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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

I’M FREE {HEAVEN HELPS THE MAN} (by Kenny Loggins: Footloose {1984} movie soundtrack, 15th Anniversary Edition)

SUMMARY:                            RUNNING TIME: 3:46 Min.

It’s the second of two songs that Kenny Loggins recorded for 1984’s Footloose film soundtrack.  This tune is included on the album’s 15th Anniversary edition released in 1998.  Loggins co-wrote the track with collaborator Dean Pitchford.   

REVIEW:

Considering the popularity of Kenny Loggins’ title track, it’s not a surprise that “I’m Free (Heaven Helps the Man)” has long been overshadowed.  Yet, this track possesses some Loggins magic, even if “Footloose” is undeniably far catchier.  Curiously, history would repeat itself as 1986’s Top Gun soundtrack also double ups on Loggins.  Like before, his energetic “Playing With the Boys” wouldn’t prove nearly as popular as “Danger Zone.,” though it’s still a good song.

In this instance, too, “I’m Free (Heaven Helps the Man)” merits a fair shot at re-discovery.  Proving better than mere filler, it’s a likable addition for ‘80s rock-pop, soundtrack, and workout playlists.        

BRIAN’S ODD MOON RATING:                     6 Stars

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Categories
Books & Novels Mystery & Suspense

AN FBI THRILLER: BOMBSHELL

Written by Catherine Coulter

SUMMARY:

Jove Books re-released this title as a 451-page paperback edition in 2014.  Previously seen in 2012’s Backfire, FBI Special Agent Griffin Hammersmith has nearly completed his cross-country drive from San Francisco to join Dillon Savich’s elite unit in Washington, D.C.  Hammersmith intends to first stop over and briefly visit his kid sister, Delsey Freestone, who is a promising student at the prestigious Stanislaus School of Music in Maestro, Virginia. 

During the night before her brother’s arrival, an inebriated Delsey is nearly killed after she glimpses an unknown bloody corpse in her own bathtub.  With his severely-concussed sister hospitalized, Hammersmith finds himself assigned to the case. All isn’t what it appears, as he soon suspects that someone at Stanislaus may be involved in illicit schemes extending far beyond a local break-in.  Complicating Hammersmith’s probe is one of Delsey’s classmates, with secrets of her own.  

Meanwhile, amidst the bitter cold of the nation’s capital, Dillon Savich & Lacey Sherlock’s FBI squad investigate a bizarre murder after a frozen nude corpse is left overnight at The Lincoln Memorial.  A grotesque image of the crime is subsequently uploaded on the internet by presumably the culprit making this crime a sensationalistic topic amongst the public. As the victim was the college-age grandson of the Federal Reserve Bank’s controversial former chairman, the squad find this grisly homicide may be linked to other crimes, both in the past and the imminent future. 

Along with Sheriff Dix Noble and the DEA, the team aids Hammersmith, as he is outmatched by dark forces still seeking to kill Delsey.  Included for good measure are brief references setting up The Final Cut – A Brit in the FBI (the first book in a series spin-off starring Nicholas Drummond).

Note: Bombshell was previously released as a hardcover in 2013. This title is also available digitally.

REVIEW:

Catherine Coulter’s consistency slickly writing this series is evident, as Bombshell provides routine proof.  Granted, would anyone really believe that a real-world FBI Speial Agent would be officially assigned to investigate his own sister’s near-homicide?  Or that married agents actually work together in the same investigative unit (let alone have one supervise the other)? Or that previously evasive witnesses will conveniently buckle at the right moment and confess vital evidence to the FBI without an attorney present? Or that two major cases would simultaneously resolve inside of a week?  

Of course not – but Coulter’s literary talent and years of experience honing her ongoing cast of FBI personnel makes it an enjoyable read suspending one’s sense of disbelief at the novel’s fast pace.  Where she falters, however, is over-indulging a tendency to pitch unnecessary throwaway details that, to varying degrees, may test a reader’s patience. 

For instance, depicting a frozen corpse as totally nude is a salacious element that is utterly irrelevant to the plot. Or extra tidbits like: Hammersmith, by sheer coincidence, owns classical CD’s of two of his homicide case’s main suspects; Savich & Hammersmith are both grandsons of famous female artists (one a painter and the other a singer); Delsey quickly recognizes Savich & Sherlock’s young son due to his ‘internet’ fame, etc. Such storytelling winks might work for Nora Roberts and Jayne Anne Krentz, but, in Coulter’s Bombshell, the abundance of such eye-rollers hampers her storyline’s credulity.   

In spite of formulaic plot contrivances and glaring instances of self-promotion (i.e. repetitively hyping The Final Cut), Bombshell, for the most part, provides the necessary suspense.  Coulter’s knack for constructing a relatively complex plot is a plus, since Bombshell maintains dual storylines that intersect only as necessary.  She also makes Griffin Hammersmith and presumably his future partner a likable crime-fighting duo; one could readily infer that Bombshell is meant to explore interest in them as another potential spin-off. 

If anything, Coulter delivers reliable entertainment to keep stashed at one’s desk or for those long airport layovers.        

ADDITIONAL FEATURES:

A three-page sample previews the series’ next entry: Power Play.  In a reverse-chronology, a list of Coulter’s FBI Thriller titles is provided.

BRIAN’S ODD MOON RATING:                      7 Stars

Categories
Comic Books & Graphic Novels DC Comics DC's Hardcovers & Trade Paperbacks

FLASH (WALLY WEST): RACE AGAINST TIME! (DC Comics)

Written by Mark Waid & Brian Augustyn.  

Art by Oscar Jimenez; Anthony Castrillo; Jim Cheung; Sergio Cariello; José Marzan, Jr.; Anibel Rodriguez; John Nyberg; Brian Garvey; Tom McCraw; Gaspar Saladino; & Kevin Cunningham.

Original Cover Art by Oscar Jimenez; Steve Lightle; Mike Wieringo; & José Marzan, Jr.

Compilation Cover Art by Mike Wieringo; José Marzan, Jr.; & Patrick Martin.

SUMMARY:

Released by DC Comics in 2005, this 166-page paperback reprints The Flash # 112-118 (from 1996).  Enduring another of Wally West’s enigmatic absences, Linda Park trusts that Wally will return to her … like he always does.  She is, however, unaware that the Speed Force (aka ‘the Speed Field’) has left Wally trapped in the 64th Century where he finds himself worshipped as a deity. 

With his absence extending longer than ever before, Linda increasingly suspects that Wally’s latest MIA stint may well be permanent.  In his place is John Fox – the time-traveling Flash of the 27th Century; the ulterior reason for his presence is eventually revealed. 

After attending Johnny Quick’s funeral, Fox teams with Linda & Piper to pursue the icy Chillblaine, who proves surprisingly elusive.  As a disoriented Wally leaps to the 30th Century and later encounters John in the 27th Century, the alliance between Chillblaine and two of Wally’s most dangerous foes comes into play. 

Among this trio’s crimes is the chilling homicide of a long-time Rogue dating back to Barry Allen’s era.  Worse yet is that these three villains are forcing Barry’s captive widow, Iris, to reveal her knowledge of the future for their own nefarious gain. 

Drawing emotionally closer, sudden friction between Linda & Fox precedes a likely irreversible tragedy.  With further catastrophes looming, it’s up to Wally to finally find a way of racing home to make things right.  Ultimately, the Fastest Man Alive needs his 27th Century successor to help save their beloved Linda from a frozen doom.  

Guest appearances and cameos by the extended Flash Family include: Jay Garrick; Max Mercury; Bart Allen; Jesse Chambers and her mother; The Tornado Twins; & even Bart’s 30th Century cousin, Jenni “XS” Ognats.

REVIEW:

For Wally & Linda fans, the writing and the art squad’s visuals consistently hold up as expected.  Though its time-traveling plot components are sometimes eye-rolling, the plotting isn’t better or worse than other Flash storylines of that era.  Case in point: instead of diminishing him, nicely-played homages to Barry Allen’s legacy only add to Wally’s stature as DC’s premier Flash. 

Race Against Time!, in that sense, continues Wally’s reliability for solid and literally fast-paced entertainment meant for all ages.  Hence, this particular collection isn’t a must-have, but it gladly offers a good read.       

ADDITIONAL CONTENT:

In a full-page gallery format, all seven covers are included.

BRIAN’S ODD MOON RATING:                           6 Stars

Categories
Country, Folk, & Bluegrass Individual Tracks (CD's) Music & Radio Shows

TOO FAR THIS TIME (by Crystal Bernard: The Girl Next Door)

SUMMARY:                            RUNNING TIME: 4:48 Min.

From her 1996 The Girl Next Door album, Crystal Bernard from NBC TV’s Wings performs this country-western tune.   

REVIEW:

“Too Far This Time” is frankly an underrated treat.  Combined with some catchy instrumentals, Crystal Bernard’s upbeat vocals makes this tune reminiscent of something The Dixie Chicks might do.  For country playlists, this song is a terrific option.  

BRIAN’S ODD MOON RATING:                    8 Stars

Categories
Comic Books & Graphic Novels Marvel Comics MARVEL's Hardcovers & Paperbacks

BLACK WIDOW: KISS OR KILL (MARVEL Comics)

Written by Duane Swierczynski. Art by Manuel Garcia; Lorenzo Ruggiero; Bit; Jim Charalapidis; & Blambot’s Nate Piekos.

Iron Man: Kiss and Kill Written by Jim Ahearne. Art by by Brian Ching; Michael Atiyeh; & Dave Sharpe 

Compilation Cover Art by Travel Foreman & June Chung.

SUMMARY:

Released by Marvel Comics in 2011, this 96-page compilation reprints Black Widow # 6-8 and the Iron Man: Kiss and Kill one-shot (from 2010-2011).  In Houston, Texas, Natasha “Black Widow” Romanova goes undercover to protect vengeful Nick Crane, the son of a dead U.S. Senator.  Word is out that Crane intends to publicly expose her involvement precipitating his father’s controversial death. 

Facing Black Widow is a lethal impersonator, Fatale, whose mercenary stock in trade is helping her employer blackmail high-powered U.S. political players as expendable pawns.  Set across multiple Eastern European locales, with Crane as a reluctant ally, Natasha aims to neutralize the enigmatic threat pulling this scheme’s nefarious strings.

In Kiss and Kill, Natasha (with some help from Pepper Potts) prepares Tony Stark for an undercover mission into Russia to probe the theft of an experimental Iron Man armored suit.  A familiar old foe awaits them having baited an alluring deathtrap.  With Tony forcibly transformed into an Iron Man-shaped, guided missile, his perilous team-up with Natasha may well change the course of Avengers history. 

Notes: Despite Wolverine’s romantic pose with Natasha on Iron Man: Kiss and Kill’s cover, he is not even mentioned in the story.

REVIEW:

Oddly, the first page’s artwork depicting a ‘presidential’ flashback is an immediate credibility killer – this supposed U.S. President appears far too youthful and contemporary to actually be one.  If the artist meant to convey a JFK-like figure, the sleazy imagery simply isn’t believable … that is, unless he is supposed to be a president’s playboy son.  Murky visuals for the adult-friendly Issues # 6-8, otherwise, are more than sufficient. 

Yet, it is contrived plot twists that hamper writer Duane Swierczynski’s murder-mystery/espionage tale at the wrong times.  Primarily, Black Widow’s undercover team-up with Fatale rings false, given the script’s dire circumstances.  Also escaping virtually unscathed from plenty of intense (and sometimes explosive) violence multiple times is another familiar dose of salt readers must swallow.  Overall, the Swierczynski tale still merits a single read – opting for an inconclusive finish is fine in theory, but this one falls far short of reasonable satisfaction. 

Note: In dubious taste, without using actual names, Swierczynski’s script lifts the real-life 2006 radiation poisoning of Alexander Litvinenko.

In the Iron Man team-up, its visuals are easily this collection’s best asset.  Though the plot is somewhat implausible, Natasha & Tony’s reliable chemistry delivers the necessary fun.  A cameo by the original Avengers is also a nice touch. 

Overall, the content of Black Widow: Kiss or Kill should be welcomed by Natasha’s fans.  The flip side, regrettably, is that its skimpy page count is unjustifiable.  Had this title been supplemented by additional stories (i.e. some vintage Black Widow/Iron Man reprints), then one would make a far more convincing argument that Kiss or Kill is a keeper.   

ADDITIONAL CONTENT:

Foreman & Chung’s three covers (Issues # 6-8) are included in a full-page format.  The same applies to Brian Ching & Chris Sotomayor’s cover for Iron Man: Kiss and Kill.  There’s also two bonus covers: Scott Campbell & Brian Stelfreeze’s Issue # 1 variant (resembling Scarlett Johansson); and a vampire-themed Issue # 7 variant by Stephane Perger.

BRIAN’S ODD MOON RATING:                       5 Stars

Categories
Comic Books & Graphic Novels Marvel Comics

AVENGERS ASSEMBLE # 22 (2014 MARVEL Comics)

Written by Kelly Sue DeConnick & Warren Ellis

Art by Matteo Buffagni; Paco Diaz; Nolan Woodard; & VC’s Clayton Cowles

Cover Art by Jorge Molina

SUMMARY:

Marvel Comics released this untitled Inhumanity tie-in for February 2014.  Spider-Woman, Black Widow, & Anya Corazon’s Spider-Girl must escape imminent execution as A.I.M.’s captives.  As her presumed dead teacher was a latent Inhuman mutating inside a cocoon, a frustrated Anya needs the Avengers’ help to recover his remains from warped geneticist Dr. June “Toxic Doxie” Carrington.  

While the nefarious Carrington draws closer to implementing her latest self-experiment, Wolverine & Bruce Banner/Hulk help obtain another lead from A.I.M.-affiliated arms dealer Kashmir Vennema, who sold the comatose teacher’s cocoon to Carrington.     

Captain America makes a cameo appearance.

REVIEW:

While the storyline itself isn’t remarkable, the co-writers’ scripting style (including interwoven bits of humor) is amusingly well-played.  In particular, a youthful Spider-Girl’s chemistry mixing it up with seasoned pros Spider-Woman & Black Widow is quite enjoyable to read — especially a good-natured Jessica Drew playing the role like a surrogate aunt.  Bruce Banner’s nonchalant contribution adds to the fun re: his unique method of committing extortion, Hulk-style. 

Equal to the task (and probably even better) would be the art team’s excellent visuals, including the cover image.  Hence, Avengers Assemble # 22 makes a terrific addition to any comics collection.     

ADDITIONAL CONTENT:

The credits page includes a cast list and a current story arc synopsis.  “The Assembly!” column provides a thumbnail preview of Issue #23’s cover.  Also hyped is Avengers # 24.NOW.  A bonus is a family’s Halloween photo where its six kids are dressed as Marvel heroes.      

BRIAN’S ODD MOON RATING:                       7½ Stars

Categories
Comic Books & Graphic Novels Marvel Comics

THE AMAZING SPIDER-MAN # 538 (2007 MARVEL Comics)

Written by J. Michael Straczynski

Art by Ron Garney; Bill Reinhold; Matt Milla; & VC’s Cory Petit

Cover Art by Ron Garney

SUMMARY:

Concluding the seven-part “The War at Home,” Marvel Comics released this issue for January 2007.  As Marvel’s first Civil War reaches its climax, a fugitive Peter Parker checks on his loved ones before the epic final showdown.  Elsewhere, an incarcerated Wilson “The Kingpin” Fisk has ordered a triple-hit on the Parkers.  As Mary Jane & Aunt May watch hiding out in a secluded motel room, the news media (including The Daily Bugle) solemnly contemplates the super-hero war’s fallout. 

Also patiently biding his time from afar is the anonymous mob assassin, who could soon shatter Spider-Man’s world.  Sudden tragedy will lead into Spider-Man’s Back in Black story arc.       

REVIEW:

One shouldn’t skip this issue upon seeing its lackluster cover.  Unmistakably, the art squad’s excellent interior visuals equal J. Michael Straczynski’s scripting.  Considering its dramatic value, The Amazing Spider-Man # 538 is a definite keeper for Spider-fans.      

ADDITIONAL CONTENT:

None.  

BRIAN’S ODD MOON RATING:                   8½ Stars

Categories
Comic Books & Graphic Novels Marvel Comics

THE AMAZING SPIDER-MAN # 519 (2005 MARVEL Comics)

Written by J. Michael Straczynski

Art by Mike Deodato Jr.; Joe Pimentel; Matt Milla; & VC’s Cory Petit

Cover Art by Mike Deodato Jr.

SUMMARY:

Entitled “Moving Up,” the New Avengers arc begins, as Marvel Comics released this issue for June 2005.  Left with no other viable options, a homeless Peter Parker and his family accept Tony Stark’s gracious offer to move into Avengers Tower.  Meeting the New Avengers, an excited Mary Jane & Aunt May start acclimating to their new surroundings. 

HYDRA discreetly murders an undercover SHIELD operative during a bid to abduct and eliminate several of its own inefficient lieutenants.  Unbeknownst to the New Avengers, a resurgent HYDRA has a new scheme brewing for world domination.  

Along with Jarvis, the other New Avengers (Steve Rogers/Captain America; Luke Cage; Wolverine; and Spider-Woman) make brief appearances.

REVIEW:

Standing out most are the art squad’s terrific visuals, i.e. the occasional use of facial likenesses from Timothy Dalton (for Tony Stark), Liv Tyler (for Mary Jane), and Jason Priestley (for Peter).  J. Michael Straczynski’s plotting holds up well, as his script re-establishes HYDRA as Marvel’s vilest terrorist group.  Still, the script’s back half necessitates pages of lengthy exposition spelling out HYDRA’s current agenda, which may bog down some readers. 

Even so, Issue # 519 is an intriguing read initiating a deep-dive into Peter’s life as a full-time New Avenger.      

ADDITIONAL CONTENT:

None.  

BRIAN’S ODD MOON RATING:                          7 Stars