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Comic Books & Graphic Novels Independent Publishers (Comic Books & Graphic Novels)

MANTRA (EDEN BLAKE/LUKASZ) # 2 (1993 MALIBU Comics)

Written by Mike W. Barr

Art by Terry Dodson; Al Vey; Patrick Owsley; & Moose Baumann

Cover Art by Terry Dodson & Gary Martin

SUMMARY:

Entitled “The Woman Behind the Mask,” Malibu Comics released this issue for August 1993.  Now possessing single mother Eden Blake’s mortal form, macho warrior/sorcerer, Lukasz, faces Warstrike inside Eden’s suburban home.  Awkwardly adjusting to womanhood, a weary Lukasz also finds that faking Eden’s personal life and work is a challenge.  Lukasz/Mantra is aware that the nefarious Boneyard has his minions set on acquiring a stolen mask up for private auction. 

Infiltrating Edgar Strauss’ nightclub, The Conjuror’s Club, a sultry Mantra makes a desperate grab for the silver cat-face mask that mystically ignites her sorcery.  Teaming with an undercover Warstrike, they must fight off Notch and his thugs.  Amidst bonding time with Eden’s two young children at a movie theater, Mantra is attacked by Notch’s replicating crew of Repo Men.  

REVIEW:

Known as a veteran DC Comics scribe, writer/creator Mike W. Barr’s storytelling here treads the thin gray area between dismal and competent; perhaps describing his rudimentary approach as half-hearted best applies.  Unlike the sufficient (i.e. less blatant) interior visuals, the tawdry cover image fixates on the character’s overt sex appeal.  It’s a predictably sleazy ploy, in spite of Eden Blake/Mantra’s presence as one of Malibu Comics’ best and most original creations. 

Hence, in some scenes, Mantra # 2 conveys potential for an intriguing ongoing series.  The ironic flip side is observing how Malibu’s flagrant male chauvinism defining Lukasz/Eden Blake/Mantra’s depiction spells itself out.

ADDITI ONAL CONTENT:

Include thumbnail cover reveals, there’s a two-page spread for Malibu’s “Ultrafiles” news-and-notes column.  

BRIAN’S ODD MOON RATING:                  3 Stars

Categories
Comic Books & Graphic Novels DC Comics

HAWKGIRL # 57 (2006 DC Comics)

Written by Walter Simonson

Art by Joe Bennett; Alex Bleyaert; & Rob Leigh

Cover Art by Howard Chaykin & Dave McCaig

SUMMARY:

Entitled “Trial … (Just because you’re paranoid …),” DC Comics released this Rann-Thanagar War-themed issue for December 2006.  Through Blackfire’s efforts, six Thanagarian criminals escape from prison on Rann.  With five of them staying on Rann, Blackfire sends the so-called ‘Butcher’ to Earth to terminate the perceived traitor known as ‘Hawkgirl.’

In St. Roch, Kendra “Hawkgirl” Saunders’ nocturnal patrol is interrupted by an explosion.  Suddenly ambushed with alien technology, an unconscious Kendra is taken captive.  Awakening inside an abandoned mental institution, Kendra is rendered powerless to defend herself from electrified torture.  Worse yet, she finds herself on trial before a bogus Thanagarian tribunal where the six criminals intend to be her judge, jury, and, most definitely, her imminent executioner.

Elsewhere, Kendra’s associates at work ponder her mysterious absence.

REVIEW:

Including the cover image, the art squad’s solid visuals deliver Issue # 57’s best asset.  Yet, as Blackfire alludes to, writer Walter Simonson makes it all too easy for Hawkgirl to be instantly captured and then left as an imprisoned damsel-in-distress. 

If he had actually depicted Hawkgirl as the formidable adversary Kendra is supposed to be, then his clichéd bird-in-a-cage plotting wouldn’t be such a head-shaking letdown.  This issue is worth reading once, but Simonson’s underwhelming script won’t convince readers that Kendra is really Justice Society or Justice League-caliber.   

ADDITIONAL CONTENT:

The “DC Nation” column presents thumbnail cover reveals for Seven Soldiers # 1; Justice # 8; Action Comics # 844; and an ominous Hawkgirl # 58.

BRIAN’S ODD MOON RATING:               5½ Stars

Categories
Comic Books & Graphic Novels DC Comics

TRINITY (DC UNIVERSE REBIRTH) # 3 (2017 DC Comics)

Written by Francis Manapul

Art by Clay Mann; Seth Mann; Brad Anderson; & Steve Wands

Cover Art by David Mazzucchelli; Clay Mann; & Sonia Oback

SUMMARY:

Entitled “Better Together, Part Three: Nobody Dies Tonight,” DC Comics released this issue for January 2017.  Mysteriously trapped together in a strange alternate reality, Superman & Wonder Woman help Batman cope with the haunting memories inflicted the night his parents were murdered. 

Batman’s fragmented psyche is further conveyed by a  young Bruce Wayne taking solace from both Alfred and psychiatrist Dr. Harleen Quinzel.  The Trinity realizes that, whatever presence is holding them captive, is re-opening their deepest emotional wounds for some unknown purpose.    

Meanwhile, at the Kent Family farm, in Hamilton County, Lois Lane desperately tries to reach her devastated young son, Jonathan, who has apparently locked himself in the barn.  A worried Lois realizes something sinister is already brewing.

Note: Artist Steve Epting created this issue’s variant cover.

REVIEW:

Including the cover image, this issue’s art squad delivers top-caliber work.  The flip side is a semi-disjointed plot where Batman’s tragic origin is exploited (for the umpteenth time) under a microscope, so to speak. 

Writer Francis Manapul’s premise has potential intermingling with Clark & Diana’s own origins; however, the result is an enigmatic stream-of-thought plot reminiscent of Grant Morrison’s pre-Final Crisis run on Batman.  Manapul’s brief Lois & Jonathan sub-plot holds up better, as sufficient clues justify the last page’s abrupt cliffhanger.

Overall, Trinity (DC Rebirth) # 3 isn’t a must-have, but DC fans should find the issue’s visuals appealing.

ADDITIONAL CONTENT:

The “DC All Access” column hypes the Justice League vs. Suicide Squad crossover mini-series. There’s also a two-page Preacher spread in memory of series artist Steve Dillon.  

BRIAN’S ODD MOON RATING:                      6 Stars

Categories
Movies & Television (Videos) Music Videos Online Videos Soundtracks (Digital)

ROMANCING THE STONE (by Eddy Grant: original 1984 music video)

SUMMARY:                               RUNNING TIME: 3:32 Min.

Intended for 1984’s Romancing the Stone co-starring Kathleen Turner & Michael Douglas, the title song is performed by Eddy Grant.  Originally including film clips, Grant’s MTV music video was filmed in some unidentified tropical jungle.  The song was subsequently demoted to a few seconds of background noise in Romancing the Stone’s theatrical release, though Grant at least received a closing credit. 

Hence, it’s not coincidental that Grant’s song is also omitted from the film’s soundtrack in favor of composer Alan Silvestri’s instrumental score.  The song instead would appear exclusively on Grant’s 1984 Going for Broke album.

The song has since resurfaced on Grant’s greatest-hits compilations.  As for the music video, both its original incarnation and subsequent versions (disassociating itself from the film) still exist.    

REVIEW:

With Grant in vintage form, the song’s upbeat reggae/funk fusion sound is undeniably catchy.  Interspersed with Romancing the Stone film clips, the original music video helps distinguish the Turner/Douglas romantic adventure away from its reputation as a Raiders of the Lost Ark imitator. 

Considering how hard it is to find this rollicking tune (without purchasing a complete album to obtain it), Grant’s music video is a terrific alternative.  Recommended!        

BRIAN’S ODD MOON RATING:                 7½ Stars

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Categories
Comic Books & Graphic Novels DC Comics

WHO’S WHO: THE DEFINITIVE DIRECTORY OF THE DC UNIVERSE # 10 (1985 DC Comics)

Written by Len Wein & Marv Wolfman, with contributors Robert Greenberger; Mike W. Barr; E. Nelson Bridwell; Peter Sanderson; & Paul Levitz.

Art by Anthony Tollin; Len Wein; Tatjana Wood & (See Below).

Wraparound Cover Art by Paris Cullins & Dick Giordano.

SUMMARY:

This 26-issue project was launched to help commemorate DC Comics’ 50th Anniversary.  Doubling as a character reference guide for Crisis on Infinite Earths series, Who’s Who was really meant as DC’s answer to Marvel’s Official Handbook of the Marvel Universe franchise, which started in 1983.  Released for December 1985, this 32-page issue’s profiles consists of the following characters, teams, and/or locales:

  • Gunner & Sarge (artist: William Wray);
  • Gypsy (artists: Chuck Patton & Bob Smith);
  • Halo (artist: Jim Aparo);
  • Harbinger (artist: George Pérez);
  • Harlequin I (artists: Martin Nodell & Dick Giordano);
  • Harpis (artists: Shawn McManus & Bob Smith);
  • Haunted Tank (artist: Sam Gianzman);
  • Hawk – Son of Tomahawk (artist: Frank Thomas);
  • Hawk {Hank Hall} & Dove {Don Hall} (artists: Denys Cowan & Dick Giordano);
  • Hawkgirl I {Earth-Two} (artist: Steve Rude);
  • Hawkman I {Earth-Two} (artist: Murphy Anderson);
  • Hawkman II {Earth-One} (artist: Joe Kubert);
  • Hawkwoman {Earth-One} (artist: Paul Smith);
  • Heat Wave (artists: Carmine Infantino & Joe Giella);
  • Hector Hammond (artist: Gil Kane);
  • Helix (artists: Todd McFarlane & Greg Theakston);
  • Hercules (artist: Walt Simonson);
  • Heroes of Lallor (artists: Curt Swan & Karl Kessel);
  • Highfather (artists: Jack Kirby & Greg Theakston);
  • Hippolyta {Earth-One} (artist: Jerry Ordway);

Note: The profile briefly mentions Earth-Two’s Hippolyta to distinguish between her two incarnations.  Still, Earth-One’s Hippolyta is credited with her own separate ‘first appearance’ issue.

  • H.I.V.E. (artist: George Pérez);
  • Hop Harrigan (artist: Tom Beatty);
  • Houngan (artist: George Pérez);
  • Hourman I {Rex Tyler} (artist: Murphy Anderson);
  • Hourman II {Rick Tyler} (artists: Denys Cowan & Rick Magyar);
  • Human Bomb (artist: William Messner-Loebs);
  • Human Target (artist: Dick Giordano);
  • Lt. Hunter’s Hellcats (artists: Mike Chen & Joe Orlando);
  • Huntress I {Earth-Two} (artists: Rick Stasi & Karl Kessel);
  • Huntress II {Helena Wayne of Earth-Two} (artist: Joe Staton);
  • Hyathis (artists: Richard Howell & Dick Giordanor); &
  • Hyena (artists: Rafael Kayanan & Bob Smith).  

REVIEW:

Deliberately glossing over specifics, DC Comics does a commendable (kid-friendly) job describing these characters.  The production quality here is consistent throughout the series.  In that sense, this issue is a welcome dose of nostalgia.

ADDITIONAL CONTENT:

Fan letters and editorial replies appear on the inside front cover.  The back inside cover reveals where to find several of these characters in ongoing DC titles.    

BRIAN’S ODD MOON RATING:                6½ Stars

Categories
Comic Books & Graphic Novels DC Comics

WHO’S WHO: THE DEFINITIVE DIRECTORY OF THE DC UNIVERSE # 1 (1985 DC Comics)

Written by Len Wein & Marv Wolfman, with contributors Robert Greenberger; Peter Sanderson; & E. Nelson Bridwell.

Art by Helen Vesik; Shelly Eiber; Tatjana Wood; Joe Orlando; Greg Theakston; & (See Below).

Wraparound Cover Art by George Pérez.

SUMMARY:

This 26-issue project was launched to help commemorate DC Comics’ 50th Anniversary.  DC Comics released the inaugural issue for March 1985.  Doubling as a character reference guide for Crisis on Infinite Earths series, Who’s Who was really meant as DC’s answer to Marvel’s Official Handbook of the Marvel Universe franchise, which started in 1983.  The 32-page first issue’s profiles consists of the following characters, teams, and/or locales:

  • Abel (artist: Joe Orlando);
  • Abnegazar, Rath, & Ghast {aka The Demons Three} (artists: Craig Hamilton & Dick Giordano);
  • Abra Kadabra (artists: Carmine Infantino & Frank McLaughlin);
  • Adam Strange (artists: Carmine Infantino & Murphy Anderson);
  • Aegus (artist: Don Heck);
  • Airwave I / Airwave II (artists: Alex Saviuk & Dick Giordano);
  • Alley-Kat-Abra (artist: Scott Shawl);
  • All-Star Squadron (artist: Jerry Ordway);
  • All-Star Squadron Headquarters (artist: Marshall Rogers);
  • Amazing-Man I (artist: Jerry Ordway);
  • Amazo (artists: Mike Zeck & John Beatty);
  • Ambush Bug (artists: Keith Giffen & Bob Oksner);
  • Amethyst – Princess of Gemworld (artist: Ernie Colón);
  • Animal Man (artists: José Delbo & Romeo Tanghal);
  • Angle Man I (artist: Gil Kane);
  • Anthro (artist: Howie Post);
  • Apokolips (artist: Greg Theakston);
  • Aqualad I (artist: George Pérez);
  • Aquagirl I (artist: George Pérez);
  • Aquaman (artists: Chuck Patton & Dick Giordano);

Note: Earth-Two’s Aquaman (who wears yellow gloves) isn’t referenced.  Still, Earth-One’s Aquaman is credited with his Earth-Two incarnation’s ‘first appearance’ issue.

  • Arak, Son of Thunder (artist: Ernie Cólon);
  • Arcane {aka Anton Arcane} (artists: Steve Bissette & John Totleben);
  • Arion – Lord of Atlantis (artist: Jan Duursema);
  • Arkham Asylum (artists: Steve Bissette & John Totleben);
  • Atari Force (artist: Eduardo Barreto);
  • Atlantis (including Tritonis & Poseidonis) (artist: Marshall Rogers);
  • Atom I {Al Pratt}(artists: Rick Hoberg & Romeo Tanghal);
  • Atom II {Ray Palmer}(artist: Gil Kane);
  • Atomic Knight (artist: Murphy Anderson);
  • Atomic Skull (artists: Curt Swan & Murphy Anderson); &
  • Auron (artists: Tod Smith & Rick Magyar).  

REVIEW:

Deliberately omitting specifics, DC Comics does a nice (kid-friendly) job introducing these characters.  The production quality presented here would prove consistent throughout the series.  In that sense, this issue is a nostalgia treat.

ADDITIONAL CONTENT:

Along with a pronunciation glossary, the inside front cover is Marv Wolfman & Len Wein’s introduction to readers.  The back inside cover reveals where to find several of these characters in ongoing DC titles.    

BRIAN’S ODD MOON RATING:                     6 Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic Soundtracks (CD's)

SUPER TROUPER {Cover} (by The Cast: Mamma Mia! Here We Go Again movie soundtrack)

SUMMARY:                              RUNNING TIME: 3:51 Min.

For the 2018 sequel, Mamma Mia! Here We Go Again, the extended ensemble cast belts out this ABBA hit during the closing credits. 

Note: For the original film, the trio of Meryl Streep, Christine Baranski, & Julie Walters cover this same tune.

REVIEW:

Incorporating a dreamy, disco-flavored overture, ABBA’s melody is expanded into a more cinematic style to accommodate this large ensemble.  Hence, their energetic rendition of “Super Trouper” becomes a welcome treat.  With Cher leading off, the feminine vocal chemistry displayed by Amanda Seyfried, Lily James, and Meryl Streep, among others, is impressive.  Suffice to say, they effectively drown out their male counterparts relegated to the chorus.  Well-played! 

BRIAN’S ODD MOON RATING:                 8 Stars

Categories
Comic Books & Graphic Novels Marvel Comics

MARVEL KNIGHTS SPIDER-MAN # 19 (2005 MARVEL Comics)

Written by Peter David

Art by Pat Lee; Dream Imagine; & VC’s Cory Petit

Cover Art by Pat Lee

SUMMARY:

Entitled “The Other: Evolve or Die, Part 2 of 12: Denial,” Marvel Comics released this issue for December 2005.  Unaware that the nefarious Morlun is stalking her, working actress Mary Jane Watson-Parker desperately tries to keep track of her reckless husband’s battle against the Tracer.  Worse yet, it appears that New Avengers Spidey & Iron Man have inexplicably turned against one another.  Trying to follow the disjointed media coverage, Mary Jane must later fend off a crazed fanboy. 

At Avengers Tower, Mary Jane privately confronts a perpetually distracted Peter with her worst fears.  Simultaneously, a solemn Peter dreads sharing his heartbreaking medical diagnosis.

REVIEW:

Surprisingly, Spider-Man makes minimal impact in this story until the few pages.  For instance, his three-way conflict with Tracer and Iron Man is oddly negligible, as readers only see a few scattered bits and pieces.  By design, writer Peter David instead focuses on Mary Jane’s attitude towards Peter’s odd mood shifts — including a well-played scene where she evidently smokes Steve Rogers at billiards. 

Though the last scene justifies the cover image, it just seems Mary Jane is unfairly left solo carrying the vast majority of this issue’s plot.  Had David inserted a few instances conveying Peter’s rocky emotional state, it would have noticeably bolstered his somber script.

Including an excellent cover image, the art squad’s high-caliber visuals helps bolster Issue # 19 as a worthy read for Spider-fans.  

ADDITIONAL CONTENT:

The first page summarizes the current arc to date.  Including thumbnail cover reveals, there’s an “Other” checklist indicating what Spider-titles depict the next three installments of this arc.  

BRIAN’S ODD MOON RATING:                   6½ Stars

Categories
Comic Books & Graphic Novels Marvel Comics

SPIDER-WOMAN # 7 (2016 MARVEL Comics)

Written by Dennis Hopeless

Art by Joëlle Jones; Lorenzo Ruggiero; Rachelle Rosenberg; VC’s Travis Lanham; & Idette Winecoor

Cover Art by Yasmine Putri

SUMMARY:

Marvel Comics released this untitled Spider-Women tie-in for July 2016.  Having returned from her dimension-hopping journey to Earth-65, Jessica Drew is stunned to find her male Earth-65 doppelganger, Jesse Drew, in her home.  Worse yet, having passing himself off as her estranged ‘twin brother,’ Jesse has ingratiated himself with a gullible Roger and her infant son, Gerry. 

Reluctantly keeping up the ruse for Roger’s safety, Jessica and her ‘brother’ soon pummel each other into a standstill truce.  Simultaneously, a powerless Gwen “Spider-Gwen” Stacy accesses illicit S.I.L.K. files to research Jesse’s true origin.

Confronted by Gwen & Jessica, Jesse confirms the scheme his world’s evil Cindy “Silk” Moon intends to unleash.  An injured Spider-Gwen must then decide if she really wants to regain her spider-powers.  Hence, this issue is the penultimate chapter leading into the crossover’s finale: Spider-Women Omega.

Note: Artists Javier Rodriguez & John Tyler Christopher produced this issue’s variant cover (no image is available here).

REVIEW:

Writer Dennis Hopeless concocts a surprisingly entertaining plot, no matter if it’s unlikely that Jessica would initiate an impromptu brawl (with her infant son in such close proximity).  The other contrivance one must accept is how Spider-Gwen conveniently learns Earth-65 Jesse Drew & Cindy Moon’s relevant secrets. 

Still, the chemistry of Jessica facing off against her enigmatic ‘twin’ is enjoyably well-played.  Even more significantly, the art squad’s visuals are excellent.  Jessica Drew fans, as a whole, should find Spider-Woman # 7 a welcome read.   

ADDITIONAL CONTENT:

The credits page includes a brief Spider-Women synopsis-to-date.  

BRIAN’S ODD MOON RATING:                   8 Stars

Categories
Comic Books & Graphic Novels Marvel Comics

THE SPECTACULAR SPIDER-MAN # 253 (1998 MARVEL Comics)

Written by John Marc DeMatteis

Art by Luke Ross; Dan Green; RS & Comicraft’s Kiff Scholl; & John Kalisz

Cover Art by Luke Ross

SUMMARY:

Entitled “Son of the Hunter, Part 3,” Marvel Comics released this issue for January 1998.  In the Kravinov Manor’s graveyard, Kraven the Hunter’s resurrected ex-lover, Calypso, resorts to her voodoo powers to pit Spider-Man vs. a vengeful Aloyshia Kravinov (Kraven’s son) in vicious combat to the death.  An uneasy truce is later declared in this three-way vendetta, but all may not be what it seems. 

Elsewhere, it’s evidently up to Grizzly & Gibbon’s hapless tag-team to thwart the White Rabbit and her thugs in their latest heist.  Something sinister is also brewing with Professor Angst at The Ravencroft Institute, as he seeks a worthy adversary to squash Spider-Man.

At the Parker home in suburban Forest Hills, Queens, an eye-rolling Mary Jane blows off her Aunt Anna’s infuriated accusations that a perpetually-absent Peter must be cheating on her.  In her husband’s bewildered presence, what shocker does an exasperated Mary Jane finally resort to in order to disprove her aunt’s theory?   

REVIEW:

Reminiscent of long-time Spider-scribe Tom DeFalco, writer John Marc DeMatteis deftly spins multiple sub-plots keeping readers entertained and off-guard with some terrific plot twists.  The art squad’s likable visuals further bolster this issue’s appeal.  For Spider-fans (especially re: his long history with Kraven the Hunter and now his feuding heirs), The Spectacular Spider-Man # 253 delivers a welcome read.  

ADDITIONAL CONTENT:

The two-panel, fold-out cover’s interior introduces Spider-Man to newcomers.  It also provides this issue’s cast list, along with a summary of the “Son of the Hunter” arc to date.  Marvel’s “Bullpen Bulletins” column is included later in the issue.  The last page is the “Spectacular Spider-Mail” column.  

BRIAN’S ODD MOON RATING:                  7 Stars