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Categories
Individual Tracks (CD's) Jazz & Blues Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

ONE BAD STUD {from 1984’s Streets of Fire} (by The Blasters: VH1 – The Big 80’s — The Big Movies)

SUMMARY:                                          RUNNING TIME: 2:29 Min.

Recorded by The Blasters, this track appears in the 1984 buddy action film/musical, Streets of Fire, starring Rick Moranis, Michael Paré, Diane Lane, & Willem Dafoe.  The tune would subsequently resurface on 1998’s VH1: The Big 80’s – The Big Movies compilation album.

REVIEW:

As a hybrid of upbeat R&B and old school swing jazz, the obscure “One Bad Stud” generates a fun sound.  In that sense, it ages amusingly well.  Still, the tune doesn’t surpass similar efforts from The Brian Setzer Orchestra, Big Bad Voodoo Daddy, and/or Cherry Poppin’ Daddies.   

BRIAN’S ODD MOON RATING:                         6 Stars

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