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SLIMER AND THE REAL GHOSTBUSTERS: ELEMENTARY, MY DEAR WINSTON (Season 5, Episode 4)

SUMMARY:                 RUNNING TIME: 22:00 Min.

First aired on ABC-TV on September 16, 1989, this early Season 5 episode was directed by Will Meugniot.  With New York City readily emanating evil, the apparitions of Professor James Moriarty and a monstrous (dragon-like) Hound of the Baskervilles arise to collect enough evil supernatural power to bring Moriarty back to ‘life.’   Courtesy of a primitive-looking automobile, the ghostly duo of Sherlock Holmes and Dr. John H. Watson subsequently chase their foes across the city. 

Aiding Holmes in his rescue of an abducted Watson, only Winston Zeddemore initially senses the Ghostsbusters’ true foes in this odd skirmish.  Worse yet, upon invading the Ghostbusters’ HQ, Moriarty intends to feed off the captured ghosts held in their containment chamber to make himself unstoppable.    

Note: Egon speculates that, though Arthur Conan Doyle’s characters are indeed fictional, their ‘ghosts’ somehow manifest themselves because mass audiences firmly believe in them.  Hence, Doyle’s characters exist in their own ‘quasi-reality.’ 

Dr. Peter Venkman: Dave Coulier

Dr. Raymond Stantz, Slimer, Hound, & Miscellaneous Voices: Frank Welker

Winston Zeddemore: Buster Jones

Janine Melnitz: Kath Soucie

Dr. Egon Spengler & Dr. John H. Watson: Maurice LaMarche

Sherlock Holmes: Alan Shearman

Louis Tully & Professor James Moriarty: Rodger Bumpass

REVIEW:

Aside from a nice homage referencing the original film’s library sequence, this episode doesn’t age well.  Courtesy of a blah script geared towards first-graders with, at most, a rudimentary idea who Sherlock Holmes is, adults expecting little won’t be surprised.  While it is fun seeing Winston essentially take command of the team, the flimsy plotting (much like the animation) won’t likely impress anyone.

More so, Dave Coulier’s annoying take on Venkman makes the show’s lead character sound as dim-witted as John Travolta’s Vinnie Barbarino on Welcome Back, Kotter.  Let’s just say Venkman’s dubious contributions to this episode become an unwelcome distraction.  Despite entertaining its undemanding target audience for twenty minutes, the content of “Elementary, My Dear Winston,” clearly falls short of its intriguing premise. 

BRIAN’S ODD MOON RATING:                     3½ Stars

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(SLIMER AND) THE REAL GHOSTBUSTERS: GHOST FIGHT AT THE O.K. CORRAL (Season 2: Episode 47)

SUMMARY:                 RUNNING TIME: 22:00 Min.

First aired in syndication on November 17, 1987, this episode was directed by Masakzu Higuchi.  At Tombstone, Arizona, celebrated Western novelist Dewey LaMort (spoofing Louis L’Amour) is the guest of honor for a press conference announcing a new Old West theme park.  Yet, the restless ghost of Wyatt Earp interrupts … appropriately enough, at Boot Hill cemetery.  Earp’s fast-shooting ghost has no intention of giving up Tombstone to anyone.  It’s time to call in the Ghostbusters!

Upon their arrival in present-day Tombstone, the team (including a stowaway Slimer) splits up and faces ambushes from a spectral Earp and his re-materialized allies (brother Virgil & Morgan, along with “Doc” Holliday).  Ultimately, the Ghostbusters reckon that the trigger-happy Earp faction intends to replay the ‘Gunfight at the O.K. Corral.’  Yet, what can the team do in self-defense standing in for the hapless Clanton Gang outlaws?

Dr. Peter Venkman (and either Morgan or Virgil Earp): Lorenzo Music

Winston Zeddemore (and either Virgil or Morgan Earp): Arsenio Hall

Dr. Egon Spengler, “Doc” Holliday, & Mayor of Tombstone: Maurice LaMarche

Dr. Raymond Stantz, Dewey LaMort, & Slimer: Frank Welker

Wyatt Earp & Boris Mealey: Jonathan Schmock

Janine Melnitz: Laura Summer

Note: Although a gun is seen in Earp’s holster, the Earps & Holiday use their hands to simulate guns for their rapid-fire ‘ghost bullets.’

REVIEW:

On its surface, the premise practically duplicates a lesser Star Trek: The Original Series episode: “Spectre of the Gun.”  Like that Star Trek episode, again Wyatt Earp and his faction are conveniently the cold-hearted bad guys, regardless of actual American history.  Yet, upon a comparison of entertainment value, “Ghost Fight at the O.K. Corral” ages far better. 

Specifically, this Tombstone-themed episode sports more accurate historical research (including appropriate visuals for Wyatt’s squad) and, most obviously, a far-superior script where the Ghostbusters are forced into a defensive mode.  With the voice cast in terrific form, the much-better-than-expected “Ghost Fight at the O.K. Corral” merits a chance for re-discovery.    

BRIAN’S ODD MOON RATING:        6½ Stars

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Comic Books & Graphic Novels DC Comics

BATMAN: THE KNIGHT # 7 (2022 DC Comics)

Written by Chip Zdarsky

Art by Carmine Di Giandomenico; Ivan Plascencia; & Pat Brosseau

Cover Art by Carmine Di Giandomenico

SUMMARY:

In this ten-issue series, DC Comics released this 40-page installment for September 2022.  Meant for older teens and up, it’s simply titled “The Knight, Part 7.”  This flashback tale explores the end of young Bruce Wayne’s apprenticeship with trusted family friends: Giovanni “John” Zatara, and his daughter, fellow magical protégé Zatanna Zatara. 

Bruce demonstrates considerable promise as the legendary magician’s potential successor, though a widowed Zatara is now an embittered alcoholic.  Prying childhood friend Bruce from her boozing father, Zatanna & Bruce enjoy a New York City date night.

Meanwhile, a demonic adversary of Zatara’s is hungrily collecting souls of new innocent victims.  To Zatanna’s disgust, her father is apathetic to stopping this formidable supernatural threat once and for all.  Moving past his naïve, Scooby-Doo-like assumptions re: magic, Bruce now risks adding a mastery of real magic to his growing arsenal. 

Making himself tempting bait, Bruce joins Zatanna in facing off vs. this monstrous demon.  Nonetheless, it becomes a terrifying showdown that could easily destroy these future Justice Leaguers. 

Note: Though the image isn’t available here, artist Riccardo Federici produced the variant cover.

REVIEW:

In young Bruce Wayne’s latest trial, Chip Zdarsky concocts a potent fantasy-horror tale adding further depth to the future Batman’s kinship with Zatanna Zatara.  Equal to the task is the art squad’s excellent visuals (i.e. the cover image) bringing to life Bruce’s first battle against occult forces. 

Even if the plot is something of an anachronism (as far as establishing Batman’s initial contact with demons), Batman: The Knight # 7 is still a dynamite read.  Definitely recommended!        

ADDITIONAL CONTENT:

There’s a poignant three-page homage to comics artist/writer Neal Adams from his peers.  The “DC Nation Interview” starring Dwayne “The Rock” Johnson hypes DC League of Super-Pets.  

BRIAN’S ODD MOON RATING:                    8 Stars

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Comic Books & Graphic Novels DC Comics

BATMAN: URBAN LEGENDS # 15 (2022 DC Comics)

Written by (See Below)

Art by (See Below)

Cover Art by Nikola Ĉižmešija  

SUMMARY:

DC Comics released this 64-page issue for July 2022.  This Bat-anthology continues three storylines and adds a single team-up tale, which are:

  1. Batman & Zatanna Zatara: “Bound to Our Will” (Part 5 of 6: 22 pages).  Writer: Vita Ayala.  Artists: Nikola Ĉižmešija; Nick Filardi; & Steve Wands.  With Batman & John Constantine trapped together in a mystical dimension, it’s up to Zatanna to initiate their shared dual-attack against their mystical foes.  Hints infer a potential romantic triangle between Constantine, Zatanna, and the Dark Knight. 
  2. Batman & Plastic Man: “Bending the Rules” (10 pages).  Writer: Joey Esposito.  Artists: Jason Howard & Pat Brosseau.  Plastic Man has a personal motive for interfering in Batman’s latest manhunt.  Meanwhile, KGBeast is their imminent opposition per the bounty he has accepted from the Penguin.  The Joker also makes an appearance. 
  3. Birds of Prey: “Memory Lane” (Part 2 of 3: 10 pages): Writer: Che Grayson.  Artists: Serge Acuña; Ivan Plascencia; & Josh Reed.  A Birds squad (primarily, Katana & Shiva) continue to hunt down the perpetrators behind  an addictive virtual reality device dubbed ‘Memory Lane’ hidden in cell phones.  Yet, does the mind-altering mission turn the Birds against one another?   
  4. Batman & Ace the Bat-Hound: “Hounded: Bear Witness” (Part 5 of 6: 22 pages).  Writer: Mark Russell.  Artists: Karl Mostert; Trish Mulvihill; & Steve Wands.  Ace leads his makeshift animal posse to rescue a captive Batman.  Meanwhile, an injured Dark Knight is forced into caged combat vs. one of Ace’s furry friends.  Worse yet, the Joker makes an ominous move.     

Note: Though their images aren’t available here, there are two variant covers: artists Karl Mostert & Trish Mulvihill (“Hounded”) and artist Riley Rossmo (“Batman & Plastic Man”)

REVIEW:

The sole caveat is that the Birds of Prey caper possibly includes too many players to keep track of all who’s who.  Otherwise, Batman: Urban Legends # 15 delivers all the necessary storytelling goods, in terms of both its scripting (even some humor) and likable visuals.  This issue is well-played!  

ADDITIONAL CONTENT:

It’s more like a lack thereof; thankfully, there aren’t any ads.  

BRIAN’S ODD MOON RATING:                7½ Stars

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Comic Books & Graphic Novels DC Comics

BATMAN: URBAN LEGENDS # 12 (2022 DC Comics)

Written by (See Below)

Art by (See Below)

Cover Art by Karl Mostert & Trish Mulvihill

SUMMARY:

DC Comics released this 64-page issue for April 2022.  Meant for older teens and up, this Bat-anthology continues four separate storylines, which are:

  1. Batman & Zatanna Zatara: “Bound to Our Will” (Part 2 of 6: 22 pages).  Writer: Vita Ayala.  Artists: Nikola Ĉižmešija; Nick Filardi; & Steve Wands.  As their old demonic foe grows stronger, emotional strain is fraying the  personal bond between Zatanna and a wounded Dark Knight.  A new wildcard enters this conflict.
  2. Wight Witch: “Stigma” (Part 2 of 3: 10 pages).  Writer: Ram V.  Artist: Anand Radhakrishnan (AnandRK).  More of young Rhea’s bleak transformation into the Wight Witch is revealed. 
  3. Eternity: “Eternity in Gotham” (Part 2 of 3: 10 pages): Writer: Mohale Mashigo.  Artists: Arist Deyn & Saida Temofonte.  Prodded by his neighbor, Regina, Chris Freeman probes the homicide of their fellow resident, Hannah.  Yet, Hannah’s partially amnesiac ghost may lead Chris to a shocking discovery.  Note: Visually, Hannah resembles Poison Ivy.
  4. Batman & Ace the Bat-Hound: “Hounded: The Furnace” (Part 2 of 6: 22 pages).  Writer: Mark Russell.  Artists: Karl Mostert; Trish Mulvihill; & Steve Wands.  Ace is held captive in a facility meant to recondition and/or experiment animals for sinister purposes.  It’s up to the Dark Hound to lead an uprising in his quest for freedom.  Meanwhile, an injured and also-captive Batman faces interrogation in the basement of the ominous Club Siberia.     

Note: Though their images aren’t available here, there are two variant covers: artist Jorge Molina (“Batman & Zatanna”) and artist AnandRK (“Wight Witch”)

REVIEW:

Issue # 11’s impressive quality carries over to this issue.  Across the board, the darkly-themed plotting and visuals are effectively rendered.  Still, the Batman tales surpass the shorter tales, in terms of benefitting from ‘star power.’  Batman: Urban Legends # 12, as a whole, delivers a most satisfying read.  For mature Bat-fans, this issue is recommended.     

ADDITIONAL CONTENT:

It’s more like a lack thereof; thankfully, there aren’t any ads.  

BRIAN’S ODD MOON RATING:               8 Stars

Categories
Comic Books & Graphic Novels DC Comics

BATMAN: URBAN LEGENDS # 11 (2022 DC Comics)

Written by (See Below)

Art by (See Below)

Cover Art by Jorge Molina

SUMMARY:

DC Comics released this 64-page issue for March 2022.  Meant for older teens and up, this Bat-anthology begins four new storylines, which are:

  1. Batman & Zatanna Zatara: “Bound to Our Will” (Part 1 of 6: 22 pages).  Writer: Vita Ayala.  Artists: Nikola Ĉižmešija; Nick Filardi; & Steve Wands.  Departing a Justice League meeting, Batman & Zatanna commence their annual mission to again push back a mystical foe they once inadvertently summoned as teenagers.  Hoping they can make it the final time, the Justice Leaguers find out their lethal demonic foe has the same idea.
  2. Wight Witch: Stigma” (Part 1 of 3: 10 pages).  Writer: Ram V.  Artists: Anand Radhakrishnan; John Pearson; & Aditya Bidikar.  The assassin’s murky past is slowly revealed, including her link to a young Bruce Wayne. 
  3. Eternity: “Eternity in Gotham” (Part 1 of 3: 10 pages): Writer: Mohale Mashigo.  Artists: Arist Deyn & Saida Temofonte.  Now re-established in Gotham City in its Coroner’s Office, enigmatic Christopher Freeman meets an alluring neighbor, who is destined for a grisly fate.  Note: Despite an uncanny resemblance, this neighbor isn’t Poison Ivy.
  4. Batman & Ace the Bat-Hound: “Hounded: The Trap” (Part 1 of 6: 22 pages).  Writer: Mark Russell.  Artists: Karl Mostert; Trish Mulvihill; & Steve Wands.  In Gotham’s Little Leningrad neighborhood, an overconfident Batman and Ace infiltrate the dilapidated Romanov Hotel expecting to rescue human trafficking victims.  Instead, it’s an ominous ruse that leave the Dark Knight (and the Dark Hound) to uncertain fates.   

Note: Though their images aren’t available here, there are two variant covers: artists Karl Mostert & Trish Mulvihill (“Hounded”) and artist Arist Deyn (“Eternity”)

REVIEW:

Given the creative talent involved, it’s unsurprising that the Batman tales are the most compelling reads. In both instances, the darkly-themed scripting and the accompanying visuals are commendable.  Suffice to say, they’re definitely well-played opening salvos. 

As to the two shorter stories, each sports nebulous scripting, but where they leave off suggests tantalizing potential, as seen in their stylish artwork.  Overall, Batman: Urban Legends # 11 gives Bat-fans their money’s worth and then some.  Definitely recommended!     

ADDITIONAL CONTENT:

It’s more like a lack thereof; thankfully, there aren’t any ads.  

BRIAN’S ODD MOON RATING:                 8 Stars

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FANTASY ISLAND {1979}: SÉANCE / THE TREASURE (Season 2: Episode 14)

SUMMARY:                       RUNNING TIME: 45:00 Min.

ABC-TV first broadcast this mid-season episode on January 13, 1979.  Mr. Roarke and Tattoo host this week’s guests: a young heiress who wishes to contact her dead twin brother through a séance; and a blue-collar fisherman brings along his down-to-earth wife to explore life as an instant multi-millionaire. 

Meanwhile, Tattoo has inadvertently ‘stolen’ a pony from somewhere on the island.  Also briefly seen is another guest (a mild-mannered news reporter, no less) living out his dream as Superman – though the character’s name is never stated, presumably for copyright purposes. 

Mr. Roarke: Ricardo Montalbán

Tattoo: Hervé Villechaize

Clare Conti (“Séance”): Eve Plumb

Todd Conti (“Séance”): Uncredited (possibly Eve Plumb)

Victor Conti (“Séance”): Leslie Nielsen

Eddie Loomis (“Séance”): Ross Bickell

Denise Morot (“Séance”): Stepfanie Kramer

Claude Morot (“Séance”): Joseph Hacker

Eva Capos (“The Treasure”): Shelley Fabares

Joe Capos (“The Treasure”): George Maharis

Party Guests (“The Treasure”): Warren Munson, Doug Banks, & Dorit Renier

McCloud (“The Treasure”): Michael Fox

Rancher: Don Megowan

Island Dancers: Uncredited

Island Inhabitants: Uncredited

‘Clark Kent:’ Uncredited

REVIEW:

Though Montalbán and Villechaize are in reliably good form, their guest stars fail to bring their A-game or even their B-game.  “Séance’s” plot thread presents some dark turns, but this supernatural potboiler is mediocre to the hilt.  Still, the outlandish spectacle of two explosive séances solving a murder-mystery is better viewing than “The Treasure.” 

When one sees Fabares & Maharis’ casually-dressed couple actually go scuba diving without equipment (aside from a single mask), “The Treasure’s” quality control instantly sinks with them.  This get-rich-quick fable is so predictable and illogical that the entire cliché-fest becomes virtually unwatchable. 

In particular, there shouldn’t be viewer sympathy for Maharis’ self-absorbed and nasty Joe Capos, i.e. as to how monetary wealth can be corruptive and why a happy marriage offers far greater wealth.  The only sympathy that should be extended is to co-star Fabares for being stuck with a crummy script.

As for Tattoo’s pony, this minor side story is mildly charming, as are the Superman/Clark Kent sight gags eliciting a quick chuckle.  The insurmountable problem, however, is that two ridiculous storylines suffer from undeniably dreadful acting.  Ironically, it makes sense that Nielsen’s cynical uncle would be this episode’s most believable guest character.     

BRIAN’S ODD MOON RATING:                  3 Stars

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POIROT: THE ADVENTURE OF JOHNNIE WAVERLY (Season 1: Episode 3)

SUMMARY:                  RUNNING TIME: 51:00 Min.

First broadcast on January 22, 1989, Renny Rye directed this early episode that Clive Exton adapted from Agatha Christie’s 1923 short story.  Both Scotland Yard and Poirot are baited ahead of time daring them to prevent the abduction of a country squire’s young son from his own home.  Despite Poirot and the police’s best efforts, young Johnnie Waverly still mysteriously vanishes. 

It’s up to Poirot and Hastings to track down the enigmatic kidnapper (or, quite possibly, kidnappers) to save the young boy. 

Hercule Poirot: David Suchet

Capt. Arthur Hastings: Hugh Fraser

Chief Inspector James Japp: Philip Jackson

Felicity Lemon: Pauline Moran

Ada Waverly: Julia Chambers

Johnnie Waverly: Dominic Rougier

Marcus Waverly: Geoffrey Bateman

Jessie Withers: Carol Frazer

Tredwell: Patrick Jordan

Miss Collins: Sandra Freeman

Police Sergeant: Phillip Manikum

Policemen: Jonathan Magnanti & Jona Jones

Hughes: Patrick Connor

Rogers: Robert Putt

Barmaid: Samantha Beckinsale

REVIEW:

Remaining faithful to Agatha Christie’s weak source material invariably backs this TV adaptation into a corner.  In spite of an initially ominous premise, the plotting then deteriorates into a rather flimsy excuse for a mystery.  Still, Poirot’s production values are stellar, even if this particular storyline is easily forgettable.

BRIAN’S ODD MOON RATING:                   5½ Stars

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Agatha Christie-Related DVD International/Foreign-Language Television Movies & Television (Videos) TV Episodes & Movies TV Series TV Series (Specific Episodes)

POIROT: THE DREAM (Season 1: Episode 10)

SUMMARY:         RUNNING TIME: 50:00 Min.

First broadcast on March 19, 1989, Edward Bennett directed this early episode that Clive Exton adapted from Agatha Christie’s 1937-38 short story.  Poirot is cryptically summoned by reclusive London manufacturing tycoon Benedict Farley as a consultant for a strange recurring dream Farley experiences.  Specifically, this ominous dream compels him to violently commit suicide in his locked office. 

Failing to appease an irritable Farley, Poirot is soon alerted that Farley’s dream was indeed a grim premonition.  Considering others in Farley’s proximity would gladly benefit from his sudden death, Poirot senses that all isn’t what it seems.    

Hercule Poirot: David Suchet

Capt. Arthur Hastings: Hugh Fraser

Chief Inspector James Japp: Philip Jackson

Felicity Lemon: Pauline Moran

Joanna Farley: Joely Richardson

Benedict Farley / Hugo Cornworthy: Alan Howard

Mrs. Farley: Mary Tamm

Dr. Stillingfleet: Paul Lacoux

Herbert Chudley: Martin Wenner

Mr. Tremlett: Christopher Saul

Newsreel Voice: Neville Phillips

Workmen: Fred Bryant & Tommy Wright

Bandmaster: Christopher Gunning

Mayor: Donald Bisset

Fencing Instructor: Arthur Howell

Note: Series composer Christopher Gunning makes a cameo appearance in an appropriate role. 

REVIEW:

Effectively expanding upon Christie’s source material, padding this adaptation of “The Dream” with a youthful romance proves well-played.  Like the original short stories, “The Dream” surpasses “Four and Twenty Blackbirds” (also adapted in this same season), in terms of relying upon the same plot device.  This episode is very watchable!   

BRIAN’S ODD MOON RATING:                7 Stars

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Agatha Christie-Related DVD International/Foreign-Language Television Movies & Television (Videos) TV Episodes & Movies TV Series TV Series (Specific Episodes)

POIROT: PROBLEM AT SEA (Season 1: Episode 7)

SUMMARY:             RUNNING TIME: 51:00 Min.

First broadcast on February 19, 1989, Renny Rye directed this early episode that Clive Exton adapted from Agatha Christie’s 1936 short story.  On a Mediterranean cruise, Belgian sleuth Hercule Poirot and his best friend, Captain Arthur Hastings, are among the passengers uneasily witnessing turbulence in the Clapperton marriage. 

Having gone ashore with two sympathetic female companions, Col. Clapperton later returns to shockingly discover that his wealthy spouse has been murdered inside their locked cabin.  Poirot and Hastings realize that that something beyond a random jewel theft is the true motive precipitating Mrs. Clapperton’s homicide.  

Hercule Poirot: David Suchet

Capt. Arthur Hastings: Hugh Fraser

Col. John Clapperton: John Normington

General Forbes: Roger Hume

Capt. Fowler: Ben Aris

Mrs. Clapperton: Sheila Allen

Ellie Henderson: Ann Firbank

Nelly Morgan: Dorothea Phillips

Emily Morgan: Sheri Shepstone

Kitty Mooney: Melissa Greenwood

Ismene: Louise Jones

Pamela Cregan: Victoria Hasted

Mr. and Mrs. Tolliver: Geoffrey Beevers & Caroline John

Mr. Russell: James Ottaway

Skinner: Colin Higgins

Bates: Jack Chissick

Photographer: Giorgos Kotanidis

Note: For historical purposes, Christie’s plot, intentionally or not, resembles her middling 1933 Parker Pyne short story, “Death on the Nile,” which utilizes a similar premise and locale.  By comparison, Problem at Sea” is a more satisfying mystery.

REVIEW:

High-caliber production values (spot-on acting, terrific location filming, etc.) easily surpass an average mystery that resorts to an eye-rolling gimmick for the ‘big reveal’ sequence.  Still, none of this faithful episode’s storytelling flaws ought to be attributed to this otherwise well-played production.  It simply conveys a decent Poirot tale making the story look better than Christie’s source material actually is.

BRIAN’S ODD MOON RATING:                    6 Stars