Categories
Comic Books & Graphic Novels DC Comics

THE POWER OF SHAZAM! # 4 (1995 DC Comics)

Written by Jerry Ordway.

Art by Pete Krause; Mike Manley; Glenn Whitmore; & John Costanza.

Cover Art by Jerry Ordway.

SUMMARY:

Entitled “Family Values,” DC Comics released this issue for June 1995.  Fake-fighting Fawcett City mobster (and undercover cop) “Muscles” McGinnis, Captain Marvel discreetly obtains a confidential adoption record for his sister Mary by the Bromfield family.  Afterwards, Billy Batson discovers that a childhood stuffed toy is really the anthropomorphic and stylishly-dressed Tawky Tawny who remembers Billy and Mary quite well.    

After dodging ‘Uncle’ Dudley, Billy attempts to meet his sister in person.  Yet, an unsuspecting Billy is abducted by Mary’s corrupted nanny, Sarah Primm, and a gang of thugs holding Mary as a hostage for ransom.  It is up to Tawky Tawny to convince young Mary that she must release her inner super-hero to save her brother’s life.     

REVIEW:

Re-introducing Mary Marvel to a new generation, writer-artist Jerry Ordway’s scripting poignantly accomplishes the task.  The issue’s art squad contributes likable visuals that perfectly fit Ordway’s storytelling.  Even if this issue is not a must-have, it is neat to see most of the Marvel Family (Billy, Mary, Dudley, & Tawky Tawny) mingle in a kid-friendly tale with some fresh twists.  Nicely played!     

ADDITIONAL CONTENT:

There is a two-page letters-and-answers column.  

BRIAN’S ODD MOON RATING:            6 Stars

Categories
Digital Movies & TV Movies & Television (Videos) Online Videos

YOUNG GUNS II

SUMMARY:                   RUNNING TIME:  1 Hour, 44 Min.

Released by Morgan Creek Productions through 20th Century Fox, Geoff Murphy directs this sequel to the original 1988 film.  Initially set in the early 1950’s, a journalist (Whitford) answers a summons into New Mexico’s secluded desert to interview elderly “Brushy Bill” Roberts (Estevez), who insists upon a pardon once promised from the state’s governor.  Seeking proof, the rightfully-skeptical journalist asks if Roberts has any visible scars.  Per Roberts’ narration, he recalls the subsequent fallout from the original film’s chaotic mass showdown in 1878.

As Billy the Kid continues his legendary gunfighting antics, his current rustling crew consists of: “Arkansas” Dave Rudabaugh (Slater), Pat Garrett (Petersen), and his dubious new recruits: farmer William Hendry French (Ruck) and young Tom O’Folliard (Getty).  Getting word that ex-cronies Chavez y Chavez (Phillips) and “Doc” Scurlock (Sutherland) have been forcibly returned to Lincoln, New Mexico, Billy launches a brazen nocturnal rescue to save his old comrades. 

Ostensibly, Billy intends to lead his fugitive faction to the safety of Old Mexico.  Yet, a run-in with influential cattle kingpin John Chisum (Coburn) fatefully ignites a vendetta for New Mexico’s most powerful to chase down their ‘national embarrassment,’ Billy the Kid, once and for all.  Leading local law enforcement is the county’s newly appointed Sheriff: a reformed Pat Garrett.  With Billy’s elusive gang not too far ahead, Garrett’s posse’s deadly pursuit provokes a fateful last confrontation between Billy and his once-trusted friend in the summer of 1881.   

William H. Bonney/”Brushy Bill” Roberts: Emilio Estevez

Pat Garrett: William Petersen

Chavez y Chavez: Lou Diamond Phillips

“Arkansas” Dave Rudabaugh: Christian Slater

Josiah “Doc” Scurlock: Kiefer Sutherland

William Hendry French: Alan Ruck

Tom O’Folliard: Balthazar Getty

John Chisum: James Coburn

Ashmun Upson: Jack Kehoe

Deputy John W. Poe: Viggo Mortensen

Governor Lew Wallace: Scott Wilson

D.A. Rynerson: R.D. Call

Deputy J.W. Bell: Tom Kurlander

Deputy Bob Ollinger: Leon Rippy

Deputy Carlyle: Robert Knepper

Beaver Smith: Tracey Walter

Charles Phalen: Bradley Whitford

Judge Bristol: Tony Frank

Deluvina Maxwell: Carlotta Garcia

Bounty Hunter: Lee de Broux

Jane Greathouse: Jenny Wright

Note: In addition to winning a Golden Globe, Jon Bon Jovi’s “Blaze of Glory” was also nominated for both an Oscar and a Grammy for Best Original Song for a Film.

REVIEW:

Keeping in mind how three years of history are squished into a matter of weeks (maybe a few months), Young Guns II is still some rip-snorting cinematic dynamite.  Notably, the cast’s acting, John Fusco’s game script, and Geoff Murphy’s reliable directing surpass the original film, as far as impressing audiences with an MTV-era, rock ‘n’ roll Western. 

Still, one must swallow various plot holes (i.e., why doesn’t Billy’s gang dispute his inexplicable sense of direction as their supposed trail is evidently a glorified loop vs. actually going into Mexico?).  If anything, Emilio Estevez’s inspired performance makes the vital difference in that regard, in warding off the film’s logic gaffes.

In the same regard, the chemistry that Sutherland, Phillips, Petersen, and Slater display with Estevez is another major asset.  Petersen’s low-key performance, in retrospect, is overshadowed by the flashy lead actors, but he is one of the main reasons why Young Guns II remains so watchable.  With scenic cinematography and all the other necessary elements for a high-caliber action film, this energetic film merits comparison with Tombstone as the two best history-based Westerns in the past forty years. 

Young Guns II, in other words, consistently delivers the necessary goods where it counts with viewers.           

BRIAN’S ODD MOON RATING:                   7 Stars

IMAGE NOT AVAILABLE