Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

THE LIVING DAYLIGHTS (by a-ha: Best of Bond … James Bond, 2008 edition)

SUMMARY:                                     RUNNING TIME: 4:14 Min.

The title song for Timothy Dalton’s 1987 James Bond movie debut, The Living Daylights, was recorded by Norwegian pop band, a-ha.  This song has since been re-released on some compilation albums, primarily multiple updates of the Best of Bond … James Bond  (which includes the franchise’s theme songs to date).   

Note: Best of Bond .. James Bond includes a 40th anniversary edition in 2002 and a subsequent update in 2008 for Chris Cornell’s “You Know My Name” from Casino Royale.

REVIEW:

It was likely wishful thinking by the Bond film producers that a-ha’s similar pop sound could replicate the success of Duran Duran’s 1985 “View to a Kill.”  The problem is that a-ha’s tune isn’t nearly as catchy.  Despite some intriguing Cold War inferences, “The Living Daylights” at best makes a lukewarm impression. 

Included in the complete Best of Bond, this solid tune is worth catching.  Otherwise, as a solo track, it’s really just 80’s nostalgia for die-hard fans.     

BRIAN’S ODD MOON RATING:                       6 Stars

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Categories
Comic Books & Graphic Novels Marvel Comics

SPIDER-MAN & X-FACTOR: SHADOWGAMES # 3 (1994 MARVEL Comics)

Written by Kurt Busiek

Art by Pat Broderick; Sam De La Rosa; Joe Rosen; & Tom Smith

Cover Art by Pat Broderick & ‘After Bernardo’

SUMMARY:

Entitled “Shadow Games, Part 3: Shadowfall,” Marvel Comics released the conclusion of this three-part mini-series for July 1994.  Outside Washington, D.C., The Daily Bugle gets wind of a brewing government cover-up outside the complex hiding Shadowforce’s underground bunker.   Spider-Man & X-Factor (Havok, Polaris, Wolfsbane, Strong Guy, & Multiple Man) are in New York City to tangle with Mirrorshade to save Flash Thompson’s life. 

Pursuing Shadowforce back to its bunker, it’s up to Spidey & X-Factor (now including Forge) to thwart these renegade super-commandoes from detonating the complex in a desperate extortion scheme.  The question is: with Shadowforce now exposed to the public, who will get the last laugh?  

REVIEW:

Overcoming an uninspired cover image, this three-part series completes its hat trick as a terrific Spidey team-up.  Not only does writer Kurt Busiek juggle all the necessary characters well, the art squad’s visual consistency throughout these series is commendable.  Reminiscent of the original Marvel Team-Up series, Shadowgames # 3 is consistently well-played.      

ADDITIONAL CONTENT:

The “Bullpen Bulletins” column includes questions for Marvel’s in-house archivist. 

BRIAN’S ODD MOON RATING:                      7 Stars

Categories
Comic Books & Graphic Novels Marvel Comics

SPIDER-MAN & X-FACTOR: SHADOWGAMES # 2 (1994 MARVEL Comics)

Written by Kurt Busiek

Art by Pat Broderick; Bruce Patterson; Sam De La Rosa; Keith Williams; Tom Smith; & Joe Rosen

Cover Art by Pat Broderick

SUMMARY:

Entitled “Shadow Games, Part 2: Shadowclash,” Marvel Comics released the middle issue of this three-part mini-series for June 1994.  Per Issue # 1, Shadowforce is a supposedly reformed group of ex-cons imbued with experimental super-powers and brainwashed into service as U.S. covert-ops commandoes.  Joining forces with Spider-Man, X-Factor (Havok, Polaris, Wolfsbane, Strong Guy, & Multiple Man) are now engaged in battle against the renegade Shadowforce. 

Forced to abandon X-Factor to pursue Shadowforce’s Mirrorshade, Spider-Man departs their adversaries’ underground bunker outside Washington, D.C. to head back to New York City by train.  On a deserted stretch of track, the battle re-commences, as Spidey must face Shadowforce alone (in a rematch from Issue # 1).  Despite holding his own, an outnumbered Spider-Man needs reinforcements. 

Meanwhile, the elusive Mirrorshade is in New York City stalking Flash Thompson – having committed itself to fulfilling a sarcastic comment it overheard Spidey previously made.  

REVIEW:

Despite its routine plot, all the necessary goods are delivered.  As writer Kurt Busiek’s kid-friendly script keeps on rolling, the art squad’s visuals are consistently high-caliber.  For fans of the classic Marvel Team-Up series, Shadowgames # 2 continues an entertaining Spidey team-up caper.   

ADDITIONAL CONTENT:

Including comments from several industry legends, the “Bullpen Bulletins” column remembers Jack Kirby.  The foldout back cover includes plugs for Black Cat # 1; Force Works # 1; Blade the Vampire-Hunter # 1; Galactic Guardians # 1; and a continuing crossover – Night Thrasher # 12, Nova # 7, and New Warriors # 49.

BRIAN’S ODD MOON RATING:                      7 Stars

Categories
Comic Books & Graphic Novels Marvel Comics

THE SENSATIONAL SPIDER-MAN # 24 (2006 MARVEL Comics)

Written by Roberto Aguirre-Sacasa

Art by Angel Medina; Scott Hanna; Avalon’s Dan Kemp; & Cory Petit

Cover Art by Angel Medina

SUMMARY:

Entitled “Feral, Part 2 of 5: Cat Scratch Fever,” Marvel Comics released this issue for May 2006.  The Lizard and now a Lizard Jr. are on a deadly dual rampage, as even Spider-Man suffers a gory wound.  Defending her injured friend, Felicia Hardy’s Black Cat faces Dr. Curt Connors’ Lizard in vicious combat at point-blank range.  Also on the loose is Vermin, who has suffered a relapse into animalistic impulses. 

At Stark Tower, Mary Jane Watson-Parker and Aunt May are targeted by an enigmatic threat posing as John Jameson.  Both Spider-Man and Black Cat are bewildered by her reckless impulse for bloodthirsty action.  A rifle-wielding bystander’s response may result in a heartbreaking tragedy.      

REVIEW:

As a parental advisory, this issue’s violence and gore content isn’t appropriate for pre-teen readers.  Aside from that, writer Roberto Aguirre-Sacasa’s dark “Feral” storytelling is consistent with a sci-fi/horror film, as there’s multiple grisly predators at large.  For adults, this issue takes some intriguing twists, no matter if they’re predictable in the horror genre.

Including a well-played cover image, the art squad’s visuals are generally high-caliber.  Unsurprisingly, there’s at least one suggestive pin-up pose included for Black Cat.  Perhaps the more eyebrow-raising quirk is artist Angel Medina’s propensity for over-exaggerating character noses, as if reminiscent of cartoony witches.  For instance, one such close-up panel makes Mary Jane and May’s facial features (and even their ages) far too similar – an oddity in itself. 

Still, once all creative factors considered, The Sensational Spider-Man # 24 most likely won’t disappoint adult fans eager for a ghoulish read. 

ADDITIONAL CONTENT:

None

BRIAN’S ODD MOON RATING:                   7 Stars

Categories
Classical, Electronica, & New Age Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

RHAPSODY ON A THEME OF PAGANINI {Cover} (by John Barry & Chet Swiatkowski: Somewhere in Time movie soundtrack)

SUMMARY:                             RUNNING TIME: 2:53 Min.

Recorded by the film’s composer-conductor, John Barry, and pianist Chet Swiatkowski, it’s the pivotal instrumental from 1980’s Somewhere in Time soundtrack.  The piece was originally composed by Sergei Rachmaninoff in 1934.

REVIEW:

Exquisite!  Pairing John Barry’s orchestral mastery with Chet Swiatkowski’s elegant piano work makes this music box-like collaboration into a modern classic.  Beyond its status as a soundtrack favorite, this poignant instrumental is absolutely worth adding to any relaxation, sleep aid, and/or meditative playlists. 

BRIAN’S ODD MOON RATING:                 10 Stars

Categories
Agatha Christie-Related Books & Novels Mystery & Suspense

HERCULE POIROT: PERIL AT END HOUSE

Written by Agatha Christie

SUMMARY:

First published in 1932, Pocket Books issued this 224-page Pocket Books reprint in 1990.  Set several months after The Mystery of the Blue Train, Hercule Poirot is vacationing with his old friend, Captain Arthur Hastings, at The Majestic Hotel – an English coastal resort in Cornwall.  Though his ego is hurt that a new generation is oblivious of him, the legendary Belgian sleuth insists he’s content in retirement. 

A chance encounter meeting a charming young local, Magdala “Nick” Buckley, tips off Poirot that her recent series of near-death escapes is no joking matter.  For starters, the detective duo soon find a spent Mauser pistol bullet that discreetly punched a hole through Nick’s hat during their casual chat on a hotel terrace. 

Probing her dilapidated family estate, End House, a worried Poirot & Hastings start suspecting their new friend’s inner circle.  It appears that someone among them is a shadowy predator bent on vengeance against the Buckleys.

REVIEW:

As a Hercule Poirot mystery, Peril at End House is serviceable.  One might deem it even slightly lesser than middle-of-the-pack.  In terms of balance, Agatha Christie holds Poirot, Captain Hastings, and Inspector Japp up to their usual marks, but the mystery itself is something of a bore.  More specifically, the imperiled Buckley girls, Nick & Maggie, should be an intriguing contrast in personalities.  They’re handicapped, unfortunately, by a yawn-inducing roster of suspects that struggles generating interest to keep viewers tuned in for a twist finish. 

Given End House’s premise, there’s still sufficient suspense at the right moments.  Yet, unlike her far superior Poirots, this particular game of misdirection probably won’t leave readers awed by Christie’s ingenuity.  It’s a decent garage sale find; otherwise, Peril at End House should be considered a library option.      

ADDITIONAL FEATURES:

In addition to the chapter list, there’s a list introducing the characters.

BRIAN’S ODD MOON RATING:                        5½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

ON THE ROOFTOPS (by Ennio Morricone: The Untouchables movie soundtrack)

SUMMARY:                                 RUNNING TIME: 2:35 Min.

As Track # 5, this Ennio Morricone instrumental narrates Eliot Ness (Kevin Costner) pursuit of Capone’s favorite henchman, Frank Nitti (Billy Drago), across Chicago rooftops after his brazen courthouse escape.  The orchestra isn’t identified. 

REVIEW:

“On the Rooftops” is exciting and suspenseful.  Its edgy sound makes a terrific download option for soundtrack and instrumental enthusiasts.     

BRIAN’S ODD MOON RATING:                 7½ Stars

Categories
Comic Books & Graphic Novels Independent Publishers (Comic Books & Graphic Novels)

MYSTIC # 20 (2002 CROSSGEN Comics)

Written by Tony Bedard

Art by Brandon Peterson; Joe Weems; Matt Ryan; Chris Garcia; Mike Garcia; Dave Lanphear; & Troy Peteri

Cover Art by Brandon Peterson; Andrew Crossley; & possibly a third artist

SUMMARY:

CrossGeneration (CrossGen) Comics released this untitled issue for February 2002.  With help from her sister, Genevieve, and the Nouveau Guild, inexperienced sorceress Giselle Villard must battle Animora the Demon Queen and her monstrous pawns.  Forcing her naïve foe’s advantage, a decaying Animora seeks to either corrupt Giselle … and/or transfer her own wicked spirit to take over Giselle’s stronger body.      

REVIEW:

Tony Bedard’s scripting delivers a relatively good read. More so, CrossGen’s strong visuals are impressive for an independent publisher.  For comics fans seeking to diversify beyond Marvel and DC, this back issue offers an alternative worth checking out. 

ADDITIONAL CONTENT:

The inside front cover summarizes the series premise.  There’s a full-page cover reveal for Issue # 21.  Artist Brandon Peterson offers a farewell letter to fans.  The “Generator” column spotlights writer Chuck Dixon and penciller Fabrizio Fiorentino.  There’s a “Misspellings” letters-and-answers column.  CrossGen provides a directory of its global retailers.  

BRIAN’S ODD MOON RATING:                       6 Stars

Categories
Comic Books & Graphic Novels Independent Publishers (Comic Books & Graphic Novels) Party Games & Playing Cards

MAGIC – THE GATHERING: THE SPELL THIEF # 1 (2012 IDW Publishing)

Written by Matt Forbeck

Art by Martin Cóccolo & Christian Duce; J. Edwin Stevens & Baileigh Bolten; & Shawn Lee

Cover Art by Christopher Moeller

SUMMARY:

Published by IDW Publishing for May 2012, this series opener is otherwise untitled.  The roguish Planeswalker thief, Dack Fayden, has now traced his elusive quarry, Sifa Grent, to an enormous castle in Echoir.  Inside the castle, Fayden must fend off dark forces … if there is has any hope of escape.    

Note: There’s a thumbnail reveal of artist Martin Cóccolo’s alternate ‘Cover RI’ on the inside front cover.  

REVIEW:

Even for those unfamiliar with the Magic game, this swords-and-sorcery tale is a decent read.  More impressively, IDW’s production values offer a solid alternative to Marvel and DC.  

ADDITIONAL CONTENT:

The inside cover helpfully summarizes the series premise.  The ‘IDWords’ news-and-notes column presents a Fred Hembeck comic strip.  A Magic – The Gathering ‘Deckmaster’ playing card is also included  

BRIAN’S ODD MOON RATING:                     6 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

WITHOUT US {Theme for FAMILY TIES} (by Johnny Mathis & Deniece Williams: Tube Tunes, Volume 3 – The 80’s)

SUMMARY:                             RUNNING TIME: 3:55 Min.

By original artists Johnny Mathis and Deniece Williams, this radio-length version is the theme song of NBC’s 1982-89 sitcom, Family Ties.  The track is # 7 on Rhino Records’ 1995 compilation album: Tube Tunes, Volume 3 – The 80’s

Note: The same album also offers the sunny contrast of B.J. Thomas & Dusty Springfield’s full-length Growing Pains theme: “As Long As We Got Each Other.”

REVIEW:

Nearly forty years later, the mellow “Without Us” remains one of the classiest TV themes ever.  Exhibiting terrific vocal chemistry, the duet between Deniece Williams and Johnny Mathis spells out the unity that devoted spouses share throughout the years  Definitely well-played! 

BRIAN’S ODD MOON RATING:                    8 Stars