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THREE STOOGES: “HE COOKED HIS GOOSE” (1952)

SUMMARY:         RUNNING TIME: 15:48 Min. (Black & White)

Produced and directed by Jules White off Felix Adler’s script, this Three Stooges comedy is a series rarity — specifically, Moe, Larry, & Shemp are enemies.  Lecherous pet shop owner Larry schemes to pit a married Moe against Shemp, so he can make romantic advances upon both Moe’s less-than-adoring wife, Belle, and Shemp’s patient fiancée, Millie. 

To advance his philandering, Larry concocts a ruse where Shemp is hired to sell (and even model) undergarments to Belle, and then tips off a jealous, gun-packing Moe.  The same applies to Millie, who shows up to confront Belle for stealing Shemp from her.  The question becomes: does Larry’s sleazy conniving succeed?     

Moe: Moe Howard

Larry: Larry Fine

Shemp: Shemp Howard

Belle: Mary Ainslee

Millie: Angela Stevens

Miss Lapdale (Larry’s Secretary): Theila Darin

Waiter: Johnny Kascier

Stooge Stand-Ins/Stunt Doubles: Harold Breen, Charlie Cross, & Johnny Kascier

Note: The Joe Besser-era Stooges remade this storyline as 1959’s “Triple Crossed.”

REVIEW:

Aside from the intriguing notion of Larry playing a villain, “He Cooked His Goose” deserves credit for trying something more sophisticated with the Stooges.  Somewhat reminiscent of their ‘Niagara Falls’ routine (with Curly), the Stooges come off well, as Larry gleefully manipulates his romantic competition.  Seeing Larry finally get the spotlight role while Moe plays a pathetically naïve husband is indeed a treat. 

The only detriment is this farce’s shortened running time, as more gags could have been added to screenwriter Felix Adler’s terrific premise.     

BRIAN’S ODD MOON RATING:                5½ Stars

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THREE STOOGES: “THE THREE TROUBLEDOERS” (1946)

SUMMARY:      RUNNING TIME: 17:00 Min. (Black & White)

Directed by Edward Bernds off Jack White’s script, this Three Stooges comedy gleefully spoofs Grade-B Westerns.  Arriving in sparse Dead Man’s Gulch, prospectors Larry, Moe, and Curly discover that the town is sore need of another new sheriff.  That year alone, local outlaw Badlands Blackie and his baddies have offed several town sheriffs (they’re not even counting deputies, anymore). 

Blackie is now demanding that local blacksmith Nell marry him by sundown, or she’ll never see her abducted father again. Stepping in, Curly becomes the town’s new lawman and even Nell’s fiancé, provided he can save her father.  With Moe and Larry & Moe as his deputies, Curly first practices his sharpshooting skills. 

Meanwhile, Blackie & Co. proceed with his insistence that Nell marry him immediately.  The Stooges manage to thwart the shotgun wedding the first time.  Yet, it’s up to the Stooges to intervene at Blackie’s saloon hideout by sundown to save Nell from forced nuptials and the town itself from his reign of terror.

Moe: Moe Howard

Larry: Larry Fine

Curly: Jerry “Curly” Howard

Nell: Christine McIntyre

Badlands Blackie: Dick Curtis

Trigger: Ethan Laidlaw

Quirt: Blackie Whiteford

Judge Blake: Victor Travers

Young Boy (Judge Blake’s Son): Uncredited

Justice of the Peace: Si Jenks

Town Elder: Hank Bell

Nell’s Father: Elmo Lincoln (cameo)

Bartender: Joe Garcio

Townsmen: Steve Clark, Slim Gaut, Budd Fine, & George Morrell

Saloon Patrons: Uncredited

Saloon Maids: Uncredited

Note: Lincoln was the first cinematic Tarzan, having appearing as the character in 1918’s Tarzan of the Apes.

REVIEW:

Practically a live-action cartoon, “The Three Troubledoers” does relatively well blending B-Western gunplay with Looney Tunes and Dudley Do-Right-style antics.  Though there are some slow spots in the script, Curly’s bungled training and the shootout gags prove solid fun (including a makeshift bazooka).  Curly gets the bulk of the laughs, but Moe & Larry still make a few worthwhile contributions, i.e. the sped-up bicycle-for-three sequence prior to the big rescue. 

Even if this episode isn’t the best of the Stooges’ Westerns, there’s sufficient laughs to make it worth sitting through.     

BRIAN’S ODD MOON RATING:                 6 Stars

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THREE STOOGES: “IDIOTS DELUXE” (1945)

SUMMARY:         RUNNING TIME: 17:30 Min. (Black & White)

Produced and directed by Jules White off Elwood Ullman’s script, this Stooges comedy is told in flashback by defendant Moe, who is on the witness stand facing assault charges.  Already a nervous wreck, a convalescing Moe is convinced by his musician roommates, Larry & Curly, to go on a camping trip for fresh air and relaxation. 

Yet, a nosy bear cub keeps poking around their cabin, so the trio decides to go bear hunting.  More specifically, Moe sends his pals after the bear while he stresses over stressing out.  As it’s revealed, Curly & Larry are the ones pressing charges against an ax-wielding Moe. 

Moe: Moe Howard

Larry: Larry Fine

Curly: Jerry “Curly” Howard

Judge: Vernon Dent

Bailiff: Paul Kruger

Courtroom Spectators: Al Thompson, Johnny Kascier, & Eddie Laughton

Additional Courtroom Spectators: Uncredited

Bear: Uncredited

REVIEW:

While Larry and Curly share scenes tag-teaming gags, a low-key Moe holds up his end, too.  Still, the bear swipes the best “Idiots Deluxe” material away from the Stooges.  Aside from the dubious visual of Moe chasing after his friends with an axe, “Idiots Deluxe” supplies watchable Stooge entertainment. 

BRIAN’S ODD MOON RATING:                  5 Stars

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THREE STOOGES: “EVEN AS I.O.U.” (1942)

SUMMARY:       RUNNING TIME: 16:00 Min. (Black & White)

Directed by Del Lord, Columbia Pictures staff writer Felix Adler scripted this 1942 horseracing comedy.  Third-rate horseracing form scalpers Moe, Larry, & Curly are chased off by a cop into a vacant lot where a homeless Mrs. Blake and her young daughter now live among their displaced household possessions. Evidently, the Stooges invite themselves to move in with them. 

Sympathetic to their new friends, Curly swipes the little girl’s piggy bank and convinces the Stooges they can help by making a big score at the racetrack.  Naively conned into believing a ‘talking horse,’ Curly’s unlikely bet draws some big money at an upcoming race. 

Yet, upon being conned yet again, the Stooges now possess another ‘talking’ horse and evidently move into the horse’s stable.  Attempting to feed their new pet through a makeshift blowgun (don’t ask), Curly suffers a bizarre medical mishap.  A surprise twist occurs at a veterinarian’s office just before this episode ends.   

Moe: Moe Howard

Larry: Larry Fine

Curly: Jerry “Curly” Howard

Mrs. Blake: Ruth Skinner

Mrs. Blake’s Daughter: Sharyn Moffett

Joe the Crooked Ventriloquist: Stanley Blystone

Joe’s Confederate: Jack Gardner

Street Cop: Bud Jamison

Irate Motorist: Vernon Dent

Racetrack Gate Attendant: Heinie Conklin

Racetrack Announcer: Lew Davis

Racetrack Pay Window Clerk: Bert Young

Racetrack Customer: Suzanne Ridgeway

Veterinarian Wheaton Chambers

Veterinarian’s Aide: Joe Garcio

Seabasket (Voice): Billy Bletcher

2nd Horse (Voice): Uncredited

Motorists: Uncredited

Racetrack Attendees: Uncredited

Note: Again impersonating journalists, the Stooges re-use a gag previously used in 1935’s “Three Little Beers.”

REVIEW:

“Even as I.O.U.,” ironically, isn’t, as one fragmented sub-plot is left bookended and unresolved by another.  With reliable help from Bud Jamison and Vernon Dent, the Stooges initially deliver the goods making their escape from the police.  Yet, once the awkward makeshift family subplot kicks in (i.e. a meal together), only some vintage Curly-isms keeps this episode afloat. 

Moe & Larry are curiously given so little to do, as Felix Adler’s script makes it ‘The Curly Show,’ mostly fending for himself.   Conveniently enough, the mother and daughter are forgotten (and not even referenced again) once the Stooges have stolen the little girl’s piggy bank.

Reverting back to a racetrack caper, “Even As I.O.U.” predictably resorts to somehow watchable Mr. Ed-style humor (predating that TV show by nearly twenty years).  The unfixable problem, however, comes with an utterly surreal finale.  Nutty, off-the-wall humor can be terrific when it’s smartly played, but Adler’s twist finish is so ridiculous that viewers will likely feel their time has just been squandered. 

As far as terrific Curly gags go, “Even as I.O.U.” enjoys its moments, but there’s not nearly enough of them to justify the ultra-stupid ending.     

BRIAN’S ODD MOON RATING:               5 Stars

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STAR TREK – THE ORIGINAL SERIES: SPECTRE OF THE GUN (Season 3, Episode 6)

SUMMARY:                      RUNNING TIME: 51:00 Min.

First airing on NBC-TV on October 25, 1968, Vincent McEveety directed this episode penned by Gene L. Coon (per his pseudonym, Lee Cronin).  Disregarding Melkotian insistence not to beam down, Captain Kirk leads an U.S.S. Enterprise landing party down to their misty world to intrude and stubbornly push Federation diplomacy. 

As fitting retaliation, the offended Melkots transplant Kirk’s team into a partial replica inspired by Earth’s deadly history: October 26, 1881, at Tombstone, Arizona.  Hence, the Enterprise’s stranded landing party are forced into the roles of the hapless Clanton/McLaury gang awaiting the showdown vs. the coldly belligerent Earp Brothers and “Doc” Holliday at the ‘Gunfight at the O.K. Corral.’

With time running on their destined ‘fate,’ Kirk’s team must uncover a means to alter established ‘history.’  In essence, their alien captors intend to pit the crew’s sense of virtue against humanity’s worst impulses resorting to lethal violence.    

Captain James T. Kirk (Ike Clanton): William Shatner

Commander Spock (Frank McLaury): Leonard Nimoy

Dr. Leonard H. McCoy (Tom McLaury): DeForest Kelley

Commander Montgomery Scott (Billy Clanton): James Doohan

Ensign Pavel Chekov (Billy Claiborne): Walter Keonig

Sylvia: Bonnie Beecher

Wyatt Earp: Ron Soble

Morgan Earp: Rex Holman

Virgil Earp: Charles Maxwell

“Doc” Holliday: Sam Gilliman

Melkotian (voice): Abraham Sofaer

Tombstone barber: Ed McCready

Ed: Charles Seel

Cowboys: Paul Baxley & Richard Anthony

Lt. Hadley: Bill Blackburn

Note: Kelley had previously portrayed Morgan Earp in 1957’s Gunfight at the O.K. Corral co-starring Burt Lancaster & Kirk Douglas. Holman would later play a supporting role as one of Sybok’s recruits in 1989’s Star Trek V: The Final Frontier.   

REVIEW:

Though the premise isn’t half-bad, suffice to say, Trek’s first Western doesn’t age well.  Given the production’s glaring budgetary limitations, at least a plausible excuse is conjured up justifying the flimsy Tombstone set (i.e. the aliens possess an incomplete knowledge of Old West historical detail).  Still, the episode itself invariably looks and feels cheap. 

Distorting even rudimentary historical facts, this Trek, unfortunately, conveys that the Clantons and McLaurys weren’t sleazy outlaws facing frontier justice they deserved.  Ironically, by replacing their historical criminality with the heroism of Kirk, Spock, etc., the Clanton/McLaury faction is sympathetically depicted as being bullied and gunned down by the vindictive, trigger-happy Earps. 

As crudely produced as this episode is, “Spectre of the Gun” is still more re-watchable than some of the viewer-insulting dreck Season 3 dubiously peddled (“Spock’s Brain,” anyone?).    

Note: A 1987 Real Ghostbusters animated episode (“Ghost Fight at the O.K. Corral”) recycles this same concept and actually does a much better job.

BRIAN’S ODD MOON RATING:                  4 Stars

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STAR TREK – THE ORIGINAL SERIES: METAMORPHOSIS (Season 2: Episode 9)

SUMMARY:                        RUNNING TIME: 50:00 Min.

First airing on NBC-TV, on November 10, 1967, Ralph Senesky directed this episode penned by Gene L. Coon.  An U.S.S. Enterprise shuttlecraft is abducted by a mysterious energy cloud, which then strands Captain Kirk, Spock, Dr. McCoy, and terminally ill Federation diplomat Nancy Hedford on the remote Gamma Canaris N planetoid.  Effectively marooned, the shuttle’s crew are stunned to discover that their fellow inhabitant is engineer Zefram Cochrane: the legendary inventor of warp drive. 

According to Earth history, an elderly Cochrane had vanished some 150 years prior, leaving an unsolved mystery.  Yet, he has resided alone on this planet — somehow restored to his physical prime.  It’s revealed that the ethereal ‘Companion,’ in an act of compassion, has brought the quartet there to befriend a lonely and evidently now-immortal Cochrane. 

With Cochrane’s reluctant help, Kirk, Spock, and McCoy desperately try escaping The Companion’s captivity, in part to seek Hedford’s emergency medical care.   

Captain James T. Kirk: William Shatner

Commander Spock: Leonard Nimoy

Dr. Leonard H. McCoy: DeForest Kelley

Lt. Commander Montgomery Scott: James Doohan

Lt. Uhura: Nichelle Nichols

Lt. Sulu: George Takei

Zefram Cochrane: Glenn Corbett

Commissioner Nancy Hedford: Elinor Donahue

The Companion (voice): Elizabeth Rogers

Lt. Leslie: Eddie Paskey

Lt. Hadley: Bill Blackburn

REVIEW:

Suffice to say, it’s Star Trek’s most underrated love story.  Instead of a slam-bang Trek adventure, writer Gene L. Coon ensures that the mature romanticism powering “Metamorphosis” caters to a wider adult audience than stalwart Trekkers.  Enjoying solid chemistry with guest stars Glenn Corbett and Elinor Donahue, the trio of Shatner, Nimoy, and Kelley reliably carry this episode’s poignant themes to a satisfying finish. 

Though Cochrane’s tale isn’t among the most re-watchable Original Series episodes that spring to mind, “Metamorphosis” remains a classy and genuinely welcome Trek-or-treat.

BRIAN’S ODD MOON RATING:                   8 Stars

Note:  Co-written by Judith and Garfield Reeves-Stevens, the 1994 Original Series/Next Generation crossover novel, Federation, serves as a direct sequel to this episode (and, to a much lesser degree, “Journey to Babel”).

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IT HAD BETTER BE TONIGHT {MEGLIO STASERA} (by Fran Jeffries & Henry Mancini: 1963’s The Pink Panther movie soundtrack)

SUMMARY:                            RUNNING TIME: 1:57 Min.

From 1963’s The Pink Panther film soundtrack, singer Fran Jeffries performs this English-Italian language pop tune composed by Henry Mancini & Johnny Mercer.  The male half of this duet with Jeffries isn’t credited.  The tune’s instrumentals are provided by Mancini and His Orchestra.

Note: Mancini’s instrumental version is also included on the soundtrack.

REVIEW:

Ever so brief but exuberantly romantic, “It Had Better Be Tonight (Meglio Stasera)” is a musical treat.  It’s a classy showtune worthy of re-discovery.  

BRIAN’S ODD MOON RATING:                        7 Stars

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ON THE ICE (by Michael Kamen: The Winter Guest movie soundtrack)

SUMMARY:                  RUNNING TIME: 6:10 Min.

From 1997’s The Winter Guest movie soundtrack, composer Michael Kamen performs this piano solo instrumental.  It is Track # 10 on the album.   

REVIEW:

Poignantly beautiful as an introspective, Michael Kamen’s lush and somewhat whimsical “On the Ice” delivers a first-class instrumental.  This track is highly recommended!   

BRIAN’S ODD MOON RATING:                9 Stars

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OUT HERE ON MY OWN (by Irene Cara: 1980 Fame movie soundtrack)

SUMMARY:                    RUNNING TIME: 3:11 Min.

From 1980’s Fame film soundtrack, Irene Cara performs this ballad written by Michael Gore & Lesley Gore.  Onscreen, Cara’s insecure Coco Hernandez performs the song while privately practicing on a school piano.  This track subsequently scored a 1981 Academy Award nomination for Best Original Song – though Cara’s title song won the award.

REVIEW:

In addition to her show-stopping title song, Irene Cara proves equally adept rendering this poignant ballad.  Despite its schmaltzy lyrics, the tune’s low-key melody is an ideal accompaniment to Cara’s spot-on vocals. 

BRIAN’S ODD MOON RATING:                     7 Stars

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I SING THE BODY ELECTRIC (Cast: 1980 Fame movie soundtrack)

SUMMARY:                        RUNNING TIME: 4:59 Min.

From 1980’s Fame film soundtrack, the ensemble cast (vocally represented by Traci Parnell, Irene Cara, Laura Dean, Paul McCrane, and Eric Brockington) performs the tune. Specifically, it narrates the graduation sequence closing out the film.  

REVIEW:

It’s certainly an intriguing contrast to the album’s solo tracks.  What handicaps this tune’s dynamic melody are the peculiar lyrics making an universal allegory about maturing into adulthood hard to follow.  Intended as a show-stopper, “I Sing the Body Electric” benefits from a combination of well-played rock/orchestra instrumentals and endearing vocals. 

BRIAN’S ODD MOON RATING:                   6½ Stars