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Comic Books & Graphic Novels DC Comics

JUSTICE LEAGUE OF AMERICA # 18 (2008 DC Comics)

Written by Alan Burnett. Art by Ed Benes; Peter Pantazis; Rob Leigh; & Sandra Hope.

Back-Up Story Written by Dwayne McDuffie. Back-Up Story Art by Jon Boy Meyers; Mark Irwin; Rob Leigh; & Pete Pantazis.

Cover Art by Ed Benes & Alex Sinclair.

SUMMARY:

Entitled “Sanctuary, Part Two,” DC Comics released this issue for April 2008.  The League (Superman; Wonder Woman; Batman; Hawkgirl; Black Lightning; & Red Arrow) face the surrender of several super-villains seeking diplomatic asylum at the Hall of Justice — among The Key and Doctor Polaris.  These criminals dread the rumored inhumanity otherwise awaiting them on the secret ‘prison planet’ in another galaxy.  While the JLA seeks further intel, Amanda Waller covertly sends her Suicide Squad to invade the Hall of Justice’s Watchtower satellite.    

In the Red Tornado’s six-page back-up tale, “Meanwhile, Back at Owl Creek Bridge …,” the League’s cybernetics experts seek to soon reunite both the Tornado’s virtual self and his soul with a new (partially-constructed) android body.  Within the Hall of Justice’s high-tech lab, the Tornado’s wife, Kathy, and young daughter, Traya, observe Batman; Zatanna Zatara; Dr. John Henry Irons; The Metal Men’s Dr. Will Magnus; and The Doom Patrol’s Dr. Niles “The Chief” Caulder at work.  The question is: does Red Tornado’s mortal family wish to risk losing him again?

Note: Though included on the cover, neither Black Canary nor John Stewart’s Green Lantern appear in this issue.

REVIEW:

Both stories, in terms of their writing and visuals, deliver well-played DC entertainment. In particular, kudos should go to artist Ed Benes for providing further evidence that he is definitely one of the industry’s best pencillers.  

For fans, Justice League of America # 18 is a recommended read worthy of ‘staying tuned.’   

ADDITIONAL CONTENT:

In the “DC Direct” column, DC’s VP of Design & DC Direct Creative, Georg Brewer, heralds the start of the 2008 convention season.  Included are thumbnail cover reveals for Death of the New Gods # 6; Superman/Batman # 46; and Justice League of America # 19.  

BRIAN’S ODD MOON RATING:                   7½ Stars

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Comic Books & Graphic Novels DC Comics DC-Marvel Crossovers DC's Hardcovers & Trade Paperbacks Marvel Comics MARVEL's Hardcovers & Paperbacks

RETURN TO THE AMALGAM AGE OF COMICS: THE DC COMICS COLLECTION (DC Comics & MARVEL Comics)

Written by Dave Gibbons; Alan Grant; Larry Hama; Peter Milligan; Christopher Priest; Ty Templeton; & Mark Waid.

Art by Rodolfo Damaggio; Dave Gibbons; Oscar Jimenez; Adam Pollina; Val Semeiks; Ty Templeton; Rick Burchett; Ray Kryssing; Mark Morales; Jimmy Palmiotti; Anibal Rodriguez; Bill Sienkiewicz; Scott Baumann; Angus McKie; Linda Medley; Patricia Mulvihill; Francesco Ponzi; Gloria Vasquez; John Costanza; Albert DeGuzman; Tim Harkins; Bob Lappan; Ken Lopez; Bill Oakley; Digital Chameleon; Jamison; & Shok Studios.

Compilation Cover Art by Rodolfo Damaggio; Karl Story; & Andre Khromov.

SUMMARY:

Released in 1997, as another volume from DC & Marvel’s Amalgam project, this 160-page compilation consists of six one-shots.  Specifically, Bat-Thing; The Dark Claw Adventures; Generation Hex; JLX Unleashed; Lobo the Duck; and Super-Soldier, Man of War were all originally published in 1997.

Bat-Thing # 1: “Someone to Watch Over Me.”  A gruesome flying creature stalks Gotham City’s nights.  Targeted by thugs for some fatal payback, police detective Clark Bullock contacts the grieving wife and young daughter of chemist Kirk Sallis.  His partner, Christine Montoya, desperately tries to warn Bullock that he has misperceived the monstrous Bat-Thing.  

The Dark Claw Adventures # 1: “Face to Face.”  In Gotham City, Logan (aka “Patch” Malone) evades assassination by a crew of hapless cyber-ninjas.  Dark Claw’s young female protégé, Sparrow, helps him prepare for an imminent showdown inside his underground base.  He knows his vengeful ex-lover, Lady Talia, seeks a climatic duel to avenge her father’s death.

Generation Hex # 1: “Humanity’s Last Stand.”  In the Old West, a mutant outlaw’s gang seek revenge against the self-righteous town that left him horrifically orphaned years before.

JLX Unleashed # 1: “The Unextinguished Flame!”  In a sequel to JLX # 1, the Judgment League Avengers’ incarcerated renegade faction is the world’s best hope against the demonic Fin Fang Flame.  An Avenger must make her decision as to which team she truly stands with.

Lobo the Duck # 1: Untitled.  After Manhattan (including its super-heroes) is annihilated, the cigar-chomping Lobo seeks some off-world retaliation.  Yet, the bad-boy fowl gets sidetracked by a quintet of scantily-clad women.

Super-Soldier, Man of War # 1: “Deadly Cargo.”  During World War II, Clark Kent & Jimmy Olsen’s undercover assignment leads into an overseas confrontation against the Nazis.      

REVIEW:

Thanks to the various art squads, the wonder of DC & Marvel’s Amalgam project still projects some visual magic.  However, as proven by this particular six-pack, the once-welcome novelty is wearing thin fast.  Case in point: the JLX tale offers intriguing moments, but keeping track of so many JLA and Avengers/X-Men characters (specifically, who’s combined with who) is an ongoing distraction. 

Then again, that’s still far, far better than head-shaking one’s way through the crude parody dubbed Lobo the Duck.  Suffice to say, its snarky juvenile humor is both laugh-free and in predictably poor taste.  Including a half-hearted homage to Marvel and DC’s Golden Age, the Super-Soldier tale suffers, as the title character’s virtuous ‘golden boy’ persona is overwhelmingly bland.

Both the Man-Bat/Man-Thing mash-up and a mutant-themed take on Jonah Hex’s Weird Western Tales are semi-interesting.  It’s just that neither story is likely to encourage more than a single read.  Structured and illustrated like Batman: The Animated Series comics, the fun Dark Claw caper delivers this collection’s best straight-up Amalgam.  Yet, like the other five tales, there’s really nothing ‘must-have’ about its actual storytelling, no matter how rare it is. 

Considering its middling content, Return to the Amalgam Age of Comics is primarily geared for those fans seeking to complete their Amalgam trade paperback collection.       

ADDITIONAL CONTENT:

There’s a single-page introduction (“Carwald’s Cornerbox”) from the fictitious ‘M.M. Carwald.’  Each story also includes a faux letters-and-answers column.

The individual covers appear in full-page format.  The project’s cover art teams are: Rodolfo Damaggio, Bill Sienkiewicz; & Patrick Martin (Bat-Thing); Ty Templeton & Rick Burchett (The Dark Claw Adventures); Adam Pollina & Mark Morales (Generation Hex); Oscar Jimenez, Anibal Rodriguez, & Liquid! Graphics (JLX Unleashed); Val Semeiks & John Dell (Lobo the Duck); and Dave Gibbons (Super-Soldier, Man of War). 

BRIAN’S ODD MOON RATING:                    4½ Stars

Categories
Comic Books & Graphic Novels Marvel Comics

THE SENSATIONAL SPIDER-MAN ANNUAL # 1 (2007 MARVEL Comics)

Written by Matt Fraction

Art by Salvador Larroca; Paco Roca; & VC’s Cory Petit

Cover Art by Salvador Larroca & Paco Roca

Visual Inspiration Credited to John Romita Sr. & Ross Andru

SUMMARY:

Entitled “To Have and to Hold,” Marvel Comics release this 48-page one-shot in 2007.  Before commencing a flashback, Peter & Mary Jane share an exhilarating view from high atop a New York City skyscraper. 

Expanding a plot thread previously explored in Issue # 32, both Mary Jane and Peter’s frustrations living as fugitives are spelled out.  At a downtown New York City deli, Mary Jane shares a cup of coffee with a former Hollywood acquaintance she bumps into.  Yet, this casual chat isn’t what it appears to be. 

At a secluded diner, a disguised Peter similarly unloads his troubles to a plainclothes police detective he trusts – despite his chosen confidant’s reluctance.  To protect Mary Jane, Spider-Man even contemplates self-surrender.  Paralleling one another, the Parkers separately reveal insights from the history of their romance.  Yet, the clock is ticking, as Mary Jane nervously stalls hoping that her husband will realize where he’s now badly needed.

REVIEW:

It’s really a poignant (and last) Valentine’s Day narrating the original evolution of Peter & Mary Jane’s romance – that is, until Marvel Comics deep-sixed this particular continuity.  While Matt Fraction’s thin story overextends itself filling out a double-sized issue, his thoughtful scripting still holds up well enough. 

Equal to, if not better than, the task is the art squad’s top-caliber visuals.  Including a few glimpses of actress Liv Tyler as Mary Jane’s facial inspiration, the watercolor-like artwork is, appropriately enough, sensational.  For faithful Spider-fans, The Sensational Spider-Man Annual # 1 proves a definite treat.      

ADDITIONAL CONTENT:

The first page (including a cover image of Issue # 35’s variant) briefly summarizes the Black in Black arc.  Finishing the issue is a full-page cover reveal for Issue # 38.  

BRIAN’S ODD MOON RATING:                      7½ Stars

Categories
Comic Books & Graphic Novels Marvel Comics

THE SENSATIONAL SPIDER-MAN # 40 (2007 MARVEL Comics)

Written by Roberto Aguirre-Sacasa

Art by Clayton Crain & VC’s Cory Petit

Cover Art by Clayton Crain

SUMMARY:

Entitled “The Book of Peter,” Marvel Comics released this Back in Black issue for October 2007.  Watching over a comatose Aunt May in a New York hospital’s ICU, a disheartened Peter reflects over being bitten that fateful day by a radioactive spider.  He is soon relieved by his wife, Mary Jane, to go out and get some fresh air.  Taking his frustrations out on a secluded dumpster, Peter is approached by an enigmatic, ravaged-looking stranger – though unacknowledged, he’s visually reminiscent of a corpulent Michael Morbius. 

Over an awkward lunch and then off to Robert Moses Beach, where Peter once had fond childhood memories, the stranger reveals the pertinent truth.  Despite inevitable mortal tragedies, why does Spider-Man, and, more importantly, Peter Parker matter?  Peter & Mary Jane’s possible future is teased, but May’s fate in the present-day grimly remains uncertain.

REVIEW:

Conveyed as an It’s A Wonderful Life-type story, writer Roberto Aguirre-Sacasa leaves the grisly stranger’s identity (is he supposed to be God?  Or an angel?) to a reader’s own inference.  This clichéd scripting device works well enough, as Peter must again be reminded that Spider-Man has made far more a positive impact in the world than he realizes. 

Including the cover image, the art squad’s high-caliber visuals enhance this well-played story.  Curiously, several panels later in the story suggest artist Clayton Crain relied upon Charlie Sheen’s likeness for some of Peter’s close-ups.  At a minimum, it’s an intriguing artistic choice.      

Though it doesn’t break much new ground, The Sensational Spider-Man # 40 suggests that Peter Parker’s destiny still has tantalizing possibilities.  Hence, this insightful issue should be a welcome hit among Spider-fans.   

ADDITIONAL CONTENT:

The credits page includes a brief Spider-Man intro.  

BRIAN’S ODD MOON RATING:                      7 Stars

Categories
Comic Books & Graphic Novels Marvel Comics

THE SENSATIONAL SPIDER-MAN # 34 (2007 MARVEL Comics)

Written by Roberto Aguirre-Sacasa

Art by Sean Chen; Scott Hanna; & VC’s Cory Petit

Cover Art by Clayton Crain

SUMMARY:

Entitled “Nothing Can Stop the Rhino,” Marvel Comics released this issue for March 2007.  It’s inferred that Marvel’s Civil War still rages on.  Contacting Mary Jane Watson-Parker & Aunt May at their hotel room, Felicia “Black Cat” Hardy tips them off that she is vengefully going after The Rhino.  Though he is still recuperating from Rhino’s bloody onslaught, Peter’s family refuses to let Felicia see him, let alone reveal his current whereabouts.  Black Cat reflects upon her past romance with Spider-Man.  

With her boyfriend Puma’s intel, Felicia intend to face Rhino alone in Battery Park seeking justice for Peter’s sake.  Intervening before a drunken Rhino fatally mauls three belligerent sailors, Felicia makes a startling decision.  Even the Puma is bewildered, as is Rhino.  Told of Felicia’s actions, an incredulous Mary Jane concludes she’ll “never understand you (costumed) people.”  Still, it’s up to Black Cat to poignantly come to terms with who she really is, with or without Spider-Man in her life.   

REVIEW:

The art team predictably over-indulges Black Cat’s sultry appearance at times, without actually resorting to sleaze.  More significantly, their visuals coordinate some admirable teamwork with Roberto Aguirre-Sacasa’s intriguing script.  As with Mary Jane in Issue # 32,  Aguirre-Sacasa’s well-played tale again illuminates a significant female co-star, with Spider-Man’s presence relegated to flashbacks. 

Continuing Aguirre-Sacasa’s high-caliber run, The Sensational Spider-Man # 34 is a definite keeper for loyal Spider-fans.

ADDITIONAL CONTENT:

None.  

BRIAN’S ODD MOON RATING:                   7½ Stars

Categories
Comic Books & Graphic Novels Marvel Comics

THE SENSATIONAL SPIDER-MAN # 32 (2007 MARVEL Comics)

Written by Roberto Aguirre-Sacasa

Art by Angel Medina; Scott Hanna; Avalon’s Dan Kemp; & VC’s Cory Petit

Cover Art by Clayton Crain

SUMMARY:

Entitled “The Husband or the Spider?,” Marvel Comics released this Civil War-related issue for January 2007.  After weeks of enduring constant stress living as a fugitive, Mary Jane Watson-Parker is hitting her emotional breaking point.  Even Aunt May eerily senses that Mary Jane might well walk out and not come back.  Tormented by nightmares, Mary Jane discreetly meets up with and confides in Sue “Invisible Woman” Richards.  As Mary Jane succinctly tells Sue, unlike other super-hero marriages, she doesn’t have powers to protect herself. 

Yet, Sue’s point hits home that it’s up to Mary Jane to decide how much the commitment of being ‘Mrs. Spider-Man’ ultimately means.  The shocking outcome of Spider-Man’s seemingly routine clash with The Rhino is revealed.    

REVIEW:

This issue does welcome justice to the Spider-Man franchise’s most vital co-star.  Including a stellar cover image, the art team’s visuals are terrific.  Bolstered by such reliable artwork, Roberto Aguirre-Sacasa’s plausible exploration of a troubled Mary Jane’s doubts is well-played.  The Sensational Spider-Man # 32 proves a definite keeper for faithful Spider-fans. 

ADDITIONAL CONTENT:

The single-page letters-and-answers column previews the cover image for Issue # 33.  

BRIAN’S ODD MOON RATING:                          7½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

ST. ELMO’S FIRE {MAN IN MOTION} (by John Parr: St. Elmo’s Fire movie soundtrack)

SUMMARY:                                  RUNNING TIME: 4:13 Min.

Co-written with David Foster, John Parr’s signature pop-rock tune first appeared as the central theme of 1985’s St. Elmo’s Fire movie soundtrack.  It has resurfaced on various ‘80s anthology albums since then, including Billboard Top Hits: 1985 and Atlantic Hit Singles: 1980-1988

REVIEW:

Bolstered by a catchy melody, hearing this tune’s occasional radio play remains a blast.  Surprisingly articulate for this style of song, the lyrics grasp facing life as a twentysomething.  Impressively, John Parr doesn’t just rehash a limited set of catchphrases over and over – his song continues building up to the end.  For any 80’s pop or soundtrack playlist, St Elmo’s Fire (Man in Motion) is well worth the download.

BRIAN’S ODD MOON RATING:                  7½ Stars

Note: An ideal companion download would be Simple Minds’ “Don’t You (Forget About Me)” from 1985’s The Breakfast Club movie soundtrack.

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Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

TRUST IN ME (by Joe Cocker & Sass Jordan: The Bodyguard movie soundtrack)

SUMMARY:                                   RUNNING TIME: 4:14 Min.

Performed by Joe Cocker and Sass Jordan, this pop-rock tune appears on 1992’s The Bodyguard movie soundtrack.       

REVIEW:

Overshadowed by Whitney Houston’s five entries on the same album, “Trust in Me” has everything one hopes for in an underrated rock duet.  Primarily, the hard-edged melody enhances Joe Cocker & Sass Jordan’s vocal chemistry that the end result is nothing short of a dynamite track.  Definitely recommended!   

BRIAN’S ODD MOON RATING:                          8 Stars

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Categories
Comic Books & Graphic Novels Marvel Comics

MARVEL TALES # 271 (1993 MARVEL Comics)

Written by Tom DeFalco

Art by Ron Frenz; Josef Rubinstein; Joe Rosen; & Christie Scheele

Cover Art by Ron Lim

SUMMARY:

Entitled “Beware the Claws of Puma!,” Marvel Comics released this issue for March 1993, as it’s a reprint of The Amazing Spider-Man # 257 (from 1984).  Already coping with his enigmatic Secret Wars black costume and a shaky romance with Felicia “Black Cat” Hardy, an injured Spider-Man is now the Puma’s prey.  Seeking The Rose’s mob bounty to kill Spidey only, Puma isn’t inclined to add Black Cat’s death as a freebie. 

Irritated by his masked subordinate’s actions, Wilson “The Kingpin” Fisk, sets The Rose straight re: who will authorize Spider-Man’s extermination, if anyone.  While Puma awaits a rematch, another prospective Spider-foe makes his presence known to The Rose and his goon squad.

Holding her tongue, a distinctly unimpressed Black Cat splits upon viewing an unmasked Peter’s blue-collar apartment.  Forced to ignore an uninvited Mary Jane Watson, a hobbled Peter must defend himself from Puma’s abrupt home invasion. Surviving a fast-paced slugfest, Spider-Man wearily returns home to be shocked by a franchise-changing revelation.       

REVIEW:

Sporting sufficient artwork, this mid-80’s Spidey adventure delivers solid entertainment.  With writer Tom DeFalco on his game, multiple sub-plots intertwine well making sure that nothing’s rudimentary in Spider-Man’s life.  For Spider-fans, Marvel Tales # 271 is a fun blast-to-the-past setting up a pivotal moment in the franchise’s history.  

ADDITIONAL CONTENT:

There’s a full-page “Bullpen Bulletins” column.  Also included is a full-page reprint of Frenz & Rubinstein’s original Amazing Spider-Man # 257 cover.  The “Marvel Mails” column sports a full-page ad for Spider-Man Classics # 1 (featuring a Spidey cover image by Tom Lyle drawn in 1992).    

BRIAN’S ODD MOON RATING:                     7 Stars

Categories
Comic Books & Graphic Novels Independent Publishers (Comic Books & Graphic Novels) Marvel Comics

SPIDER-MAN/RED SONJA # 5 (2008 MARVEL Comics & DYNAMITE Entertainment)

Written by Michael Avon Oeming

Art by Mel Rubi; Brian Buccellato; & Simon Bowland

Cover Art by Michael Turner & Peter Stiegerwald

SUMMARY:

Released by Marvel Comics for February 2008, their untitled 48-page collaboration with Dynamite Entertainment concludes the five-part mini-series.  Separated from Venom, a disguised Eddie Brock witnesses that Spider-Man faces imminent doom as the captive of Kulan Venom (the Venom-possessed Kulan Gath).  The same applies to a wounded Red Sonja (possessing Mary Jane’s mortal body), as she & Spidey are positioned ominously reminiscent of a scene in from 1979’s Marvel Team-Up # 79

Could Brock, along with J. Jonah Jameson and Robbie Robertson’s resistance force, be their last hope?  With Venom loose again, Red Sonja & Spider-Man make a final stand against Kulan Gath to save Manhattan from his diabolical wrath.     

Note: There’s a textless variant cover available.

REVIEW:

Despite a predictably mundane finish, Spider-Man/Red Sonja # 5 delivers some good writing and solid visuals.  Notably, Michael Turner & Peter Stiegerwald’s cover image represents the best of their five efforts for this project.

Writer Michael Avon Oeming adds poignant texture to Spidey & Red Sonja’s relationship, which is his most vital  contribution revisiting a classic Marvel team-up.  Otherwise, Chris Claremont & John Byrne’s 1979 tale becomes even more impressive now.  Their originality goes a long way, so to speak, vs reading Oeming’s competent yet still-derivative homage.  If anything, this sequel storyline offers a relatively satisfactory wrap-up for Spider-fans, as well as Red Sonja’s fanbase.    

ADDITIONAL CONTENT:

The credits page summarizes Issues # 1-4.  The single-page Fury’s Files reveals obscure tidbits about The Fantastic Four.  A two-page ‘portfolio review’ by editor Bill Rosemann examines character designs for his Annihilation: Conquest project.  Marvel writer Jeph Loeb has a single-page interview.  Marvel personnel respond to the question: “What do you do with your comic books?” in a single-page entry.

BRIAN’S ODD MOON RATING:               6 Stars