Categories
Comic Books & Graphic Novels DC Comics DC's Hardcovers & Trade Paperbacks

GREEN LANTERN: THE ROAD BACK (DC Comics)

Written by Gerard Jones

Art by Pat Broderick; Bruce Patterson; Anthony Tollin; & Albert T. De Guzman

Cover Art by Alan Davis; Mark Farmer; & Dave Stewart

SUMMARY:

With initially different cover art, DC Comics released this 192-page paperback compilation in 2003.  The publication information indicates that a first release may have occurred as early as 1992.  Collecting Green Lantern # 1-8 from 1990, this series re-launch was inspired by the popularity of Hal Jordan’s Green Lantern: Emerald Dawn prequelmini-series.  With all but one of the Guardians of the Universe departing this dimension, planet Oa lays desolate and in ruins.  Only three Green Lanterns remain: Hal Jordan, John Stewart, & Guy Gardner. 

Gardner is a bored degenerate assigned to the less-than-thrilled Justice League.  In hiding, an emotionally distraught Stewart is tormented by mass tragedy, as well as the heartbreaking murder of his wife, Katma Tui.  Seeking answers from the ‘Old Timer’ on Oa, Stewart is abducted upon realizing this lone Guardian is homicidally insane.  Deliberately living off the grid (aside from a short visit to the Justice League), a melancholic Hal Jordan seeks to regain a sense of his own humanity as a drifting laborer.  Gardner’s annoying intrusions further entrench Hal’s resolve.  Despite multiple setbacks, Hal seems content in semi-retirement from his emerald ‘curse.’  

After cities from Hal’s past vanish from Earth, his disillusionment is put on hold.  Hal realizes that it’s up to him to confront ‘The Old Timer’ and save John Stewart.  Even Hal’s formidable willpower isn’t enough, as he must reluctantly summon Gardner to Oa, as well.  To free the Guardian’s captives (including a young mother and child that Hal has bonded with), the three Lanterns face a grueling showdown.  Ultimately, the future of the Green Lantern Corps is at stake. 

Note: Events from the first Emerald Dawn mini-series are briefly referenced.

REVIEW:

Nicely refreshened, the art squad’s above-average visuals are easily The Road Back’s best asset.  Unfortunately, the tiresome premise that writer Gerard Jones relies upon to continue the franchise misfires from the get-go.  Revisiting the vintage 1970’s ‘Hard-Traveling Heroes’ concept (where Green Lantern, Green Arrow, & occasionally Black Canary explored the down-to-Earth U.S.), Jones’ sequel is frankly a bore to read. 

Aside from aging Hal Jordan far too much (which infers his fellow JLA buddies are all now 40-ish, too), Jones generates far too little magic re: Hal’s legacy as DC’s definitive Green Lantern.  By teasing Hal’s suicidal clifftop dive on the first page alone, The Road Back instead digs itself a deep hole. 

Given this lackluster brand of storytelling, it’s no surprise that DC would controversially opt to introduce Kyle Rayner come Issue # 50.  Conveniently, writer Geoff Johns later transformed this era (i.e. Hal’s graying temples) into the retroactive beginning of Hal’s secret corruption by Parallax.  In reality, Johns’ energizing 2004 Green Lantern: Rebirth served as the antidote to DC’s inexplicable, post-Crisis bungling of Hal Jordan’s storylines dating back to the mid-80’s.  Reading Green Lantern: The Road Back serves as proof enough.  

Parental Note: Though not explicitly illustrated, a red alert is an unnecessary sequence where Gardner blatantly (in costume, no less) scopes out pornography in an XXX-rated shop.

ADDITIONAL CONTENT:

The series’ assistant editor, Kevin Dooley, pens a single-page introduction written back in 1992.  As exact full-page duplicates, Pat Broderick & Mark Nelson’s eight covers are included.   

BRIAN’S ODD MOON RATING:                          4 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

HEAVEN IS ONE STEP AWAY (by Eric Clapton: Back to the Future movie soundtrack)

SUMMARY:                                   RUNNING TIME: 4:13 Min.

Written and recorded by Eric Clapton, this soft rock tune is the fourth cut on 1985’s Back to the Future film soundtrack.   

REVIEW:

Clapton is in decent form.  Still, like Lindsey Buckingham’s paycheck-cashing “Time Bomb Town,” Clapton’s “Heaven is One Step Away” is utterly no match for Huey Lewis & The News on this same album.  Even the tracks by the movie’s fictional ‘Marvin Berry & The Starlighters’ sound far more alive than either Clapton or Buckingham.  

Instantly forgettable, “Heaven is One Step Away” is a demure filler tune that is best enjoyed as part of the complete soundtrack.

BRIAN’S ODD MOON RATING:                      5 Stars

IMAGE NOT AVAILABLE

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

SEVEN DAYS IN SUNNY JUNE (by Jamiroquai: The Devil Wears Prada movie soundtrack)

SUMMARY:                                  RUNNING TIME: 4:01 Min.

From Jamiroquai’s 2005 album, Dynamite, “Seven Days in Sunny June” was recruited the following year for The Devil Wears Prada movie soundtrack.

REVIEW:

It’s got a pleasantly funky sound.  Jamiroquai’s “Seven Days in Sunny June” also deftly incorporates British R&B and jazz, with a twist of dance/electronica.  This lively musical cocktail should make a welcome option for various home playlists (including workouts & dinner parties). 

BRIAN’S ODD MOON RATING:                   7 Stars

IMAGE NOT AVAILABLE

Categories
Comic Books & Graphic Novels Independent Hardcovers & Trade Paperbacks Independent Publishers (Comic Books & Graphic Novels)

RUSE, VOLUME 1: ENTER THE DETECTIVE (CROSSGEN Comics)

Written by Mark Waid.

Art by Butch Guice; Mike Perkins; Laura DePuy; Dave Lanphear (Issues # 1-5).

Art by Jeff Johnson; Paul Neary; Jason Lambert; & Dave Lanphear (Issue # 6).

Cover Art by Butch Guice & Laura DePuy.

SUMMARY:

Compiling Issues # 1-6, from 2001-02, CrossGeneration Comics (CrossGen Comics) released this 160-page paperback in 2002.  Set in the Victorian Age, the fictional English coastal city of Partington is London’s equivalent where pompous master sleuth Simon Archard is its resident Sherlock Holmes.  His associate is a glamorous and enigmatic young blonde, Emma Bishop, who possesses supernatural powers (i.e. freezing time) that she must keep secret from Simon.  Ruse is told through Emma’s adventurous, down-to-earth narrative. 

The first arc (Issues # 1-4) pits the British duo vs. the nefarious Baroness Miranda Cross, as her mind-controlling powers turns the city against its favorite son.  Emma ominously discovers that she isn’t Partington’s only witch.  Framed for murder, Simon doesn’t realize that Emma’s magic may be his only hope in a fiery showdown.

With Simon unavailable, Issue # 5 has the Partington police calling upon Emma to unmask a Jack the Ripper-like serial killer.  Utilizing Simon’s odd assortment of informants, Emma proves her value as a sleuth in her own right.  In Issue # 6, while attending a nightclub’s magic act, Simon & Emma discover that his homicidal ex-partner (and master-of-disguise), Malcolm Lightbourne, has returned for some unknown reason.    

Note: Ruse ran twenty-six issues.  Issues # 7-12 are compiled for Ruse, Volume 2: The Silent Partner.

REVIEW:

The series title is apt.  On its surface, Ruse imagines Sean Connery (in his James Bond prime) as an ultra-suave Sherlock Holmes … with some elements of The Avengers’ Mr. Steed and Mrs. Peel included for good measure.  Then again, perhaps a comparison to Remington Steele isn’t too far off.  Make no mistake, Emma Bishop is Ruse’s real star, as she is both likable and endearing.  An aura of mystery shrouding her true nature (not to mention, why she is compelled to protect Simon) is another welcome asset.   

In contrast, Simon Archard’s deductive brilliance is no excuse for the insufferable jerk he is, as writer Mark Waid should well know.  There lies the gamble of enjoying Ruse: why should readers (let alone Emma Bishop) even care about the condescending Simon Archard?  Compensation comes in the form of Emma’s contributions to the storyline (as she is often thinking what the audience likely is). In that sense, Waid’s scripting is often inspired.  More so, Ruse’s plot twists hurdling its occasional contrivances are worth the price of admission.

The best component, however, is the art squad’s gorgeous visuals.  Though Issue # 6’s artistic quality declines a bit, it’s still on a par with Marvel and DC.  As a worthy (and not so stuffy) alternative to reading the traditional Holmes, Ruse: Enter the Detective merits a chance at re-discovery.             

ADDITIONAL CONTENT:

The six covers are provided in a full-page format.  Guice and DePuy co-created the first five covers.  DePuy joined Jeff Johnson & Mark Pennington for Issue # 6’s cover.  Starting the first few chapters are front page excerpts from Partington’s The Penny Arcadian newspaper.   

BRIAN’S ODD MOON RATING:                    8 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

THE GIRL GETS AROUND (by Sammy Hagar: Footloose {1984} movie soundtrack, 15th Anniversary Edition)

SUMMARY:                                   RUNNING TIME: 3:23 Min.

Performed by Sammy Hagar, the song appears on 1984’s Footloose film soundtrack.  The tune is included on the album’s 15th Anniversary edition released in 1998.  Hagar collaborated with composer Dean Pitchford creating this rock tune.   

REVIEW:

Considering Footloose’s storyline is about high school kids, it’s probably best not to contemplate this song’s insinuated context.  Still, if one likes old school Sammy Hagar, then “The Girl Gets Around” is a potential keeper.  Loud and loaded with top-notch instrumental work, this catchy tune is worth adding to hard rock playlists.     

BRIAN’S ODD MOON RATING:                    6½ Stars

IMAGE NOT AVAILABLE

Categories
Comic Books & Graphic Novels Marvel Comics

MARVEL TWO-IN-ONE # 55 (1979 MARVEL Comics)

SUMMARY:

Released by Marvel Comics for September 1979, this issue is entitled “The Pegasus Project, Part Three: Giants in the Earth.”  At Project: Pegasus, a moonlighting Ben “The Thing” Grimm (nursing an injured arm) joins staff members Quasar & Bill Foster’s Giant-Man in containing the radioactive Nuklo from desperately running amok. 

Amidst this emergency lockdown, another of the Project’s residents: the alien Wundarr (aka the future Aquarian), may become a future threat.  Elsewhere, at Madison Square Garden, pro wrestler Thundra faces an unexpectedly formidable in-ring adversary. Thundra’s ongoing subplot ties into the next issue.  

REVIEW:

What stands out is a decent showcase for the underrated Giant-Man.  His team-up with The Thing is relatively entertaining. Otherwise, including decent visuals, it’s a standard Marvel read for its time.    

ADDITIONAL CONTENT:

A “Bullpen Bulletins” column is included. There’s also “The Ever-Lovin’ Blue-Eyed Letters Page” column.  

BRIAN’S ODD MOON RATING:                       5½ Stars

Categories
Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

TRY EVERYTHING (by Shakira: Zootopia movie soundtrack)

SUMMARY:                                RUNNING TIME: 3:16 Min.

This up-tempo dance track by Shakira appears on 2016’s Zootopia animated film soundtrack.

REVIEW:

Shakira’s vocals spelling out anthropomorphic rabbit Judy Hopps’ optimistic attitude exploring big city life exude a contagious charm.  Her song’s commendable message reiterates that mistakes will happen, but getting back up afterwards and trying again, no matter if one fails, is what really counts.  Not only is the melody undeniably catchy, Shakira’s energetic vocals prove a considerable asset. 

Though meant for youngsters, the sunny “Try Everything” might be an ideal choice for aerobic workout playlists.    

BRIAN’S ODD MOON RATING:                8½ Stars

IMAGE NOT AVAILABLE

Categories
Comic Books & Graphic Novels Marvel Comics

THE AMAZING SPIDER-MAN # 533 (2006 MARVEL Comics)

Written by J. Michael Straczynski

Art by  Ron Garney; Bill Reinhold; Matt Milla; & VC’s Cory Petit

Cover Art by Ron Garney

SUMMARY:

Released by Marvel Comics for August 2006, as Marvel’s Civil War approaches, it’s entitled “The Night The War Came Home, Part Two of Six.”  Prompted by Tony Stark, Peter Parker reluctantly conducts a press conference to publicly unmask as Spider-Man.  While Flash Thompson is incredulous at the news, a quietly seething J. Jonah Jameson is not. 

Though Robbie Robertson calmly handles Peter’s shocking revelation, others (i.e. a terminally ill Eddie Brock and Doctor Octopus) gloat sensing potential opportunity.  Supported by his wife, Mary Jane, and Aunt May, Peter contends with the instant repercussions inside and outside the super-hero community. 

Among the harshest reactions is a multi-million dollar lawsuit alleging fraud from The Daily Bugle.  Worse yet, Peter is stunned that, without even asking, Stark announces that Spider-Man has joined his pro-registration task force that will capture those heroes in governmental non-compliance.  After saving Mary Jane’s life from a crazed demonstrator turned gunman, Spider-Man’s personal rift with Iron Man deepens.

Note: On the first page, in the letter left-hand corner, Clark Kent’s face makes a partial cameo (the spit curl is hard is miss).   

REVIEW:

The art squad’s visuals generally come off as more than sufficient rather than anything remarkable. What stands out instead is a momentous storytelling opportunity in the franchise’s history.  Not only does writer J. Michael Straczynski create a genuine sense of unpredictability, the potential for what even long-time supporting characters might do should reinvigorate weary fans to stay tuned in. 

For instance, J. Jonah Jameson’s non-buffoonish take re: Peter’s years of deception is one of his character’s best-ever moments.  The intriguing feud-in-the-making between Peter and Tony Stark is another well-played element.  In that sense, Straczynski’s gamble working this storyline initially pays off big dividends.  The Amazing Spider-Man # 533, for this reason alone, should be a keeper for any Spider-fan.   

Parental note: The script references that the immense influx of ‘Peter Parker’ searches shut down the Internet, even porno sites.   

ADDITIONAL CONTENT:

There’s a half-page “Pulse Headline News” checklist of new Marvel issues.     

BRIAN’S ODD MOON RATING:                     8 Stars

Note: The image below is taken from the cover for the trade paperback, Spider-Man: Civil War, which re-used the cover image for Issue # 533.

Categories
Comic Books & Graphic Novels Marvel Comics

THE AMAZING SPIDER-MAN # 411 (1996 MARVEL Comics)

Written by Tom DeFalco

Art by Mark Bagley; Larry Mahlstedt; Al Milgrom; Bob Sharen; Malibu’s Hues; Richard Starkings; & Comicraft

Cover Art by Mark Bagley & Larry Mahlstedt

SUMMARY:

Released by Marvel Comics for May 1996, it’s Part 2 of the six-part “Blood Brothers.”  While J. Jonah Jameson gloats over a publicity-seeking Spidey bounty re: a stolen skeleton, two Spider-Men have separate dilemmas.  Ben Reilly is still acclimating (or re-acclimating) to his dual life, as one scene depicts a homage to Batman’s origin in Crime Alley.  Realizing someone has a vendetta to ruin him, Ben’s day grows steadily worse.  A mystery adversary tauntingly invades Ben’s apartment and may next target his unsuspecting workplace. 

Eager to return home to Portland, Oregon, a powerless Peter Parker accepts that his web-spinning days are over.  Sharing an exuberant day in New York City, with his pregnant wife, Mary Jane, Peter is briefly content with this reality.  In an alley, the Parkers are brutally accosted by cybernetic mercenaries.  Mary Jane is helpless witnessing their assailants mercilessly pummel Peter to near-death as an ominous warning to Spider-Man. 

Elsewhere, the villainous Doctor Trainer looks forward to the Multivex Corporation’s cloning technology to revitalize him.

Note: The cover image doesn’t depict Mary Jane as obviously pregnant (as she is in the actual story).

REVIEW:

No matter how preposterous the whole Clone Saga seems, writer Tom DeFalco’s scripting for this particular issue is solid enough.  Including reasonably good visuals,  The Amazing Spider-Man # 411 delivers a decent, likely one-and-done read.   

ADDITIONAL CONTENT:

A single-page checklist details newly-released Marvel issues. Saved for last is a single-page “Spider-Web” letters-and-answers column.  

BRIAN’S ODD MOON RATING:                      5½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

TWO HEARTS (by Phil Collins: Hits)

SUMMARY:                             RUNNING TIME: 3:24 Min.

Performed by Phil Collins, this pop track was initially recorded for the 1989 film, Buster, which Collins also starred in.  The song inspired a music video that was in regular rotation for months on VH1 after its release.  Collins composed the tune with Lamont Dozier.  “Two Hearts” notably appears on Collins’ 1998 Hits album.

REVIEW:

Upon first impression, it’s Collins at his exuberant best. The bubbly, retro-jazzy pop sound powering “Two Hearts” is an instant antidote for gloom. In that sense, it’s a deliberately opposite mood shift away from the downbeat “A Groovy Kind of Love,” which Collins also performed for Buster

The song, style-wise, recalls a previous Collins hit: “You Can’t Hurry Love,” as far as its upbeat vibe grabbing listeners. Though the tune tends to overindulge on pop fizz, it’s still a refreshing option for ‘80s pop, soundtracks, or British-themed playlists

BRIAN’S ODD MOON RATING:                     8 Stars

IMAGE NOT AVAILABLE