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Comic Books & Graphic Novels DC Comics

DETECTIVE COMICS # 678 (1994 DC Comics)

Written by Chuck Dixon.

Art by Graham Nolan; Bob McLeod; Adrienne Roy; & John Costanza.

Cover Art by Graham Nolan; Scott Hanna; & Bob LeRose.

SUMMARY:

Entitled “Yesterday’s Gone,” DC Comics released this pre-Zero Hour tie-in for September 1994.  Returning to the Batcave shortly after midnight, Batman inexplicably discovers he is now trapped in an alternate reality’s past.  Specifically, it is the night that a young Bruce Wayne is killed by an unknown mugger rather than his parents. 

Having briefly convinced this altered reality’s Alfred of his identity, a bewildered Batman flees Wayne Manor and goes after the killer he has long suspected: Joe Chill.  Upon discovering a shocking truth, the Dark Knight desperately races home from a police pursuit to find another unpleasant surprise awaiting him.  

REVIEW:

Due more to likable artwork than its predictable plot, Detective Comics # 678 is a relatively satisfying read.  Its best moments belong with the poignant Bruce/Alfred sequence and a bleak truth Batman learns of Joe Chill – it leaves one to wonder if this tantalizing revelation now applies to Batman’s true reality? 

Overall, as with Batman # 511, the storytelling in Detective Comics # 678 holds up well almost three decades later as a Zero Hour crossover.       

ADDITIONAL CONTENT:

There is a two-page “Detective Comments” letters-and-answers column.  

BRIAN’S ODD MOON RATING:                      6 Stars

Categories
Comic Books & Graphic Novels DC Comics

THE BRAVE AND THE BOLD # 182 (1982 DC Comics)

Main Feature Written by Alan Brennert. Main Feature Art by Jim Aparo & Carl Gafford.

“Nemesis” Back-Up Feature Written by Cary Burkett. “Nemesis” Back-Up Art by Dan Spiegle; John Costanza; & Carl Gafford.

Cover Art by Jim Aparo.

SUMMARY:

DC Comics released this 32-page issue for January 1982.  The eighteen-page lead feature is entitled “Interlude on Earth-Two.”  The Gotham City of both Earth-One and Earth-Two are plagued by an intense electrical storm.  While Earth-Two’s Robin and Starman deduce the nefarious culprit’s identity behind the artificially-created storm on their world, Earth-One’s Batman is mysteriously drawn to a cemetery where the storm teleports him to Earth-Two. 

Replacing the injured Starman, Batman soon joins Earth-Two’s Robin to go after a ghostly Hugo Strange. Joined by Earth-Two’s Batwoman (Kathy Kane) coming out of retirement, a mix of mutual resentment and ghostly déjà vu impacts Gotham’s heroic trio.  While Robin & Batwoman still grieve their Batman’s death, his Earth-One counterpart experiences the reverse, as his Kathy Kane was tragically murdered months before. 

Against Strange’s use of Starman’s stolen cosmic rod, Batman and his Earth-two partners must risk a fatal showdown inside the Batcave. 

REVIEW:

Tag-teaming with artists at the top of their visual game, writer Alan Brennert delivers a top-caliber Bat-crossover.  Effectively bridging subtle differences between Earth-One and Earth-Two’s Bat-counterparts, Brennert concocts a multi-layered team-up.  Specifically, his storytelling is not some cardboard adventure, as readers can grasp this Robin’s misgivings, as well as Batman’s mutual discomfort — given the odd circumstances.  More so, the poignant final stretch (including revelations of Strange’s fate since last facing Earth-Two’s Dynamic Duo) is well-played. 

If anything, the haunting last page bringing Brennert’s plot full-circle is worth the price of admission to Bat-fans of either Earth. Along with its great Nemesis caper, The Brave and the Bold # 182 is a forty-year-old DC relic that only improves with age.

Note: Batman’s chastising of Earth-Two Robin is some unintentional foreshadowing of the ex-Boy Wonder’s fate come the end of 1985-86’s Crisis on Infinite Earths.

ADDITIONAL CONTENT:

The eight-page Nemesis serial is entitled “Enter … Greyfox.”  The notorious assassin, Greyfox, and his associates bait Nemesis by pressuring Valerie’s assaulted brother to contact her in New York City.  At New York’s JFK Airport, a disguised Nemesis realizes that Greyfox’s team is waiting in ambush.  Overall, Cary Burkett’s scripting and solid visuals combine for some well-played suspense.

The last page is a typical letters-and-answers column, including correspondence from series writer Mike Barr.   

BRIAN’S ODD MOON RATING:                        8½ Stars

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Comic Books & Graphic Novels DC Comics

BATMAN ’66 # 1 (2013 DC Comics)

Written by Jeff Parker.

Art by Jonathan Case & Wes Abbott.

Cover Art by Michael Allred & Laura Allred.

SUMMARY:

Released for September 2013, DC Comics adapts Adam West and Burt Ward’s live-action TV series with this 36-page premiere.  Entitled “The Riddler’s Ruse,” Commissioner Gordon, Chief O’Hara, Bruce Wayne, and Dick Grayson are among the attendees for a presentation ceremony of the ‘Lady Gotham’ golden statue at Gotham Park.  Swooping down from an airplane, the Riddler brazenly pilfers the statue.  Chasing after their arch-foe in the Batmobile, the Dynamic Duo finds only an enigmatic clue hinting his next heist. 

A cliffhanger concludes ‘Part 1,’ as Batman & Robin raid Catwoman’s new nightclub hoping to intercept the Riddler’s theft of the second portion of an interlocking golden statue.  Seeking revenge, Catwoman joins forces with the Dynamic Duo to pursue the Riddler and his goons on this treasure hunt.  The question becomes: who gets to the last golden statue first?  More importantly, who invariably gets the last laugh?       

Notes: Though the image is not available here, Jonathan Case devised this issue’s variant cover.  Initially titled “The Riddler’s Ruse, Part 1: Mirth from Above,” this comic oddly foregoes the TV series tradition of presenting a different subtitle for ‘Part Two.’ 

REVIEW:

Though not advertised as such, the art team’s visuals resemble 3D-style imagery.  Initially less-then-impressive, their artwork gradually becomes more endearing, i.e., terrific depictions of Frank Gorshin’s Riddler and Julie Newmar’s Catwoman.  Otherwise, Jeff Parker’s scripting wisely conveys a homage vs. presenting a flat-out continuation of the TV show’s campy humor. 

Including a nice joke at the finish line, Batman ’66 # 1 ends well, but this opener is hardly a must-have.  Still, its kid-friendliness offers a welcome treat.       

ADDITIONAL CONTENT:

DC’s “All Access” column hypes the New 52 second-year annuals for: Superman, Batman, Detective Comics, The Flash, and Animal Man.  

BRIAN’S ODD MOON RATING:                   5½ Stars

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Comic Books & Graphic Novels DC Comics

THE BATMAN ADVENTURES # 21 (1994 DC Comics)

Written by Michael Reaves & Kelley Puckett.

Art by Mike Parobeck; Rick Burchett; Rick Taylor; Richard Starkings; & Comicraft.

Cover Art by Rick Burchett & Mike Parobeck.

SUMMARY:

Released by DC Comics for June 1994, this sequel to Batman: The Animated Series’ Season 2 episode: “Tyger Tyger” is entitled “House of Dorian.”  Upon escaping Arkham Asylum, wicked geneticist Dr. Emile Dorian abducts his former colleague, Dr. Kirk Langstrom, to do his mind-controlled bidding as Man-Bat.  Meanwhile, a desperate werewolf seeking to end his curse makes a bargain with the mutated cat-man, Tygrus.  With Tygrus trading access to Dorian’s present whereabouts, he in return seeks to reunite with his beloved Catwoman.

Having abducted both Batman and Selina “Catwoman” Kyle, Dorian’s crazed experiments are interrupted by Tygrus and later the werewolf.  Batman & Selina must then try to survive an explosive three-way showdown between Man-Bat, the werewolf, and Tygrus, with Dorian as the apparent ‘prize.’

Note: The werewolf is not verbally identified, but it is evidently Anthony Romulus.  This character appeared in the animated “Moon of the Wolf,” which is the episode immediately after “Tyger Tyger.”

REVIEW:

Accompanied by the art team’s likable visuals, Michael Reaves and Kelley Puckett’s story makes for a terrific read.  The sole caveat is reducing Selina Kyle (resembling actress Michelle Pfeiffer) into an obligatory damsel-in-distress. 

Had Selina actively impacted the climax’s outcome (even with just a subtle gesture or a sly fighting move — i.e. tripping Dorian at the right moment), the plotting would have been more satisfying.  Still, including a finish worthy of Universal’s classic monster movies, The Batman Adventures # 21 offers an ideal option for any Bat-aficionado’s comics collection.   

ADDITIONAL CONTENT:

There is a two-page letters-and-answers column.  

BRIAN’S ODD MOON RATING:                        7 Stars

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Comic Books & Graphic Novels DC Comics

BATMAN & ROBIN ADVENTURES # 17 (1997 DC Comics)

Written by Paul Dini & Ty Templeton.

Art by Joe Staton; Rick Burchett; Linda Medley; & Tim Harkins.

Cover Art Ty Templeton; Rick Burchett; & Linda Medley.

SUMMARY:

Entitled “But a Dream,” DC Comics released this issue for April 1997.  It is a sequel to Batman: The Animated Series Season 1 episode: “Mad as a Hatter.”  Heartbroken over the recent engagement of his beloved Alice Pleasance, Jarvis “The Mad Hatter” Tesch tragically dies in Arkham Asylum’s custody.  A concerned Bruce Wayne (as Tesch’s ex-boss) is among the witnesses confirming the Hatter’s bedridden demise. 

Soon afterward, Bruce Wayne and Dick Grayson attend Alice’s wedding to suave Billy Reynolds, only for Alice to abruptly flee the ceremony. Suspicious of Alice’s excessive runaway bride behavior, Batman & Robin pursue her into a far more ominous wedding.  Lost in his own romantic fantasy world, the unhinged, would-be groom and his goons are waiting for the Dynamic Duo.

Note: Despite the cover depicting multiple foes, the Mad Hatter is this issue’s sole Bat-villain.

REVIEW:

Sporting both a good script and likable visuals, this Mad Hatter caper is indeed worthy of Batman: The Animated Series.  It is an ideal choice for a kid’s Bat-comics collection. 

ADDITIONAL CONTENT:

The two-page letters-and-answers column includes a thumbnail hint of the next issue’s cover. 

BRIAN’S ODD MOON RATING:                              6 Stars

Categories
Agatha Christie-Related Books & Novels Mystery & Suspense

DESTINATION UNKNOWN

Written by Agatha Christie.

SUMMARY:

First published in 1954, William Morrow (HarperCollins Publishers) released this 248-page paperback edition in 2012.  Over the course of several months, notable scientists from various countries have mysteriously vanished.  The latest is American nuclear physicist Dr. Thomas Betterton, though now working for a British company, who disappears while attending a conference in Paris. 

Two months later, British intelligence grimly has too few leads.  Yet, one of them is Betterton’s stressed wife, Olive, who claims to have obtained medical clearance to seek some much-needed and secluded rest overseas. 

A fatal plane crash in Casablanca soon claims Olive Betterton’s life, but the enigmatic British operative, Jessop, concocts a makeshift strategy.  Having dissuaded a distraught Hilary Craven from suicide, Jessop recruits the lookalike Miss Craven to impersonate the late Mrs. Betterton.  With any luck, she could help him identify the shadowy perpetrators behind this international scheme.  Essentially, if Hilary Craven indeed has a death wish, Jessop assures that a covert suicide mission on behalf of world security will be far more exciting than a fatal overdose of sleeping pills. 

Though Hilary’s mission initially goes according to plan, the opposition’s unpredictability traps her in an African compound where there is no telling who she can trust. 

Note: The novel’s alternate title is So Many Steps to Death.

REVIEW:

Considering Destination Known is one of Agatha Christie’s few novels not yet adapted for film, one might suppose this Cold War espionage caper is justifiably obscure.  Such an assessment owes more to a mixed-bag plot that could readily be tweaked for movies or television – either as a traditional period piece thriller or even a perverse black comedy. 

More specifically, the pulpy storyline is intriguing for the first third setting up everywoman Hilary Craven’s undercover mission.  As an amateur spy, Hilary’s impersonation of Olive Betterton comes off generally well-played. 

The plotting, however, bogs down upon Hilary’s journey with potential criminals into a remote corner of Africa where nefarious scientific research is peddled behind the Iron Curtain’s ingenious front: a leper colony.  With Hilary now effectively isolated, Destination Unknown struggles keeping readers tuned into the suspense of her plight.  The good news is that, once the enigmatic Jessop resurfaces, a final series of plot twists makes dramatic sense and rewards Destination Unknown with a solid finish.

For readers seeking to complete their Christie bucket list, rest assured that Destination Unknown does not fall among her worst literary works.  More so, the tinge of racism is not present, nor does she torment readers with unnecessary social rants later plaguing her books during the 1960’s and 1970’s.  Conveyed as an average person surrounded by self-absorbed super-geniuses, Hilary Craven supplies a relatable and likable enough protagonist to take a ride with. 

If anything, Christie’s Destination Unknown lands on a slippery slope between enjoyable spy games and a middling read.  That being the case, the book’s likable finale merits giving Destination Unknown at least a chance for re-discovery.  

Note: Offering potentially better reads are these Christie thrillers with British female protagonists caught up in espionage: The Man in the Brown Suit and They Came to Baghdad.  Both books possess a breezily humorous flair that Destination Unknown mostly does not.

ADDITIONAL FEATURES:

The first page is the author’s biography.  Included is Christie’s dedication to her son-in-law, Anthony Hicks.

BRIAN’S ODD MOON RATING:                             6 Stars

Categories
Comic Books & Graphic Novels DC Comics

BATMAN # 672 (2008 DC Comics)

Written by Grant Morrison.

Art by Tony S. Daniel; Sandu Florea; Jonathan Glapion; & Mark Irwin.

Cover Art by Tony S. Daniel; Jonathan Glapion; & Guy Major.

SUMMARY:

Released by DC Comics for February 2008, this issue is entitled “Space Medicine.”  Single-handedly, a mysterious sleeper-cell Batman impostor invades GCPD headquarters and sets it aflame.  Demanding an audience with ex-Commissioner Vane, the assailant settles upon overpowering and taking Commissioner Gordon as his unconscious hostage.  Meanwhile, during his skydiving date with Jezebel Jet over Gotham City, Bruce Wayne sees the Bat-Signal.

Even Batman’s timely arrival may not be enough against this adversary.  Rather easily, the impostor seemingly kills both Gordon and the Dark Knight with fiery blasts to the chest.  A familiar Bat-character makes a cameo to further muddle this dire cliffhanger.

Note: Contradicting the cover image, the Bat-cycle is not used in this story.

REVIEW:

The story’s odd title presumably references Bruce & Jezebel’s skydiving fun-and-games.  Boasting ultra-slick visuals and an ultra-violent plot, Batman # 672 is a high-octane read exuding unpredictability. 

Still, one is expected to overlook peripheral contrivances that writer Grant Morrison fails to explain — for instance, how does a disarmed Gordon suddenly regain consciousness and possess a second firearm?  One can assume an ankle holster, but hinting it in a single panel would have been fair storytelling.  Or, for that matter, are readers supposed to believe that, with minimal effort, this Batman impostor has incapacitated every cop in the building? 

Even if Morrison’s quirky scripting choices do not all make sense, Batman # 672 revs its engine (like a Bat-cycle) keeping readers tuned for the next issue.        

ADDITIONAL CONTENT:

The “DC Nation” column includes thumbnail cover reveals for Countdown # 18; Death of the New Gods # 4; a not-yet-inked Green Lantern # 76; and Batman # 673.  There is also a low-key holiday image of three DC power couples: Barry & Iris Allen; Wally & Linda Park-West; and Hal Jordan & Carol Ferris.

BRIAN’S ODD MOON RATING:                         7 Stars

Categories
Comic Books & Graphic Novels DC Comics

BATMAN # 598 (2002 DC Comics)

Written by Ed Brubaker.

Art by Scott McDaniel; Andy Owens; Roberta Tewes; Wildstorm FX; & John Costanza.

Cover Art by Scott McDaniel & Patrick Martin.

SUMMARY:

Entitled “Santa Klaus is Coming to Town,” DC Comics released this self-contained issue for February 2002.  Temporarily residing at Wayne Manor, Sasha Bordeaux good-naturedly tries to brighten a Scrooge-like Bruce Wayne’s lonely Christmas.  Meanwhile, Batman aids GCPD Detective Renee Montoya’s squad pursue a mind-reading serial killer disguised as Santa Claus.  The psychotic’s present M.O. is delivering explosive gifts to Gotham’s unsuspecting citizenry with naughty (but not necessarily criminal) secrets. 

Previously dubbed ‘Santa Klaus,’ this psychotic villain adds two young teenagers to be his present-delivering ‘elves’ to further the holiday camouflage amidst this rampage.  Late into Christmas Eve, Batman must work fast to defuse the maniac’s ultra-destructive masterpiece in downtown Gotham.  

REVIEW:

Strictly speaking, it is a formulaic holiday Bat-caper with decent writing and reasonably solid visuals.  Yet, there is virtually no plot depth.  For instance, neither the villain’s source of explosives nor Bruce’s meaningful Christmas gift is revealed, let alone explored.  By no means a must-have, Batman # 598 is more for comics fans who enjoy an obligatory dose of Gotham City mayhem in his/her stocking.

ADDITIONAL CONTENT:

There is an abbreviated “Bat Signals” letters-and-answers column.  

BRIAN’S ODD MOON RATING:                    5½ Stars

Categories
Comic Books & Graphic Novels DC Comics

BATMAN # 511 (1994 DC Comics)

Written by Doug Moench.

Art by Mike Manley; Josef Rubinstein; Adrienne Roy; & Ken Bruzenak.

Cover Art by Mike Manley.

SUMMARY:

Entitled “The Night Before Zero,” DC Comics released this Zero Hour tie-in for September 1994.  Zero Hour’s time displacement ripples are already affecting Gotham City, as a post-Killing Joke alternate reality emerges. 

Specifically, an alternate-reality Barbara “Batgirl” Gordon faces a bewildered Dynamic Duo, and later off-screen, confronts her own present-day counterpart: the wheelchair-bound Oracle.  As this younger Batgirl reveals, she was abducted but not crippled in The Killing Joke.  Instead, her father was brutally murdered by the Joker, only to be replaced by Harvey Dent as the city’s Police Commissioner.  Watching these odd present-day events unfold from the shadows is a young, time-displaced Robin (Dick Grayson from several years before).   

Taking advantage of the time-bending chaos (especially with the Gotham City Police now hunting all caped crusaders), the Joker raids the Police Commissioner’s Office to kill Dent.  After Oracle offers a potential theory explaining the sudden madness, Batman must intercept the Joker to prevent the Commissioner’s assassination (whoever it may be).  Batman’s pre-Zero Hour involvement next shifts to Superman: The Man of Steel # 37.    

Notes: Despite his presence on the cover, Nightwing does not appear in this story.  The alternate-reality Batgirl becomes a pivotal character in the main Zero Hour saga. 

REVIEW:

Overcoming potentially confusing plot twists, Batman # 511 is a terrific read, largely due to its welcome unpredictability.  Unlike other Batman titles and their self-contained pre-Zero Hour hype, not everything is neatly resolved.  Hence, Bat-fans get a welcome sample of how tantalizing DC’s Zero Hour concept may become. 

Still, there is one plot element that parents should be advised of: specifically, the Joker’s goons grave-rob Commissioner Gordon’s corpse as a macabre prank to inflict upon Batman.  Consistent with their likable visuals, the art team should be commended for conveying this sequence via inference and shadows rather than anything remotely grisly.  Unlike some dubious pre-Zero Hour crossovers, Batman # 511 holds up even today because the creative team takes some scripting risks that pay off.

ADDITIONAL CONTENT:

There is a two-page “Bat Signals” letters-and-answers column.  

BRIAN’S ODD MOON RATING:                         7 Stars

Categories
Comic Books & Graphic Novels DC Comics

BATMAN: SHADOW OF THE BAT # 31 (1994 DC Comics)

Written by Alan Grant.

Art by Bret Blevins; Adrienne Roy; & Todd Klein.

Cover Art by Brian Stelfreeze.

SUMMARY:

Entitled “The Battling Butler,” DC Comics released this Zero Hour tie-in for September 1994.  After a long night of crime-busting, Batman & Tim Drake’s Robin encounter one last yet inexplicable heist where a bewildered business owner robs his own company office.  Upon returning to the Batcave, the Dynamic Duo discovers that their estranged Alfred Pennyworth has been replaced by his Golden Age counterpart (complete with a Cockney accent) from another reality — i.e. DC’s original Earth-Two. 

Seeking to emulate Batman & Robin as an amateur detective, this bumbling Alfred intends to prove his worthiness as their partner.  He may be their only hope against a vengeful hoodlum gang, who have set up a deadly Bat-trap.  

REVIEW:

Supported by good artwork, this issue’s sole distinction is its playful homage to the original ‘Alfred,’ in an otherwise predictable caper.  Still, the parental upside is that Batman: Shadow of the Bat # 31 delivers a kid-friendly read.     

ADDITIONAL CONTENT:

There is a single-page letters-and-answers column.  In tongue-in-cheek fashion, the “DC Universe # 19” column hypes potential Zero Hour plot twists, no matter how ludicrous.   

BRIAN’S ODD MOON RATING:                           5 Stars