Categories
Comic Books & Graphic Novels DC Comics

CATWOMAN # 17 (2020 DC Comics)

Written by Joëlle Jones

Art by Laura Allred & Saida Temofonte

Cover Art by David Finch & Steve Firchow

SUMMARY:

Entitled “The Hard Option,” DC Comics released this 32-page issue for January 2020.  In Villa Hermosa, having been urged by Lex Luthor’s ‘Apex Lex’  (appearing ghostly in a purple hooded-cloak), Selina departs Creel Mansion to seek out the Lazarus Pit that the nefarious Raina Creel is utilizing.  On her way, Selina contemplates why she still deems Gotham City as home.  She then witnesses Creel nefariously sacrifice two of her henchmen to test the Pit’s ability to turn them into zombies.  Evidently, Catwoman uses the Pit to refresh herself after being hideously attacked by Creel’s forces.

Returning to Villa Hermosa, Selina calls upon an trusted friend for help: Zatanna Zatara.  Zatanna’s guest appearance continues in Issue # 18.   

Notes: Finch & Ferchow’s cover has an outside sheer plastic cover where Selina sees her Bat-allies in a mirror; the inside cover depicts a mirrored Selina, in an alternate Cat-suit, fronting Batman’s enemies.  For the issue’s variant cover (its image isn’t available here), Albert Varanda is the artist.

REVIEW:

Writer Joëlle Jones’ writing is merely okay, i.e. the glaring inconsistency that a Lazarus Pit would restore a wounded Selina to pristine form (essentially, to freshen up) while Creel’s expendable cronies are left as disfigured zombies.  Including the impressive cover image, the art squad’s stylish visuals (including utilizing Zooey Deschanel’s likeness for Zatanna) hide what little substance exists in this plot, as it comes off like a glorified back-up tale.  Specifically, the padding is a whopping eleven full-page ads in a mere thirty-two pages; three of which are double-page spreads. 

To complete this ongoing story arc, purchasing Catwoman # 17 makes practical sense.  Otherwise, DC cheats Selina’s fans in search of a satisfying single-issue read.   

ADDITIONAL CONTENT:

The “DC Nation” column briefly interviews Far Sector’s creative team: writer N.K. Jemisin and artist Jamal Campbell.

BRIAN’S ODD MOON RATING:                5½ Stars

Categories
Digital Movies & TV Movies & Television (Videos) TV Episodes & Movies TV Series TV Series (Specific Episodes)

MASH: NO SWEAT (Season 9, Episode 11)

SUMMARY:                  RUNNNG TIME: 25:00 Min.

Directed by Burt Metcalfe, CBS-TV first televised this mid-season episode on February 2, 1981.  It is a long and hot night at the 4077th.  To get some much-needed rest, Col. Potter reluctantly takes sleeping pills, as the camp contends with other overnight problems.  To better practice his electronics repair skills, Klinger has dissembled the 4077th’s P.A. system and is busily restoring it.  Margaret is suffering from a bad case of ‘prickly heat’ itching, which necessitates a special soothing ointment that is presently out of the company’s stock.

Grousing about his wife Peg’s newfound independence re: routine household repairs, a resentful BJ badgers Hawkeye’s ears with complaints.  In the mess tent, Father Mulcahy observes Charles spend this ultra-humid night sorting out the Winchester family’s convoluted tax paperwork.  Yet, when something is desperately needed, it’s up to whoever wants it to keep dragging a zonked-out Potter from bed for help.   

Capt. “Hawkeye” Pierce: Alan Alda                                                    

Capt. BJ Honeycutt: Mike Farrell

Col. Sherman Potter: Harry Morgan                                                   

Major Margaret “Hot Lips” Houlihan: Loretta Swit    

Major Charles Winchester: David Ogden Stiers

(Lt.) Father Francis Mulcahy: William Christopher                            

Cpl. Maxwell Klinger: Jamie Farr

Lt. Kellye Yamato, R.N.: Kellye Nakahara

Pvt. Igor Straminsky: Jeff Maxwell

REVIEW:

The premise is terrific, even if the jokes are slow on the draw.  Still, viewers are rewarded with a hilarious gag leading into the last commercial break.  Hence, “No Sweat” certainly proves re-watchable as one of MASH’s funnier episodes during its final few seasons.    

BRIAN’S ODD MOON RATING:                    6½ Stars

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Categories
DVD Movies & Television (Videos) TV Episodes & Movies TV Series TV Series (Specific Episodes)

MASH: THE NOVOCAINE MUTINY (Season 4: Episode 20)

SUMMARY:                          RUNNING TIME: 25:00 Min.

Directed by Harry Morgan, CBS-TV first aired this episode on January 27, 1976.  Captain “Hawkeye” Pierce faces a general hearing re: an imminent court martial for ‘mutiny.’  Flashbacks reveal that Col. Potter had recently been away from camp in Tokyo for scheduled R&R.  Hence, the insufferable Major Frank Burns assumes temporary command of the 4077th

As witnesses, Captain BJ Honeycutt and Cpl. “Radar” O’Reilly testify as to the increasing tensions in camp before a chaotic O.R. session pits the camp’s Chief Surgeon, Hawkeye, vs. Frank for control of the hospital.  The question becomes: which drastically different version of events will a skeptical Colonel Carmichael believe?

Capt. “Hawkeye” Pierce: Alan Alda                                                    

Capt. BJ Honeycutt: Mike Farrell

Col. Sherman Potter: Harry Morgan                                                   

Cpl. “Radar” O’Reilly: Gary Burghoff

Major Margaret “Hot Lips” Houlihan: Loretta Swit (credit only)         

Major Frank Burns: Larry Linville

(Lt.) Father Francis Mulcahy: William Christopher                            

Cpl. Maxwell Klinger: Jamie Farr

Sgt. Zelmo Zale: Johnny Haymer

Lt. Kellye Yamato, R.N.: Kellye Nakahara

Colonel Carmichael: Ned Wilson

Note: Oddly, Margaret’s absence during this episode is never explained.

REVIEW:

Reminiscent of Second 2’s “The Trial of Henry Blake,” this episode is almost as equally well-played.  Though there aren’t any hilarious surprises, “The Novocaine Mutiny” is still definitely re-watchable.  If anything, it’s a delight expanding the 4077th vs. Frank Burns saga.

BRIAN’S ODD MOON RATING:                      7 Stars

Categories
Books & Novels Children's Books Westerns

ZORRO AND THE DRAGON RIDERS

Written by David Bergantino

Cover Art by Julie Bell

SUMMARY:

Tom Doherty Associates, Inc. released this 217-page paperback in 1999.  In the weeks following the Hidalgo el Cazador’s defeat, a rumor floating in Old California is that a missing Zorro must have since died of his wounds.  Rising out of the shadows once more, the legendary man in black, still not fully recuperated, defends a mysterious Cossack in an Los Angeles  pub from the drunken local police.  While eluding possible suspicion from his weary father, aristocrat Don Diego de la Vega is coping as best he can from his slow-healing injuries.   

Meanwhile, the vengeful Hidalgo el Cazador has recruited four sword-wielding Japanese mercenaries for a bounty targeting Zorro.  Facing imminent death from poisoning, Don Diego and his masked alter ego won’t let this challenge go unanswered. 

The question is: can a weakened Zorro thwart a quartet of formidable samurai by utilizing stealthy ninja tactics?  Further, what pivotal wildcard is the Cossack in the final showdown: is he really Zorro’s ally or another secret foe?   

Note: Utilizing the same villain, this title is evidently a sequel to 1998’s Zorro and the Jaguar Warriors by Jerome Preisler.

REVIEW:

David Bergantino’s good writing ensures that Zorro and The Dragon Riders is a slightly above-average, all-ages read.    He makes sufficient time to develop his cast past one-dimensional mid-19th Century caricatures.  For instance: the exasperation of Don Diego’s long-suffering father over why his self-involved heir won’t commit to their family’s responsibilities is certainly plausible; Don Diego & Bernardo’s fascination with adding exotic ninja weaponry to Zorro’s arsenal makes for an intriguing early scene; or, for that matter, later on, Don Diego’s ongoing concern for young Miko (a female samurai) is a nicely-played twist. 

Still, what’s readily obvious is that Zorro and The Dragon Riders belongs in a middle school library.  Bergantino’s young target audience won’t likely be disappointed exploring such an unique Zorro action-adventure.  

ADDITIONAL FEATURES:

The first page preview a scene in Chapter 1. There’s also a page-long list of Tor/Forge titles available by mail.

BRIAN’S ODD MOON RATING:                     6 Stars

Categories
Digital Animated Shorts Digital Movies & TV LOONEY TUNES-Related Movies & Television (Videos) TV Episodes & Movies TV Series (Specific Episodes)

NEW LOONEY TUNES: EASTER BUNNY IMPOSTER & EASTER TWEETS (Season 2: Episodes 13A-B)

SUMMARY:                         RUNNING TIME: 12:00 Min.

These Erik Knutson-directed episodes were first released in the U.S. on Boomerang’s streaming service on March 15, 2018.  First up is “Easter Bunny Imposter,” as an eagle-led Eagle Scout troop pursues Easter Yeggs’ brown Easter Rabbit in the forest.  Filling in for his old pal, Bugs Bunny leads the ultra-dense scout leader on a merry chase. 

Then, in “Easter Tweets,” with Granny having gone out bowling, Sylvester (disguised as the Easter Bunny) gets the house to himself chasing after Tweety.

Bugs Bunny & Sylvester the Cat: Jeff Bergman

Granny & Scouts: Candy Milo

Tweety: Bob Bergen

Eagle Scout: Cedric Yarbrough

Scouts: Matthew Yang King

Note: For the series itself, these two shorts are Episodes # 65A-B.

REVIEW:

At a supposed bargain price, this reviewer gave the above-named episodes a chance. Suffice to say, the dubious experience should count towards a $0.59 tax write-off (and twelve minutes viewers will never get back).  The pathetic gags fail 99% of the time; yet, a tone-deaf Warner Bros. Animation exacerbates this unforced error by repeating variations of the same failed jokes over and over. 

The sole upside reusing the same voice actors from the far superior Looney Tunes Show is a lost cause.  Specifically,  aside from bad scripting, the cheapo web-toon animation looks so crummy that these kiddie cartoons ought to have been a radio show.  Maybe then they could have been rated slightly higher.    

BRIAN’S ODD MOON RATING:                       1½ Stars

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Categories
Comic Books & Graphic Novels DC Comics

JUSTICE LEAGUE # 71 (2022 DC Comics)

Lead Feature Written by Brian Michael Bendis. Lead Art by Phil Hester; Eric Gapstur; Romulo Fajardo, Jr.; & Josh Reed.

Back-Up Feature Written by Ram V. Back Up Art by Sumit Kumar; Romulo Fajardo, Jr.; & Rob Leigh.

Cover Art by Yanick Paquette & Nathan Fairbank.

SUMMARY:

DC Comics released this 40-page issue for March 2022.  Presently, the League’s roster consists of: Superman; Black Canary; the Flash; Hawkgirl; Aquaman; Naomi; Green Arrow; Hippolyta’s Wonder Woman; Black Adam; & Batman.  Cameos include: Doctor Fate; Kate Spencer’s Manhunter; Jaime Reyes’ Blue Beetle; Ragman; Metamorpho; Kimiyo Hoshi’s Dr. Light; Atom Smasher; Supergirl; the Atom; John Henry Irons’ Steel; Mr. Bones; Firestorm; Vic Sage’s Question & Fire.     

Entitled “The Biggest Score Ever: Conclusion,” the Royal Flush Gang’s botched heist of Superman’s Fortress of Solitude depicts multiple waves of Leaguers dispatching threats invading through interdimensional portals the Fortress guards.  Quickly dispatching the hapless Royal Flushes once again, the League also contemplates what to do with Lois Lane’s mysterious half-brother: Daemon Rose.  More so, DC’s nebulous spy world gives the League serious cause for concern.

Set at the mystical Tower of Fate, the ten-page Justice League Dark back-up feature is entitled “Wolves at the Door.” In a letter to the original Doctor Fate, his current teen successor, Khalid Nassour, solemnly expresses his thoughts on: Ragman; Zatanna Zatara; John Constantine; Elnara Roshtu; Jason Blood’s Demon; and Bobo/Detective Chimp.  Bobo supplies young Khalid with a welcome source of emotional support.

Note: Though the image isn’t seen here, artist Alexander Lozano produced the variant cover.

REVIEW:

Aside from the League’s repetitive admonishments of a simmering Black Adam, writer Brian Michael Bendis doesn’t accomplish much here.  Readers do get three consecutive double-page battle sequences (without dialogue), along with some humor at the dim-witted Royal Flushes’ expense.  Beyond that, Bendis’ lackluster scripting struggles to justify this issue’s cover price.  As for the primary art squad, their visuals are more than sufficient (i.e. the cover image), but they don’t bolster Bendis’ lack of initiative nearly enough. 

Despite treading water like Bendis, Ram V’s ten-page effort, at least, explores a poignant collection of insights into the current Justice League Dark.  One could readily construe Doctor Fate’s ‘letter’ as glorified filler, but, for new readers jumping aboard, it’s a well-played ‘Welcome to the JLD’ promo.  More so, this back-up tale’s visual quality is distinctly superior to the main feature where too back-up Leaguers are treated like background fodder.  

Justice League # 71’s content proves ironic.  Though the JLD tale is a worthy bonus in any hardcover or trade paperback, it’s the lead feature that provides this issue’s non-essential padding. 

ADDITIONAL CONTENT:

The credits page includes a current League roster and a summary-to-date of this latest arc.  The full-page DC Nation Spotlight On hypes Monkey Prince # 1.    

BRIAN’S ODD MOON RATING:                   5½ Stars

Categories
Books & Novels General Fiction

FAMOUS WRITERS THAT I HAVE KNOWN

Written by James Magnuson

SUMMARY:

In 2014, W.W. Norton & Company published this 313-page paperback by novelist James Magnuson.  The author is a retired director for the James A. Michener Center for Writers at the University of Texas at Austin.

In December 2002, federal prison convict Frankie Abandonato flashes back five years before to a fateful lottery ticket scam he was running with his long-time cohort, ‘Barry.’  Forced to escape the New York mob on literally the first flight out of town, fifty-something Frankie notices someone resembling him abruptly choosing not to board the same plane.  Upon arriving in Austin, Texas, the swindler soon finds himself the beneficiary of mistaken identity due to that would-be traveler’s choice. 

Conveniently resembling legendary recluse V.S. Mohle – author of the classic coming-of-age novel, Eat Your Wheaties, Frankie initially plays along.  For starters, it lands him a cushy overnight hideout in a private bungalow owned by the University of Texas.  Finding out that Mohle is scheduled to earn $75,000.00 to supervise an elite workshop showcasing collegiate writers at the university’s Fiction Institute, Frankie opts to lay low and quietly earn Mohle’s paychecks. 

Soon enough, Frankie senses a far bigger payday, if he can successfully rip off the workshop’s world-famous founder: elderly novelist Rex Schoeninger.  A quarter-century before, Schoeninger had infamously feuded with Mohle, but it appears that he is now attempting to make peace with his former arch-nemesis before it is too late.  Continuing his impersonation of Mohle for months, Frankie ingratiates himself into Schoeninger’s low-key world.  He even finds they share unexpected parallels re: life’s most lingering regrets.

Yet, the walls are closing in on Frankie.  Despite his best efforts, inevitably, he senses somebody will deduce his brazenly fraudulent scheme, let alone should the real Mohle ever find out.  He also must quickly contend with a rival shakedown chasing Schoeninger’s considerable wealth.  Worse yet, a vengeful mob faction hasn’t forgotten him either, as Frankie finds out that they are even hassling his estranged family back East. 

Ultimately, Frankie must go for broke if he intends to stay one pivotal step ahead of all the other players shooting for the greatest score of his life.  

REVIEW:

Given the inauspicious title and cover image, one is likely thinking it is Magnuson’s low-key memoir reflecting upon his encounters with various literary peers.  Gratefully, that isn’t so, as he brings to life the unscrupulous world of small-time East Coast hustler Frankie Abandonato. 

Through Frankie’s unfiltered voice, Magnuson brilliantly (not to mention, hilariously) satirizes the author’s own real-life academic surroundings.  Told in a streetwise vernacular reminiscent of Jerry Orbach’s snarky TV sleuth ‘Harry McGraw,’ Frankie’s incessant scheming exudes welcome unpredictability pitting him against the unsuspecting marks he is baiting on a proverbial hook.

Making it look easy, Magnuson nails visual details and character traits in perfect depth, in terms of as much down-to-earth reality as possible given this contrived premise.  Readers, accordingly, will feel like they are in the conference room with Frankie fake-teaching his students … or with the impostor out of his urban element on scenic trips exploring some obscure corner of Texas with Schoeninger and his assistant, Ramona. 

Magnuson doesn’t miss a beat building seemingly inconsequential scenes into a likable framework where Frankie’s fraudulent tactics blur with the role he enjoys playing.  Hence, finding out what consequences emerge from the fake Mohle’s influence over others is the kind of fun the climax generates bringing Frankie’s narrative plausibly full circle. 

It could have been hinted that one of Frankie’s Texan friends smells a rat and opts to say nothing, which might have made an intriguing plot twist.  Instead, Magnuson takes this unrepentant swindler on a vivid journey finding a new perspective, even realizing why his own sordid conscience parallels the far older Schoeninger.  What’s better is that the author satisfactorily winds up all the loose sub-plots and still never wears out Frankie’s abrasive welcome.      

It’s no doubt deliberate irony that Famous Writers That I Have Known presents an ideal choice for any English major’s contemporary literature coursework, let alone worthy of a cinematic adaptation.  Suffice to say, Magnuson’s novel is a witty literary gem for adults confirming his title is as deceptively clever as Frankie Abandonato.      

ADDITIONAL FEATURES:

Included are two-and-a-half pages of complimentary feedback from various critics and Magnuson’s peers.  Magnuson also graciously offers his acknowledgements.

BRIAN’S ODD MOON RATING:                   9 Stars

Categories
Comic Books & Graphic Novels Marvel Comics

SHE-HULK # 5 {aka SHE-HULK # 168) (2022 MARVEL COMICS)

Written by Rainbow Rowell.

Art by Luca Maresca; Rico Renzi; & VC’s Joe Caramagna.

Variant Cover Art by Remy Jones.

SUMMARY:

Marvel Comics released this issue for September 2022.  Jennifer Walters/She-Hulk’s platonic coffee date with a resurrected Jack of Hearts is interrupted by their showdown with a mysterious Juggernaut-sized adversary capable of taking Jen’s best shots.   Their sidewalk slugfest abruptly ends when their opponent’s diminutive blonde handler intervenes. 

Over dinner, ex-teammates Jennifer and Jack awkwardly explore their tentative romance.  Jen, for this date, opts for her human appearance.  The flip side is that Jack merely shrugs off  that he doesn’t pass for human.  Jen later gets a quick bit of poignant insight into her unknown opponent from a few days before.    

Note: Though the image isn’t included here, the original cover artist is Jen Bartel.

REVIEW:

Though nothing extraordinary happens, this She-Hulk # 5 is certainly a pleasant read.  Writer Rainbow Rowell readily conveys that Jen Walters’ character appeal extends beyond merely Hulk-smashing thugs.  Tip-toeing into what may Jen’s next quirky romance is well-played for what this issue offers.  The same goes to the art squad’s appealing visuals, which enhance a charming yet not-quite-romantic-comedy vibe. Case in point: Remy Jones’ variant cover is ideal selling Rowell’s low-key storyline. 

Including Jen’s latest brawl, Rowell’s She-Hulk # 5 delivers a welcome blend showcasing Jen’s best character traits.   

ADDITIONAL CONTENT:

The credits page includes a brief summary-to-date of Jennifer’s friendship with Jack of Hearts.  A two-page spread memorializes late artist George Pérez.  A “Bullpen Bulletins” column offers a profile on artist Valerio Schiti.  The last page is a full-page cover reveal for Issue # 6, with X-Men’s Nightcrawler as Jennifer’s guest star.

BRIAN’S ODD MOON RATING:                   7 Stars

Categories
Comic Books & Graphic Novels Marvel Comics MARVEL's Hardcovers & Paperbacks

FANTASTIC FOUR: THE NEW FANTASTIC FOUR (MARVEL Comics)

Written by Dwayne McDuffie.

Art by Paul Pelletier; Rick Magyar; Scott Hanna; Paul Mounts; & Virtual Calligraphy’s Rus Wooton.

Collection Cover Art by Michael Turner; Mark Roslan; & Peter Stiegerwald.

SUMMARY:

In 2008, Marvel Comics released this 168-page paperback reprinting 2007’s Fantastic Four # 544-# 550.  After Marvel’s initial Civil War, Reed & Susan Richards’s leave of absence means an extended, off-world (and far-overdue) honeymoon. Settling in as their replacements (after the ominous bombing of New York’s Wakandan Embassy) is King T’Challa/Black Panther and his bride, Queen Ororo/Storm. 

Along with a former Deathlok, astronaut Michael Collins, the new Fantastic Four takes on a cosmic mission putting them on a collision course with the Watcher Uatu, the Silver Surfer, and even Galactus.  The fate of the presumed-dead teen hero, Gravity, is revealed, as the Thing wonders if an outmatched Black Panther has fled a seemingly unwinnable battle. 

While working on scientific research with Hank Pym, Reed is unaware that Sue has been captured on Saturn’s moon, Titan, by a new Frightful Four.  On a viewscreen from Earth, the team is horrified seeing their old foe, the Wizard, torture a defenseless Invisible Woman.  Mr. Fantastic must lead the team on a rescue mission to save his wife that puts him into a vicious clash with the Wizard.  Worse yet, one of the Panther’s oldest foes strikes for his own vengeance.  Amidst a raging showdown, does an infuriated Invisible Woman pursue her own desire for retribution?

Completing their earlier cosmic odyssey, the team needs the additional help of Doctor Strange, the Silver Surfer, and one last hero to save the universe from imminent destruction.   

Note: This title is also available digitally and in hardcover.

REVIEW:

Aside from the cruelty inflicted upon Sue as the Frightful Four’s prisoner, writer Dwayne McDuffie concocts a terrific series of Fantastic Four adventures.  In addition to Sue & Reed’s martial sub-plot, McDuffie delivers high-caliber material meshing T’Challa & Ororo into a makeshift unit with the Thing and Human Torch.  Incorporating some welcome bits of comedic relief, McDuffie is very much on his game.  Equal to the task is the art squad, as their visuals are consistently well above-average.  Completing this package are superb covers from Michael Turner’s Aspen Studios.

Invariably, nothing monumental happens impacting the Fantastic Four dynamic.  It’s readily evident from the get-go that the classic status quo will resume come Issue # 550.  Still, The New Fantastic Four proves a welcome read for fans in search of reliable Marvel entertainment.

ADDITIONAL CONTENT:

A summary-to-date explains the Fantastic Four’s shuffling after Marvel’s first Civil War.  Appearing in a full-page format preceding its story, each cover is included.  The cover artists are: # 544 and # 548-550 (Turner, Roslan, & Stiegerwald) and  # 545-547 (Turner & Stiegerwald).  The last page displays Pelletier’s Issue # 550 pencil sketches for pages 4, 12, 14, and 23.

BRIAN’S ODD MOON RATING:                         8 Stars

Categories
CD's Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic WWF/WWE (Pro Wrestling)

BE A MAN (by “Macho Man” Randy Savage)

SUMMARY:                  RUNNING TIME: 45:00 Min.

In 2003, Big 3 Records released “Macho Man” Randy Savage’s only album consisting of fourteen spoken rap tunes backed by hip-hop professionals and/or heavy metal instrumentals.  Savage’s fourteen tracks are:

                                                                        Running Time:

  1. Intro                                                       0:48
  2. “I’m Back”                                              3:19
  3. “Ru Ready”                                             4:15
  4. “Hit the Floor” (featuring DJ Kool)     3:37
  5. “Let’s Get In On”                                     2:38
  6. “Remember Me”                                        4:01
  7. “Tear It Up”                                            3:21
  8. “Macho Thang” (featuring AJA)             3:00
  9. “Be a Man”                                             3:00
  10. “Get Back”                                              3:25
  11. “Feel the Madness”                                   3:20
  12. “”What’s That All About”                        3:43
  13. “Gonna Be Trouble”                                 3:37
  14. “My Perfect Friend” (featuring Primary Colorz)  3:55  

Notes: Savage co-wrote Track 9: “Be a Man.”  Curiously, neither a rendition of Savage’s signature entrance theme, “Pomp and Circumstance,” nor one of his later WCW themes is included.

REVIEW:

In one interview hyping “Be a Man,” a 51-year-old Savage had claimed this debut album would be his post-retirement answer to trendy memoirs penned by his wrestling colleagues.  Given his trademark gravelly voice (and a mastery of charismatic wrestling promos), Savage might have sought to imitate someone like John Cafferty (i.e. the singing voice of Eddie and The Cruisers), as “Macho Man”-style rock. 

Then again, if he meant to display a self-deprecating sense of humor, perhaps this project would involve some celebrity duets, i.e. how about a hilarious tag-team with Lionel Richie good-naturedly warbling “Say You, Say Me?”  Sadly, neither possibility resembles the finished product, as Savage swallowed epically bad career advice from his music industry contacts.    

There’s no mistaking that Be a Man extends Savage’s desperate (skin-tight black leather, silver chains, and an earring), mid-life crisis gimmick from his 1999 ‘Team Madness’ phase during WCW’s final years.  More so, it isn’t a coincidence that the pulsating dance instrumentals and super-loud back-up singers fail to hide Savage’s weak vocal performances.  Upon enduring Be a Man, there’s one stark realization for listeners.  Specifically, prior to his tragic passing in mid-2011, Savage should have opted for a ghostwritten memoir worthy of his legacy. 

Aside from the album’s finale: a poignant tribute to the late “Mr. Perfect” Curt Hennig, the vast majority of Savage’s tracks are excruciatingly awful.  Even his Track 9 dissing of Hulk Hogan falls flat, as it sounds more like a cringe-worthy publicity gimmick than any airing of personal grievances. 

Had Savage merely released a passable single (i.e. Track 11’s “Feel the Madness”) to regain pop culture relevancy, the “Macho Man” would have surely gotten off easy with a mild reprimand from the public.  Instead, he brashly goes full bore into this misguided vanity project. His subsequent humiliation becomes immortal playing Be a Man in its entirety.

For nostalgia’s sake, ‘Macho Madness’ fanatics will come away preferring a DVD/Blu-Ray reliving Savage’s exuberant, mid-80’s-to-early-90’s WWF prime.  Such vivid memories far surpass this tone-deaf dreck masquerading as contemporary hip-hop.

PACKAGING:

A fold-up insert depicts a poster-size pin-up of Savage; its flip side sports five promotional photos (one of which is a black-and-white mid-air “Macho Man” during his patented flying elbow drop).  The writing and technical credits are provided, along with Savage’s thoughtful thank-you’s.

BRIAN’S ODD MOON RATING:                   2 Stars