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BUCK ROGERS IN THE 25TH CENTURY TV THEME {Cover?} (by Stu Phillips & Glen A. Larson: Battlestar Galactica – The A to Z of Fantasy TV Themes)

SUMMARY:                                    RUNNING TIME: 2:26 Min.

Working with series creator Glen A. Larson, composer-conductor Stu Phillips created the primary theme for the same-named 1979-81 NBC TV series.  The theme evidently doesn’t accompany the TV series’ 1979 feature film version of its pilot episode.  While it’s unclear if it’s Phillips or an unidentified cover orchestra performing the track, the extended theme appears on the 2000 two-disc Battlestar Galactica: The A to Z of Fantasy TV Themes two-disc compilation album.  It appears as Track # 5 on Disc 1.      

Note: The feature film’s easy-listening version is far slower, with dreamy lyrics sung by Kipp Lennon.  That version is entitled “Suspension.”

REVIEW:

Lacking actor William Conrad’s uncredited narration, it’s an otherwise near-replica of the TV series intro.  Considering how difficult it is to find Phillips’ official work from Buck Rogers, this rendition (regardless of the actual performer) is likely the next best option.         

BRIAN’S ODD MOON RATING:                       7 Stars

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Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

BATTLESTAR GALACTICA 1978 TV THEME {Cover?} (by Stu Phillips & Glen A. Larson: Battlestar Galactica – The A to Z of Fantasy TV Themes)

SUMMARY:                                   RUNNING TIME: 5:12 Min.

Collaborating with series creator Glen A. Larson, composer-conductor Stu Phillips created the primary theme for the same-named 1978-79 ABC TV series.  The theme also accompanies the TV series’ 1978 feature film version of its pilot episode.

It’s unclear if Phillips or, more likely, a cover orchestra performs the extended theme to headline the 2000 two-disc Battlestar Galactica: The A to Z of Fantasy TV Themes two-disc compilation album.  It appears as Track # 1 on Disc 1.       

REVIEW:

Designed as a mini-medley, this homage to the original Battlestar Galactica is second to none, as it’s indistinguishable from Phillips’ theme.  Considering how difficult it is to find Phillips’ official work from Galactica, this rendition (regardless of the actual performer) is likely the best alternative.         

BRIAN’S ODD MOON RATING:                  8 Stars

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Categories
Comic Books & Graphic Novels Fantasy, Horror, & Science Fiction Marvel Comics MARVEL's Hardcovers & Paperbacks

ANITA BLAKE: THE FIRST DEATH (MARVEL Comics)

Anita Blake: The First Death  Written by Laurell K. Hamilton & Jonathon Green.  Art by Wellington Alves; Color Dojo; & Bill Tortolini.

Anita Blake: Guilty Pleasures Handbook  Written by Stuart Vandal; Ronald Byrd; Michael Hoskin; Chris Biggs; & Ave Cullen.  Art by Brett Booth & Imaginary Friends.

Compilation Cover Art & Original Covers by Brett Booth & Ron Lim.

SUMMARY:

Released by Marvel Comics in 2008, this 128-page hardcover reprints the two-part First Death, which is supplemented by Anita Blake’s Guilty Pleasures Handbook (in the style of Official Handbooks of the Marvel Universe).  The original issues were first released in 2007-08.  Co-writing the franchise prequel with her husband, Laurell K. Hamilton’s First Death explores one of Anita Blake’s supernatural cases prior to the events occurring in Guilty Pleasures

Consulting for the St. Louis police on a vampire gang’s serial killing spree, Anita can barely stomach viewing the latest grisly corpse.  It’s confirmed that one ghastly culprit’s preference is preying upon pre-teen boys.  Probing a potential suspect’s alibi, she warily visits the Guilty Pleasures nightclub for the first time.  Several of the franchise’s initial supporting characters are ‘introduced,’ including homicide cop, Sgt. Dolph Storr. 

Meeting Jean-Claude, Anita must later team with the ruthless hitman, Edward, and her mentor, Manny, in a fateful showdown against possibly the most sickening adversaries she’s ever faced.  Come the end, Anita won’t be the same vampire hunter she was before. 

Extremely detailed, the Guilty Pleasures handbook consists of the following biographical profiles:

  • Anita’s World;
  • Vampire Murders;
  • Animators, Inc.;
  • Aubrey;
  • Anita Blake;
  • Burchard;
  • Church of Eternal Life;
  • Dead Dave’s;
  • Edward;
  • Freak Parties;
  • Ghouls;
  • Guilty Pleasures;
  • Jean-Claude;
  • Malcolm;
  • Willie McCoy;
  • Nikolaos;
  • Phillip;
  • Regional Preternatural Investigation Team;
  • Robert;
  • Ronnie Sims;
  • Theresa;
  • Valentine;
  • Vampires;
  • Bert Vaughn;
  • Wererats;
  • Winter;
  • Zachary;
  • Zombies;
  • Bruce;
  • Buzz;
  • Beverly Chin;
  • Circus of the Damned;
  • Jamison Clarke;
  • The District;
  • Irving Griswold;
  • Hav;
  • Luther;
  • Catherine Maison;
  • Rebecca Miles;
  • Edith Pringle;
  • Rafael;
  • Sigmund/Penguins;
  • Sgt, Dolph Storr;
  • Monica Vespucci; &
  • Other Dramatis Personae (three pages profiling minor characters).

Note: This title is also available in paperback.  The handbook readily acknowledges that pivotal details of Guilty Pleasures are revealed.

REVIEW:

Meant for hardcore Anita Blake fans, the unsavory First Death should satisfy them, but it won’t likely retain newcomers.  Impressively, the visuals live up to prior Marvel adaptations of Hamilton’s Anita Blake novels.  One still has to balance this consistent asset against a gross storyline posing as gothic horror/fantasy entertainment.  Details revealing a less cynical, inexperienced Anita present an intriguing prospect; yet, First Death’s icky plot doesn’t necessarily make this story a keeper. 

As for the Guilty Pleasures handbook, it’s impressively well-produced in terms of both text and artwork (lifted from Marvel’s faithful adaptation).  For readers seeking clarifications in Marvel’s version (let alone Hamilton’s erotic source novel), the handbook offers an ideal reference.  In particular, Anita Blake’s own profile is top-caliber.  The flip side, however, is that virtually everything from Guilty Pleasures is explained ad nauseum multiple times, leaving few mysteries to the reader’s imagination. 

For adults who covet Marvel’s Anita Blake adaptations, this First Death compilation should solidify their collection.  Still, other consumers perusing First Death may justifiably deem Hamilton’s blood-soaked plot (not to mention the handbook’s explicit details) as repulsive. 

ADDITIONAL CONTENT:

Including First Death # 2’s variant, all four covers appear in full-page format.  Accompanied by an image of Anita Blake, there’s a single-page glossary.  Lastly, Booth provides his cover pencil sketch for The First Death # 1.

BRIAN’S ODD MOON RATING:                    5½ Stars

Categories
Comic Books & Graphic Novels Marvel Comics

THE AMAZING SPIDER-MAN # 523 (2005 MARVEL Comics)

Written by J. Michael Straczynski

Art by Mike Deodato Jr.; Joe Pimentel; Matt Milla; & VC’s Cory Petit

Cover Art by Terry Dodson; Rachel Dodson; & Edgar Delgado

SUMMARY:

Released by Marvel Comics for October 2005, climaxing this New Avengers arc is the story entitled “Extreme Measures.”  Having infiltrated HYDRA’s underground New York base, Spider-Man faces several hundred HYDRA thugs, not to mention their four in-house Avenger impersonators (Thor, Captain America, Iron Man, & Hawkeye). Spidey valiantly holds his own until Iron Man, Jessica Drew’s Spider-Woman, Luke Cage, and Steve Rogers’ Captain America arrive as the much-needed cavalry 

Yet, even their combined firepower can’t thwart a HYDRA missile from launching.  Reminiscent of Bucky several decades before, Spidey desperately tries to defuse it in time.  Ending on a cliffhanger, the storyline carries over to Issue # 524.     

REVIEW:

In terms of both J. Michael Straczynski’s plotting and the art team’s visuals, Issue # 523 exudes top-caliber Marvel entertainment.  Absolutely recommended!

ADDITIONAL CONTENT:

None.  

BRIAN’S ODD MOON RATING:                        9 Stars

Categories
Comic Books & Graphic Novels Marvel Comics

THE AMAZING SPIDER-MAN # 520 (2005 MARVEL Comics)

Written by J. Michael Straczynski

Art by Mike Deodato Jr.; Joe Pimentel; Matt Milla; & VC’s Cory Petit

Cover Art by Mike Deodato Jr.

SUMMARY:

Entitled “Acts of Aggression,” Marvel Comics released this New Avengers-related issue for July 2005.  HYDRA sends out four Avenger lookalikes (Thor, Captain America, Iron Man, & Hawkeye) to wreak high-profile havoc as diversions.  At Avengers Tower, Peter and his family are adjusting to their new home, including the New Avengers as their fellow housemates.  Case in point: neither Jarvis nor Logan/Wolverine is a match for the indomitable Aunt May at breakfast.

In downtown New York, Tony Stark’s Iron Man challenges HYDRA’s Thor while Luke Cage & Jessica Drew’s Spider-Woman face off against HYDRA’s Iron Man.  Elsewhere, it’s Steve Rogers’ unamused Captain America vs. HYDRA’s namesake knock-off of him.  Spider-Man takes on the Hawkeye impersonator, who more than holds his own. 

Battling them to a stalemate, the New Avengers are left looking bad in the media for failing to capture HYDRA’s goon squad.  Though consoled by his wife, Mary Jane, Peter grimly deduces that a far more sinister scheme is brewing.    

REVIEW:

Both J. Michael Straczynski’s plotting and the art team’s visuals are high-caliber.  Issue # 520 should impress entertain any Marvel fan.  Definitely recommended!

ADDITIONAL CONTENT:

None.  

BRIAN’S ODD MOON RATING:               8½ Stars

Categories
Individual Tracks (CD's) Music & Radio Shows Soundtracks (CD's)

AIRWOLF TV THEME {Cover?} (by Sylvester Levay: Battlestar Galactica – The A to Z of Fantasy TV Themes)

SUMMARY:                            RUNNING TIME: 3:02 Min.

Composer-conductor Sylvester Levay created the original Airwolf theme for the same-named 1984-86 CBS TV series. It’s unclear if it’s Levay or a cover orchestra (most likely The Daniel Caine Orchestra) performing the extended theme for the 2000 two-disc Battlestar Galactica: The A to Z of Fantasy TV Themes two-disc compilation album.  It’s Track # 3 on Disc 1. 

REVIEW:

Including Airwolf’s faithful whirring as the opening sound effect, it’s a terrific rendition of Levay’s extended theme.  Even if it doesn’t exactly replicate Levay’s work, this concert-style orchestral presentation sounds close enough.  Considering how difficult it is to track down Levay’s authentic themes from Airwolf, this track (no matter who the actual performer is) offers likely the next best option.  Well-played!       

BRIAN’S ODD MOON RATING:                   7½ Stars

Note: Levay’s Airwolf TV credits theme is Track # 56 on 1996’s Television’s Greatest Hits, Volume 6: Remote Control, which was released in CD and cassette formats.

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