Categories
Individual Tracks (CD's) Jazz & Blues Music & Radio Shows

AFTER HOURS (by Dianne Reeves: The Grand Encounter)

SUMMARY:                               RUNNING TIME: 6:06 Min.

Composed by Rozzo Gordon, this jazz ballad is Track # 6 on Dianne Reeves’ 1996 jazz/blues album, The Grand Encounter.

REVIEW:

Considering its length, the song risks overstaying its welcome.  Still, Dianne Reeves “After Hours” conveys a leisurely-paced, down-to-earth lounge style reminiscent of the era of Sarah Vaughan and Billie Holiday.  Reeves’ classy vocals imbue “After Hours” with some welcome jazz magic.  Definitely well-played!   

BRIAN’S ODD MOON RATING:                8½ Stars

Categories
Agatha Christie-Related Anthologies Books & Novels Mystery & Suspense

A DEADLY AFFAIR: UNEXPECTED LOVE STORIES FROM THE QUEEN OF MYSTERY

Written by Agatha Christie

Cover Art by Matt Griffin

SUMMARY:

In 2022, William Morrow (HarperCollinsPublishers) issued this 263-page paperback reprinting thirteen short mysteries.  In addition to two of her miscellaneous romantic tales, A Deadly Affair’s round-robin style rotates between Agatha Christie’s array of famous sleuths.  Specifically, the stories are:

1923 – The King of Clubs (Hercule Poirot):  Poirot & Captain Arthur Hastings probe a sensationalized English countryside murder where a famous dancer is either the prime suspect or its most pivotal witness. 

U.S. anthology: The Under Dog and Other Stories (1951)  / U.K. anthology: Poirot’s Early Cases (1974).

1927 – The Face of Helen (Harley Quin): Mr. Satterthwaite becomes caught up in an aspiring opera singer’s tragic love triangle with two young men.

U.S. & UK. anthology: The Mysterious Mr. Quin (1930).

1933 – Death on the Nile (Parker Pyne): A vacationing Pyne’s Nile cruise is interrupted by a wealthy couple’s quarrel, as the wife believes she is being slowly poisoned.   

U.S. anthology: Mr. Parker Pyne, Detective (1934) / U.K. anthology: Parker Pyne Investigates (1934).

1931 – Death by Drowning (Jane Marple): At Jane Marple’s behest, retired Scotland Yard Commissioner Sir Henry Clithering joins the police investigation of a local girl’s tragic drowning in St. Mary Mead.

U.S. anthology: The Tuesday Club Murders (1933) / U.K. anthology: The Thirteen Problems (1932).

1923 – The Double Clue (Hercule Poirot): A scandalous jewel heist brings Poirot into contact with the enigmatic Countess Vera Rossakoff for the first time.

U.S. anthology: Double Sin and Other Stories (1961) / U.K. anthology: Poirot’s Early Cases (1974).    

1924 – Finessing the King / The Gentleman Dressed in Newspaper (Tommy & Tuppence Beresford): At a London nightclub’s masquerade party, the Beresfords stumble upon a woman’s homicide.

U.S. & U.K. anthology: Partners in Crime (1929).

1928 – Fruitful Sunday: During their afternoon date, a young couple make an unexpected discovery at the bottom of their fruit basket.

U.S. anthology: The Golden Ball and Other Stories (1974) / U.K. anthology: The Listerdale Mystery (1934).

1928 – Wasps’ Nest (Hercule Poirot): Poirot senses a friend’s love triangle may end in homicide.

U.S. anthology: Double Sin and Other Stories (1961) / U.K. anthology: Poirot’s Early Cases (1974).

1942 – The Case of the Caretaker (Jane Marple): Dr. Haydock offers Miss Marple a chance to solve a bizarre true-crime murder that he is thinking of adapting into a novel.

U.S. anthology: Three Blind Mice and Other Stories (1950) / Miss Marple’s Final Cases and Two Other Stories (1978).

1924 – The Man in the Mist (Tommy & Tuppence Beresford): Impeded by a creepy fog, the Beresfords probe a homicide case involving a high-profile actress.

U.S. / U.K. anthology: Partners in Crime (1929).

1932 – The Case of the Rich Woman (Parker Pyne): Parker Pyne digs into his bag of unorthodox tactics to resolve a bored widow’s desire to dispose of her immense wealth.

U.S. anthology: Mr. Parker Pyne, Detective (1934) / U.K. anthology: Parker Pyne Investigates (1934).

1926 – Magnolia Blossom: A married woman must decide whether her future bliss belongs with her husband or with a discreet love affair.

U.S. anthology: The Golden Ball and Other Stories (1971) / U.K. anthology: The Agatha Christie Hour (1982).

1926 – The Love Detectives (Harley Quin): Mr. Satterthwaite and Harley Quin observe a homicide investigation where dramatic confessions by the victim’s wife and her lover contradict the evidence.

U.S. anthology: Three Blind Mice and Other Stories (1950) / U.K. anthology: Problem at Pollensa Bay (1991).

Note: The novel’s legalese indicates that the book’s text was “previously published in a different format” – presumably in the United Kingdom.

REVIEW:

Despite spreading the wealth amongst Christie’s detectives, the publisher’s inexplicable choice of material leaves far better stories off the table.  Before proceeding further, the worthy inclusion of “Wasps’ Nest,” let alone the chilling “Case of the Caretaker,” absolutely fit this anthology’s theme.  It’s the other eleven entries that range from good to middling to utterly blah, no matter how well-packaged the publisher makes them look. 

For instance, “Fruitful Sunday” is a forgettable doodle while “Magnolia Blossom” is straight-up soap opera dreck.  One should then be relieved that “While the Light Lasts” wasn’t included, as it presents another of Christie’s horrid post-war soap operas. 

Regarding the included detective stories, at most, they offer some decent reading.  Still, Parker Pyne’s “Death on the Nile” is this assortment’s worst choice.  Beyond predating one of Poirot’s most famous novel titles, the story is really an ultra-bland amalgam of Poirot’s “Problem at Sea” and “The Cornish Mystery.” Suffice to say, Pyne’s intuitive reasoning is sorely implausible, as compared to Poirot’s own later voyage down The Nile.       

Giving the matter due thought, here’s a partial list of classic Christie mysteries unfairly excluded from this anthology (including a few capers for some humorous relief):

  1. Hercule Poirot: either Mystery of the Spanish Chest, or its alternate version, Mystery of the Baghdad Chest;
  2. Hercule Poirot: The Affair at the Victory Ball;
  3. Hercule Poirot: Murder in the Mews;
  4. Hercule Poirot: Plymouth Express;  
  5. Hercule Poirot: The Cornish Mystery;
  6. Hercule Poirot: Problem at Sea;
  7. Hercule Poirot: Triangle at Rhodes;
  8. Hercule Poirot: The Stymphalean Birds;
  9. Colonel Race: Yellow Iris;
  10. Parker Pyne: The Case of the Discontented Soldier;
  11. Tommy & Tuppence Beresford: The Sunningdale Mystery;
  12. Harley Quin: Harlequin’s Lane;
  13. Harley Quin: The Man from the Sea;
  14. Harley Quin: The Harlequin’s Tea Set;
  15. Jane Marple: The Thumb Mark of Peter;
  16. Jane Marple: The Companion;
  17. Jane Marple: The Blood-Stained Pavement;
  18. Jane Marple: The Herb of Death;
  19. Jane in Search of a Job;
  20. The Girl in the Train;
  21. The Edge; and
  22. Witness for the Prosecution

As evidenced above by what isn’t included in A Deadly Affair, this anthology is at most a mediocre sampling of Christie’s love-themed mysteries.

ADDITIONAL FEATURES:

Entitled “Affairs of the Heart: Agatha’s Early Courtships,” a seven-page excerpt from Christie’s 1975 An Autobiography reveals two love affairs from her own youth.  A helpful bibliography specifies the original publication history of these stories.  Lastly, there’s a paragraph-length bio on Christie.  

BRIAN’S ODD MOON RATING:                    4½ Stars

Note:  Two other recent Christie themed-anthology titles are Midwinter Murder: Fireside Tales from the Queen of Mystery and The Last Séance: Tales of the Supernatural.

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

SPACE: ABOVE AND BEYOND TV THEME {Cover?} (by Shirley Walker: Battlestar Galactica – The A to Z of Fantasy TV Themes)

SUMMARY:                            RUNNING TIME: 4:02 Min.

Composer-conductor Shirley Walker created the primary theme for the same-named 1995-96 FOX TV series.  It’s unclear if Walker or a cover orchestra performs the extended version for the 2000 two-disc Battlestar Galactica: The A to Z of Fantasy TV Themes two-disc compilation album.  It appears as Track # 4 on Disc 2. 

REVIEW:

Impressive! Considering how difficult it is to find Walker’s official work from Space, this rendition is perhaps the best alternative.        

BRIAN’S ODD MOON RATING:                       7½ Stars

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Categories
Comic Books & Graphic Novels Marvel Comics

PETER PARKER, THE SPECTACULAR SPIDER-MAN # 126 (1987 MARVEL Comics)

Written by Danny Fingeroth

Art by Alan Kupperberg; Vince Colletta; Art Nichols; Rick Parker; & Bob Sharen

Cover Art by Al Milgrom

SUMMARY:

Released by Marvel Comics for May 1987, this issue is entitled “Sudden Impact.”  Concluding a two-part tale guest-starring Julia Carpenter’s Spider-Woman, the two heroes barely evade the Wrecker (now packing the raw power of the entire Wrecking Crew).  Including his efforts to provide for his terminally ill mother, the Wrecker’s origin is revisited.  Meanwhile, the outmatched Spider-Man & Spider-Woman quarrel over chasing after Wrecker once more, as no other major-league heroes are available. 

After springing his powerless cronies from jail, the Wrecker is ambushed by one of his own cronies.  Going alone, Spider-Man is trapped in a literal power grab between the feuding Wrecker and Thunderball.  Having witnessed the death of Wrecker’s ashamed mother, Spider-Woman may be an overpowered Spider-Man’s only hope for survival. 

REVIEW:

Meant to stoke interest in Spider-Woman’s upcoming mini-series, Danny Fingeroth’s storytelling this time is merely passable.  In a rare change-of-pace, Spider-Man & Spider-Woman make virtually no impact battling the Wrecker or his brawny pals in either issue.  That’s about the extent of plot twists one gets. 

Visually, Issue # 126’s artwork is underwhelming, with the last page being its best.  While the overall artwork often surpasses the previous issue, there’s a few sloppy panels that appear amateurish.  There’s also an inking gaffe: Julia’s young daughter appears in a cameo with blond hair, which contradicts the black hair she sports in Issue # 125

This kid-friendly issue is an okay read, but Issue # 125 tells a slightly better story.    

ADDITIONAL CONTENT:

None.  

BRIAN’S ODD MOON RATING:                      5 Stars

Categories
Comic Books & Graphic Novels Marvel Comics

PETER PARKER, THE SPECTACULAR SPIDER-MAN # 125 (1987 MARVEL Comics)

Written by Danny Fingeroth

Art by Jim Mooney; Vince Colletta; Art Nichols; Rick Parker; & Bob Sharen

Cover Art by Bob Hall & Al Milgrom

SUMMARY:

Released by Marvel Comics for April 1987, this  issue is entitled “Wrecking Havoc!”  Pressured by J. Jonah Jameson and his crabby landlady, a cash-strapped Peter Parker intends to confront Julia Carpenter’s elusive Spider-Woman for answers and a potential payday. 

Meanwhile, in Denver, Colorado, having been extorted into an undercover role as a fugitive, Spider-Woman is overpowered by The Wrecking Crew.  She’s no match for them in a fight over a computer disc containing data re: building a super-bomb.  Struggling as a single mother, Julia’s origin starting with Marvel’s original Secret Wars is reviewed in flashback.

Trailing her adversaries to New York City, Julia finds herself in a rematch with an irritated Wrecker (who now possesses the full raw power of his entire Crew).  It’s revealed that the Wrecker’s motivations stem from an effort to financially aid his terminally ill mother.  Even a conscientious Spider-Man’s intervention isn’t enough to keep both heroes from being pummeled by this Thor-caliber thug and his mystical crowbar.  The issue ends in a cliffhanger going into Issue # 126.   

REVIEW:

Both Danny Fingeroth’s storytelling and the art squad’s visuals prove sufficient.  The cover image is this issue’s best selling point.  Though Issue # 125 has too few surprises, it still makes for a fairly good read.  

ADDITIONAL CONTENT:

None.  

BRIAN’S ODD MOON RATING:                   5½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

SEAQUEST DSV TV THEME – CONCERT VERSION {Cover?} (by John Debney: Battlestar Galactica – The A to Z of Fantasy TV Themes)

SUMMARY:                            RUNNING TIME: 3:21 Min.

Composer-conductor John Debney created the original SeaQuest DSV theme for the same-named 1993-96 NBC TV series.  It’s unclear if Debney or a cover orchestra performs this concert rendition for the 2000 two-disc Battlestar Galactica: The A to Z of Fantasy TV Themes two-disc compilation album.  It’s Track # 2 on Disc 2. 

REVIEW:

Well-played!  This track definitely enjoys a lush orchestral sound.  Considering how difficult it is to find Debney’s official work from SeaQuest, this rendition is likely the next best option.         

BRIAN’S ODD MOON RATING:                      7 Stars

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Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

KNIGHT RIDER 1982 TV THEME {Cover?} (by Stu Phillips: Battlestar Galactica – The A to Z of Fantasy TV Themes)

SUMMARY:                                  RUNNING TIME: 2:40 Min.

Composer-conductor Stu Phillips created the primary theme for the same-named 1982-86 NBC TV series.  It’s unclear if Phillips or a cover orchestra (possibly the London-based Royal Philharmonic Orchestra) performs the extended theme for the 2000 two-disc Battlestar Galactica: The A to Z of Fantasy TV Themes two-disc compilation album.  It appears as Track # 9 on Disc 1.     

REVIEW:

For fans of Michael Knight & KITT, this virtual replica of Phillips’ TV theme is a nostalgia joyride.  Considering how difficult it is to find Phillips’ official work from Knight Rider, opting for this rendition makes sense.         

BRIAN’S ODD MOON RATING:                        7 Stars

Note: Though actor Richard Basehart’s narration isn’t included, the original TV credits theme is Track # 55 on 1996’s Television’s Greatest Hits, Volume 6: Remote Control.  The album was  released in CD and cassette formats.

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Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's) STAR TREK-Related

STAR TREK: THE MOTION PICTURE (KLINGON BATTLE VS. V’GER) {Cover} (by Erich Kunzel & The Cincinnati Pops Orchestra: Symphonic Star Trek)

SUMMARY:                      RUNNING TIME: 5:27 Min.

Originally composed and conducted by Jerry Goldsmith for 1979’s Star Trek: The Motion Picture, this instrumental theme narrates the film’s opening deep space sequence.  Specifically, three Klingon battle cruisers are depicted confronting the ominous ‘V’Ger’ space cloud.  The track was subsequently covered by Erich Kunzel & The Cincinnati Pops Orchestra for 1996’s Symphonic Star Trek instrumental album.   

REVIEW:

Conveying V’Ger’s interstellar presence vs. the Klingons’ aggressive approach, Jerry Goldsmith does some terrific work.  Yet, the track is hardly a must-have.  Well-performed by Erich Kunzel & the Cincinnati Pops Orchestra, it’s at least a nostalgic component of the Symphonic Star Trek album.   

BRIAN’S ODD MOON RATING:                          6 Stars

Categories
Digital Movies & TV Movies & Television (Videos) TV Episodes & Movies TV Series (Specific Episodes)

MURDER, SHE WROTE: NO LAUGHING MURDER {AKA NO LAUGHING MATTER} (Season 3, Episode 18)

SUMMARY:           RUNNING TIME: Approx. 47:00 Min.

First broadcast by CBS-TV, on March 15, 1987, Walter Grauman directed this episode evidently inspired by the break-up of Jerry Lewis & Dean Martin’s comedy partnership. The script is credited to Tom Sawyer. 

Once a highly popular comedy duo, TV host Mack Howard (Lawrence) and a semi-retired Murray Gruen (Hackett) have long been estranged.  With their adult children (Clooney and Windsor) now engaged, Mack and Murray struggle setting their personal animosity aside for a celebratory dinner amongst family and friends. 

The guests staying at Murray’s Hiawatha Inn in Coopersville, New York, include the team’s long-time agent, Phil Rinker (Johnson); their business manager, Farley Pressman (Furth); Mack’s wife – Trudy (Crowley); and Jessica Fletcher (Lansbury), who was a close friend of Murray’s late wife.  During the evening, Mack and a drunken Murray’s feuding inevitably continues.     

By the next morning, one person has been stabbed, and another has evidently committed suicide.  Unlike the inexperienced young deputy (Knell) probing the incident, Jessica suspects a possibly more sinister motive.  Ultimately, an old controversy exacerbating Mack & Murray’s ‘blame game’ comes to light. 

Jessica Fletcher: Angela Lansbury

Mack Howard: Steve Lawrence

Trudy Howard: Pat Crowley

Murray Gruen: Buddy Hackett

Norma Lewis: Sheree North

Corrie Gruen: Beth Windsor

Kip Howard: George Clooney

Deputy Wylie Ledbetter (Acting Police Chief): David Knell

Farley Pressman: George Furth

Phil Rinker: Arte Johnson

Ms. Kline: Pat Delaney

Dr. Worth:  Richard Morse

Al: Daniel Chodos

Henrietta: Alice Nunn

REVIEW:

This Murder, She Wrote is engaging from the get-go!  Case in point: through trick photography and voice-overs, the prologue slickly sets up Steve Lawrence & Buddy Hackett’s characters as a legendary comedy tandem hitting the rocks.   

While this whodunnit’s clues are conveyed fairly, they’ll still seem telegraphed to astute viewers.  The only hint that doesn’t make sense is word of a late-night phone call.  The script doesn’t clarify if any voice mail was left, but no standard business would plausibly be open at that hour. 

Still, the likable cast (despite Hackett overplaying a rare dramatic role) effectively helps Angela Lansbury sell this storyline, even to non-fans.  In particular, Lawrence’s credibility shines brightest among these guest stars, which includes George Clooney playing his son.

For an entertaining Murder, She Wrote, “No Laughing Murder” (aka “No Laughing Matter”) is a worthwhile choice from Season 3.   

BRIAN’S ODD MOON RATING:                   6½ Stars

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Categories
Digital Songs & Albums Individual Tracks (Digital Albums & Singles) Music & Radio Shows Pop, R&B, Soul, & Dance Soundtracks (Digital)

ONE NIGHT IN BANGKOK {from Chess} (by Murray Head: Broadway’s Greatest Leading Men)

SUMMARY:                         RUNNING TIME: 3:16 Min.

This offbeat pop tune by Murray Head was first recorded as a single for the 1984 concept album that preceded the high-profile stage musical, Chess.  The song’s chorus is performed by Swedish performer Anders Glenmark.  The tune’s  celebrity writing team includes Tim Rice and two ABBA alums: Benny Andersson & Björn Ulvaeus.  “One Night in Bangkok” has occasionally resurfaced on compilation albums, including 2000’s Broadway’s Greatest Leading Men

Note: A five-minute version (which incorporates an orchestral overture) is also available on the official Chess soundtrack.

REVIEW:

Despite throwing shade at Thai culture, the song’s upbeat nature still delivers an entertaining analogy to the stage play’s Cold War-era chess match.  Notably, without its symphonic overture, the tune starts somewhat abruptly.  While Murray Head and Anders Glenmark deliver spot-on performances, the track’s best and most intriguing component is its distinctive melody. 

Considering the star power that composed this radio-friendly gem, “One Night in Bangkok” is a show tune worth re-discovery.

BRIAN’S ODD MOON RATING:                       8 Stars

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