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Individual Tracks (CD's) Music & Radio Shows Rock, R&B, Pop, Soul, & Metal/Symphonic

HOT STUFF (by Donna Summer: The Journey – The Very Best of Donna Summer)

SUMMARY:                   RUNNING TIME: 3:50 Min.

This 1979 Donna Summer disco hit first appeared on her seventh studio album, Bad Girls.  The song subsequently won Summer a 1980 Grammy Award for “Best Female Rock Vocal Performance.”  Among the various compilation albums that “Hot Stuff” appears on is 2003’s The Journey: The Very Best of Donna Summer

Note: The Journey: The Very Best of Donna Summer album also includes an extended cut (the ‘12” Version’) of “Hot Stuff,” with a running time of 6:42.

REVIEW:

“Hot Stuff” captures a radiant Donna Summer, if one is seeking a disco time machine.  This catchy retro tune is highly recommended.  Aside from other Summer tunes, another ideal download double-feature would be Lipps Inc.’s “Funkytown” from 1980.   

BRIAN’S ODD MOON RATING:                8 Stars

Categories
Books & Novels Children's Books DC Comics DC-Related

DC COMICS BACKSTORIES: BATMAN – GOTHAM CITY’S GUARDIAN

Written by Matthew K. Manning & Illustrated by Steven Gordon

SUMMARY:

Released in 2016 through Scholastic, Inc., this 128-page DC Comics Backstories paperback explores the New 52’s Batman.  After a short foreword from the Dark Knight himself, a cast of characters section introduces of Batman’s inner circle and his most well-known villains.  Starting with Bruce Wayne’s tragic childhood, Batman’s origin is revealed, along with details of his weaponry/vehicles/Batcave. 

Subsequent chapters discuss his current rosters of villains and notable Bat-allies (including Batgirl and multiple Robins), and the New 52’s Justice League. Also included in black-and-white are original artwork, sketches, and assorted vehicle blueprints.

Note: The New 52’s Wonder Woman has her own DC Comics Backstories book.

REVIEW:

Well-written for his target audience, writer Matthew K. Manning’s text delivers everything necessary for a good read.  Specifically, by avoiding detailed storylines and omitting grisly details, Manning still provides an accurate overview of Gotham’s Dark Knight and his supporting cast.  While Steve Gordon’s sketch-like illustrations may vary (i.e. one portrait of the Joker is superb while a Two-Face pose is amateurish by comparison), the above-average visuals are frankly a bonus for Manning’s terrific narrative. 

For the elementary school (and early middle school) crowd, DC Comics Backstories – Batman: Gotham City’s Guardian should delight young Bat-fans.  

ADDITIONAL FEATURES:

The four-page “Fast Facts” adds supplemental trivia to Batman’s chronology.  A glossary and a single-page appendix then conclude the book.   

BRIAN’S ODD MOON RATING:                 7½ Stars

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Digital Movies & TV Movies & Television (Videos) Online Videos TV Episodes & Movies TV Series TV Series (Specific Episodes)

MY TWO DADS: THE GOD OF LOVE (Season 2: Episode 9)

SUMMARY:                  RUNNING TIME: 22:00 Min.

Premiering on NBC-TV on March 15, 1989, this episode of “My Two Dads” was scripted by Chuck Lorre and directed by Andrew D. Weyman.  Returning home after a movie, Michael (Reiser) and Nicole (Keanan) bemusedly find Joey (Evigan) and a female friend (Keifer) naked in bed.  Joey’s legendary womanizing now has Nicole’s impressionable teen pals idolizing him. 

Worse yet, Nicole embraces being suddenly ultra-popular, seemingly for that same reason. As the situation becomes increasingly untenable, Michael must convince a skeptical Joey to publicly humiliate himself to right their family’s status quo.  Ultimately, it’s about pitching the right role models to Nicole and, by extension, her closest friends. 

Michael Taylor: Paul Reiser

Joey Harris: Greg Evigan

Nicole Bradford: Staci Keanan

Judge Margaret W. Wilbur: Florence Stanley

Ed Klawicki: Dick Butkus

Shelby Haskell: Amy Hathaway

Cory Kupkus: Giovanni “Vonni” Ribisi

Zach Nichols: Chad Allen

Max: Blake Soper

Nina: Altizah Wiener

Lacey: Holly Sampson

Jenny Slater: Elizabeth Keifer

Melinda Weller: Leslie Neale

Klawicki’s Other Customers: Uncredited

REVIEW:

TV screenwriter Chuck Lorre’s effort at teasing sex education for teens in “The God of Love” is cringe-worthy.  His script’s PG-rated sexist antics objectifying women as mere pick-up targets falls short of good intentions. More specifically, the story’s resolution is far too ridiculous to be of any practical help to a real parent.

Instead of a firm father-daughter sit-down discussion, sitcom logic evidently dictates that ‘Michael’ and especially ‘Joey’ take their time playing up off-screen promiscuity for middling laughs before finally getting around to some responsible parenting. Hence, two-thirds of “The God of Love” risks being almost unwatchable.  

This episode’s last few scenes, despite the ongoing silliness, are relatively good, including how guest star Leslie Neale angrily rebuffs Evigan’s smarmy “Joey,” much to the ‘shock’ of the teen characters.  Otherwise, even the cast’s usual charm doesn’t carry the insipid “God of Love” far.

BRIAN’S ODD MOON RATING:                       3½ Stars

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Digital Movies & TV Movies & Television (Videos) Online Videos TV Episodes & Movies TV Series TV Series (Specific Episodes)

MY TWO DADS: PILOT (Season 1: Episode 1)

SUMMARY:                   RUNNING TIME: 24:00 Min.

Premiering on NBC-TV on September 20, 1987, the pilot episode for “My Two Dads” was scripted by series producer-creator Michael Jacobs and directed by John Tracy.  Thirteen years after a Key West getaway from college and their friendship broken up over their rivalry for beautiful Marcy Bradford, high-strung, yuppie financial advisor Michael Taylor (Reiser) and free-spirited artist Joey Harris (Evigan) are reunited in Judge Margaret Wilbur’s (Stanley) office. 

At stake is the late Marcy Bradford’s last wishes, which bequeaths custody of her twelve-year-old daughter, Nicole (Keanan) to Nicole’s biologically indeterminate father(s).  Hence, Michael and Joey, as much as they dislike one another, now find themselves as co-parents of a pre-teen Nicole.

Initially living with free-spirited Joey, a grieving Nicole realizes she needs both her fathers in her suddenly upside-down life.  Despite her own doubts, a compassionate Judge Wilbur is willing to take a chance on it.

Michael Taylor: Paul Reiser

Joey Harris: Greg Evigan

Nicole Bradford: Staci Keanan

Judge Margaret W. Wilbur: Florence Stanley

Kathryn: Amanda Horan Kennedy (aka Barbara Horan)

Pizza Boy: Max Perlich

Notes: Prior to Greg Evigan’s theme song, “You Can Count on Me,” for the TV series, the pilot utilized a generic instrumental theme.  Series regular Florence Stanley is credited as a guest star.   

REVIEW:

Among the ultra-contrived TV sitcom premises of the mid-to-late 80’s, “My Two Dads” likely ranks near the top of that dubious list.  Aside from the ‘biologically indeterminate’ nonsense that a paternity test could easily resolve, how well does this pilot episode hold up thirty-six years later?  One ought to consider the answer a matter of degrees – not to mention, the show pitches more risqué humor than one might expect for a supposedly kid-friendly program.

Landing a few acerbic innuendos, sitcom veteran Florence Stanley steals her scenes as a no-nonsense family court judge.  Also brightening the episode is newcomer Staci Keanan, who makes the best of the eye-rolling storyline, as written.  Guest star Amanda Horan Kennedy’s charm helps carry the opening sequence, making it a shame that her character (as Michael’s an  attorney) never appeared again. 

Note: Emma Samms subsequently played Nicole’s late mother in a ‘dream’ episode.  In retrospect, Horan Kennedy would have been an ideal casting choice as ‘Marcy.’  Her coincidental resemblance to Keanan is frankly closer than Reiser, Evigan, or Samms – making the storyline’s who’s-the-father? concept a much easier sell to viewers.

The flip side, ironically, would be the efforts from co-leads Paul Reiser and Greg Evigan.  Evidently too eager to land his heavily-scripted retorts (a pause or two would have been helpful), Reiser should have dialed back his performance a notch.  Still, at least his tightly-wound yuppie comes off more believable than Evigan’s urban artist.  Beyond the ultra-implausible loft apartment ‘Joey’ somehow magically affords, it’s not Evigan’s fault that his impulsive character is such a grating and thinly-written cliché.  While Evigan enjoys good chemistry with Reiser and Keanan, his one-dimensional ‘Joey’ is this pilot’s biggest misstep.

All things considered, the first “My Two Dads” episode actually isn’t half-bad.  Suffice to say, the 80’s had some far more nauseating dreck posing as sitcoms – Small Wonder, anyone? 

BRIAN’S ODD MOON RATING:                         5 Stars

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Comic Books & Graphic Novels DC Comics DC's Hardcovers & Trade Paperbacks

THE FLASH (WALLY WEST): EMERGENCY STOP (DC Comics)

Written by Grant Morrison & Mark Millar.

Art by Paul Ryan; John Nyberg; Gaspar Saladino; & Tom McCraw.

Collection Cover Art by Steve Lightle.

SUMMARY:

In 2008, DC Comics released this 144-page trade paperback compiling Wally West’s Flash # 130-135 from 1997-1998.  The three-part “Emergency Stop” pits a ghostly super-suit (dubbed ‘The Suit’) against a temporarily-crippled Wally West, Jay Garrick’s Flash, Max Mercury, and Bart Allen’s Impulse.  This murderous suit is essentially a parasite that steals super-powers and ultimately each victim’s life to continue powering itself. 

“Flash Through the Looking Glass” subsequently pits a still-injured Wally in a desperate race against time to save his girlfriend, Linda Park, from Mirror Master II’s scheme.

Next up is “Still Life in the Fast Lane,” as Jay Garrick’s Flash enjoys an eventful workday, which coincides with his 50th wedding anniversary with wife Joan.  Guest stars include an undercover Nightwing, some of the Justice Society’s surviving members (i.e., Alan Scott’s Green Lantern/Sentinel & Johnny Thunder), and one of Jay’s Golden Age adversaries: the Thinker. 

Finishing this compilation is a three-part crossover with Green Lantern # 96 and Green Arrow # 130“Death at the Top of World, Part 3” has Wally, Kyle Rayner’s Green Lantern, and Connor Hawke’s Green Arrow as prosecution witnesses against multiple villains on trial after a failed effort to free Dr. Polaris.  Yet, the climatic rub is that a super-slick criminal defense attorney may outwit the Justice League’s younger generation.

Note: There is a brief gag reference, as Wally flippantly compares Dr. Polaris to an unnamed Magneto.

REVIEW:

Though this collection’s artwork is consistently solid, it is fair to conclude that Grant Morrison & Mark Millar’s scripting falls far short of remarkable. Case in point: Wally’s convoluted strategy to alter time, prevent his own imminent death, and still thwart ‘The Suit’ will prove mind-numbing to readers just trying to grasp all the wacky pseudo-science involved. Then, there is the eye-rolling matter of Wally’s makeshift Speed Force energy suit – suffice to say, the less said the better.

Essentially, there is nothing about the kid-friendly Emergency Stop that demands must-have reading – even for DC die-hards.  Wally West’s loyal fanbase should find Emergency Stop an enjoyable yet utterly average caper.  Most others will likely deem this book as quickly forgettable.    

ADDITIONAL CONTENT:

In a full-page format, each cover precedes its issue.  The cover artists are: Steve Lightle for Issues # 130-134, and Rodolfo Damaggio & Robert Campanella for Issue # 135.

BRIAN’S ODD MOON RATING:                     5 Stars

Categories
Digital Movies & TV Movies & Television (Videos) Mystery & Suspense Online Videos

SHERLOCK HOLMES: A STUDY IN SCARLET (1933 Film)

SUMMARY:               RUNNING TIME: 1 Hr., 12 Min.

Released in 1933, this black-and-white Sherlock Holmes murder-mystery lifts its title from Sir Arthur Conan Doyle’s 1887 original Holmes novel.  Hence, the plot is officially credited as being only “suggested” by Doyle’s work, but the story is otherwise an original creation.  Directed by Edwin L. Marin, this film was made in California as a KBS Production.

Set in the present-day, a corpse is discovered aboard a train at London’s Victoria Station.  Yet, this supposed suicide victim is the only latest homicide befalling an enigmatic clique linked to China known as ‘The Scarlet Ring.’  With another victim’s daughter, young Eileen Forrester (Clyde), reluctantly joining the ‘Ring,’ she finds that her father’s attorney, Thaddeus Merrydew (Dinehart), is its unscrupulous and ever-evasive mastermind. 

Sensing that a crime cartel’s members are being systematically eliminated, Sherlock Holmes (Owen) pursues leads pertaining to Merrydew’s other suspicious clients.  Among them is the sultry and recently widowed Mrs. Pyke (Wong).  Each of the Ring’s dead pawns is revealed to possess a written note ominously reciting a familiar nursery rhyme counting down ten doomed ‘children.’ 

Pursuing a shadowy serial killer, Holmes knows an innocent woman’s life is at stake, as is a sizable inheritance.  It’s up to Holmes and Scotland Yard’s Inspector Lestrade (Dinehart) to thwart a murderous conspiracy banking on greed. 

Sherlock Holmes: Reginald Owen

Dr. John H. Watson: Warburton Gamble

Thaddeus Merrydew: Allan Dinehart (aka Alan Dinehart)

Mrs. Pyke: Anna May Wong

Eileen Forrester: June Clyde

John Stanford: John Warburton

Inspector Lestrade (misspelled as ‘Lastrade’): Allan Mowbray

Jobez Wilson: J.M. Kerrigan

Mrs. Hudson: Tempe Pigott

Will Swallow: Billy Bevan

Mrs. Murphy: Doris Lloyd

Daffy Dolly: Leila Bennett

Dearing: Halliwell Hobbs

Capt. Pyke: Wyndham Standing

Ah Yet: Tetsu Komai

Merrydew’s Butler: Olaf Hytten

Thompson: Hobart Cavanaugh

Baker: Cecil Reynolds

James Murphy: Uncredited

Train Housekeeper # 1: Uncredited

Train Housekeeper # 2: Uncredited

Partridge (Train Steward): Uncredited

Rumfeld (Train Maintenance Worker): Uncredited

Lestrade’s Plainclothes Cops: Uncredited

Notes: Owen is among the few actors to have portrayed both Holmes and Dr. Watson on film.  Hobbs and Mowbray (though separately) later appeared in the Sherlock Holmes film series co-starring Basil Rathbone & Nigel Bruce.  Late in this film is an extraordinary gaffe: a newspaper advertisement’s close-up depicts Holmes’ address as “221A Baker Street” rather than Doyle’s “221b Baker Street.”  An actor subsequently verbalizes the same mistake in dialogue.

REVIEW:

One should first keep in mind the film’s historical relevancy among Hollywood’s earliest (and best-known) surviving adaptations of Sherlock Holmes, no matter how faithful it isn’t to Conan Doyle.  Interestingly, this film’s smoke-and-mirrors twists predate the film adaptation of Agatha Christie’s And Then There Were None and Basil Rathbone’s Sherlock Holmes: The House of Fear by twelve years. 

Perhaps less surprising is that both these 1945 films easily surpass Reginald Owen’s Sherlock Holmes whodunnit.  Despite its neat premise (one that Owen himself wrote the dialogue), the script’s execution is exceedingly bland.  Trying to instead visualize Rathbone’s Holmes and Nigel Bruce’s Watson might help somewhat relieve the tedium.

It is also ironic how Anna May Wong’s intriguing femme fatale in limited screen time is far more watchable than observing Owen and Warburton Gamble tread their ultra-wooden paces as Holmes & Watson.

1933’s A Study in Scarlet, if anything, is worthwhile just to see a Golden Age star like Wong on screen.  Getting a decent resolution to this storyline’s mystery is something of a bonus, too.  Otherwise, The House of Fear and the original And Then There Were None are recommended as more satisfying viewing options.

BRIAN’S ODD MOON RATING:                     4 Stars

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Comic Books & Graphic Novels Marvel Comics MARVEL's Hardcovers & Paperbacks

THE MIGHTY AVENGERS, VOLUME 1: THE ULTRON INITIATIVE (MARVEL Comics)

Written by Brian Michael Bendis.

Art by Frank Cho; Jason Keith; Artmonkeys’ Dave Lamphear & Natalie Lamphear.

Collection Cover Art by Frank Cho.

SUMMARY:

Released by Marvel Comics in 2007, this 168-page trade paperback complies Mighty Avengers # 1-6 of the same year.  After Marvel’s first Civil War, Tony Stark/Iron Man (now commanding SHIELD) recruits Carol Danvers’ Ms. Marvel to lead a government-recognized Avengers roster.  Effectively overriding Carol’s authority, Stark helps her choose veterans Wonder Man, Black Widow, and the Wasp, as well as the more unstable Sentry and Ares, for extra firepower and muscle.

As Earth faces an onslaught of inexplicable natural disasters, Iron Man’s physical form is shockingly usurped by Ultron’s latest A.I. incarnation: a virtually nude and idealized version of Janet Van Dyne – the Wasp.  With Stark evidently dead, Black Widow now assumes temporary control of SHIELD while Ms. Marvel must quell rebellion within her team’s own ranks. 

Aided by Hank Pym, the team must devise a way of thwarting Ultron’s devastating missile strike.  Desperately devising a counter-assault against this feminized Ultron (whose primitive mindset is somewhat reminiscent of Star Trek: The Motion Picture’s V’Ger), Ms. Marvel realizes that an ultimate sacrifice by at least one teammate may be necessary.  

The epilogue ends with an enigmatic tease of Marvel’s next epic crossover: Secret Invasion.

Note: This title is also available digitally and in hardcover.  The series itself ran approximately three years: May 2007 – April 2010.

REVIEW:

The good news is that Frank Cho’s artwork is consistently high-caliber.  Still, rather predictably, the one caveat would be relying upon too many semi-risqué glimpses of this Ultron – aside from a thin sheet of liquid metal.  Case in point: the ‘sexy’ back cover image speaks for itself.  Unfortunately, the flip side is that Cho’s visual style only distracts so much from an exceedingly blah Brian Michael Bendis storyline. 

Given how this first arc is yet another reboot, too few of Bendis’ self-involved Avengers come off as likable enough to care about their success inevitably saving the day.  More so, multiple game-changing plot twists are resolved with little to no explanation – as if Bendis even cares about plausibility.  Case in point: the status quo (i.e., Stark’s miraculous return; an Avengers spouse not really murdered, etc.) is even conveniently restored just in time for the next arc. 

The uninspired Mighty Avengers, Volume 1: The Ultron Initiative, suffice to say, is a decent read for franchise die-hards.  One is likely better off finding this Avengers title at the library.   

ADDITIONAL CONTENT:

In a full-page format, each Frank Cho cover precedes its issue.  Also included are the double-page variant cover for Mighty Avengers # 1/New Avengers # 26, and Cho’s full-page Wizard Magazine # 180 promo cover.  Lastly, Cho’s two-page sketchbook features Ares; Captain America; Wolverine; She-Hulk; Wasp; Iron Man; Hulk; Black Widow; Ms. Marvel; and Quicksilver.   

BRIAN’S ODD MOON RATING:               5 Stars

Categories
Comic Books & Graphic Novels DC Comics DC's Hardcovers & Trade Paperbacks

VOODOO, VOLUME 2: KILLER IN ME (DC Comics)

Written by Josh Williamson.

Art by Sami Basri; Jessica Kholinne; & Jared K. Fletcher.

Collection Cover Art by Paulo Siquiera & Rod Reis.

SUMMARY:

Released by DC Comics in 2013, this 160-page trade paperback collects Voodoo # 7-12, plus Issue # 0, first published in 2012.  In her New 52 reboot, an abducted Priscilla “Pris” Kitaen had previously been mutated by vile alien experimentation before being rescued by the covert Black Razors organization.  Her evil, shape-shifting clone, ‘Voodoo,’ has become her vengeful obsession to destroy.  Priscilla’s potential new allies are subsequently no match against the clone’s monstrous super-powers. 

Voodoo, at the behest of the nefarious Lord Helspont, seeks a game-changing weapon in the Dead City of the Daemonites on Jupiter’s moon, Europa.   Joining the Black Razors, Priscilla’s intergalactic pursuit of her ruthless twin  leads to a fateful showdown. 

Issue # 0 reveals Priscilla’s escape from the alien cloning facility and Voodoo’s creation.  An enigmatic tease of Priscilla’s WildC.A.T.S. incarnation is conveyed in a crossover scene reuniting her with a teammate from a previous reality: the New 52’s Grifter.     

Notes: This title is also available digitally.  The series was effectively cancelled with this second volume. 

REVIEW:

Voodoo is among the first round of short-lived New 52 titles that far emphasized style over enduring substance.  Hence, this volume’s visuals are generally excellent.  It, unfortunately, lacks a compelling sci-fi/horror storyline to justify such artistic effort.  Josh Williamson’s efforts to right Ron Marz’s icky creative course (specifically, Issues # 1-6) largely fail due to an absence of likable characters to keep readers engaged. 

More so, this cast’s blah expendability is worsened by an over-reliance upon gross-out horror twists reminiscent of movies like 2000’s Pitch Black and 1986’s Alien.  Readers, if anything, are left sorely missing Wildstorm’s appealing WildC.A.T.S. incarnation of Priscilla Kitaen/Voodoo, who worked best in smaller doses. 

Ultimately, Voodoo, Volume 2: Killer in Me, might prove an okay read for adult fans.  Finding it at the library, however, is the most practical option.

ADDITIONAL CONTENT:

In a full-page format, each cover precedes each issue.  Cover artists for Issues # 7-11 are: Paulo Siquiera & Rod Reis; and for Issue # 12: Siquiera & Paul Mounts.  The Issue # 0’s cover artists are Sami Basri & Jessica Kholinne.

BRIAN’S ODD MOON RATING:                    4 Stars

Categories
Animals & Nature Books & Novels Humor (Books) Sports (Books)

A FINE AND PLEASANT MISERY

Written by Patrick F. McManus. Cover Illustration by Bob Jones.

SUMMARY:

Released by Owl Books (an imprint of Holt, Rinehart & Winston) in 1981, this 209-page paperback is a reprint of the publisher’s original 1978 hardcover edition.  Taken from Field & Stream Magazine, the gamut of these Patrick “Pat” McManus” short stories first appeared from 1968 through 1978. 

Bouncing back and forth between his post-World War II youth growing up in Northern Idaho and his present-day experiences, McManus shares his Pacific Northwest anecdotes about:

  • Camping, fishing, and hunting, now and way back then;
  • Proper methods for panicking in the great outdoors;
  • How to get yourself lost on a hunting trip with your buddies;
  • His less-than-prototypical family dog, Stranger, growing up; 
  • Dubious life lessons taken from his crochety pre-teen mentor and local mountain man, Rancid Crabtree;
  • A wild rafting trip with his old crony, Retch;
  • His youthful ‘Big Safari’ capers (aka camping overnight in the backyard), and later his teenage ‘Big Trip,’ where a week’s cross-country hiking trip with a friend becomes a full-blown survival course; 
  • Ever in search of cheap and practical camping gear, the ‘treasures’ McManus finds at his local army surplus store;
  • A makeshift bicycle (“death on two wheels”) from the author’s childhood;
  • Taking one’s family to explore a national park;
  • Perpetually feuding with cows for his favorite fishing hole;
  • and several other related tales.  

McManus views outdoor misadventure as not only a hobby, but as a lifelong passion – no matter how much reality gets in the way.

REVIEW:

For outdoor die-hards and fans of TV parodies like The Red Green Show, the guy humor McManus exudes is timeless.  The kicker is this book’s surprising appeal to non-outdoor enthusiasts.  Given some patience, skeptics will likely find themselves chuckling as McManus repetitively treads topics like youthful fantasies gone awry, repercussions of childhood poverty, ornery relatives and neighbors, wacky friends, or the local scam artist posing as a reputable retail businessman.  Embellishments are a given, but McManus knows exactly how to land an anecdote’s punchline.

If anything, this collection of McManus musings offers some welcome fresh air for anyone justifiably exasperated with the tech-savvy 21st Century.  This kid-friendly title may also be an ideal alternative for today’s generation to tune out television and the internet long enough to give his book a fair chance.  Getting back to some hilarious aspects of down-to-earth nature makes A Fine and Pleasant Misery well worth discovery, if not re-discovery.  

Note: No matter his emphasis on the supposed glories (let alone the necessities) of fishing and hunting, McManus doesn’t depict grisly details. On second thought … one tale does mention his wife’s horror upon unexpectedly finding one of his ‘catches’ stuffed in his hunting jacket. 

ADDITIONAL FEATURES:

McManus briefly offers his acknowledgements.  Jack Samson, then-Editor of Field & Stream, presents a six-page introduction offering insight re: why this assortment of McManus stories was compiled as a book.

BRIAN’S ODD MOON RATING:           7½ Stars

Categories
Digital Movies & TV Movies & Television (Videos) Online Videos Sports (TV & Videos) TV Series TV Series (Specific Episodes) WWF/WWE (Pro Wrestling)

“GORGEOUS” JIMMY GARVIN, WITH PRECIOUS VS. BRAD ARMSTRONG (NWA World Championship Wrestling: Aired 2-7-1987)

SUMMARY:          APPROX. RUNNING TIME:10:44 Min.

The match was taped at a house show, in either January or early February of 1987, from Washington, D.C.’s Armory.  The bout subsequently aired on February 7, 1987, for WTBS’ World Championship Wrestling TV series.  Garvin’s valet (and real-life spouse), Precious, is at ringside. 

The match’s commentators are Tony Schiavone and promoter David Crockett.   

REVIEW:

As a peripheral NWA main event attraction, Jimmy Garvin’s charismatic talents and flashy appearance convey that he and his blond valet, Precious, were the promotion’s answer to the WWF’s legendary “Macho Man” Randy Savage and Miss Elizabeth.  Predating Savage & Elizabeth’s mass popularity by a few years, the Garvin/Precious duo’s presence in the mid-to-late ‘80s NWA often made for some good viewing.  Case in point: Garvin’s brand of obnoxious heel tactics proves well-suited against the underrated Brad Armstrong. 

Despite such reliable in-ring work as a second-generation pro, Armstrong never got his own high-profile gimmick/angle to shine.  Though he would later be reduced into some under-the-radar masked roles, at least Armstrong was never publicly humiliated like Terry Taylor’s Red Rooster.  Armstrong, as seen in this bout, reminds viewers why he was among the NWA’s best technical performers by readily keeping up with Garvin’s star power.

Case in point: Armstrong’s match-ending hard fall to the arena’s parquet floor signifies his toughness by getting up fast.  This routine encounter isn’t likely to inspire multiple viewings, but it is all means watchable.       

BRIAN’S ODD MOON RATING:                    5½ Stars

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